Undergraduate Courses

The Department of English offers over 200 courses for undergraduate- and graduate-level students. These courses focus on a diverse array of topics from across the fields of American and British literature; world literature; critical and narrative theory; film, video game analysis and other areas of popular culture studies; writing, rhetoric and literacy; digital media studies; and folklore. We also offer creative writing workshops in fiction, nonfiction and poetry. 

For a PDF of this academic year's course offerings, see the Course Bulletin [pdf] for this year.

For complete and accurate meeting days and times for courses of interest, and to register, please visit the Ohio State Master Course Schedule. The master schedule is maintained by University Registrar and includes information about Department of English courses offered across all of our campuses. While we make every effort to ensure that the information below is complete and correct, the link above is guaranteed to be so.

Autumn 2024

*For information about mode of delivery, search for the course description in the Student Information System.

1000-Level 

English 1110.01: First-Year English Composition

Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE Categories:
GEN: Foundation: Writing and Information Literacy
GEL: Writing and Communication: Level 1


English 1110.02: First-Year English Composition

Section 30 Instructor: Staff
Section 50 Instructor: Frank Donoghue
Section 60 Instructor: Frank Donoghue
Section 70 Instructor: Ashleigh Hardin
Section 100 Instructor: Staff
Section 150 Instructor: Staff
Section 1140 Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE Categories:
GEN: Foundation: Writing and Information Literacy
GEL: Writing and Communication: Level 1

2000-Level

English 2201: Selected Works of British Literature: Medieval through 1800

Instructor: Leslie Lockett
This course will provide a taste of some of the best items on the menu of British literature, stretching from the so-called Dark Ages (spoiler: they weren't as dark as you think!) through the era of Transatlantic exploration and colonization. These include Beowulf, Chaucer’s Canterbury Tales, Marlowe’s Doctor Faustus, Milton’s Paradise Lost, and Aphra Behn’s Oroonoko. Lectures will emphasize close reading, form and genre, and historical context; recitation assignments will encourage you to engage creatively with our readings and to think beyond the confines of the textbook. 
Texts: In addition to the long works listed above, we'll read short and mid-length poems from each era, such as The Dream of the Rood (Old English), plenty of sonnets (Renaissance), satirical poems by Jonathan Swift (18th century), and we'll read sci-fi by Margaret Cavendish and an autobiographical slave narrative by Olaudah Equiano.
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Diversity: Global Studies
GEL: Literature


English 2202H: Selected Works of British Literature: 1800 to Present

Instructor: Jill Galvan
This class will dig through the complexities of British cultural history and consider how it has generated interesting, world-important literature and ideas that still resonate with us today. We’ll cover the Haitian and French Revolutions, slavery and abolitionism, empire and decolonization, the rise of the capitalist middle class, debates over gender roles and sexuality, and the cultural entrenchment of scientific values. Art forms and movements will also be central to our discussions. Some examples include poetry of Romantic sublime, the Gothic, satire, Aestheticism, detective fiction, realism, and magic realism. 
Texts: Tentative selections for the longer works: Charles Dickens, A Christmas Carol; Olive Schreiner, The Story of an African Farm; Mohsin Hamid, Exit West
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Diversity: Global Studies
GEL: Literature


English 2220: Introduction to Shakespeare

Section 20 Instructor: Luke Wilson
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Diversity: Global Studies
GEL: Literature


English 2220: Introduction to Shakespeare

Section 30 Instructor: Alan Farmer
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history, and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, sexuality, religion, race, nationalism, and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. 
Texts: In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: A Midsummer Night’s Dream, Julius Caesar, Henry the Fifth, Much Ado About Nothing, Othello, and The Tempest.
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Diversity: Global Studies
GEL: Literature


English 2221: Introduction to Shakespeare, Race, and Gender

Section 10 Instructor: Amrita Dhar
This undergraduate lecture course will position students to understand the history of race and gender via early modernity and Shakespeare. No prior experience of critical race studies, intersectional gender or sexuality studies, or Shakespeare studies is required. A commitment to reading older and exciting literature in a great community, however, is required. A commitment to thinking hard about and critically discussing questions of urgent importance today is also required.
Texts: The Comedy of Errors, The Merchant of Venice, Othello.
GE Categories:
GEN: Foundation: Race, Ethnicity & Gender Diversity


English 2260: Introduction to Poetry

Section 10 Instructor: Kayla Probeyahn
Section 20 Instructor: Staff
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Literature


English 2261: Introduction to Fiction

Section 20 & 30 Instructor and title: Elizabeth Renker – “Game of Thrones as Literature”
Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature. Focusing on the first two seasons of the HBO series, this class will train you in core analytical and literary methods that will enable you to understand GoT at a deeper level; it will also improve your analytical skills overall. (We will not have time to read the books by George R.R. Martin.) You will see very quickly how literary analysis unlocks a deeper understanding of Game of Thrones.
Requirements: watch all eight seasons of the HBO series before second session begins; re-watch (and read the transcript for) one episode per asynchronous lecture; answer five homework questions as you watch the episode; take a quiz about the homework questions prior to watching the lecture; listen carefully to lecture; take three exams on Carmen, of which the two highest grades will count. Required materials: an HBO subscription; additional readings posted on Carmen. 
Texts: The first two seasons of the HBO series "Game of Thrones."

Section 40 Instructor: Samantha Trzinski
Section 60 Instructor: Angus Fletcher
Section 70 Instructor: Staff
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included.

GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Literature


English 2263: Introduction to Film

Instructor: Jared Gardner
Introduction to methods of reading film texts by analyzing cinema as technique, as system, and as cultural product. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Visual and Performing Arts


English 2264: Introduction to Popular Cultures

Instructor: Staff
This course introduces students to the interdisciplinary field of Popular Culture Studies through a variety of methods and case studies. The specific focus will be on the entanglement of race, ethnicity, and gender in popular cultures. 
GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEL: Cultures and Ideas


English 2265: Introductory Fiction Writing

Section 10 Instructor: Staff
Section 20 Instructor: Staff
Section 30 Instructor: Staff
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.


English 2266: Introductory Poetry Writing

Section 10 Instructor: Staff
Section 20 Instructor: Staff
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.


English 2267: Introduction to Creative Writing

Instructor: Staff
An introduction to the writing of fiction, poetry, and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.


English 2268: Introductory Creative Nonfiction Writing

Instructor: Staff
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.


English 2269: Digital Media Composing

Section 10 Instructor: Jessica Vazquez Hernandez
Section 40 Instructor: Elizabeth Velasquez
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Visual and Performing Arts


English 2270: Introduction to Folklore

Section 10 Instructor: Katherine Borland
Section 20 Instructor: Jasper Waugh-Quasebarth
A general study of the field of folklore including basic approaches and a survey of primary folk materials: folktales, legends, folksongs, ballads, and folk beliefs. 
GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEN: Foundation: Race, Ethnicity & Gender Diversity
GEL: Cultures and Ideas


English 2270H: Introduction to Folklore

Instructor: Merrill Kaplan
A general study of the field of folklore including basic approaches and a survey of primary folk materials: folktales, legends, folksongs, ballads, and folk beliefs. 
GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEN: Foundation: Race, Ethnicity & Gender Diversity
GEL: Cultures and Ideas


English 2276: Arts of Persuasion

Instructor: James Fredal
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media, and cultural contexts. 
GE Categories:
GEN: Theme: Citizenship for a Diverse & Just World
GEL: Cultures and Ideas


English 2277: Introduction to Disability Studies

Instructor: Shalini Abayasekara
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 
GE Categories:
GEN: Theme: Health and Well-being
GEL: Cultures and Ideas


English 2281: Introduction to African-American Literature

Instructor: Adeleke Adeeko
A study of representative literary works by African-American writers from 1760 to the present. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEN: Foundation: Race, Ethnicity & Gender Diversity
GEL: Diversity: Social Diversity in the US
GEL: Literature


English 2291: U.S. Literature: 1865 to Present

Instructor: Thomas Davis
This course will provide a survey of American literature from the end of the Civil War to the present day. We will attend closely to the formal and stylistic developments of different periods of literary history with an eye on the political, social, and historical antagonisms that accompany and underwrite these aesthetic innovations. The lectures will sketch out the broad historical, cultural, and artistic transformations of the 19th, 20th, and 21st centuries: the changes wrought by the aftermath of war; the transformative realities and legacies of industrial capitalism, settler colonialism, and imperial ambition; the material and psychological impact of two world wars; economic turbulence; shifts in American conceptions of race, gender, and sexuality; and the role of technological innovation. As we move through the centuries, we will be able to see how literature not only internalized many of these historical pressures, but provided unique ways to see and to think about them. Recitations will enhance your understanding of these issues, develop close reading skills, and allow you to work through texts not covered during the lectures.
Texts: The Norton Anthology of American Literature 2: 1865 to the Present; Nella Larsen, Passing; and either Jesmyn Ward, Salvage the Bones or Richard Powers, Bewilderment.
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Literature


English 2367.01: Language, Identity, and Culture in the U.S. Experience

Section 30 Instructor: Staff
Section 40 Instructor: Staff
Section 60 Instructor: Staff
Section 80 Instructor: Mary Gibaldi
Section 90 Instructor: Natalie Kopp
Section 120 Instructor: Rachel McCoy
Section 190 Instructor: Staff
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. Only one 2367 (367) decimal subdivision may be taken for credit. 
GE Categories:
GEL: Diversity: Social Diversity in the US
GEL: Writing and Communication: level 2


English 2367.02: Literature in the U.S. Experience

Section 10 Instructor: Staff
Section 20 Instructor: Staff
Section 40 Instructor: Staff
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience. Only one 2367 (367) decimal subdivision may be taken for credit. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Diversity: Social Diversity in the US
GEL: Literature
GEL: Writing and Communication: level 2


English 2367.04: Technology and Science in the U.S. Experience

Instructor: Staff
Explores how technological changes impact our culture & relationships; students build & expand skills in rhetorical analysis & composition through experimentation with new forms of communicating. One 2367 (367) subdivision may be taken for credit. 
GE Categories:
GEL: Writing and Communication: level 2


English 2367.06: Composing Disability in the U.S.

Instructor: Lauren Chivington
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. Only one decimal subdivision of English 2367 may be taken for credit. 
GE Categories:
GEL: Diversity: Social Diversity in the US
GEL: Writing and Communication: level 2


English 2367.07S: Literacy Narratives of Black Columbus

Instructor: Staff
This service-learning course focuses on collecting and preserving literacy narratives of Columbus-area Black communities. Through engagement with community partners, students refine skills in research, analysis, and composition; students synthesize information, create arguments about discursive/visual/cultural artifacts, and reflect on the literacy and life-history narratives of Black Columbus. 
GE Categories:
GEN: Theme: Lived Environments
GEL: Diversity: Social Diversity in the US
GEL: Writing and Communication: level 2


English 2367.08: The U.S. Experience: Writing About Video Games and Virtual Worlds

Section 10 Instructor: Brittany Halley
Section 20 Instructor: Erin Temple
Section 30 Instructor: Ryan Helterbrand
Section 40 Instructor: Jonathan Thomas
Section 50 Instructor: Staff
Section 60 Instructor: Staff
Section 70 Instructor: Staff
Section 80 Instructor: Staff
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required. 
GE Categories:
GEL: Writing and Communication: level 2


English 2463: Introduction to Video Games Analysis

Instructor: Ryan Helterbrand
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style, and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the English Department Video Game Lab. 
GE Categories:
GEL: Visual and Performing Arts


English 2464: Introduction to Comics Studies

Instructor: Rachel Stewart
Study of sequential comics and graphic narrative and the formal elements of comics, how word and image compete and collaborate in comics to make meaning and how genre is activated and redeployed. Students analyze comics texts, articulate and defend interpretations of meaning and learn about archival research at OSU's Billy Ireland Cartoon Library and Museum. No background in comics is required. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Visual and Performing Arts


English 2581: Introduction to U.S. Ethnic Literatures and Cultures

Instructor and title:Mintzi A Martinez-Rivera – “Oral Narratives and Folklore”
What are the similarities between Br’er Rabbit and Coyote? Is La Llorona haunting the Southern Border while Ishi haunts the Californian coast? By exploring the rich diversity of Native American and Indigenous, African American, Latinx, and Asian American oral narratives, in this course we will explore the relationship between folklore (specifically oral narratives) and literature. Additionally, we will study how those oral traditions can help us understand issue of race, ethnicity, gender, sexuality, disabilities, colonization, migration, belonging, citizenship, and the experience of BIPOC communities in the United States.   
GE Categories:
GEN: Foundation: Race, Ethnicity & Gender Diversity

3000-Level

English 3011.01: Digital Activism

Instructor: John Jones
Because of their networked nature and participatory potential, digital media can be powerful actors in affecting social change and enacting citizenship. We tag, tweet, retweet, swipe left, swipe right, add filters, link, like, follow, friend, and more. Connections are made. Alliances are forged. Technology, power, and values are wonderfully and frightfully connected. In this class, we will investigate and experiment with digital media’s affordances and constraints‚Äîparticularly for the ways they do or do not engender social concern, garner attention, mobilize human and monetary resources, and spark political action.
Texts: Alexander, Jarratt, & Welch (2018). Unruly Rhetorics: Protest, Persuasion, and Publics; Roberts-Miller (2017). Demagoguery & Democracy.
GE Categories:
GEN: Theme: Citizenship for a Diverse & Just World


English 3031: Rhetorics of Health, Illness, and Wellness

Instructor: Margaret Price
Students examine rhetorical concepts and how rhetorical devices construct our understanding of our bodies, health and wellness. Students learn how power structures and ideologies enable commonplace rhetorical devices to structure normative beliefs about bodies, health, and wellness and how rhetoric shapes perceptions of health and wellness and makes and unmakes healthy bodies, including your own. 
GE Categories:
GEN: Theme: Health and Well-being


English 3110: Citizenship, Justice, and Diversity in Literatures, Cultures, and Media

Instructor: Staff
Since the beginning of the modern nation state, cultural texts (poems, novels, films, pamphlets, zines, short stories, advertisements, comics, etc.) have been the essential medium through which the discourse of citizenship has been developed, constructed, refined, and debated. In this course student examine a range of literary periods, genres, and media focused on citizenship and social justice. 
GE Categories:
GEN: Theme: Citizenship for a Diverse & Just World


English 3264: Monsters Without and Within

Section 20 Instructor: Aman Garcha
We will learn how some of the horror stories of the 19th to the 21st century reveal profound anxieties about individualistic ambition, changing norms of gender and sexuality, political threats, and technological change. 
This online course will require students to complete regular quizzes on the reading and recorded lectures; there will also be a final exam. 
Texts: Mary Shelley’s Frankenstein (1818), Bram Stoker’s Dracula (1897), and Steven King’s The Shining (1977). Films will include Invasion of the Body Snatchers (1956) and Cabin in the Woods (2011).

Section 30 Instructor: Christopher Jones
Section 101 Instructor: Calvin Olsen
Storytellers have long used monsters not only to frighten us but also to jolt us into thinking deeply about ourselves, others, and the world we live in. This course examines how various horror genres use monsters to explore issues of wellbeing and citizenship, and debates about race, gender, sexual orientation, mental health, social justice, and personal responsibility.

GE Categories:
GEN: Theme: Citizenship for a Diverse & Just World
GEN: Theme: Health and Well-being


English 3271: Structure of the English Language

Section 10 Instructor: Clarissa Surek-Clark
Section 20 & 40 Instructor: Galey Modan
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings. 
GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEL: Cultures and Ideas


English 3304: Business and Professional Writing

Section 10 Instructor: Staff
Section 20 Instructor: Zaira Girala Munoz
Section 30 Instructor: Staff
Section 40 Instructor: Katelin Anderson
Section 50 Instructor: Staff
Section 60 Instructor: Staff
Section 70 Instructor: Staff
Section 80 Instructor: Staff
The study of principles and practices of business and professional writing.


English 3305: Technical Writing

Section 10 Instructor: John Seabloom-Dunne
Section 20 Instructor: Irma Zamora
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc..


English 3331: Thinking Theoretically

Instructor: Ethan Knapp
Study of fundamental texts and practices informing contemporary understandings of theory in the humanities and social sciences.


English 3340: Reimagining Climate Change

Instructor: Jared Gardner
The course focuses on literature and media (fiction, non-fiction, film, video games, comics) that discuss the broad issue of climate change and the long relationship between humans and the environment.


English 3364: Special Topics in Popular Culture

Section 20 Instructor: Ryan Helterbrand
Focused study in reading popular culture texts, organized around a single theme, period, or medium.

Section 101 Instructor and title: Thomas Davis – “Insurgent Youth: Punk, Riot Grrrl, Black Metal”
How do underground subcultures develop and respond to their historical moments? How can music, art, and lifestyles model other ways of living and thinking? How do different subcultures theorize freedom and autonomy, shock and antagonism? This class pursues these questions by investigating three distinct subcultures: punk, riot grrrl, and black metal. We will listen to a wide range of music, placing it in its historical context and tracing its lasting influences. Readings and viewings will range across documentary films, memoirs, cultural theory, zines, a video game, a visit to OSU's Special Collections, and other literary and visual texts. 
AUTHOR VISITS: James Spooner (author of High Desert & director of Afropunk), Brad Sanders (music journalist for Bandcamp, Decibel, Pitchfork, and more), and more!
Texts: Sara Marcus, Girls to the Front: The True Story of the Riot Grrrl Revolution; James Spooner, High Desert, Dick Hebdige: Subculture: The Meaning of Style

GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEL: Cultures and Ideas


English 3372: Special Topics in Science Fiction or Fantasy

Section 10 Instructor: Staff
Section 40 Instructor: Staff
Section 50 Instructor: Staff
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
GE Categories:
GEN: Foundation: Literary, Visual & Performing Arts
GEL: Literature


English 3378: Special Topics in Film and Literature

Instructor and title:Robyn Warhol – “Janeites: Austen Fiction, Films, and Fans”
All Jane Austen, all the time! Close study of Austen's fiction, film adaptations of her novels, and the fans who have adored her from the early 19th century to the present. Special attention paid to ideas about adaptation, narrative, film analysis, and historical context. If you love romance fiction and rom-coms and are willing to read five Austen novels cover-to-cover, this is the course for you. Not suitable for anyone who does not read novels.
Texts: Emma by Jane Austen; Pride and Prejudice by Jane Austen; Longbourn by Jo Baker
GE Categories:
GEN: Foundation: Historical and Cultural Studies
GEL: Cultures and Ideas


English 3379: Methods for the Study of Writing, Rhetoric and Literacy

Instructor: Jonathan Buehl
Introduction to the interrelated fields of Writing, Rhetoric, and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning, and how these practices are learned and taught.


English 3395: Literature and Leadership

Instructor: Dorothy Noyes
Do we know what we mean when we celebrate leadership? This course explores depictions of leadership in literature, folklore, and related cultural representations from a variety of traditions. These texts also give us diverse perspectives on the exercise of leadership within different traditions, notably the Anglo-American. We will learn how to read cultural texts as practice in thinking situationally and perspectivally--which happens to be why many prominent CEOs and politicians say they read literature. In a multi-stage course project, we'll transfer these analytical skills from the interpretation of leadership in fictive worlds to the diagnosis of real-life challenges of leadership, cooperation, citizenship, and justice. 
Texts: Appalachian, African American, Native American, and Italian folktales; war poetry; popular fiction by Horatio Alger, Harry Kemelman, and Octavia Butler; Américo Paredes' With His Pistol in His Hand; and more!
GE Categories:
GEN: Theme: Citizenship for a Diverse & Just World


English 3398: Methods for the Study of Literature

Section 10 Instructor: Ethan Knapp
Section 20 Instructor: Luke Wilson
Section 30 Instructor: Jessica Prinz
Section 70 Instructor: Sandra MacPherson
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by dept permission. 


English 3465: Special topics in Intermediate Fiction Writing

Section 30 Instructor: Staff
Section 40 Instructor: Staff
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.


English 3466: Special Topics in Intermediate Poetry Writing

Instructor: Staff
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.


English 3467S: Issues and Methods in Tutoring Writing

Instructor: Beverly J. Moss
Do you like providing feedback to your classmates on their drafts? The aim of this course is to prepare you to work with writers from diverse backgrounds and disciplines in the University Writing Center. This class provides a unique opportunity for you to learn about composition theory and pedagogy, tutoring strategies, and writing center theories and practices in order to put these theories and practices to work in classroom and writing center settings. In addition to our regularly scheduled class time, each person enrolled in this course will spend approximately one hour per week in the Writing Center observing and working with experienced consultants. After successfully completing the course, you will be able to apply for a paid position in the Writing Center.
Texts: Possible texts include Fitzgerald and Ianetta's Oxford Guide for Writing Tutors and articles posted on Carmen.


English 3468: Special Topics in Intermediate Creative Nonfiction

Instructor: Staff
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.


English 3662: An Introduction to Literary Publishing

Instructor: Staff
An introduction to the theory and practice of editing and publishing literature.

4000-Level

English 4150: Cultures of Professional Writing

Section 10 Instructor: Christiane Buuck
Section 30 Instructor: Jennifer Patton
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.


English 4189: Professional Writing Minor: Capstone Internship

Instructor: Jennifer Patton
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.


English 4520.01: Shakespeare

Instructor: Jennifer Higginbotham
Critical examination of the works, life, theater, and contexts of Shakespeare.


English 4523: Special Topics in Renaissance Literature and Culture

Instructor and title:Sarah Neville - “Pastoral”
In the early modern imagination, the pastoral mode functioned like a safe space, a place where authors could cope with their anxieties by allegorizing their real world in what Philip Sidney called “pretty tales of wolves and sheep.” This course will examine the pastoral in all kinds of literary forms‚ “poetry, prose, and drama,” to consider why authors like Fletcher, Marlowe, Shakespeare, Spenser, Wroth, Sidney and others found this rustic world view so compelling a trope that they returned to it again and again.
Texts: The Countess of Pembroke's Arcadia, The Countess of Montgomery's Urania, Mucedorus, The Faithful Shepherdess, The Winter's Tale


English 4542: The Nineteenth-Century British Novel

Instructor: Aman Garcha
We will study how the novels of the 1800s reveal some of the major conflicts in nineteenth-century English society. The five works of fiction we will read, by Jane Austen, Emily Bronte, Charles Dickens, Thomas Hardy, and H. G. Wells, try to embrace seemingly irreconcilable ideas: of the aristocracy's age-old cultural power and the new middle class's influence; of a Romantic emphasis on individual passion and a growing emphasis on social conformity; of traditional, religious concepts of truth and a new embrace of science, including Darwin's theory of evolution; of male power and women's changing roles; and of small community identities and the expansion of British bureaucratic, capitalist, and imperial power. The class will provide some instruction in how to write critically about the texts we read.
Texts: Jane Austen, Pride and Prejudice; Emily Bronte, Wuthering Heights; Charles Dickens, Great Expectations; Thomas Hardy, Far from the Madding Crowd; H. G. Wells, War of the Worlds


English 4543: 20th-Century British Fiction

Instructor: Jesse Schotter
A study of the development of British fiction after 1900, with emphasis on such major novelists as Conrad, Joyce, Lawrence, and Woolf.


English 4551: Special Topics in 19th-Century U.S. Literature

Instructor and title:Elizabeth Hewitt – “Utopias and Dystopias”
Can you reduce misery? Can you make the world better? In trying to make it better, will you make it worse? These are some of the fundamental questions posed by utopian and dystopian literature. This course will read and study utopian and dystopian literatures by American writers from the 19th century, many of whom use science fiction genre to critique the injustices and cruelties of their contemporary worlds. We will read texts that describe a world in which there is no gender; a world in which money and inequality has been eliminated; a United States that also has hidden and secretive country in the middle of Texas where Black people have citizenship; a world where everyone farms; etc. 
Texts: Charles Brockden Brown, Alcuin; Sutton Griggs, Imperium in Imperio; Charlotte Perkins Gilman, Herland; Edward Bellamy, Looking Backward 


English 4555: Rhetoric and Legal Argumentation

Instructor: James Fredal
Examines legal argumentation as a specialized type of rhetorical discourse; considers the relationship between rhetoric and legal discourse from historical, theoretical, and practical perspectives; covers key concepts in rhetorical theory and explores their relevance for analyzing and producing legal arguments; students apply theory in analysis and production of spoken and written legal arguments.


English 4565: Advanced Fiction Writing

Section 10 Instructor: Nick White
Section 20 Instructor: Lee Martin
Advanced workshop in the writing of fiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.


English 4566: Advanced Poetry Writing

Instructor: Marcus Jackson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

 


English 4569: Digital Media and English Studies

Instructor: John Jones
Students in 4569 will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity these tools are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support. 
Texts: Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd Edition; The Arduino Starter Kit


English 4572: English Grammar and Usage

Instructor: Daniel Seward
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English.


English 4572: English Grammar and Usage

Instructor: Lauren Squires
Have you ever been told not to end a sentence with a preposition? Not to split infinitives? To avoid adverbs or passive voice? Ever wondered what basis that kind of advice is given no? What even ARE prepositions, infinitives, adverbs, and passive voice?! Join this class for a deep dive into English grammar, where you will learn to describe and analyze the structure of English sentences. You will become familiar with grammar from a linguistic‚ scientific perspective. We will seek to understand the linguistic patterns that underlie all speaking and writing in English, and you will acquire the concepts and terminology necessary to describe those patterns. Importantly, this is not a writing course, an editing course, or a course designed to teach people how to speak/write in English. I will not tell you how to write, or what kinds of words or sentences to use or not to use! However, our enhanced understanding of how English grammar is structured will ultimately equip you with the knowledge to more critically understand speaking and writing styles, including effective writing, usage handbooks, dictionaries, and language-learning pedagogical materials.
Texts: Free Online textbook: English Learning Linguistics Modules


English 4578: Special Topics in Film

Instructor: Jesse Schotter
Examination of particular topics, themes, genres, or movements in cinema; topics may include particular directors (Orson Welles), periods (The Sixties), genres (horror).


English 4580: Special Topics in LGBTQ Literatures and Cultures

Instructor and title:Joe Ponce – “Reading Across Differences”
In this course, we will read a diverse sampling of late 20th and 21st-century North American literary texts that foreground the multiple, expansive, and competing meanings of “queer” sexualities and genders that have developed in the recent past. Moving beyond queer theory’s “single-issue” focus on sexuality alone, we will examine the literature in relation to a variety of intersectional frameworks that have extended and complicated what “queer” can mean and do both aesthetically and politically.
Texts: Alison Bechdel, Fun Home (2006); Monique Truong, The Book of Salt (2003); Rivers Solomon, An Unkindness of Ghosts (2017)


English 4581: Special Topics in U.S. Ethnic Literatures

Instructor and title:Joe Ponce – “Literatures of U.S. Empire: Race, Gender, Sexuality”
Over the past few decades, scholars have theorized U.S. empire as a capacious framework for examining how settler colonialism, transatlantic slavery, overseas military interventions, and immigration policies have produced racialized, gendered, and sexualized subjects. This course considers how 20th and 21st-century U.S. literatures by writers of color have remembered, represented, and resisted these geopolitical and social forces. We will focus in particular on the ways that the literary texts break with generic conventions and use innovative formal techniques in order to register the traumatic legacies of the past as well as construct cultures of survival, solidarity, and even joy in the face of these violent oppressions.
Texts: Toni Morrison, Beloved (1987); Deborah A. Miranda, Bad Indians: A Tribal Memoir (2013); Randa Jarrar, A Map of Home (2008)


English 4584: Special Topics in Literacy Studies

Instructor and title:Beverly J. Moss – “Literacy, Place, and Community Spaces”
What are the dominant literacy practices in your communities outside school like your church, your sorority, the literacy center where you volunteer, or your intramural basketball team? Whether it is a focus on the work of literacy practitioners working in community literacy centers, community organizers using literacy for social justice, or members of a social club engaging in literacy practices that advance the mission of the club, documenting the rich and complex literacy practices that occur beyond traditional academic settings has become an important part of understanding the nature of community literacies and the relationship between literacy, space, and place. Literacy scholars have begun to question the “what” “how” and “why” certain literacy practices function and circulate in local community spaces, social clubs, community organizations, political organizations, community centers, churches, and other community sites. In this class, we will explore the following questions: 
Who are the literacy sponsors in these community spaces, and what are the constraints and affordances of these sponsorships? 

  • What is the relationship between a community site’s dominant literacy practices and that site’s identity? 
  • What is the relationship between the literacy identities of communities and how these communities are positioned economically, politically, socially, and rhetorically? 
  • What constitutes “community”?

Texts: Possible texts: 
1) Campano, Ghiso, and Welch. Partnering with Immigrant Communities: Action through Literacy. NY: Teachers College Press, 2016; 
2) Henry and Stahl (Eds), Literacy across the Community: Research, Praxis, and Trends. NY: Routledge, 2021 


English 4590.05H: The Later 19th Century

Instructor: Clare Simmons
Intensive study of the later 19th century.


English 4592: Special Topics in Women in Literature and Culture

Section 10 Instructor: Molly Farrell
What does the literary history of Black women’s writing in America tell us about the poetry book as a form, and vice versa? In this class, we will read across four centuries of Black women’s volumes of poetry, each book expressing a moment in time in the careers of legendary writers, rather than an anthology that attempts to be comprehensive. How do these poems speak to each other within the book, and how do African American women poets speak to each other—or not—across time? Our explorations into these questions will begin and end in the eighteenth century, with Rita Dove’s epic Sonata Mulattica set in that historical period, and with the first book published by an African American, Phillis Wheatley’s Poems on Various Subjects. In between we will read breakout books by Frances E. W. Harper in the nineteenth century and Gwendolyn Brooks in the twentieth; as well as books celebrating Black Power and the expansiveness of children’s literature. Course requirements may include short interpretive exercises, response papers, a discussion presentation, and a final essay.

Section 20 Instructor: Jennifer Higginbotham
Section 30 Instructor: Clare Simmons
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary.

5000-Level

English 5191: Internship in English Studies

Instructor: Elizabeth Falter
Students may receive credit for internships across a wide variety of career fields including, but not limited to, the arts and nonprofit administration; creative, business, and technical writing; communications, marketing and public relations; consulting; education; human resources; law and politics; media production; publishing; sales; social services and counseling; and technology services.


English 5662.02: Literary Publishing

Instructor: Kathy Fagan Grandinetti
Theory and practice of editing and publishing literature.


English 5710: Introduction to Old English Language and Literature

Instructor: Christopher Jones
Introduction to Old English language, followed by selected readings in Anglo-Saxon prose and verse texts.


English 5720: Graduate Studies in Shakespeare

Instructor and title:Alan B. Farmer – “Shakespeare in History: Theater, Print, and Criticism”
This course will have two primary focuses: first, the history of Shakespeare in the early modern theater and the early modern book trade; and, second, the history of Shakespearean literary criticism, especially since the turn to New Historicism in the 1980s. We will read several plays and think about how they are not only works thoroughly immersed in the concerns of early modern English culture but also works that continue to resonate in fields of contemporary scholarship. We will study the collaborative practices of the early modern theater; the printing, and publishing of Shakespeare’s works in sixteenth- and seventeenth-century England; and the sites where his plays were performed in London and at court. We will also read some of the most influential scholarly work on Shakespeare’s plays from the past several decades, criticism that ranges from editorial and bibliographic theory, feminist theory, and political theory, to studies of race, sexuality, and religion in early modern England. This course is open both to graduate students and to advanced undergraduates (it is an excellent course for undergraduates interested in or curious about pursuing graduate study in English).
Texts: In addition to reading several Shakespeare plays, we will read influential scholarly essays on theater history, book history, and the criticism of Shakespeare's plays.


PREVIOUS COURSE OFFERINGS

1000-Level 

English 1110.01: First-Year English Composition  
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing & in the essays of professional writers. 
GEL Writing and Communication, level 1 
GEN Foundation, Writing and Information Literacy 


English 1110.02: First-Year English Composition  
Section 40 Instructor: Anthony Shuttleworth 
Section 70 Instructor: Francis Donoghue 
Section 80 Instructor: Francis Donoghue 
Section 90 Instructor: Seonoh Kim  
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GEL writing and comm course: level 1.  
GEN foundation writing and info literacy course.

2000-Level

English 2202: British Literature, 1800 to Present 
Section 10 Instructor: Amanpal Garcha 
This course will introduce students to the major movements in British literature since the end of the eighteenth century. We will read works from authors who have played dominant roles in shaping the English literary tradition; these authors include William Wordsworth, Elizabeth Barrett Browning, James Joyce, Virginia Woolf, Salman Rushdie and many others. In lecture, we will learn about some of Great Britain’s dramatic social and political transformations over the last two hundred years as the nation became the first modern, industrialized imperial power in the nineteenth century and then, in the twentieth, faced crises arising from the crumbling of its colonial holdings, its economic decline and the effects of radically new technologies. Perhaps more importantly, the lectures will aim to show how those historical transformations influenced writers’ creativity as British literature moved from the idealism of the Romantic movement to the subdued pragmatism of the Victorian age, to the conceptual challenges brought on by the modern and postmodern eras. During recitation, students will explore the historical and artistic issues covered in lecture in more detail; recitation will also help students increase their understanding and appreciation of the assigned literary works. 
Potential Assignments: Quizzes, midterm, final exam 


English 2202: British Literature, 1800 to Present
Section 20 Instructor: Bethany Geiger 
Section 30 Instructor: Lauren Colwell 
Section 40 Instructor: Bethany Geiger 
Section 50 Instructor: Lauren Colwell 
An introductory critical study of the works of major British writers of the 19th and 20th centuries. 
GEL: Literature and Diversity Global Studies  
GEN Theme: Foundation Literature, Visual and Performing Arts 


English 2202H: British Literature: 1800 – Present
Instructor: Jill Galvan 
This course will introduce you to major British literary trends of the last two centuries. Class meetings will include both lecture and lots of discussion. Our texts will cover the Romantic, Victorian, modernist and contemporary periods, including a bit of the twenty-first century. We’ll talk about many major artistic forms and movements—for example, the lyric, the Gothic, the dramatic monologue, aestheticism, World War I poetry, postcolonial literature and magic realism. We’ll also cover the cultural and historical phenomena that inform our texts, including the Haitian Revolution, French Revolution, slavery and abolitionism, gender roles and “separate spheres,” major scientific discoveries, challenges to religious faith, imperialism, anti-imperialism, sexuality’s expression/oppression and burgeoning modern views about art. Finally, besides teaching you literary and cultural history, English 2202H will help you to become a better critical reader and literary analyst, either for future classes or for your own enjoyment. You’ll practice reading texts with an eye for fine detail (a.k.a. close-reading or explicating) in order to construct logical, complex interpretations based on textual evidence. 
Potential Texts:  Some of our authors: William Blake, Mary Prince, Mary Wollstonecraft, Henry Derozio, John Keats, Charles Dickens, Toru Dutt, Christina Rossetti, Olive Schreiner, Oscar Wilde, Wilfred Owen, Virginia Woolf, Una Marson, Ngugi wa Thiong’o, and Mohsin Hamid. 
Potential Assignments: Regular, active participation; two exams (midterm and final); three brief analytical responses, designed to build your skills in literary interpretation; and a final critical or creative project. 


English 2220: Introduction to Shakespeare 
Instructor: Luke Wilson 
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GEL: Literature and Diversity Global Studies  
GEN Theme: Foundation Literature, Visual and Performing Arts


English 2220H: Introduction to Shakespeare, Honors 
Instructor: Alan Farmer 
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history, and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion, and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. Students will view and write a review of a performance of a Shakespeare play, and in addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Richard II, Much Ado About Nothing, Twelfth Night, Julius Caesar, Othello and The Tempest. 
Potential Texts: I will order editions from the New Cambridge Shakespeare, but any modern edition with glosses, notes, and line numbers of the above plays is fine. Good editions of single plays are published by Folger, Pelican, Norton, Oxford, Bedford, Arden, Bantam, and Signet. Reputable one-volume editions of Shakespeare’s plays are published by Longman, Oxford, Pelican, Riverside, and Norton. You will need to have physical copies of the plays we read, so do not buy any electronic editions. 
Potential Assignments: Requirements include a midterm exam, final exam, an academic performance review, two critical essays (one shorter, one longer), regular attendance, and active participation.  


English 2260: Introduction to Poetry 
Instructor: Kayla Probeyahn 
This course will teach students how to unravel the meanings of poems through close-reading skills and understanding poetic form and historical context. We will read a selection of poems, ranging from Ancient Greece to 2013 Tumblr, with authors varying from Sylvia Plath to ChatGPT, from William Wordsworth to Kendrick Lamar, all while considering their ideological, aesthetic, and experimental aims. This course is designed for students new to the study of poetry, but will be worthwhile for students at any stage who want to read poetry and improve their close-reading and writing skills. 
Potential Assignment: Short essays and quizzes 


English 2261: Introduction to Fiction 
Section 10 Instructor: Sandra Macpherson 
Section 30 Instructor: Matthew Cariello 
Section 70 Instructor: Sean Yeager 
Section 80 Instructor: Matthew Cariello 
This course will introduce students to the study of fiction. Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included.  
GEL: Literature 
GEN Theme: Foundation Literature, Visual and Performing Arts


English 2261: Introduction to Fiction: Literature of Metamorphosis – Tales of Trickery and Transformation 
Section 20 Instructor: Shaun James Russell 
In this online asynchronous Intro to Fiction course, titled Literature of Metamorphosis: Tales of Trickery and Transformation, we will be reading a wide range of literary works spanning from antiquity to (almost) present day, and will have a few oddities sprinkled in with some generally canonical work. All of the works included will engage with the course theme to a large extent, but an open question we will be exploring throughout the course is: what constitutes transformation? Sometimes the answer will be clear: if an enchantress turns sailors into pigs, or if a man wakes up as a cockroach, that is a quite literal transformation. But what about when a boy has a pivotal moment in which he arguably becomes a man? Or when a woman realizes that she can only be herself when she dons the guise of others? Amid these and other thematic questions, we will also explore some of the building blocks of fiction, such as plot, character, setting, symbolism etc., and form our own educated opinions and analyses about what makes these literary works effective (or not).
Potential Texts: Apuleius's The Golden Ass; Shakespeare's A Midsummer Night's Dream; Ovid's Metamorphoses; Kafka's The Metamorphosis; Heywood's Fantomina; and several other works of short fiction. 
Potential Assignments: Discussion posts, mid-term exam, comparative analysis paper, final paper and likely one creative option
GEL: Literature 
GEN Theme: Foundation Literature, Visual and Performing Arts


English 2261H: Introduction to Fiction 
Instructor: Jill Galvan 
This course has two goals. The first is to familiarize (or re-familiarize) you with literary concepts associated with fiction, as well as to introduce new concepts that will allow you to see this genre in more sophisticated terms. The second is to teach you how to come up with persuasive, thought-provoking interpretations of literature. My goal is to help you feel confident analyzing fiction on your own (whether in books or in other media). Each class will include some lecture, but most of the course will be conducted as an open discussion. We will likely end with a unit that considers: how does learning about fiction help someone to become a better critical thinker about texts, voices, and stories overall—even stories that are technically nonfiction? Our readings will span time periods and cultural and social perspectives. 
Potential Texts:  (Tentative) Novels: Robert Louis Stevenson’s Jekyll and Hyde, Jennifer Egan’s A Visit from the Goon Squad, Justin Torres’s We the Animals, Iain Reid’s I’m Thinking of Ending Things, Mohsin Hamid’s Exit West. Short story authors: Herman Melville, Charlotte Perkins Gilman, Toni Morrison, Ursula K. Le Guin, Ted Chiang, Curtis Sittenfeld, Carmen Machado, and others. Plus at least one film. 
Potential Assignments: Regular and enthusiastic participation, three short response papers (1 ½-2 pp. each), a final project (5-7 pp.) and two exams. 
GEL: Literature 
GEN Theme: Foundation Literature, Visual and Performing Arts 


English 2262:  Introduction to Drama 
Instructor:  Samantha Trzinski 
This course will provide a broad overview of theatre and its historical development from ancient Greece to the modern day. It will place emphasis on nineteenth-century British drama and the material history of theatrical productions and the rise of celebrity culture. In addition to reading plays such as Bluebeard, Macbeth, and East Lynne, we will learn about the actors and set designs that brought these shows to life on the stage in the 1800s. The nineteenth century witnesses the rise of celebrity culture, with people like Sarah Siddons and Lord Byron becoming household names with countless fans. As we read and analyze dramas from this period, we will also consider concepts of fame and how they are connected to the literary and theatrical market. 
Potential Texts:  Lord Byron, Manfred; George Colman, Bluebeard; William Shakespeare, Macbeth; Ellen Wood, East Lynne. 
Potential Assignments: Weekly discussion boards, reading quizzes, short essays (1.5-2 pages), biography of a playwright/actor, performed monologue 
GEL: Literature 
GEN Theme: Foundation: Literary, Visual and Performing Arts 


English 2263: Introduction to Film 
Section 10 Instructor: Jesse Schotter 
Section 30 and 50 Instructor: Sam Risak 
Section 60 and 80 Instructor: Caleb Hays 
This course offers an introduction to the language and aesthetics of cinema, familiarizing students with the basic building blocks of film, the forms that movies use to tell stories, communicate complex ideas, and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. We will use each week’s film as both a case study in the strategic deployment of certain cinematic techniques, and as a specific set of images and sounds that combine to create a unique cinematic expression. Throughout the term, we will focus on detailed analysis of films, analyzing closely the ways in which the multiple elements of moviemaking come together to make, and complicate, meaning. Our primary goal in this class is to become skilled at thinking, talking, and writing critically about movies and, in the process, to deepen our appreciation and understanding of the film medium. 
Potential Texts: Films may include: Top Gun: Maverick, His Girl Friday, Rear Window, In the Mood for Love, The Conversation, Killer of Sheep, Do the Right Thing, Cleo from 5 to 7 and more. 
Potential Assignments: Close analysis response, final paper, final exam 
GEL: Visual and Performing Arts 
GEN Theme: Foundation: Literary, Visual & Performing Arts 


English 2264: Introduction to Popular Cultures 
Instructor: Rachel Stewart  
This course introduces students to the interdisciplinary field of Popular Culture Studies through a variety of methods and case studies. The specific focus will be on the entanglement of race, ethnicity, and gender in popular cultures.  
GEL: Cultures and Ideas 
GEN Theme: Foundation - Historical and Cultural Studies 
GEN Theme: Foundation - Race, Ethnicity & Gender Diversity 


English 2265: Introduction Fiction Writing 
Section 10 Instructor: Megan Jones 
Section 30 Instructor: Gianna Gaetano 
Section 40 Instructor: Cat McMahan 
Section 50 Instructor: Porter Yelton 
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 


English 2266: Introduction to Poetry Writing 
Section 10 Instructor: Hannah Nahar 
The word "poem" comes from the Greek "poeisis," meaning to make. A poem is a "made thing." A thing made out of words, out of images, out of lines, out of thoughts, out of feelings, out of time! In this introductory poetry writing course, we will make poems and talk about them. We'll read lots of published poems and consider how they work, how they sing and move us. Together, we will define craft elements such as meter, rhyme, form, repetition, syntax, lineation, field of page, metaphor, image, etc. How do poems work, and what differentiates this strange, slippery genre from others? Why, across human history, do we keep making poems?  
Potential Assignments: Creative work, reflection papers on published poems, thoughtful notes on classmate work. 


English 2266: Introduction to Poetry Writing  
Section 20 Instructor: Alexandra Smereka  
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. 


English 2267: Introduction to Creative Writing 
Instructor: Claudia Owusu 
An introduction to the writing of fiction, poetry, and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 


English 2268: Introductory Creative Nonfiction Writing 
Instructor: Danielle Ola 
We all have stories to tell. This is a class that’s interested in nonfiction writing that defies convention and blurs genres. Be prepared to encounter essays that veer into poetry, pop culture critique that delves into memoir, and memoir that uses the tools of fiction to speculate what might have been. In our time together, we will develop a writing practice that captures the little wonders of our lives, become acquainted with the various forms our stories can take on the page, and expand our notions of what nonfiction can be. 
Potential Texts: Body Work, Melissa Febos; Letters to a Writer of Color, Ed. Deepa Anappara and Taylor Soomro; Craft in the Real World, Matthew Salesses; Excerpts from The Little Devil in America, Hanif Abdurraqib; “No Name Woman,” The Woman Warrior, Maxine Hong Kingston; "Ground Zero", The Undocumented Americans, Karla Cornejo Villavicencio. 
Potential Assignments: Weekly writing exercises, one presentation on a class reading, one creative essay submitted for workshop, feedback letters written for their peers 
Guiding Questions: How has the nonfiction genre evolved in modern literature? What form(s) does it take today?  


English 2269: Digital Media Composing 
Section 10 Instructor: Elizabeth Velasquez 
Section 40 Instructor: Luke Van Niel 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GEL: Visual and Performing Arts 
GEN Theme: Foundation - Literary, Visual & Performing Arts 


English 2270: Introduction to Folklore  
Section 10 Instructor: Zahra Abedi 
Section 20 Instructor: Daisy Ahlstone 
A general study of the field of folklore including basic approaches and a survey of primary folk materials: folktales, legends, folksongs, ballads, and folk beliefs. 
GEL: Cultures and Ideas 
GEN Theme: Foundation - Historical and Cultural Studies 
GEN Theme: Foundation - Race, Ethnicity & Gender Diversity 


English 2276: Arts of Persuasion  
Section 10 Instructor: James Fredal 
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media, and cultural contexts. 
GEL: Cultures and Ideas 
GEN Theme: Citizenship for a Diverse & Just World 


English 2276: Arts of Persuasion 
Section 20 Instructor: Kay Halasek  
How do citizens engage a public to express their interests, to right wrongs, urge fairness, enact justice and awaken compassion? How can citizens critically interpret and engage with public texts and arguments as members of a common political body? We’ll explore these questions and others through the lens of rhetoric as the art of public argumentation, persuasion and interpretation. We’ll learn about the elements of rhetorical interactions, including audience and rhetorical effects, texts and meanings, genres and situations, forms and structures, authors and authorial purposes, argumentation schemes, narrative and myth, tropes and metaphors, as well as cultural and ideological frameworks. 
Potential Texts: Our main course text will be Atilla Hallsby's Reading Rhetorical Theory: Speech, Representation, and Power. It's available online as an open access text that can be downloaded as a pdf.
Potential Assignments: Assignments tentatively include ungraded quizzes (to determine students’ degree of understanding of key terms and concepts), three short (2-page) papers, two unit exams and a take-home final exam in which students identify and analyze a rhetorical problem in terms of one of the three thematic situations set out by Hallsby: settler, secrecy, or digital rhetoric. For example, they may analyze the rhetoric of a contemporary perspective on the (1) rights of indigenous groups, (2) conservative or liberal conspiracy theory, or (3) racialized implications of digital algorithms. 
Guiding Questions: Because rhetoric (which includes basically every message you send or receive) has this world-building ability, it’s an appropriate tool to investigate questions of citizenship, diversity, and justice: Who counts as a citizen? What does it mean to be a citizen? How do we organize and maintain a just and diverse society? Through applying rhetorical concepts to historical and contemporary texts asserting people’s right to belong, this course teaches students to identify rhetorics of citizenry and justice, to analyze their effects and to understand their implications. 


English 2277: Introduction to Disability Studies  
Section 10 Instructor: Staff 
Section 20 Instructor: Katelin Anderson 
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 
GEL: Cultures and Ideas 
GEN Theme: Health and Well-being 


English 2281: Introduction to African-American Literature  
Instructor: Cynthia Young  
This course introduces students to key African American writers and cultural movements of the last two and half centuries. Central questions for the class include: how are community, power, race, gender, and sexuality represented and experienced in and through the texts we will read? How are these texts shaped by the audience to whom they may be addressed? How do these texts relate to struggles for racial justice, including anti-slavery, anti-colonial, and prison abolition movements? We will read work by writers including Phyllis Wheatley, David Walker, Harriet Jacobs, Frederick Douglass, Charles Chesnutt, Langston Hughes, Zora Neale Hurston, Malcolm X, James Baldwin, Audre Lorde, June Jordan, Toni Morrison, and Octavia Butler, and we will examine literary and political movements including the Harlem Renaissance and the Black Arts Movement. 
GEL: Literature 
GEL: Diversity: Social Diversity in the US 
GEN Theme: Foundation - Literary, Visual & Performing Arts 
GEN Theme: Foundation - Race, Ethnicity & Gender Diversity 


English 2282: Introduction to Queer Studies 
Section 10 Instructor: Julia Applegate 
Section 20 Instructor: Peyton Del Toro 
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class, and nationality. 
GEL: Cultures and Ideas 
GEL: Diversity - Social Diversity in the US 
GEN Theme: Foundation - Historical and Cultural Studies 
GEN Theme: Foundation - Race, Ethnicity & Gender Diversity 


English 2290: Colonial and U.S. Literature to 1865 
Section 10 Instructor: Molly Farrell 
Section 20 Instructor: Soyoo Park  
Section 30 Instructor: Erin Temple 
Section 40 Instructor: Mica Edmiston 
Section 50 Instructor: Erin Temple 
Section 60 Instructor: Soyoo Park 
Section 70 Instructor: Mica Edmiston 
Introductory study of significant works of U.S. literature from its Colonial origins to 1865. 
GEL: Literature 
GEN Theme: Foundation - Literary, Visual & Performing Arts 


English 2367.01: Language, Identity, and Culture in the US Experience 
Section 10 Instructor: Mary Gibaldi  
Section 120 Instructor: Rebecca Thacker 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication: level 2 


English 2367.01: Popular science writing and the American public's STEM literacy 
Section 50 and 140 Instructor: Garrett J Cummins 
From the standard course description, English 2367/01 extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
The particular popular culture and education topics we will be looking at focus on how STEM(science, technology, engineering, and math) relates to writing in our majors and/or future professions, open to all majors. In the instance of things like climate change denial intersects with all kinds of majors in all kinds of ways, from business majors to education majors; from humanities majors to sports management, and STEM majors to just name a few majors. 
For both STEM and non-STEM majors, we will focus on how popular American STEM writing and communication intersect with STEM literacy, i.e. the American public’s understanding, misunderstanding, use, and misuse of STEM-related facts, such as climate change denial, flat-earth conspiracy, COVID denial, etc. 
However, these topics and the related readings only work as a springboard for your own writing and research. As a composition course, we focus on the writing process, research, and using OSU’s libraries online resources, along with Google Scholar. 
Potential Texts:  Potential excerpt readings from the following books, which I will supply: The War on Science by Shawn Otto; The Life-Changing Science of Detecting Bullshit by John V. Petrocelli; Not a Scientist by Dave Levitan; Merchants of Doubt by Naomi Oreskes and Erik Conway; Unscientific America by Chris Mooney.  
We will also read various scholarly and popular articles about popular STEM writing, American STEM literacy, and issues with STEM information and misinformation in online spaces, like social media. For the writing textbook, we will use an Open Educational Resource, called English Composition 2, which I will supply to you. 
Potential Assignments: Smaller, weekly discussion board posts that work to help you create writing for the larger assignments. These discussion board posts can be summaries, reading responses to course readings, or reflections on what we wrote. In turn, the class has the following assignment sequence for the larger assignments: Literature review/exploratory essay that connects American STEM literacy, popular STEM writing, and a topic from your major A critical analysis of a popular piece of STEM writing A piece of original writing that appeals to a public audience, arguing how STEM literacy is vital for understanding the topic related to your major. Reflection on what learned over the source of the semester. 
Guiding Questions: Potential questions for the course include: How does the American public’s STEM literacy affect how scientists and nonscientists compose and present STEM information in public forums, such as in online and popular publications? How does STEM literacy and popular information affect nonscientific disciplines, such as business, humanities, the arts, etc.? How does popular STEM writing and American STEM literacy affect policymakers’ decisions, which impacts all Americans’ lives--especially Americans from historically underrepresented populations? 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication: level 2 


English 2367.02: Literature in the U.S. Experience  
Instructor: Kayla Goldblatt 
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience. 
GEL: Literature 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication: level 2 
GEN Theme: Foundation: Literary, Visual & Performing Arts 


English 2367.05: Writing About the U.S. Folk Experience 
Instructor: Mintzi A Martinez-Rivera 
This section of 2367.05 is designed to employ the core concepts and methods of the field of folklore as the basis for reading assignments and writing projects. Because the theme of this course is the U.S. Folk Experience, we will begin with a brief introduction to basic concepts of American folklore and ethnography, including folk groups, tradition, and fieldwork methodology, focusing on how these concepts and methodologies contribute to the development of critical reading, writing, and thinking skills. Along the way, we will explore the diversity of experiences of different groups in the U.S. both through course readings and through your writing assignments and projects. 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication: level 2 
GEN Theme: Lived Environments 


English 2367.06: Composing Disability in the U.S.  
Instructor: Lauren Chivington 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication: level 2 


English 2367.08: The U.S. Experience: Writing About Video Games 
Section 10 Instructor: Christoffer Turpin 
Section 20 Instructor: Ryan Helterbrand  
Section 30 Instructor: Ryan Helterbrand  
Section 40 Instructor: Lauren Cook 
Section 50 Instructor: Liz Miller 
Section 60 Instructor: Liz Miller  
Section 70 Instructor: Lauren Cook  
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required. 
GEL: Writing and Communication: level 2 
GEN Theme: Lived Environments 


English 2367.08: The U.S. Experience: Writing About Video Games 
Section 80 Instructor: Calvin Olsen 
This semester, our work will be situated around the theme of “Whose Game Is It Anyway?” In less pithy terms, we’re going to spend a lot of time playing, discussing, and writing about games that make decisions (conscious and unconscious) about who is depicted in them (and how). We’ll taking into consideration the way that many games were built by and for what digital humanities scholar Roopika Risam called the “exclusionary universal subject” (white dudes…like your professor…), and we will look at the presence and absence of diverse characters in the games. In order to ensure we devote plenty of time to the writing portion of the course, we’ll focus mostly on the two types of identifiers people think of when we consider diversity—race and gender/sexuality—but we’ll also work together to find and highlight games that make use of a wide a range of interesting characters that might guide us toward an inclusionary universal subject. The more the merrier, as they say. 
Potential Texts: Who Says? by Deborah H. Holdstein and Danielle Aquiline. Third Edition. Oxford University Press. ISBN 9780197525494. Required. 
Potential Assignments: Weekly discussion posts, project pitches, papers and side quests.


English 2463: Introduction to Video Games Analysis  
Section 10 Instructor: Ryan Helterbrand  
Section 20 Instructor: Ryan Helterbrand  
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style, and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the English Department Video Game Lab. 
GEL: Visual and Performing Arts 

3000-Level

English 3000: Writing for Social Change  
Instructor: Rebecca Thacker  
In this course we will use academic writing and research practices across various forms of media to investigate the role of citizenship historically and currently, exploring the ways that we as citizens can work towards a more just and diverse society. We will develop a definition of citizenship that emphasizes a citizen?s relationship to their local, national, and global environments. 
GEN Theme: Citizenship for a Diverse & Just World 


English 3020: Writing About Sustainability 
Instructor: John L. Seabloom-Dunner 
Writing about Sustainability is an advanced-level writing course that fulfills the GE requirements for the Sustainability Theme by asking students to consider their place in the natural world through the following learning activities: conducting primary and secondary research, analyzing data, composing and revising written arguments, and becoming more proficient with the conventions of academic discourses. 
Potential Texts: Graff + Birkenstein’s They Say, I Say: The Moves That Matter in Academic Writing. New York: WW Norton & Co. (5th Edition) 
GEN Theme: Sustainability 


English 3031: Rhetorics of Health, Illness and Wellness  
Instructor: Eduardo Mabilog  
Students examine rhetorical concepts and how rhetorical devices construct our understanding of our bodies, health and wellness. Students learn how power structures and ideologies enable commonplace rhetorical devices to structure normative beliefs about bodies, health, and wellness and how rhetoric shapes perceptions of health and wellness and makes and unmakes healthy bodies, including your own. 
GEN Theme: Health and Well-being 


English 3110: Citizenship, Justice, and Diversity in Literatures, Cultures, and Media: [Specific Topic: Law, Literature, and Contested Citizenship in the Long Nineteenth Century] 
Instructor: John Rooney 

“It is emphatically the province and duty of the judicial department to say what the law is.” 
   —Marbury v. Madison (1803) 
    
   “Poets are the unacknowledged legislators of the world.” 
   —Percy Bysshe Shelley, A Defence of Poetry (1821) 
    
It is an odd fact: literary writers have, since the nineteenth century, imagined themselves as the unacknowledged legislators of the world. In short, they have maintained, sometimes in earnest and sometimes in jest, that literature might have the force of law. Since that time, the institutions of the law have, for their part, adopted the techniques of literary writers to lend their pronouncements gravity and authority, as if the force of law were at bottom a creation of literary style. In this course, we will examine the ways in which literature sought to read itself as law, and law as literature, at the time when both literature and law came to hold the meanings we now commonly associate with them—the nineteenth century, when both Anglo-American jurisprudence and literature were exercised over fundamental questions of citizenship and justice. In imagining who might be a citizen, and in excluding others from this newly and direly important category, the discourses of law and literature, borrowing from each other, created many of the assumptions, and much of the prejudice, surrounding questions of citizenship with which we still grapple to this day. In this class, we will read poetry, plays, short stories, philosophical treatises, and judicial opinions from both sides of the Atlantic authored in the century whose ways of imagining citizenship, community, and justice still haunt our contemporary moment. This course will be of special interest to pre-law students and to others considering a career in legal or law-adjacent professions, but all interests are welcome.     
Potential Texts: Edmund Burke, Reflections on the Revolution in France (1790); Mary Wollstonecraft, A Vindication of the Rights of Woman (1792); William Godwin, From An Enquiry Concerning Political Justice (1793, 1796, 1798); Percy Bysshe Shelley, Prometheus Unbound (1820); Mary Prince, The History of Mary Prince, a West Indian Slave, Related by Herself (1831); Additional Readings Posted to Carmen. Key cases in defining citizenship in legal casebooks and histories: Selections from Sources of English Constitutional History, edited by Carl Stephenson and Frederick George Marcham (1937, 1972); Selections from Constitutional Law and Politics, Volume 2: Civil Rights and Civil Liberties, edited by David M. O’Brien and Gordon Silverstein, 12th ed. (2023); J. H. Baker, An Introduction to English Legal History, 5th ed. (2019) 
Potential Assignments: Commonplace journal containing favorite passages and interpretations; a choice of papers examining literary and/or legal texts from a critical perspective; weekly discussion posts on readings; and a final exam dependent on the chosen paper plan. Possibilities for creative assignments exist.


English 3264:  Monsters Without and Within 
Section 10 Instructor: William Spriggs 
Storytellers have long used monsters not only to frighten us but also to jolt us into thinking deeply about ourselves, others, and the world we live in. This course examines how various horror genres use monsters to explore issues of wellbeing and citizenship, and debates about race, gender, sexual orientation, mental health, social justice, and personal responsibility. 
GEN Theme: Citizenship for a Diverse & Just World 
GEN Theme: Health and Well-being 


English 3264: Monsters Without and Within 
Section 20 Instructor: Calvin Olsen 
By writing Frankenstein (and publishing it in 1818), Mary Shelley brought a monster into the world (and birthed the science fiction genre). The novel’s creature has been a part of pop culture ever since, to the point that we conflate it with the word Frankenstein. One of the many interesting questions at the core of Frankenstein has to do with the monster’s humanity. It was made of (mostly) human parts, but is it human? This is an unanswerable question based on what we’ll encounter in the text, but one certainty is that the creature’s body is what makes it monstrous—or, better, what made humans label it monstrous. 
This course will examine a handful of literary monsters whose monstrosity is deeply rooted in and possibly inseparable from the human-ish bodies they inhabit. As we read and discuss these novels, we will examine how notions of monstrous corporeality (monstrous body-ness) push readers to explore fundamental issues of wellbeing and citizenship. We’ll stitch these texts together with ideas (and sometimes debates) about race, gender, sexual orientation, mental health, social justice, and national and/or personal responsibility. Each writer’s monster gives us a different angle from which to examine ourselves and our interactions with other humans, and each will push us to confront monsters without and within as we take a long look in the proverbial mirror. 
Potential Texts: Frankenstein by Mary Shelley; The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson; The Haar by David Sodergren 
GEN Theme: Citizenship for a Diverse & Just World 
GEN Theme: Health and Well-being 


English 3264:  Monsters Without and Within 
Section 30 Instructor: Christopher A. Jones 
Why have vampires gripped the popular imagination for so long? How does the figure of the vampire reflect changing attitudes about health and disease, or community and alienation? Addressing such questions, this section of English 3264 will focus on the evolving figure of the vampire in nineteenth- and twentieth-century literature. After a preliminary consideration of vampire legends from folkloric and scientific perspectives, we will focus on representations of the vampire across a series of texts including Stoker’s Dracula (1897), Matheson’s I Am Legend (1954), Rice’s Interview With the Vampire (1977) and Lindqvist’s Let Me In (2004), along with the film adaptations of each of these. There will be reading quizzes at least weekly, a final short paper, a take-home midterm exam, and a final research or creative project. This class is in person and attendance is required. 
GEN Theme: Citizenship for a Diverse & Just World 
GEN Theme: Health and Well-being 


English 3264: Monsters Without and Within 
Section 40 Instructor: Hannibal Hamlin 
The Devil, Satan, Lucifer, Old Nick, the Prince of the Power of the Air. For millennia, humans have attributed the evil in the world, even the evil that men do, to an external supernatural agent, a fallen angel, a demon, the Lord of Hell, the enemy of God and the Good. After exploring the origins of Satan, we’ll read a variety of works in different genres (plays, novels, films) featuring the Devil or characters like him. In Ben Jonson’s The Devil is an Ass, Satan sends a demon to corrupt London, but the city is already so corrupt that the demon ends up in prison. Norman Mailer’s last novel, The Castle in the Forest, is the story of Hitler’s childhood, told by the demon assigned to put him on the wrong path. Particularly influential is the legend of Faust, the man who sold his soul for knowledge and power. We’ll read the influential play by Johann von Goethe, Germany’s Shakespeare, James Hogg’s Faustian Private Memoirs and Confessions of a Justified Sinner, and watch Istvan Szabo’s brilliant Nazi-era Faust film, Mephisto. But is the Devil just a projection of evil inclinations that are all too human? We’ll discuss devilish sociopaths and serial killers in Muriel Spark’s The Ballad of Peckham Rye, Patricia Highsmith’s The Talented Mr. Ripley, and Sherman Alexie’s Indian Killer.  
GEN Theme: Citizenship for a Diverse & Just World 
GEN Theme: Health and Well-Being 


English 3271: Structure of the English Language  
Section 10 Instructor: Clarissa Surrek-Clark 
Section 30 Instructor: Clarrissa Surek-Clark 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings. 
GEL: Cultures and Ideas 
GEN Foundation: Historical and Cultural Studies 


English 3271: Structure of the English Language  
Section 20 Instructor: Elise Robbins 
This course is an introduction to English linguistics. You will gain the analytical tools to scientifically analyze any language, and apply those tools to English. We?ll learn about the basic characteristics of language: the sounds of English and how they?re put together, word formation processes, and rules for combining words into utterances/sentences. While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education. We?ll also consider how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings.  
GEL: Cultures and Ideas 
GEN Foundation: Historical and Cultural Studies 


English 3304: Business and Profesional Writing 
Section 10 Instructor: Julianna Crame  
Section 20 Instructor: Adrian Salgado  
Section 30 Instructor: Angel Evans 
Section 40 Instructor: William Spriggs 
Section 50 Instructor: William Spriggs 
Section 60 Instructor: William Spriggs  
The study of principles and practices of business and professional writing. 


English 3305: Technical Writing  
Section 10 Instructor: Irma Zamora 
Section 30 Instructor (Session 2): Susan Lang  
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.  


English 3305: Technical Writing  
Section 20 Instructor: John Seabloom-Dunne 
Technical Writing is designed to improve the communication skills and career prospects of three groups: (1) science and engineering majors preparing for technology-focused careers, (2) humanities majors interested in exploring career options in technical communication, and (3) students of any major who want to enhance their marketability by learning about workplace writing 


English 3360: Ecopoetics  
Instructor: David Ruderman  
'Ecopoetics' is a thematic literature course focused on interpretation and analysis of literary texts that represent interactions between humans and the natural world within specific cultural and historical settings, through a contextual examination of how human activity has impacted the environment, how social and natural systems interact, and the long-term impact of human choices. 
GEN Theme: Lived Environments 


English 3364: Special Topics in Popular Culture: Gaming and Playing 
Instructor: Misha Grifka Wander 
What do you think about when you hear the word “game”? Is it video games? Board games? Games of pretend? Maybe it’s TTRPGs like Dungeons & Dragons, or game shows, or card games, or gambling games. Maybe it’s improv games or LARP. Maybe it’s something else entirely. Gaming and play are an important part of every human culture, throughout the millennia, but many people don’t think about them in depth. In this class, we will be diving into the depth and breadth of the world of games. What makes something a game? Do games have to be fun? How does the type of game influence what it’s like to play? How are some people encouraged or discouraged from playing games? We’ll look at board games, video games, tabletop games, and more. You’ll be introduced to game theories and theories of play, and produce both critical and creative writing on the class themes. This class will involve play, of course, but also serious thought about how games affect us, from the personal to societal level. You do not need to have experience with any specific type of game, so self-identified gamers and non-gamers alike are welcome! 
Potential Assignments: Papers, quizzes and creative work 
GEL: Cultures and Ideas 
GEN Foundation: Historical and Cultural Studies 


English 3372: Special Topics in Science Fiction or Fantasy 
Section 10 Instructor: Robert Hughes   
Section 30 Instructor: Andrew Romriell 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
GEL: Literature 
GEN Foundation: Literary, Visual & Performing Arts 


English 3372: Special Topics in Science Fiction or Fantasy
Section 20 Instructor: Zoe Thompson
When we hear the term, “science fictions,” we might immediately think of the word, “future,” and the genre certainly does look forward to fifty years from now, a hundred, a thousand or even ten thousand. Science fiction often speculates looking at everything from our intimate relationships to our social lives and how technology might change the way we live. Such stories, however, are always rooted in the present; reflections. on love, sex, community, and lifestyle are very often actually reflections on our lives in the present moment.
In this class, we are going to focus on two short forms: the short story and the TV episode. The short story is a brief but intense snapshot of an interlude, a specific chapter in a story. Because it does not have the room of the novel, it cannot tell an epic or give every detail of a character’s life story. Instead we have a glimpse and very often this might include an epiphany, a surprise, a twist, a revelation (unless writers are going against conventions). Frank O’Connor in The Lonely Crowd talks about how in a short story, “an iron bar must be bent, and it must be seen to be bent”.
The TV episode is slightly different, though it can sometimes stand alone, like a short story. Often however it is part of an interlinking story that takes up a whole series. The TV episode has an art to it however, and its brevity means that it has particular demands on it, as well the build-up of suspense and intrigue if it is part of a longer series. Your research project will be to explore these short forms and to discover and compare what the short story and the TV episode have in common and how they differ.
Potential Texts: We will look at specific stories from these anthologies, but I would recommend reading these collections widely to get a strong sense of the variety of the genre. 
Masterpieces: The Best Science Fiction of the Twentieth Century ed. Orson
   Scott Card.
   Dark Matter: A Century of Speculative Fiction from the African Diaspora, ed.
   Sheree R. Thomas.
TV Episodes: Electric Dreams, limited series, episode 3, ‘Human Is’. Electric Dreams, limited series, episode 9, ‘The Commuter’. Stranger Things, season 2, chapter 3 ‘The Pollywog’. Westworld, series 2, episode 5, ‘Akane no mai’. (This episode does have some spoilers – so binge-watch the rest beforehand if this bothers you.)
Optional: The Walking Dead series 1, episode 1. The Man in the High Castle, series 1, episode 1. Raised by Wolves, series 1, episode 1.
Potential Assignments: Online participation, essay plan, annotated bibliography, essay. 
Guided Questions: Could the TV episode be akin to the short story? And if so how are both the story and the episode used in science fiction storytelling? When science fiction stories present future worlds, to what extent are they reflecting back on our present, asking questions about how we want to live and what it is to be human?


English 3372: Special Topics in Science Fiction or Fantasy 
Section 40 Instructor: Jesse Schotter
This class will survey some of the most important children's fantasy novelists of the 20th century, from E. Nesbit and C.S. Lewis and J.R.R. Tolkien up through Lloyd Alexander, Ursula K. LeGuin, J.K. Rowling, Diana Wynne Jones, and N.K. Jemisin.  We will examine how these two genres--fantasy and children's lit--grew up together, and will explore the varying influences on these writers, from myth and folklore to Christianity and Taoism and Existentialism to feminism and critical race theory.  
Course requirements include a paper, two responses, a final exam, reading quizzes, and, active participation in class discussions.


English 3372: Special Topics in Science Fiction or Fantasy: Fantasy Set in Our World 
Section 60 Instructor: David Brewer 
When most people think of fantasy, they think of fantastic other worlds: Middle Earth, Narnia, Westeros, or at least fantastic worlds hidden away within our own (Hogwarts). But there is a persistent strain of fantasy set squarely in our own world: past, present, or future. This course will investigate the difference it makes to locate fantasy within a world we know and can visit (or at least study the history of or speculate about the future of, based on our current knowledge). What happens when magic, supernatural beings, or any of the other stock elements of fantasy are combined with people and places that, at least in other situations, have seemed quite solid and mundane? It's something of a truism in the study of narrative that what happens depends in large part on where it happens. What sorts of fantastic stories are made available by (or foreclosed by) being set in, say, Seattle or provincial France or at the Target at Easton? 
Potential Texts: Leigh Bardugo’s Ninth House, Roshani Chokshi’s The Gilded Wolves, Susanna Clarke’s Jonathan Strange and Mr Norrell, Neil Gaiman’s Neverwhere, and N. K. Jemisin’s The City We Became
Potential Assignments: A weekly reading journal; a recommendation of a fantastic story set in our world that we are not reading together; a response to one of your colleagues' recommendations; a few short writing exercises; active participation in our discussions; and a significant contribution to a group project in which you sketch out a fantasy narrative set in Columbus, Ohio. 


English 3378: Shakespeare and Film 
Instructor: Alan Farmer 
In this course, we will study some of the most innovative and influential films ever made of Shakespeare’s plays. We will both read specific plays (probably RICHARD IIIA MIDSUMMER NIGHT’S DREAM, MUCH ADO ABOUT NOTHINGROMEO AND JULIETHAMLETTITUS ANDRONICUS, and MACBETH) and view films that cut across dramatic genres, time periods, countries, and cinematic styles, by such directors as Max Reinhardt (Austria and Germany), Laurence Olivier (England), Akira Kurosawa (Japan), Baz Luhrmann (Australia), Michael Almereyda (U.S.), and Al Pacino (U.S.). We will focus on how directors and actors have chosen to adapt Shakespeare for performance, but also consider how these films have shaped, and continue to shape, the cultural meaning of “Shakespeare” for modern audiences. This course can satisfy various requirements: an upper-level (4000-level) or lower-level (3000-level) course for the English Major and Minor; a course for the Film Studies Minor; a course for the Popular Culture minor; a film course for the Pre-Education Major; and a Historical and Cultural Studies course for the new GE. 
Potential Assignments: Requirements will include two essays, several quizzes, a midterm exam, a final exam, regular attendance, and active participation.  
GEL: Cultures and Ideas 
GEN Foundation: Historical and Cultural Studies 


English 3379: Methods for the Study of Writing, Rhetoric and Literacy  
Section 10 Instructor: Susan Lang 
This course will introduce students to a continuum of research methods used by scholars in such fields as writing, rhetoric, literacy studies, composition studies, and technical communication. We will focus primarily on empirical research methods. You will learn techniques of these various methods and apply them to a series of activities throughout the semester. During the last month, we will shift focus to writing research in writing, rhetoric, and literacy studies. 


English 3395: Literature and Leadership, Reluctant Leaders 
Instructor: Shaun James Russell 
Leadership is an intrinsic part of the human condition, and is often seen as a defining character trait. Someone can be a "born leader" or a "natural leader," and when we think about real-world concerns like politics, social justice, and career development, we place a high value on "leadership skills," broadly defined. It is often said that art imitates life, and the world of literature is full of stories of great leaders and conquering heroes who are much beloved by their followers. But not everyone is born to a leadership role, and the truth is that almost all of us have had to pivot from being supports to being leaders as situations require. Despite what we see in much historic literature, the human who does naught but lead is a rare bird indeed. Instead, when most people take a leadership role, it is often done reluctantly and out of necessity, with little thirst for the glory of command. This idea governs the theme of this course on Literature and Leadership: who are the reluctant leaders in literature and history, and how might we assess their character? Does one kind of "good leadership" easily transition to another? Can a group of people in a terrible predicament be a sort of leadership collective? Can a child ever lead, and if so, is it ethical for them to do so? All of these questions are directly connected to some of our readings. 
Potential Text: Orson Scott Card, Ender's Game; Robert Graves, I, Claudius; William Shakespeare, Coriolanus; John Steinbeck, The Moon is Down. We will also watch two films, and potentially some other shorter videos/episodes 
Potential Assignments: Two reflection papers, a mid-term exam, and a final essay, along with several low-stakes reading quizzes 


English 3398: Methods for the Study of Literature 
Section 20 Instructor: Clare Simmons 
English 3398, Methods for the Study of Literature, is designed to help develop the reading, analytical, research, and writing skills appropriate to the English major. We will read and discuss a variety of texts and practice developing responses both to the text itself and to what others have written about it. The loose topic for the course is nature and the environment, and how people have responded to the natural world in literature through the centuries. 
Potential Texts: Readings will likely include Shakespeare’s Tempest, Emily Brontë’s Wuthering Heights, a variety of poetry and short stories representing the natural world and the human impact on it from medieval to current times, and some ecocriticism. In addition we will use a writing handbook. 
Potential Assignments: Active engagement with the text and participation in discussion is important to the success of the class. There will be some short discussion prompts, three shorter papers and final research project. 


English 3398: Methods for the Study of Literature 
Section 30 Instructor: Jacob Risinger 
In this gateway course, we’ll take our cue from one of George Orwell’s famous lines: “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.” Over the course of the semester, our weekly readings, discussions, and informal exercises will work to annihilate old patterns of complacent reading—leaving in their place the analytical skills and rhetorical strategies you need to establish your own critical/original perspective on literary texts. We’ll attend to the practical work of conducting literary research and writing solid, well-argued essays—but we’ll also practice using literary theory and various methods of criticism to identify new levels of meaning, even in familiar or (seemingly) straightforward texts. The hard work of writing and analysis will be supplemented by an array of engaging texts by writers like Mary Shelley, Elizabeth Bishop, Kazuo Ishiguro, Claudia Rankine, Jesmyn Ward, and others.  


English 3398: Methods for the Study of Literature 
Section 40 Instructor: Christopher Jones 
Section 60 Instructor: Luke Wilson  
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing.  


English 3405: Special Topics in Professional Communication: Automating Professional Communication through Interactive Documents, Structured Authoring, and Artificial Intelligence 
Instructor: Jonathan Buehl 
In this section of English 3405, you will learn about and practice using technologies that automate different aspects of professional writing. After initial discussions of the history and ethics of automating professional communication, we will explore how to automate writing through different composing tools—including desktop publishing platforms, XML editors, content management systems, and generative AI. Major assignments will be project-based and culminate in a portfolio of samples that demonstrate your ability to automate writing for different contexts.
Potential Assignments: Major assignments will be project-based and culminate in a portfolio of samples that demonstrate your ability to automate writing for different contexts. 


English 3465: Intermediate Fiction 
Instructor: Trista Koehler 
In this class, we will be exploring the reading, writing, and interpreting of genre fiction. Genre fiction--such as sci-fi, fantasy, romance, or horror--is still regarded in many academic circles as simplistic and non-literary. In this course we will work to break down those barriers and learn to write not only what we know, but what we love, and what we can only imagine 


English 3465: Special Topics in Intermediate Fiction Writing: Chapter. One  
Section 30 Instructor: Katheryn LeMon 
In the matter of a few pages, a good novel immerses you in a world, introduces you to characters, makes you care about them, and then plunges those characters into a plot that will play out over the course of however many hundred pages. But how, exactly, do they do all that? Together we will explore how published authors have crafted compelling first chapters and use what we?ve learned to draft the openings to our own novels. Later on, we?ll read a few novels in their entirety to see how the promises of their first chapters are developed and expanded into a full novel. We?ll explore different models of plotting and produce an outline that cultivates the seeds we planted in Chapter One. 


English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Aline Resende Mello 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 


English 3467S: Issues and Methods in Tutoring Writing 
Instructor: Allison Kranek 
Welcome to “Issues and Methods in Tutoring Writing”! English/CSTW 3467S focuses on theories and practices in tutoring writing. Whether you’re coming to this class with an interest in tutoring or teaching writing in the future, or are working to better understand how to work with others in individualized ways, this course seeks to equip you with tools to work productively with diverse writers across a variety of contexts. To that end, this course is guided by practical, pedagogical, and scholarly goals. We will use a range of resources to facilitate our learning, including in-class discussion of scholarly texts; observations of writing center sessions; and reflective reading and writing outside of class. These resources and activities are designed to intertwine and inform one another. At the beginning of the semester, we will invite your input on the course themes and shape of the course, but you can generally expect that we will discuss research on writing center theories and pedagogies that help us think about practical best practices for tutoring writing, including tutoring writing across disciplines, inclusive tutoring practices, and tutoring online, to name a few. Finally, we will also work toward an understanding of the writing center as a site of scholarly inquiry, a space where a myriad of forms of writing and research are created, cultivated, and nurtured. Our class will culminate in a research project related to the tutoring of writing. 


English 3468: Special Topics in Intermediate Creative Nonfiction Writing  
Instructor: Kurt Ostrow  
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 


English 3662: An Introduction to Literary Publishing 
Section 10 Instructor: Sappho Stanley   
*POETRY FOCUSED LITERARY PUBLISHING* In this course, we will be focusing on the methods and practices a poet may inhabit in relation to publishing. Topics will include writing practices, literary journals, contests, MFA programs, chapbooks, full length collections, how to read in front of an audience, & meetings with people experienced in the industry. We will take a week to discuss practices related to prose writing, as well.
Potential Texts: “Ordinary Genius” by Kim Addonizio
Potential Assignments: Class meetings, collecting poems into a document (10-20 pages)


English 3662: An Introduction to Literary Publishing  
Section 20 Instructor: Sophia Huneycutt 
An introduction to the theory and practice of editing and publishing literature. 

4000-Level

English 4150: Cultures of Professional Writing 
Section 10 Instructor: Christiane Buuck 
This class will offer you a chance to explore to a range of types of workplace writing. Many of our course assignments are designed to help you compile a writing portfolio that will be useful if you apply to the Minor in Professional Writing, and/or in future job searches. Additionally, you will find and interview two professionals in your field of interest. You will hone your editing skills by practicing AP style, reviewing common usage mistakes and how to avoid them, giving and receiving feedback in peer review, practicing repurposing content and drafting for different audiences and revising for clean, professional copy in every deliverable. Throughout the term, you will work individually and collaboratively to explore a professional writing field of your choice, culminating in an engaging group presentation and panel discussion. 
Potential Texts: We will read many real world samples of the kinds of writing we'll work on in class.  
Potential Assignments: A variety of professional writing genres to help build your professional writing portfolio and your confidence as you anticipate professional spaces. 


English 4150: Cultures of Professional Writing 
Section 20 Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 


English 4189: Professional Writing Minor: Capstone Internship 
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 


English 4515: Chaucer 
Instructor: Ethan Knapp  
The aim of this course will be to introduce students to the poetry of Geoffrey Chaucer, starting with his early works and leading up to a reading of large sections of his most famous poem, The Canterbury Tales. Chaucer's poetry offers a window onto an unusually exciting moment of political, cultural and philosophical transformations, and we will consequently read these poems with close attention to the society and culture that produced them, the turbulent end of the fourteenth century. Students should also acquire a familiarity with Chaucer's Middle English and with the literary culture of the time.
Potential Texts: Dream Visions and Other Poems and The Canterbury Tales
Potential Assignments: Two exams and one paper


English 4522: Renaissance Poetry: John Milton 
Instructor: Amrita Dhar 
In this course, we will read the major works of the seventeenth-century poet and polemic John Milton, especially Milton's magnificent epic, Paradise Lost. Reading Paradise Lost will be one of the grandest and most surprising and most rewarding literary/readerly/poetic experiences of your lives. Readers who have encountered Milton before are welcome, and even more welcome are those who have not. People who like poetry are welcome, and even more welcome are those who do not. Prepare to be challenged, amazed, and just possibly, to fall in love. 
Doing this class in 2024 is special. 2024 will see the 350th anniversary of Paradise Lost, A Poem in Twelve Books, published in 1674. 
Potential Texts: LycidasAreopagitica, Paradise Lost, Paradise Regained, Samson Agonistes 
Potential Assignments: Reflection papers, close reading papers, creative-critical work, and final essay. 


English 4533: The Early British Novel, 1688-1808 
Instructor: Roxann Wheeler 
ENG 4533 introduces the modern novel through a deep dive into the cultural and literary history that shaped it. We will focus on eighteenth-century novelists’ experiments in creating a new genre that came to be the preeminent literary form for representing the main character’s interiority at the same time it fostered a robust criticism of the ills of eighteenth-century society, including unchecked patriarchal privilege, especially landowning men’s behavior. As we study the ways that the novel is the middle class genre, we will focus on novelists’ experiments in formal elements of narration, character, tone, setting, plot, and structure: both first and third person narration are undergoing rapid transformation in this era.  
I have selected novels that dramatize the cultural debates and literary pleasures on which the early novel hinged. Tales of unrequited love and lethal lust; stories of shipwreck and enslavement on the fringes of the Ottoman and growing European empires in the Americas; representations of the hazards of courtship and marriage; and, depictions of overwrought emotions are the main topics of the early novel that we will study. These novels also explore philosophical issues, including the relationships among property, race, and enslavement; the emergence of individualism and modernity; and gendered and rank-specific behavior that becomes the hallmark of a “civilized people,” freighted with the implications for situating Englishness in a global world both sexually and otherwise. Contemporary counterparts to the novels we will read in literature and film include the interracial male buddy film/police TV show (Robinson Crusoe), the detective novel (Caleb Williams), the Gothic horror/terror film/novel (Caleb Williams and The Wrongs of Woman), the stage musical and soap opera (Pamela), the lives of the rich and famous celebrity exposé (The Fair Jilt and Fantomina), the coming of age novel/film (pretty much everything we are reading in one way or another), the courtship novel/film (Pamela, Evelina, The Woman of Color). 
Objectives for the course include your learning influential theories of the eighteenth-century novel, understanding the distinctive kinds of characters, plots, and aesthetics of the early novel, and recognizing the various modes in which the novel is written, including Romance, didacticism, satire, realism, and sensibility, all of which dramatized contemporary social ills distinctively but in ways we still see today (e.g., the #MeToo Movement). 
Potential Texts: Aphra Behn's, Oroonoko or The Royal Slave (1688); Daniel Defoe, Robinson Crusoe (1719); Samuel Richardson, Pamela or Virtue Rewarded (1741); Frances Burney, Evelina or A Young Lady's Entrance into the World (1778); Anonymous, The Woman of Color (1808)
Potential Assignments: Short Analytical Papers 


English 4542: The Nineteenth-Century British Novel 
Instructor: Amanpal Garcha 
In this course, we will study how the novels of the 1800s, in their ways of representing characters and events, reveal some of the major conflicts in nineteenth-century English society. The five works of fiction we will read – by Jane Austen, Emily Bronte, Charles Dickens, Thomas Hardy, and H. G. Wells – try to embrace seemingly irreconcilable ideas: of the aristocracy's age-old cultural power and the new middle class's increasing influence; of a Romantic emphasis on individual passion and freedom and a growing emphasis on social conformity and productivity; of traditional, religious concepts of truth and a new embrace of rationality and science, including Darwin's theory of evolution; of male power and women's changing roles; and of small community identities and the expansion of populous urban cities and of British bureaucratic, capitalist, and imperial power. The class will provide some instruction in how to write critically about the texts we read.  
Potential Assignments: Requirements include regular class attendance and participation, the completion of periodic reading quizzes, a few short papers, and a comprehensive final exam. 


English 4554: English Studies and Global Human Rights: Trafficking Rhetoric: Human Rights and Modern-Day Slavery 
Instructor: Wendy S. Hesford 
Trafficking in human beings is a complex, global phenomenon. Human trafficking can be approached as an issue of migration or organized crime that affects state security, and/or from a human rights perspective, since trafficking encompasses a spectrum of human rights abuses. Increasingly, scholars, journalists, and activists classify human trafficking as a form of modern-day slavery. While the analogy between the contemporary problem of human trafficking and the Trans-Atlantic Slave Trade may bring greater attention to human trafficking, it also runs the risk of obscuring the afterlives of racial slavery in the post-civil rights era. In addition to considering both the scholarly promise and limits of the analogy between modern trafficking in humans and the slave trade of the past, this course will examine the formal elements of modern slave narratives, such as raid and rescue motifs, as well as the political role that such narratives play in anti-trafficking campaigns, legislation, and nation-state reports. 
Potential Texts: Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness;  Uzodinma Iweala, Beasts of No Nation; Zana Muhsen, Sold: One Woman’s True Account of Modern Slavery; Louise Shelley, Human Trafficking: A Global Perspective  
Potential Assignments: Two essays and one visual project (photoshop) 


English 4563: Contemporary Literature  
Instructor: Jessica Prinz 
A study of poetry and prose written since approximately 1960. 


English 4565: Advanced Fiction Writing  
Section 10 Instructor: Nick White 
Section 20 Instructor: Christopher Vanjonack 
Advanced workshop in the writing of fiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 


English 4566: Advanced Poetry Writing 
Instructor: Zoe Thompson 
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 


English 4568: Advanced Creative Nonfiction 
Instructor: Elissa Washuta 
The advanced creative nonfiction workshop is devoted to furthering your development of the craft of creative nonfiction. Through studying published nonfiction pieces and craft texts, developing new work, responding to peers’ manuscripts, and revising your essays, you will continue to refine your individual approach and further your understanding of how to most effectively use craft elements to shape your work. 
Potential Texts: No textbook will be required. Various essays and craft texts will be provided via Carmen. The bulk of students’ reading will consist of their peers’ workshop essays. 
Potential Assignments: Workshop essays, peer responses, writing exercises, and brief reading responses 


English 4569: Digital Media and English Studies  
Instructor: Calvin Olsen  
Students in 4569 will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity these tools are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support. 
Potential Texts: Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd Edition Readings supplied by the instructor 
Potential Assignments: Students will create multiple interactive design projects, a short paper, and take occasional quizzes. 


English 4572: English Grammar and Usage  
Section 10 and 20 Instructor: Daniel Seward 
In this class, we will explore English grammar as both a natural phenomenon and as an artificial collection of usage rules traditionally taught as the Standard, all while considering the social and ethical implications of using (or not using) and teaching (or not teaching) the Standard. Alongside lessons on English syntax and pragmatics, we will consider the affordances of non-standard English usage associated with particular discourse communities, as well as the ways spoken and written expression contribute to our personal, social, and cultural identities. Finally, we will consider what it means to be a good "citizen-grammarian": that is, someone who can offer accurate, pragmatic, and socially conscientious guidance about usage, all without simplistically privileging standardized forms, which tend to reflect the preferences of already-privileged discourse communities. 
Potential Texts: Required textbook: Louise Cummings, Working with English Grammar (Cambridge UP, 2018). This is available in print or electronic formats. Other readings on writing style will be distributed on Carmen as PDF documents or through URLs. 
Potential Assignments: Three online, open-resource exams; a Lexical Field Guide focusing on usage in a particular discourse community; weekly participation postings in various forms 


English 4572: English Grammar and Usage  
Section 30 Instructor: Lauen Squires 
 In this class you will learn to describe and analyze the structure of English sentences. You will become familiar with the concepts and patterns of grammar from a linguistic—a scientific—perspective. We will seek to understand the linguistic principles that underlie all speaking and writing in English. Importantly, this is not a writing course, an editing course, or a course designed to teach people how to speak/write in English. However, our enhanced understanding of how English grammar is structured will ultimately equip you with the skills to more critically understand speaking and writing styles, including effective writing and products designed to encourage it, such as usage handbooks and language-learning pedagogical materials.
Potential Texts: Online open-access (free) textbook
Potential Assignments: Midterm; final; journal; final assignment
Guiding Question: How do English sentences work?


English 4577.02: Legend, Superstition, and Folk Belief 
Instructor: Merrill Kaplan 
Have you heard? Rumors and conspiracy theories, spooky stories and superstitions, fake news and folk belief: folklorists study all these things and more as legendry. Societies work through their most pressing fears, beliefs, and doubts in just-might-be-true tales that spread like wildfire in every medium. Take this course for a deep dive into how we crystalize cultural anxieties into stories, memes, and TikToks and use them to debate the nature of our world. Your social media feed is already full of this stuff. Get the tools to understand it.  
Potential Texts: McNeill, Lynne S. Folklore Rules: A Fun, Quick, and Useful Introduction to the Field of Academic Folklore Studies. Utah State University Press, 2013. 
Potential Assignments: Students will identify examples legendry "in the wild," document and interpret them as cultural expressions. 


English 4578: Special Topics in Film: The Musical 
Section 20 Instructor: David Brewer 
This course will investigate what is perhaps simultaneously the most beloved and the most mocked of all film genres: the musical. We’ll explore the enduring appeal of characters bursting into song and dance when their emotions swell. We’ll investigate the perennial (and perhaps perennially flawed) attempts of filmmakers to make musicals edgier or cooler in some way. And we’ll consider why such an inherently ridiculous and unrealistic form should persist, despite all of the changes to both society and the film industry over the past century. 
Potential Texts: Singin' in the Rain; The Wizard of Oz; West Side Story; Cabaret; The Rocky Horror Picture Show; Grease; The Little Mermaid; Hedwig and the Angry Inch; Sweeney Todd: The Demon Barber of Fleet Street; Across the Universe; and Hamilton
Potential Assignments: A weekly viewing journal; a recommendation of a musical we are not watching together; a response to a colleague's recommendation; a few short writing exercises; active participation in our discussions; and a significant contribution to a group project in which you collectively sketch out a new film musical. 


English 4578: Special Topics in Film: FILM AND AMERICAN SOCIETY AFTER WORLD WAR II 
Section 30 Instructor: Ryan Friedman 
This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts from a variety of sources (e.g., popular magazines, film-trade publications, books of popular sociology, design treatises, political speeches) published during the era in which these films were produced and released. These textual primary sources will serve to illustrate historical discourses describing, reinforcing, and/or critiquing what were conceived of as significant social issues and shifts—from the “veterans problem,” to the “housing crisis,” to “juvenile delinquency,” to sexism, and racial segregation in schools. In our discussions, we’ll be interested in how the assigned films reflected, responded to, and inflected the print debates happening around these issues and shifts—even and perhaps especially when the films are not overtly working in the “social problem” genre. We’ll also approach the films in the context of the upheavals happening in the American film industry during this period, as a result of the Paramount decree, the HUAC hearings, suburbanization, and declining movie theater attendance. In particular, we’ll examine the ways in which the rise of television as a competing medium of mass entertainment shaped the stories that Hollywood movies told and the visual devices that they used to dramatize these stories. 
Potential Texts: Genre films and supporting primary texts from the postwar era. 
Potential Assignments: Weekly quizzes, group presentation, analytical essay, take-home final exam. 


English 4581: Special Topics in U.S. Ethnic Literatures 
Instructor: Pranav Jani  
Study of selected issues or forms in U.S. ethnic literatures and cultures. Topic varies. Examples: Native American autobiography, Asian American poetry; Latino/a novel. 


English 4583: Special Topics in World Literature in English  
Instructor: Pranav Jani 
Study of literatures written in English and produced outside of the U.S. and Britain; topics include colonial/postcolonial writing, regional literature, theoretical and historical approaches, genres. 


English 4588: Introduction to Latinx Literature and Culture 
Instructor: Mintzi A Martinez-Rivera 
Through the study of oral narratives (such as legends, corridos, and wordplay), novels (including Children and YA novels), poetry, short stories, musicals, and films, this course offers a broad introduction to the study of U.S. Latinx Literature and Culture. Moving among and away from the canon, we will explore issues of race and ethnicity, citizenship and belonging, ideologies of gender and sexuality, revolution and social movements, growing up in the U.S., among other topics, as they relate to the experience of Latinx communities living in the U.S. Through different assignments, students will have the opportunity to investigate a topic of their choice and create their own (non)creative project. 


English 4590.06H: The Modern Period 
Instructor: Jessica Prinz 
Intensive study of The Modern Period.  


English 4592: Special Topics in Women, Literature, and Culture: Women’s Sonnets 
Section 10 Instructor: Jennifer Higginbotham 
Women played an influential role in the development of the sonnet. When the Italian poet Petrarch popularized the form in the fourteenth century, he started an ongoing literary tradition, and women have been at the forefront of its innovation almost from the start. Initially present only as love objects, women quickly adapted the form to their own poetic voices. The Protestant exile Anne Locke was responsible for getting the first sonnet sequence in English published in 1560 when she appended Thomas Norton’s paraphrases of Psalm 51 to her translation of one of Calvin’s sermons, while women like Elizabeth Carey, Lady Berkeley participated in the translation of Petrarch’s original Canzoniere in the 1590s. After we dive into the mechanics of what makes a sonnet “a sonnet,” we’ll apply our knowledge to trace the history of women’s sonnets from the sixteenth century to today. In addition to gaining mastery of poetic form, students will engage with feminist and queer theory to explore what sonnets help us understand about gender and sexuality, and what gender and sexuality can help us understand about sonnets. 


English 4592: Special Topics in Women's Literature: Artists and Artistry in U.S. Women's Writing 
Section 20 Instructor: Susan Williams 
Some of the most popular fiction by U.S. women, both in the 19th century and today, has featured characters and plots that focus on women writers and artists. From the March sisters' dreams of acting, painting, writing, and playing the piano in *Little Women* to the photographer Mia Warren in Celeste Ng's *Little Fires Everywhere*, best-selling authors have explored both the power of and barriers to artistry faced by amateur and professional practitioners. In this class, we will think about the enduring interest in the figure of the artist for U.S. women writers from both an historical and cultural perspective. We will also consider how and why these texts have inspired adaptations across a number of genres. Along the way, we will examine the nature of creative practice; the relation between craft and art; the evolving nature of "genius"; and the enduring power of art in U.S. culture. 
Potential Texts: Louisa May Alcott's, Little Women; Elizabeth Keckley, Behind the Scenes; Rebecca Harding Davis, Life in the Iron Mills; Tracy Chevalier, Girl with a Pearl Earring; Celeste Ng, Little Fires Everywhere  
Potential Assignments: Assignments will likely include one brief research paper; short in-class and homework exercises; a midterm exam; and a final project.  


English 4592: Special Topics in Women in Literature and Culture: "The Surplus Woman Debate and the Beginnings of Feminism." 
Section 30 Instructor: Clare Simmons 
English 4592 fulfills an upper-level literature requirement for any English major; it is a requirement for the Pre-Education concentration. 
The British Census of 1851 revealed that there were perhaps half a million more women in Britain than there were men, leading to the conclusion that many women would never be wives. If marriage could no longer be assumed to be the ultimate goal of women’s lives, this raised the question of what women’s roles in society should be. Modern feminism owes much of its origins to debates over the so-called “Surplus Woman Question,” so in this course we will read examples of nineteenth-century women’s writing that challenge earlier notions of womanhood and that present a variety of answers as to how women might find personal fulfillment. Most of the texts that we will read provide insight not only into women’s lives but also into representations of race and colonialism in the nineteenth century. 
Potential Texts: Louisa May Alcott, Work; Charlotte Brontë, Jane Eyre; Elizabeth Barrett Browning, Aurora Leigh; Lydia Maria Child, Hilda Silfverling; Diana Mulock Craik, The Half-Caste; Florence Nightingale, Cassandra; Christina Rossetti, Goblin Market; Mary Seacole, Wonderful Adventures in Many Lands
Potential Assignments: Presentation; short paper; longer research paper; reading preparation questions 


English 4597.01: The Disability Experience in the Contemporary World: Disability Poetry, Milton and Beyond 
Instructor: Amrita Dhar 
This advanced undergraduate seminar on critical disability studies will centre the disability poetics of John Milton, the seventeenth-century poet and polemic who is to this day credited with creating the greatest epic poem in the English language, Paradise Lost, a poem he composed while completely blind. Here are some of the questions we will consider: how does one write a poem that is 10,500+ lines long (and that is so beautiful that it is read hundreds of years on and celebrated in languages across the world) while blind, and In a time before assistive technology, before Braille, before even electricity? What does that composition look like--and where does it come from? What has the poem meant to generations of disabled writers, and what does it mean today in our world? 
Readers who have encountered Milton before are welcome, and even more welcome are those who have not. Those who enjoy poetry are welcome, and even more welcome are those who do not. Paradise Lost, which is often regarded as one of the most difficult and most allusive poems ever written, is also one of the most accessible poems ever written. It is a poem of genuine access and accommodation—matters which have become even more current and urgent in our day than they were in Milton’s. But Milton will always remain one of those who started the conversation to get us here. 
Doing this class in 2024 is special. 2024 will see the 350th anniversary of Paradise Lost, A Poem in Twelve Books, published in 1674. 
Potential Texts: Paradise Lost, Contemporary afterlives of Paradise Lost, Sonnets responding to Milton/Milton's sonnets 
Potential Assignments: Reflection papers, close reading papers, creative-critical work, final project. 

5000-Level

English 5191: Internship in English Studies 
Section 30 Instructor: Staff 
Section 40 Instructor: Elizabeth Falter 
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship opportunity is especially applicable to students across majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them. Media skills are NOT a pre-requisite for this internship; students will have the opportunity to learn all media skills necessary for the class. (This internship fulfills the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.) 
Potential Assignments: YouTube videos, podcasts. 
Guiding Questions: How can a promotional media internship opportunity help students across majors develop their digital media skills in a workplace setting? 


English 5664: Studies in Graphic Narrative: Graphic Memoir 
Instructor: Robyn Warhol 
A course designed for both advanced undergraduates and graduate students, “Graphic Memoir” will introduce the styles, structures, and strategies of autobiographical life stories told in comics form. Beginning with the insights we can gain about the form from how-to books drawn by comics artists Scott McCloud (Making Comics) and Matt Madden (99 Ways to Tell a Story: Exercises in Style), we will read graphic memoirs in a range of genres and media, asking what it means to put the “graph” in “autobiography.”  
The class will tour the collection at the Billy Ireland Cartoon Library and Museum on the OSU campus, which will be the focus of students’ research projects. 
Potential Texts: Among author graphic memoirs we will read "Maus" by Art Spiegelman, "Fun Home" by Alison Bechdel, "One! Hundred! Demons!" by Lynda Barry, "Diary of a Teenaged Girl" by Phoebe Gloeckner, "Vietnamerica" by G. B. Tranh, "Hyperbole and a Half" by Allie Brosh, "Epileptic" by David B, "Cancer Vixen" by Marisa Acochella Marchetto and others. 
Potential Assignments: Assignments will include an in-class oral critique of a critical article on graphic memoir; an in-class oral presentation on a short passage from a graphic memoir; weekly 250-word reading responses that answer a question posted after each class on Carmen; a one-page “snippet” of graphic memoir; and a research paper or an extended graphic memoir project.  


English 5711: Intermediate Old English  
Instructor: Staff 
Students with intermediate or advanced reading knowledge of Old English will continue their study of Old English to strengthen translation skills, explore scholarship in the field, and learn discipline-specific research tools. 


English 5721.01Graduate Studies in Renaissance Drama: Religion on Stage 
Instructor:  Hannibal Hamlin 
So what will a course on Renaissance Drama and Religion cover? Easy answer: the dramatic representation of everything that matters. Life, death, and what (?) comes next. Love, sex, and desire. Sin, corruption, and evil. Grace, forgiveness, and salvation. Politics and power, free will and fate, conflict and violence, martyrdom and conversion, plagues and earthquakes, gardens and games. It’s been argued that atheism was impossible in Renaissance Europe, but even if that’s not true, every man, woman, and child in England was required by law to attend church on Sundays and holidays, and most everyone did. Even among those few who didn’t, most risked punishment only to worship in a different way, Catholics persisting secretly in their faith in the midst of a Protestant nation, and a tiny number of Jews persisting in theirs even more secretly, Jews having been banished from England in the 12th century. Early moderns would not understand our word “religion” since everyone was in a basic sense religious, “religion” pervaded and influenced every aspect of daily life, and the Bible (the basis of Christian) was popular culture to an extent nothing in modern culture can approach. 
Potential Texts: We’ll begin with some popular medieval plays, whose influence lasted long after their last performances. Sixteenth- and seventeenth-century plays will include Marlowe’s Doctor Faustus, about the legendary scholar who sells his soul to the devil, and the team-written The Witch of Edmonton, about an old woman who sells her soul to a black dog named Tom, who also happens to be the devil. We’ll look at the collision and conflict of Protestants and Catholics, Christians, Jews, and Muslims, in Shakespeare’s Hamlet, Massinger’s The Renegado, Dekker’s The Whore of Babylon, and Marlowe’s Jew of Malta. Peele’s David and Bethsabe and Greene and Lodge’s Looking Glass for London and England adapt biblical stories for the London stage, telling stories of sin and punishment, prophecy and repentance. Many plays reflect popular religious belief and practice as well as church orthodoxy, but only Jonson’s Bartholomew Fair features a Bible-based debate about gender and cross-dressing between a Puritan and a puppet. 
Potential Assignments: Evaluation will based on participation in discussion, a seminar presentation, and shorter and longer essays 
**English 5721 is open to graduate students and also experienced undergraduates, with the permission of the instructor.** 

1000-Level

English 1110.01: First Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing & in the essays of professional writers.  
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy 

English 1110.02: First Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing & in the essays of professional writers.  
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy 

English 1110.03: First Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing & in the essays of professional writers.  
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy 

English 1193: Individual Studies 
Instructor: Christiane Buuck 
Intensive practice in the fundamentals of expository writing.  


2000-Level

English 2201: British Literature, Medieval-1800 
Instructor: Karen Winstead  
The readings and lectures will introduce you to trends, authors and works from each of the four major periods of pre-1800 British literature and explore the contexts—social, historical, political, cultural—within which works were written and read. You will discover important forerunners of today’s popular genres, including horror, romance, comics and science fiction.  
Potential Texts: Students will read a free online textbook I that developed specifically for this course.  
Potential Assignments: Weekly quizzes will help consolidate your knowledge, while weekly writing assignments and discussions will challenge you to apply what you learned and to grow intellectually from your colleagues’ insights. The final portfolio project encourages you to channel your knowledge and thinking in creative ways. 
GEL: Literature  
GEL: Diversity - Global Studies  
GEN: Foundation - Literary, Visual and Performing Arts 

English 2220: Introduction to Shakespeare 
Section 10 Instructor: Jennifer Higginbotham 
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience 
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2220H: Honors Introduction to Shakespeare 
Instructor: Luke Wilson 
Shakespeare continues to astound us over 400 years after his death. What's that all about? Why does he still occupy the top spot in the hierarchy of the literary - especially when what he wrote was not considered high literature at the time he wrote it? Our aim in this course will be to increase your understanding and enjoyment of Shakespeare’s plays; to give you a sense of the kinds of critical debates that surround the plays, and enough historical context to make clear how the times in which Shakespeare lived both differed from and resembled our own; and to lodge in your mind for future reference at least a bit of Shakespeare’s language. Our primary concern will be with Shakespeare’s text, but we will also spend some time discussing theatrical performances as well as film adaptations. We'll read about five plays, and possibly some of Shakespeare's sonnets. Plays may include Twelfth NightMeasure for Measure, King LearCoriolanus and The Winter's Tale.
Potential Texts: The Norton Shakespeare, ed. Stephen Greenblatt, et al. 3rd ed. Norton, 2015. Vol. 1: Early Plays and Poems; Vol 1: Early Plays; Vol. 2: Later Plays. 
Potential Assignments: A paper, a group presentation, a critical article review, several short, informal writing assignments. 
Guiding Questions: What's the big deal about Shakespeare? How can we read Shakespeare in light of and as an expression of the period in English history in which he wrote? What would going to the theater have been like during his lifetime? How have filmmakers tapped into and transformed his texts? Why is he still a big box office draw at the movies? 
GEL: Literature  
GEL: Diversity - Global Studies  
GEN: Foundation - Literary, Visual and Performing Arts 

English 2221: Introduction the Shakespeare, Race and Gender 
Instructor: Sarah Neville 
This course explores the historical roots of our ideas about race and gender by way of Shakespeare and the culture in which he wrote. Students will learn how Shakespeare's formulations of issues of race and gender are products of a time when both categories were undergoing significant conceptual development and how Shakespeare's ways of imagining this turbulence continues to resonate today. 
GEN: Foundation - Race, Ethnicity & Gender Diversity 

English 2260: Introduction to Poetry 
Instructor: Shaun Russell 
When you think of poetry, do you think of old, dead white guys? You would be forgiven for thinking so, and British poetry largely started out that way; but even in history, this form of literature is not the monolith it is sometimes made out to be. With that idea in mind, this Intro to Poetry course has the thematic subtitle of "The Renaissance and Everything After." While this course is a true survey, we will also explore the idea that much of the poetry that came after the Renaissance (also known as the early modern era) is both directly and indirectly indebted to the Renaissance in many ways. As a result, we will start the course with several weeks of early modern poetry before we segue into transhistorical and transatlantic poetry to see if we can make connections between the poems written in different centuries on different continents, and the poems written in 16th- and 17th-century Britain. In addition to many of the key figures of Renaissance poetry, such as Spenser, Shakespeare, Donne, Herbert and Milton (i.e. the traditional "canon"), we will also spend considerable time on women poets and poets of color, all with a view toward exploring the interconnectedness of influence across eras and areas. 
Potential Texts: Norton Anthology of Poetry, 6th edition 
Potential Assignments: Regular short reading quizzes, a close-reading assignment, a mid-term exam and a final research essay. 
Guiding Question: How did poetry of the English Renaissance influence the poetry that came after it?  
GEL: Literature 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2261: Introduction to Fiction 

Section 20: Jessica Prinz  
Section 70: Roxann Wheeler 
Section 80: Sandra MacPherson 
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included. 
GEL: Literature 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2261 (30): Introduction to Fiction 
Instructor: Jill Galvan
This course has two goals. The first is to familiarize (or re-familiarize) you with literary concepts associated with fiction, as well as to introduce new concepts that will allow you to see this genre in more sophisticated terms. The second is to teach you the skills for coming up with persuasive, thought-provoking interpretations of literature. Each class will include some lecture, but most of the course will be conducted as an open discussion. We will likely end with a unit that considers: how does learning about fiction help someone to become a better critical thinker about texts, voices and stories overall—even stories that are technically nonfiction? Our readings will span time periods and cultural and social perspectives. The schedule is still very tentative, but longer works might include Robert Louis Stevenson’s Jekyll and Hyde, Toni Morrison's Sula, and Iain Reid's I'm Thinking of Ending Things. We will also read short stories by Charlotte Perkins Gilman, Leonora Carrington, ZZ Packer, Jennifer Egan, Ted Chiang, Carmen Machado, and others. Graded requirements (also tentative): regular and enthusiastic participation, three short response papers (1 ½-2 pp. each), a final project (5-7 pp.) and two exams.

English 2261 (90): Introduction to Fiction 
Instructor: Angus Fletcher 
Session 2
In this course, we'll use narrative theory to analyze how your favorite stories work--and identify the benefits they can give your brain. Grading will be assignment-based and does not require in-person attendance or participation. Students will have the opportunity to workshop assignments and ideas via weekly in-person meetings with the instructor and small online discussion groups.

English 2263: Introduction to Film 
Instructor: Jared Gardner 
Introduction to methods of reading film texts by analyzing cinema as technique, as system, and as cultural product.
GEL: Visual and Performing Arts 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2264: Introduction to Popular Cultures 
Instructor: Dennin Ellis 
This course introduces students to the interdisciplinary field of Popular Culture Studies through a variety of methods and case studies. The specific focus will be on the entanglement of race, ethnicity and gender in popular cultures. 
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies 
GEN: Foundation - Race, Ethnicity & Gender Diversity 

English 2265: Introductory Fiction Writing 
Section 10 Instructor: Kathryn LeMon 
Section 20 Instructor: Trista Koehler 
Section 30 Instructor: Gianna Gaetano 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.   

English 2266: Introduction to Poetry Writing 
Section 10 Instructor: Isaiah Back-Gaal 
Section 20 Instructor: Sappho Stanley 
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. 

English 2267: Introduction to Creative Writing 
Instructor: Aline Resende Mello 
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.  

English 2268: Introductory Creative Nonfiction Writing 
Instructor: Megan Jones 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. 

English 2269: Digital Media Composing 
Section 10 Instructor: Luke Van Niel 
Section 40 Instructor: Elizabeth Velasquez 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GEL: Visual and Performing Arts 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2276: Arts of Persuasion 
Instructor: Kay Halasek 
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts. 
GEL: Cultures and Ideas 
GEN: Theme - Citizenship for a Diverse & Just World 

English 2277: Introduction to Disability Studies 
Instructor: Amrita Dhar 
What is disability studies? How did we get to this field of inquiry? Why does the discussion of disability pertain to us all? This introductory class on interdisciplinary disability studies will provide students with a grounding in sociopolitical models of disability as well as community-based modes of knowledge production. Together, we will also read disability testimonials, think disability justice, and imagine a future of collective access and belonging. 
Potential Texts: Keywords for Disability Studies, eds Rachel Adams, Benjamin Reiss, and David Serlin Disability Visibility, ed. Alice Wong 
Potential Assignments: This class will ask students to complete brief reflection papers throughout the term, two class presentations, and a short final paper. 
GEL: Cultures and Ideas 
GEN: Theme - Health and Well-being 

English 2280: The English Bible  
Instructor: Hannibal Hamlin  
The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise LostPilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myself to Morrison’s Song of Solomon. We will read a selection of biblical books in order to gain some appreciation of the Bible’s wide range of literary genres, forms, styles and topics. Our discussion will include the nature of biblical narrative and characterization, the function of prophecy and its relation to history, the peculiar nature of biblical poetry, so-called Wisdom literature, anomalous books like Job and The Song of Songs (including the historical process of canonization that made them “biblical” and the kinds of interpretation that have been used to make them less strange), the relationship between (in traditional Christian terms) the Old and New Testaments (including typology, the symbolic linking of characters, events, themes and images in the books before and after the Incarnation), and the unity (or lack thereof) of the Bible as a whole. As occasion warrants, we will also look at some of the diverse ways the Bible has been read and interpreted––the stranger the better––by poets and writers, artists and film-makers over the past millennia. 
Do note: this is NOT a course in religion, but rather an English course on the Bible as a literary work. Any and all faiths, or none, are welcome, and none will be privileged. 
Potential Texts: The English Bible: King James Version (2 vols.), ed. Herbert Marks (1) and Gerald Hammond and Austin Busch (2), Norton Critical Edition 
Potential Assignments: Evaluation will be based on active participation in class discussion and activities, a film review, an essay, a mid-term test and a final exam. 
GEL: Literature  
GEN: Foundation - Literary, Visual and Performing Arts 

English 2281: Introduction to African-American Literature 
Instructor: Elizabeth Sheehan 
This course introduces students to key African American writers and cultural movements of the last two and half centuries. Central questions for the class include: how are community, power, pleasure, race, gender and sexuality represented and experienced in and through the texts we will read? How are these texts shaped by the audience to whom they may be addressed? How are these texts related to struggles for racial justice, including anti-slavery, anti-colonial, and prison abolition movements? We will read work by influential African Americans writers and activists including Phillis Wheatley, Harriet Jacobs, Frederick Douglass, W.E.B. Du Bois, Zora Neale Hurston, James Baldwin, Malcolm X, Audre Lorde, June Jordan, and Toni Morrison, and we will examine key literary and political movements including the Harlem Renaissance and the Black Arts Movement. 
GEL: Literature  
GEL: Diversity - Social Diversity in the United States  
GEN: Foundation - Literary, Visual and Performing Arts  
GEN: Foundation - Race, Ethnicity and Gender Diversity 

English 2282: Introduction to Queer Studies 
Instructor: Staff 
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class and nationality. 
GEL: Cultures and Ideas 
GEL: Diversity - Social Diversity in the US 
GEN: Foundation - Historical and Cultural Studies 
GEN: Foundation - Race, Ethnicity & Gender Diversity 

English 2291: American Literature 1865 to the Present 
Instructor: Thomas Davis  
This course provides a survey of American literature from the end of the Civil War to the present day. We will attend closely to the formal and stylistic developments of different periods of literary history with an eye on the political and historical antagonisms that accompany and underwrite these aesthetic innovations. The lectures will sketch out the broad historical, cultural and artistic transformations of the 19th, 20th, and 21st centuries: the changes wrought by the aftermath of war; the transformative realities and legacies of capitalism, settler colonialism and imperial ambition; the material and psychological impact of two world wars; economic turbulence; shifts in American conceptions of race, gender and sexuality; and the role of technological innovation. As we move through the centuries, we will be able to see how literature not only internalized many of these historical pressures, but provided unique ways to see and to think about them. 
Potential Texts: Norton Anthology of American Literature 1865 to the Present and a contemporary novel such as Octavia Butler's The Parable of the Sower, Ling Ma's Severance, or Jesmyn Ward's Salvage the Bones
Potential Assignments: A few quizzes, a midterm, a final and a handful of discussion posts. 
Guiding Questions: What are the multiple ideas of "America" that emerge in and through a diverse and dynamic set of writings? What is the relationship between innovations in literary form and the historical, political and social turbulence of these decades? And what exactly do we want literature to do for us? 
GEL: Literature  
GEN: Foundation - Literary, Visual and Performing Arts 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructor: Natalie Kopp 
Have you ever wanted to make a documentary? In this second-year writing course, you will become a storyteller behind a camera or microphone as you combine words, sounds, and images to explore the stories behind a community to which you belong. As an advocate-storyteller, you will consider your role as a community member, individual, and author as you investigate the roles we take on when we write about ourselves, our surroundings, and others. We will explore concepts such as authorship, documentary and nonfiction ethics, and community belonging. Before creating our own video, audio, and written pieces about our communities, we will explore documentary works that explore similar concepts, such as James Chase Sanchez’s Man on Fire and Elizabeth Barret’s Stranger with a Camera. No prior video, audio, or creative nonfiction experience is necessary to take this course. As a second-year writing course, we will be using nonfiction writing and documentary as a way to hone analytical research skills. 
Potential Assignments: Nonfiction essay, digital documentary short (video or audio) 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication, Level 2 

English 2367.02: Literature in the U.S. Experience 
Instructor: Staff 
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience. 
GEL: Literature 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication, Level 2 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2367.06: Composing Disability in the U.S. 
Instructor: Staff 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication, Level 2 

2367.07S: Literacy Narratives of Black Columbus 
Instructor: Angel Evans 
ENG 2367.7s is a service-learning course centering literacy practices in Black communities of Columbus. You will learn about the field of literacy studies and African American literacies along with the importance of collecting, analyzing, and preserving life history and literacy narratives through ethnographic research. You will also collaborate with a small group of peers to gather literacy narratives in partnership with local members of the Black Columbus community, such as local Black artists, genealogists, historians, and civic leaders. 
More specifically, our course topic centers around the concepts of rhetorical lineage and homeplace; that is, how Black communities sustain their own trajectories of history, culture, and place-making. Ultimately, we'll ask ourselves: how do representations of homeplace and lineage show up in the literacies of Black Columbus? And how might we recognize these rhetorical modes as forms of liberation?  
All backgrounds are welcome. If you are looking for an opportunity to sharpen your skills as a writer, artist, activist, digital media worker, and/or community-minded researcher, join us next fall. 
GEL: Diversity - Social Diversity in the US 
GEL: Writing and Communication, Level 2 
GEN: Theme - Lived Environments 

English 2367.08: The U.S. Experience – Writing About Video Games 
Instructor: Calvin Olsen
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required.
GEL: Writing and Communication, Level 2 
GEN: Theme - Lived Environments

English 2463: Introduction to Video Games Analysis 
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style, and theory. No background in video gameplay is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the English Department Video Game Lab. 
GEL: Visual and Performing Arts 

English 2464: Introduction to Comics Studies 
Instructor: Patrick McCabe 
Study of sequential comics and graphic narrative and the formal elements of comics, how word and image compete and collaborate in comics to make meaning and how genre is activated and redeployed. Students analyze comics texts, articulate and defend interpretations of meaning and learn about archival research at OSU's Billy Ireland Cartoon Library and Museum. No background in comics is required. 
GEL: Visual and Performing Arts 
GEN: Foundation - Literary, Visual & Performing Arts 

English 2581: Introduction to U.S. Ethnic Literatures and Cultures 
Instructor: Staff 
This course provides a broad survey of literature produced by and about the major racial groups in the United States, examining how social movements of the 1960s and 70s led to the emergence of ethnic studies in higher education and how the literature addresses a wide range of historical events and political processes that have constructed racial differences and hierarchies in the U.S. 
GEN: Foundation - Race, Ethnicity & Gender Diversity


3000-Level

English 3011.01: Digital Activism 
Instructor: John Jones 
Because of their networked nature and participatory potential, digital media can be powerful actors in affecting social change and enacting citizenship. We tag, tweet, retweet, swipe left, swipe right, add filters, link, like, follow, friend, and more. Connections are made. Alliances are forged. Technology, power, and values are wonderfully and frightfully connected. In this class, we will investigate and experiment with digital media’s affordances and constraints—particularly for the ways they do or do not engender social concern, garner attention, mobilize human and monetary resources, and spark social justice. These are all valuable ways of performing citizenship. 
Potential Texts: Alexander, Jarratt, & Welch’s (2018) Unruly Rhetorics: Protest, Persuasion, and Publics, Roberts-Miller’s (2017) Demagoguery & Democracy 
Potential Assignments: Composing a spreadable 60-second mashup of various media that, through its mashing-up, constructs a suasive argument about a particular issue of social consequence; A mashup that demonstrates your facility with appropriation by designing a spreadable artifact; designing a “Bad Faith Resistance Campaign” aimed at warding off bad-faith digital activities that attempt to derail democratic participation 
Guiding Questions: What are the consequences of humans’ relationships with digital media? How can we become comfortable using digital technologies while examining their potentials, problems, and ways they present possibilities for democratic action and may be implicated in unjust systems of power, privilege, and exploitation? 
GEN: Theme - Citizenship for a Diverse and Just World 

English 3031: Rhetorics of Health, Illness and Wellness 
Instructor: Margaret Price 
We spend each day in a flood of communication about illness and disability (and related ideas, including “health,” “wellness,” and “self-care”). In the United States, we spend almost $10,000 per person per year on health care, while also being bombarded with information about the “Campus Mental Health Crisis.” Buzzfeed videos show us the latest stair-climbing wheelchair; Twitter debates Serena Williams’s choice of athletic attire; and Facebook is filled with requests to donate to GoFundMe for a person whose life-saving surgery has left them bankrupt. We, as writers and readers, are both the authors and the audience of all this information. The purpose of this course is to offer you a chance to think through and discuss these complicated discourses—what they say, how they circulate, what cultural stories they unearth and ultimately what they mean for you and your own understanding of health and illness. 
Potential Assignments: Papers & accessible multi-media assignments 
GEN: Theme - Health and Well-being 

English 3110: Citizenship, Justice, and Diversity in Literatures, Cultures, and Media 
Instructor: Beth Hewitt
Since the beginning of the modern nation state, cultural texts (poems, novels, films, pamphlets, zines, short stories, advertisements, comics, etc.) have been the essential medium through which the discourse of citizenship has been developed, constructed, refined, and debated. In this course student examine a range of literary periods, genres, and media focused on citizenship and social justice. This course will study literature about and from the numerous social reform movements that began to sprout up across the United States beginning in the early 19th century. We will read novels, poetry, and treatises about various social and political movements including abolitionism, temperance, women's suffrage, free love, anarchism, socialism, labor reform, health and sanitation reform, prison reform, American Indian rights, and others. This course fulfills the Citizenship for a Diverse and Just World GE requirement and will provide students an opportunity to read literature that analyzes how theories of justice have changed across history and influenced popular notions of citizenship. 
GEN: Theme - Citizenship for a Diverse and Just World 

English 3264: Monsters Without and Within 
Section 10 Instructor: Karen Winstead 
Section 20 Instructor: Calvin Olsen
Storytellers have long used monsters not only to frighten us but also to jolt us into thinking more deeply about ourselves, others, and the world we live in. This course will examine how four classic horror novel(la)s and their film adaptations use monsters to explore fundamental issues of wellbeing and citizenship: Frankenstein (Mary Shelley/James Whale), Dr. Jekyll and Mr. Hyde (Robert Louis Stevenson/Rouben Mamoulian), The Shining (Stephen King/Stanley Kubrick), and I Am Legend (Richard Matheson/Francis Lawrence). These texts join debates about race, gender, sexual orientation, mental health, social justice, and national and/or personal responsibility. 
Potential Assignments: Participation in weekly discussions, director's notebook, final project 
GEN: Theme - Citizenship for a Diverse and Just World  
GEN: Theme - Health and Well-being 

English 3271: Structure of the English Language  
Section 10 & 20 Instructor: Clarissa Surek-Clark 
Section 40 Instructor: Galey Modan  
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings. 
GEL: Cultures and Ideas  
GEN: Foundation: Historical and Cultural Studies  

English 3304: Business and Professional Writing 
Section 10 Instructor: Staff  
Section 40 Instructor: Staff 
Section 50 Instructor: Staff 
Section 60 Instructor: Staff  
The study of principles and practices of business and professional writing. 

English 3305: Technical Writing  
Section 10 Instructor: Staff 
Section 20 Instructor: Staff 

Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.. 

English 3340: Sustaining Literature 
Instructor: Sandra Macpherson 
The title of this course has various meanings. We will survey the literature of sustainability across a range of disciplines: natural history, legal and critical theory, ethnography, architectural planning, conceptual art, and fiction broadly construed (poetry, novels, non-fiction, film). We will investigate the concept of sustainability, which initially emerged as a critique of prosperity and perpetual growth but is fast becoming an alibi for maintaining present comforts in the face of escalating economic and ecological crises. We will investigate practices of sustainability as they exist at present and might be reimagined for the future. And we will ask: what is sustaining about the art and literature of catastrophe? Does literature itself need to be sustained? Or is that so much fiddling while Rome burns? What should be saved amidst the possibility of so much loss, and what should be let go?  
Potential Texts: The course will be organized around what the Greeks called the four elements, but which we might call the four disaster zones: earth, air, fire, water. Texts might include Jesmyn Ward’s Salvage the Bones; Ian McEwan’s Solar; Susan Orleans’s The Library Book, Amitav Gosh’s The Nutmeg’s Curse, John McPhee’s Coming Into the Country; selections from Rob Nixon’s Slow Violence and the Environmentalism of the Poor, Anna Tsing’s The Mushroom at the End of the World, Stefan Helmreich’s Alien Ocean: Anthropological Voyages in Microbial Seas, Elizabeth Kolbert’s Field Notes From a Catastrophe; poems by Oliver Goldsmith, Jorie Graham, Joshua Clover, and Juliana Spahr; and films such as Bong Joon-ho’s Snowpiercer, Julie Hart’s Fast Color, James Cameron’s Avatar, Wanuri Kahiu’s Pumzi, and documentaries about fishing (Leviathan), plastic (Blue Vinyl), and regeneration (2040).  
Potential Assignments: Weekly quizzes or discussion posts, an oral presentation on extra-curricular material related to sustainability, an essay, and a cumulative final exam.  
GEN: Theme – Sustainability  

English 3361: Narrative and Medicine  
Instructor: Shalini A. Abayasekara 
When was the last time you noticed a story being included in a healthcare setting? Who told this story? How did the narrative make you feel? What has narrative got to do with medicine anyway? In this course, we will ask ourselves these questions and more! Narrative scholar and Ohio State English Professor James Phelan calls narrative medicine “a project for transforming medical practice grounded in the principle that increasing the skills of caregivers and patients as storytellers and story-listeners can improve both caregiver-patient interactions and the outcomes of medical treatment.” Delving into a range of stories about illness and treatment both within and outside the US, and bringing our own disciplinary perspectives to the table, we’ll test this principle that narrative competence can enrich the medical experience. In this way, the course will have a pragmatic component as we consider how aspects of healthcare would—or even should—change if caregivers and patients put the principle into practice.  
Potential Texts: Excerpts from Rita Charon’s Narrative Medicine: Honoring the Stories of Illness, excerpts from James Phelan’s Narrative Medicine: A Rhetorical Rx, excerpts from Charon et al.’s Principles and Practices of Narrative Medicine, journal articles and digital texts like videos, documentaries, websites and digital archives of narratives (e.g., the Digital Archive of Literacy Narratives) 
Potential Assignments: Discussion posts, digital stories, presentations and a final project/paper 
Guiding Questions: Why study narrative in/and medicine? What medical narratives are we most familiar with and why? What makes a story easy or hard to tell in a healthcare context? How can skill in narrative analysis translate to skill in treating patients? How can skill in storytelling improve patients’ experiences with caregivers? 
GEL: Literature  

English 3364: Special Topics in Popular Culture: Early Modern England 
Instructor: Christopher Highley 
In this exploration of popular culture we will travel back to Early Modern England, or the sixteenth and seventeenth centuries, a period we associate with Tudor monarchs like Henry VIII and Elizabeth I. However, it's not the great and the good we will be interested in here, but their subjects: the common people, householders, craftsmen, apprentices, servants and farm workers who made up the bulk of the population. We will look at the customs and rituals that gave their lives meaning--customs and rituals based on a contested church calendar and the agricultural seasons. We'll discover how these people worshipped, but also how they feasted, drank, danced and sung. We'll study a range of media from printed ballads, that might recount tales of witchcraft or monstrous births, to wall paintings and graffiti. Along the way, we'll visit key cultural sites like alehouses, brothels, animal baiting arenas, and of course playhouses that admitted anyone with a penny to spare. Shakespeare might seem like high culture to us, but the milieu of the early theater was decidedly popular.
Potential Texts: Ballads, plays, prose romances. Most texts will be provided in pdf format. 
Potential Assignments: quizzes, papers, exams. 
Guiding Questions: What do we mean by popular? Did a clear distinction exist in this period between popular (or low) and elite (or high) culture? 
GEL: Cultures and Ideas  
GEN: Foundation - Historical and Cultural Studies 

English 3372: Special Topics in Science Fiction or Fantasy
Section 10 Instructor: Staff 
Section 10 Instructor, Session 2: Staff 
Section 20 Instructor: Staff 
Section 40 Instructor: Staff 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy 
GEL: Literature 
GEN: Foundation: Literary, Visual & Performing Arts 

English 3372 (50): Special Topics in Science Fiction and Fantasy: How Magic Works
Instructor: David Brewer 
The most fundamental mark of fantasy is that it features stories in which magic works. The magic may be front and center (Harry Potter) or kept largely in the background (Game of Thrones); it may be an instrument of strong good or evil or merely a morally neutral tool. But regardless of the form it takes, in the vast majority of fantasy, magic is real, which means that to the extent that we buy into these stories and the worlds in which they’re set, we are temporarily accepting the existence of magic (or at least suspending our disbelief in its existence). This course will investigate how that process works, and what it might be able to tell us about the practice of worldbuilding more generally. We’ll also consider how fantasy’s open embrace of magic has contributed to its (traditionally low, but recently rising) cultural status. 
Potential Texts:  J. K. Rowling, Harry Potter and the Prisoner of Azkaban, Benedict Jacka, Veiled, Brandon Sanderson, Mistborn: The Final Empire, Leigh Bardugo, Six of Crows, Ursula Le Guin, A Wizard of Earthsea, John Bellairs, The Face in the Frost, S. A. Chakraborty, The City of Brass, Susanna Clarke, Jonathan Strange and Mr Norrell 
Potential Assignments: A weekly reading journal; a recommendation, in the form of a slide show, of a magic system that is not part of what we’re reading together, posted to Carmen for your colleagues’ consideration; a short response to one of your colleagues’ recommendations; a short essay connecting one of the magic systems we’re exploring to the other tools of worldbuilding employed in that narrative; a significant contribution to a group project in which you collectively devise a new magic system and explain how it would help construct a fictional world; active, “game” participation in our discussions 
Guiding Questions: What place does magic occupy in the worldbuilding that's at the heart of fantasy and what might it teach us about other sorts of worldbuilding? 
GEL: Literature  
GEN: Foundation - Literary, Visual and Performing Arts 

English 3378: Janeites: Austen Fiction, Films, and Fans 
Instructor: Robyn Warhol
Janeites: They have outfits. They re-enact Regency balls at annual conventions. They are Jane Austen fanatics. There are at least 62 film and TV adaptations of works by Austen, 28 of them made in the last decade. There’s Pride & Prejudice and Zombies, movies about “Jane” herself, and movies where modern people go into Austen’s world and vice-versa. There’s fan fiction. There are Jane Austen action figures and “Mrs. Darcy” t-shirts. And now there’s even an online role-play game, “Ever, Jane.” There are children’s versions of Austen novels. Jane Austen cookbooks. Advice books and board games about “WWJD?” (“What would Jane do?”) And of course, lots of literary criticism. In this class we will be reading some criticism as well as four Austen novels, and watching film adaptations including Clueless and the Bollywood-style Bride and Prejudice. We will look at the proliferation of all these contemporary avatars of Jane and more, to ask what it means, especially for women now. 
Potential Texts: Austen, Pride and Prejudice (1813), Austen, Mansfield Park (1814), Austen, Emma (1815), Austen, Persuasion (1818), Fielding, Bridget Jones’s Diary (1999), Baker, Longbourn (2014), Copeland and McMaster, eds. Cambridge Companion to Jane Austen (2011) (this one is RECOMMENDED, not required) 
Films & TV Adaptations: Clueless (with Alicia Silverstone and Paul Rudd), 1995, Mansfield Park (with Frances O’Connor and Jonny Lee Miller), 1999, Bride and Prejudice (with Aishwarya Rai and Martin Henderson), 2004, Becoming Jane (with Anne Hathaway), 2007, Lost in Austen (TV miniseries, 4 episodes), 2007, Miss Austen Regrets (TV movie, available on Amazon Prime), 2008, Love and Friendship (with Kate Beckinsale and Chloë Sevigny), 2016 
Potential Assignments: We will have group oral presentations, twice-weekly brief writing assignments (some of them creative) and identification exams. 
Guiding Questions: What were Jane Austen's novels saying to her 19th-century audience? What do they mean today? Why is Austen still so popular? And what exactly is a "Janeite"?
GEL: Cultures and Ideas  
GEN: Foundation - Historical and Cultural Studies 

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: James Fredal  
In English 3379, you will learn about Writing, Rhetoric, and Literacy Studies by studying what researchers in these subfields of English Studies study and do. You will learn how to write effective research-based arguments in these subfields by practicing methods of data collection and analysis, developing research questions, working with genres of research writing, and revising your writing for clarity and purpose. You will understand how to transfer what you learn to new contexts, both other courses in the English major and contexts outside the university. 
Potential Texts: All materials are available for free on Carmen. This course was supported by an Affordable Learning Exchange grant, through which WRL faculty developed and curated free learning resources. 
Potential Assignments: Multiple short assignments to practice different methods; scaffolded writing activities; final project (paper or research proposal) 
Guiding Questions: What is rhetoric? What is writing? What is literacy? How do we study these concepts? How do they organize scholarly disciplines? 

English 3379 (30): Methods for the Study of Writing, Rhetoric, and Literacy 
Instructor: Jonathan Buehl 
In English 3379, you will learn about Writing, Rhetoric, and Literacy Studies by studying what researchers in these subfields of English Studies study and do. You will learn how to write effective research-based arguments in these subfields by practicing methods of data collection and analysis, developing research questions, working with genres of research writing and revising your writing for clarity and purpose. You will understand how to transfer what you learn to new contexts—both other courses in the English major and contexts outside the university. 
Potential Texts: All materials are available for free on Carmen. This course was supported by an Affordable Learning Exchange grant, through which WRL faculty developed and curated free learning resources. 
Potential Assignments: Multiple short assignments to practice different methods; scaffolded writing activities; final project (paper or research proposal) 
Guiding Questions: What is rhetoric? What is writing? What is literacy? How do we study these concepts? How do they organize scholarly disciplines? 

English 3395: Literature and Leadership  
Instructor: Dorothy Noyes 
In this course students consider leadership as a component of national citizenship and literature as a mode of exploring and analyzing a range of perspectives on leadership. The course will encourage students to think about how responses to power are mediated by race, gender, and class and how literary study can help them reflect on and articulate their own leadership strengths and aspirations. 
GEN: Theme – Citizenship for a Diverse & Just World 

English 3398 (10): Methods for the Study of Literature 
Instructor: Hannibal Hamlin 
Poems, plays and stories are part of what makes us human. We’ve been inventing these verbal contraptions for longer than recorded history, far longer than printing, way longer than we’ve been studying them in colleges and universities. What are these linguistic doohickeys, though? How do they work and what can they do? How do we read and make sense of them? How do we talk and write about them? In this course we will read a variety of provocative literary works, considering especially matters of literary history, genre, form and language, as well as the interconnected roles of authors, texts and readers, exploring all the many ways in which novels, poems, and plays make meaning. 
Potential Texts: Works will include Shakespeare’s young adult tragedy Hamlet; Dickens’ Hamlet novel Great Expectation; the dazzling poems of A.E. Stallings; and Tomson Highway’s trickster play, Dry Lips Oughta Move to Kapuskasing. We will also read critical essays on these works, representing different theoretical and methodological perspectives. 
Potential Assignments: Evaluation will be based on participation in discussion, short assignments, and four essays. 

English 3398 (20): Methods for the Study of Literature 
Instructor: Christopher Jones 
Do you love reading literature but feel less confident about your ability to analyze and interpret it? Would you like to develop and make more concrete your strategies for "close reading" all kinds of texts? This section of English 3398 is designed to help you meet these goals. The class combines exercises in analytical reading with formal and informal writing assignments. The emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. These skills include (A) the ability to objectify and articulate what we, as readers, bring to interpretation of a text; (B) the ability to “close read” for patterns and argue from them; (C) the ability to identify the conventions of various textual forms (genres) and the different kinds of critical engagement they encourage; and (D) the ability to conduct and effectively incorporate research into the historical backgrounds, reception, or influence of authors and texts. 

English 3398: Methods for the Study of Literature  
Section 30 Instructor: Ethan Knapp 
Section 70 Instructor: Leslie Lockett 
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by dept permission.  

English 3465: Special Topics in Intermediate Fiction Writing  
Section 20 Instructor: Kurt Ostrow
Section 30 Instructor: Sophia Huneycutt  

For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored 

English 3466: Special Topics in Intermediate Poetry Writing  
Instructor: Hannah Nahar  
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing  
Instructor: Andrew Romriell  
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored 

English 3662: An Introduction to Literary Publishing  
Instructor: Alexandra Smereka  
An introduction to the theory and practice of editing and publishing literature. 


4000-Level

ENGLISH 4150: Cultures of Professional Writing 
Section 10 Instructor: Christiane Buuck 
Section 30 and 40 Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

ENGLISH 4189: Professional Writing Minor - Capstone Internship
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 

English 4520.02: Special Topics in Shakespeare 
Instructor: Sarah Neville 
This upper-level Special Topics in Shakespeare course is designed to give students an opportunity to explore the relationship between dramatic texts, literary criticism and live performance through the hands-on experience of working on a real Shakespeare production. Lord Denney’s Players is producing A Midsummer Night’s Dream in November 2023, and this section of ENGL 4520.02 will form the show’s production team. Students in ENGL 4520.02 will work in groups to learn hands-on basics of theatrical adaptation from concept, dramaturgy and script development to casting, costumes, lighting/sound/set design, topromotions, budgeting, and front-of-house management. Beyond the practical theatre experience they will gain, students in this course will study the theatrical, textual and critical history of A Midsummer Night’s Dream, exploring topics like Elizabethan politics and censorship, Renaissance books in print, textual transmission and revision, performance criticism, theatre reviewing, adaptation, and Shakespeare’s use of popular and historical sources. In addition to our regularly scheduled class, students are required to attend a selection of the show’s rehearsals, which will run Monday-Thursday evenings between September and November. Students will be assessed by critical writing assignments, a theatre journal and a final reflection. Students in ENGL 4520.02 have the option of auditioning for the cast of the show in the first week of class, but they are not obligated to act in the production.  

English 4521: Renaissance Drama: The Dangerous Christopher Marlowe
Instructor: Alan Farmer 
Although Shakespeare is undeniably now the most famous dramatist from early modern England, that was not always the case. In the early 1590s, when Shakespeare’s career was just beginning, Christopher Marlowe was undeniably London’s most influential, notorious and dangerous playwright. A spy and supposed atheist, he was ultimately killed, and perhaps assassinated, in a lodging house in May 1593. Before then, Marlowe wrote plays that transformed the early modern theater in exciting, unsettling and troubling ways. His plays are filled with disturbing villains, daring women, violent spectacles, cruel humor, and subversive political and sexual philosophies. In this course, we will read each of Marlowe’s plays and consider how they offer radical explorations of such early modern—and contemporary—topics as religion, sexuality, feminism, race, politics, science and power.  
Potential Texts: Christopher Marlowe, THE COMPLETE PLAYS, ed. Frank Romany and Robert Lindsey (New York: Penguin, 2003) (ISBN 978-0140436334) 
Potential Assignments: Requirements include critical essays, research exercises, quizzes, an exam and active participation. 

English 4540: Nineteenth-Century British Poetry
Instructor: Jill Galvan
This course covers British poetry written between 1789 and 1901, encompassing the Romantic and Victorian periods. I’ll begin with some brief discussions of poetic elements and critical reading strategies, for those new to in-depth poetry analysis (or needing a refresher). (**You do not need to consider yourself fantastic at analyzing poetry to take this course! Part of my goal will be to help everyone become more confident approaching the genre by the end.)
Authors will include William Wordsworth, Samuel Taylor Coleridge, Charlotte Smith, John Keats, Lord Byron, Henry Derozio, Alfred, Lord Tennyson, Elizabeth Barrett Browning, Robert Browning, Christina Rossetti, A.C. Swinburne, Toru Dutt, Augusta Webster, Gerard Manley Hopkins, Mary Elizabeth Coleridge, and Oscar Wilde. We will focus on these authors’ forms, styles, and thematic concerns. At the same time, we will consider how their poems respond to significant cultural ideas and historical developments—for example, slavery and empire, the French Revolution, abolitionism, ideas of the sublime, the “woman question” and debates about gender, momentous scientific discoveries, challenges to religious faith, and burgeoning modern views about the value of art. Students will also learn about important poetic forms (e.g., the ode, the sonnet, and the dramatic monologue) and important literary modes and movements (e.g., the Gothic, the Pre-Raphaelite Brotherhood, and Aestheticism). I’ll be lecturing but will also incorporate lots of discussion. Tentative course requirements: regular and enthusiastic class participation, four brief analytical responses (1-2 pp. each), a final project (5-7 pp.), a midterm exam, and a final exam.

English 4550: Special Topics in Colonial American and Early National U.S. Literatures - Abolition Then and Now 
Instructor: Molly Farrell 
What do the writings of prison abolitionists today have in common—if anything—with those of the first antislavery abolitionists in America? From where we are in the 21st century, it’s hard to even imagine a world without incarceration; and in the 18th century, a global economic system without the trade in enslavement seemed pretty unimaginable, too. Putting texts by Black writers from then and now side by side, we will ask, how do we imagine alternative futures? Where does racism come from, and what is its relationship to capitalism and colonialism? When is reading transhistorically helpful, and when does it lead us astray? Through it all, we will seek to redefine what literature even is by blurring the lines between protest writings and genres like poetry and autobiography. Readings may include work by Phillis Wheatley, Olaudah Equiano, Mariame Kaba, Ruth Wilson Gilmore and others. 
Potential Texts: Readings may include work by Phillis Wheatley, Olaudah Equiano, Mariame Kaba, Ruth Wilson Gilmore and others. 
Potential Assignments: Literary critical essay, quizzes, presentation and short responses. 
Guiding Questions: What can literature of Black abolitionists in the eighteenth century teach us about our present struggles? 

English 4553: 20th-Century US Fiction - Fashion and Fiction 
Instructor: Elizabeth Sheehan 
This course explores the relationship between U.S. fashion and fiction across the 20th and early 21st centuries. It examines the connections between the ways that garments and texts construct narratives, shape identity and locate people and things within local and global systems. In fiction, for example, descriptions of dress help to set a scene, while fashions invite people to create certain stories about themselves and the world. Our study of fashion and fiction will also attend to how the history of fashion design, production, and consumption in the U.S. is related to developments in U.S. literary culture. We will consider what fashion—and related terms such as style, beauty, celebrity, branding and subcultures—can help us to understand about how literature has been written, sold and read over the last 120 years. Possible readings include literary texts by Edith Wharton, Nella Larsen, F. Scott Fitzgerald, Truman Capote, Jhumpa Lahiri, William Gibson, Anne Boyer and Ocean Vuong. In addition to analyzing works of fiction, students will study garments, magazines, photographs, films, new media and critical and cultural theory.

English 4565: Advanced Fiction Writing 
Instructor: Nick White 
Welcome, writers! Join me this semester as we study the "willed word" that is our fiction. A man who suffers from PTSD after surviving a werewolf attack struggles to keep his family together; after accidentally shooting and killing an albatross, a young woman finds her life spiraling out of control; a flock of endangered birds sings a haunting eulogy to our dying planet - these are just a few of stories we will read and study this semester, with an eye toward what made them unforgettable pieces of art. You will also "join" the writerly conversation by workshopping your own short stories. I promise you much energy, much laughter, a touch of rue and many blessings with respect to our time together. 
Potential Texts: All texts will be provided as PDFs on Carmen/Canvas

English 4566: Advanced Poetry Writing 
Instructor: Marcus Jackson 
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

English 4567S: Rhetoric and Community Service 
Instructor: Beverly Moss 
Are you interested in working with a non-profit? Gaining experience as a professional writer? Learning about the rhetorical moves that writers in non-profits employ? In this undergraduate service learning course, you will experience firsthand, through writing for a community non-profit coupled with in-class workshops and conversations how rhetoric (and writing) can affect (both positively and negatively) social change in an organization. You will be assigned to work with a specific community organization for ten weeks of the semester. 
Potential Assignments: You will complete writing assignments designated by your community partner, a rhetorical analysis of your community organization's public-facing documents, and compile a portfolio and reflection of your work with the community partner. 
GEL: Service Learning 

English 4568: Advanced Creative Nonfiction 
Instructor: Lee Martin 
This is a workshop for writers of creative nonfiction. We'll read examples of literary essays online, but the bulk of our work will involve conversations about our own creative work. Through these conversations, we'll get a better grasp on elements of the craft and then apply them to our revisions. 

English 4569: Digital Media and English Studies 
Instructor: John Jones 
Students in 4569 will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity these tools are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support. 
Potential Texts: Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd Edition 
Potential Assignments: Students will create multiple interactive design projects, a short paper, and take occasional quizzes. 
Guiding Questions: What are the rhetorical and communicative properties of objects? How can the affordances of interactive objects be leveraged for rhetorical purposes? 

English 4571: Special Topics in English Linguistics 
Instructor: Lauren Squires 
This course will explore language in popular media, bringing critical language analysis to bear on media texts. We will explore how sociolinguistic concepts can help us understand what we find in both mass media (like movies, TV, newspapers, music, and sports broadcasting) and digital media (like email, Facebook, Twitter, Instagram, and texting). In our investigations, we will pay careful attention to media forms, linguistic forms, and social factors. You will leave the class equipped with new ways of viewing media and popular culture, and with new tools for critically considering the role of language in everyday life. 
Potential Texts: Queen, Robin. 2015. Vox popular: The surprising life of language in the media. Wiley Blackwell. Fought, Carmen, and Eisenhauer, Karen. 2022. Language and Gender in Children's Animated Films. Cambridge University Press. 
Potential Assignments: Class presentation; "TV Club" group online discussion and final presentation; final paper 
Guiding Questions: How does language in media reflect social identities? How can a sociolinguistic lens inform our understanding of pop culture?

English 4572: English Grammar and Usage 
Instructor: Lauren Squires 
Examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4573.01: Rhetorical Theory and Criticism 
Instructor: Jonathan Buehl 
In this course, you will learn about rhetorical theories and apply those theories as you write different kinds of rhetorical criticism. 
Potential Texts: Rhetorical Criticism: Perspectives in Action, edited by Jim Kuypers and Grace: President Obama and Ten Days in the Battle for America by Cody Keenan 
Potential Assignments: Discussion posts; papers 
Guiding Questions: What is rhetoric? What are some important rhetorical theories? How can we use them to better understand rhetorical artifacts? 

English 4578 (10): Special Topics in Film - Black Independent Cinema After the Transition to Sound 
Instructor: Ryan Friedman 
This course will focus on what was known as "race films"--African American-cast movies made by independent companies to cater to African American film audiences--from the early 1930s through the late 1940s. Focusing on this period in the history of race cinema, rather than the better-known silent-era productions, we will delve deeply into the mode of production, aesthetics, and social and political concerns of filmmakers and audiences working in this Hollywood-adjacent film milieu. 

English 4578 (20): Special Topics in Film - Bad Review
Instructor: Jesse Schotter 
“That story counts for less than gimmicks, and characters less than both.” “A big, expensive, time-consuming, essentially mechanical operation.” These are excerpts from some of the reviews that greeted The Empire Strikes Back when it premiered. In this class, we’ll watch a selection of classic, canonized films, and read bad reviews of them. What can we learn from these contrarian takes? About these films, or what we look for in films more generally? About critics’ blind spots when it comes to genre, gender, or race? About how certain films get canonized and others don’t? In so doing we’ll try to clarify what our own criteria are in judging movies and understand what makes for an insightful and effective review. 
Potential Texts: Films may include "The Empire Strikes Back," "Do the Right Thing," "The Heartbreak Kid," "Celine and Julie Go Boating," "Clueless," "They Love," "Schindler's List" and others. 
Potential Assignments: Three 3-page reviews and one 6-page review essay, plus quizzes and one discussion presentation. 

English 4580: Special Topics in LGBTQ Literature and Culture 
Instructor: Martin Joseph Ponce 
This course focuses on 20th and 21st-century North American literary texts that invoke “queer” histories, homelands and futures through the framework of LGBTQ+ literacies. What roles has reading (for) depictions of homoerotic desires and nonbinary gender embodiments played in the construction of queer and trans selves, communities, histories and traditions? How have those literacy practices and processes of self-understanding and community formation been complicated and transformed by the foregrounding of racial, colonial and other social differences? How have queer of color, queer diasporic and queer postcolonial approaches challenged both heteronormative and (white) queer histories and theories of sexuality and gender? Throughout the course, we will consider the ways that intersectional representation matters for diverse readers, while also remaining attentive to the array of formal strategies that LGBTQ+ writers (of color) have used to evoke and reimagine not only histories of gender-sexual, racial, and colonial violence and oppression but also alternative homelands and futures of survival and possibility. 
Potential Texts: Possible authors: Alison Bechdel, Eli Clare, Thomas Glave, Carmen Maria Machado, Leah Lakshmi Piepzna-Samarasinha, Audre Lorde, Danez Smith, Rivers Solomon, Samuel Steward, Monique Truong, Craig Womack 
Potential Assignments: Attendance, participation, discussion posts, key term exercises, midterm paper, final project 

English 4583: Special Topics in World Literature - National and Transnational Narratives 
Instructor: Pranav Jani 
"Decolonial" and "anticolonial" perspectives link questions of identity and culture with on-the-ground movements for national liberation and self-determination. But nationalism, even anticolonial nationalism, can be limiting, too. This world literature course considers representations of colonized and postcolonial worlds in Asia, Africa, the Caribbean, Palestine, and Ireland. In the process we will study some poignant narratives about national oppression and resistance, and also consider transnational texts that focus on shared histories across national borders. 
Potential Texts: Tsitsi Dangarembga; Nervous Conditions, Amitav Ghosh, Sea of Poppies, Yaa Gyasi, Homegoing, Jamaica Kincaid, A Small Place, Ken Loach, The Wind That Shakes the Barley (film), Mark Mathabane, Kaffir Boy, Viet Nguyen, The Refugees, Joe Sacco, Palestine, Kamila Shamsie, Burnt Shadows 
Potential Assignments: Eager class participation, weekly posts, short paper, research paper. 
Guiding Questions: (1) What is decolonial? What is postcolonial? (2) Why do artists from colonized places often turn to nationalism as a solution? How do such literatures, graphic novels, and films blend personal and political concerns? (3) What are the power and limits of nationalism? What is transnationalism? 
 

English 4587: Studies in Asian American Literature and Culture 
Instructor: Martin Joseph Ponce 
This course focuses on Asian American literary texts that engage in creative, experimental and reflexive ways with history—and, at the end, with the future. We will begin with the Asian American movement of the 1960s and 70s to appreciate the emergence of “Asian American” as a category of political identification and coalition. Then we will turn to (mostly) contemporary canonical writers who have engaged with key Asian/American historical events and processes in formally innovative ways. These include Chinese immigration and exclusion, Japanese American incarceration, Japanese imperialism in East and Southeast Asia, U.S. colonialism in the Philippines, the Vietnam War, 9/11/2001 and the persistence of the “model minority” myth since the Cold War era. Throughout the course, we will remain attentive to the ways that race and ethnicity intersect with class, gender, sexuality, dis/ability, location and other social differences to produce the heterogeneous imaginary known as “Asian America.” 
Potential Texts: Possible authors: Jessica Hagedorn, Mohsin Hamid, Cathy Park Hong, Maxine Hong Kingston, Chang-rae Lee, Ling Ma, Viet Thanh Nguyen, Julie Otsuka, Asako Serizawa, Karen Tei Yamashita 
Potential Assignments: Requirements: attendance, participation, discussion posts/presentations, informal journal responses, midterm paper, final project 
Guiding Questions: What historical knowledge does Asian American literature seek to reclaim and remember? What are the risks and possibilities of doing so using experimental literary forms? To what extent are these histories in tension with one another and thereby complicate “Asian American” as a panethnic coalitional identity? What insights do intersectional modes of analysis offer for reading this body of work? 

English 4590.02H: The Renaissance 
Instructor: Christopher Highley 
This class will explore one of the most turbulent and exciting periods in English history and culture from the late fifteenth to the late seventeenth century. This period saw an intellectual and cultural awakening (the Renaissance) as well as profound social and religious upheavals (the Reformation). We will examine and interrogate these 'movements' through some of the literary works that bear their imprint most vividly. These will include Shakespeare's great tragedy 'Hamlet,' Edmund Spenser's chivalric romance 'The Faerie Queene,' John Donne's lyrics and John Milton's biblical epic 'Paradise Lost.' These canonical masterpieces are grounded in their historical moment, but they also pose questions that we grapple with today: what does it mean to be human? What is the connection between the human and the divine? How should a society be organized? What is the relationship between the sexes? 
Potential Texts: Shakespeare's 'Hamlet,' Edmund Spenser's 'The Faerie Queene,' John Donne's lyrics, and John Milton's 'Paradise Lost.' 
Potential Assignments: quizzes, research papers, take home/in-class exams

English 4592 (30): Special Topics in Women and Literature - Gender and Empire 
Instructor: Molly Farrell  
The colonization of the New World has usually been told as a "boy story," with pirates or explorers, shipwrecks or frontiers, as its characters and settings. This class asks what would happen if we put girls and women, homes and domestic spaces, at the center of that story instead. Reading literature from and about early America, we will look at the ways sex, gender and families are inextricably bound up with appetites for expanding an Empire. Texts may include Toni Morrison's "A Mercy", early novellas about shipwrecks on deserted islands and novels about sex scandals from pre-"Bridgerton" New England and Jamaica. 
Potential Texts: Toni Morrison, A Mercy;  Phillis Wheatley, Complete Poems; Unca Eliza Winkfield, The Female American; William Hill Brown, The Power of Sympathy; Leonora Sansay, Secret History, or the Horrors of St. Domingo; Anonymous, The Woman of Colour: A Tale 
Potential Assignments: Course requirements will likely include two critical essays, two response papers, reading quizzes, presentations, attendance and participation. 
Guiding Questions: How are gender, race and empire related? What can we learn about intersectional feminism from early American writing? 

English 4592 (20): Special Topics in Women in Literature and Culture 
Instructor: Koritha Mitchell 
Special Topic = Womanhood in Black and White. Using feminist perspectives, students in this course will analyze texts by or about women. As an intellectual community, we will explore literary works that help us to think critically about how womanhood figures in American culture. If literature both reflects existing ideas and shapes what seems possible, how varied are the possibilities it imagines for women? How does whiteness expand or limit options? How are an individual’s horizons affected when one is not considered white? We will operate as an intellectual community and help each other think through various authors’ representations of issues, such as romantic and platonic love, mothering and childfree living, and power dynamics of all sorts. 
Potential Texts: Likely authors include Harriet Jacobs, Frances Harper, Kate Chopin, Zora Neale Hurston, and Julie Otsuka. 
Potential Assignments: Consistent reading and very active class participation required. Quizzes are the norm as are oral presentations. 

English 4592 (10): Special Topics in Women in Literature and Culture 
Instructor: Elizabeth Renker 
Special Topics in Women, Literature, and Culture: Sarah Piatt and 19th Century Concepts of Gender.  Sarah Piatt (1836-1919) has been called America’s great undiscovered poet. A celebrity in her own time, she was, like many women writers of the nineteenth century, expunged from the canon in the early twentieth century. In the 1990s, scholars began at last to bring her work back to public attention as part of a more general recovery of the work of women writers. Since that time, she has achieved recognition as one of the great voices of American and transatlantic literary history, writing extensively about the conflicts and fractures of nineteeth-century social life in a searing and often ironic voice. One of her major topics was the position of woman in society, including her roles as belle, wife, mother, poet, and public figure. This class will explore her poems and bring them into dialogue with public conceptions of gender as her world defined them as well as with selected short writings by other women of her era.

English 4597.01: The Disability Experience in the Contemporary World Instructor: Margaret Price 
This course is organized around the question, What does it mean to “see” disability? We will begin with an examination of the common metaphor for disability awareness, “visibility,” moving from there to questions of staring, looking, gazing and representing. For example, what does it mean to say one has an “invisible” disability? Why are visibly disabled people so often stared at; what are the purposes of those stares? What happens when the disabled person stares back? When we look to media such as films, paintings, advertisements, magazines and social media, how are disabled people represented—and who does the representing? What can we learn from looking at signage and iconography involving disability—for example, the conventional blue-and-white “accessibility logo” with an upright figure in a wheelchair, as well as more contemporary manifestations such as the one from the Accessible Icon Project (https://proxy.qualtrics.com/proxy/?url=http%3A%2F%2Faccessibleicon.org&token=IB8TcI40gFwa7ufUtmjZlNLqbltFYaKrwAZG5YUYOsc%3D)? How do spaces and interfaces affect the ways that disability appears (or disappears)? Rather than understanding representation as always and only visual, we will investigate ways that disability is represented multimodally—and will study ways of creating such multimodal compositions ourselves. 
Potential Assignments: Papers and accessible multi-media projects 
GEL: Cross-Disciplinary Seminar


5000-Level

English 5710.01-.02: Introduction to Old English 
Instructor: Christopher Jones 
"Old English" is the name for the earliest surviving form of the English language--the language of the great poem Beowulf and other fascinating texts from over a thousand years ago. Old English and its literature were an important influence on J. R. R. Tolkien and other pioneers of modern fantasy. This course aims to give students a basic reading knowledge of Old English. We will begin with a concentrated overview of its grammar before moving on to the translation of simple prose and poetry. In addition to a final exam, there will be short but frequent grammar or translation quizzes and a final translation or research project.  

English 5722.01-.02: Poetry and Social Disorder in Civil War England 
Instructor: Luke Wilson 
This course, designed for graduate students and advanced undergraduates, will focus on the poetry of perhaps the most unsettled and unsettling three decades in English history, from the mid-1630s to the mid-1660s. Dominated by the Civil Wars and the execution of Charles I in 1649, these years saw the world turned upside down. Radical religious heterodoxies sprang up along with schemes for the radical reorganization of the political, economic, and social order. And poets – among them John Milton, Andrew Marvell, Margaret Cavendish, Hester Pulter, Robert Herrick, Richard Lovelace, Thomas Carew, and many others – struggled to make sense of their role in it all. How does the poet, writing in times of crisis, rationalize what she or he does? What is the place of the poet in such times? What are the politics of poetic (and for that matter material) pleasures? What kinds of enjoyment are possible in a time of political exigency? What is the relation between models of authority – monarchist, parliamentarian, vitalist-materialist – and poetic style? We’ll pay special attention to the Cavalier poets, whose commitment to joy sat uneasily with the defeat of the Royalist cause, to the poems of Milton’s 1645 Poems, which are (apart from Paradise Lost) the preeminent expression of a radical Puritan sensibility for which joy was equally fundamental, and to the exuberant and politically elusive poems of Andrew Marvell. We’ll also devote significant attention to the female poets of the later years, including Margaret Cavendish and Hester Pulter, who complicate traditional accounts of the gendering of the poetic. Assignments will include a couple of short essays, a class presentation, and a final research paper. 

1000-Level

English 1110.01: First-Year English Composition  
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing & in the essays of professional writers. 
GEL Writing and Communication, level 1 
GEN Foundation, Writing and Information Literacy 

English 1110.01 (14): First-Year English Composition 
Instructor: Sean Yeager 
This is an introductory composition course. We will discuss the conventions of academic writing and put them into practice. Students will learn writing methods which are iterative and collaborative. 
GEL: Writing and Communication, Level 1  
GEN: Foundation - Writing and Information Literacy 

English 1110.01 (15): Representations of Place and Community in Media 
Instructor: Rachel Jurasevich
What is the relationship between place and community? Exploring topics ranging from environmental justice activism to eco-tourism, rural revitalization efforts, online forums, and TV/movies, this course will explore the various ways Place and Community and represented in media. How is "place" made? How are communities built, sustained, or destroyed? Let's find out together. In this writing course, you will develop your capacity for undertaking academic research and analysis through an original research project and presentation of the results of your work to an audience of your peers. You will identify an area of interest within our course theme—Representations of Place and Community in Media—and find materials to analyze, develop analytical research questions, explore secondary texts, and make claims that are connected to the evidence you have discovered.  
As many researchers do at this stage in their work, you will then reframe what you have learned for a public audience. During the research process, you will also be preparing for the English 1110 Symposium Presentation, a 5-minute presentation consisting of 15 images, each accompanied by 20 seconds of text/narration. The creation of your Symposium Presentation will provide significant opportunities for considering the nature of your research, the relationship between visual and written text, and issues of writing craft. 
Potential Texts: Ferebee, Kristin, Edgar Singleton, and Mike Bierschenk. The Writer’s Companion: A Guide to First-Year Writing with Excerpts from Writing Analytically. 2nd ed. Cengage Learning, 2017. 
Potential Assignments: Primary source analysis; annotated bibliography; a secondary source integration essay; an analytical research paper; a 5-minute Symposium Presentation

English 1110.01 (30): Writing and Information Literacy 
Instructor: Aline Resende Mello 
Your work in English 1110 will help you develop your writing and information literacy skills by engaging with and participating in a research community. You will learn to ask critical questions, make connections among writers and ideas, contribute to your peers’ understanding of a subject or issue, and reflect on your role as a writer and composer within your research community. Through a series of projects, you will gain experience locating, identifying, interpreting, and using objects within digitized collections and archives. Also, you will access a variety of databases to build a Worknet, a tool for researching and reading scholarly texts. You will learn responsible and ethical practices for accessing, using, and creating information. Finally, you will learn to make effective rhetorical choices while composing accessible print and multimodal texts.  
Potential Assignments: Major Project 1: The Archival Collage, Major Project 2: The Worknet, Major Project 3: Welcome to the Community, and Major Project 4: Asset 
GEL: Writing and Communication, Level 1  
GEN: Foundation - Writing and Information Literacy 

English 1110.01 (70): First Year English Composition 
Instructor: Eileen Horansky 
Your work in English 1110 will help you develop your writing and information literacy skills by engaging with and participating in a research community. You will learn to ask critical questions, make connections among writers and ideas, contribute to your peers’ understanding of a subject or issue, and reflect on your role as a writer and composer within your research community. Through a series of projects, you will gain experience locating, identifying, interpreting, and using objects within a collection of digital archives. 
Potential Texts: Ball, Cheryl E., Jennifer Sheppard, and Kristin L. Arola. Writer/Designer: A Guide to Making Multimodal Projects. 3rd Ed. Macmillan, 2022. ISBN: 978-1-319-24505-4. Lary-Lemon, Jennifer, Derek Mueller, and Kate Pantelides. Try This: Research Methods for Writers. WAC Clearinghouse, 2022.  
Potential Assignments:  Four major multimodal projects, period short writing assignments and discussion posts. 
GEL: Writing and Communication, Level 1  
GEN: Foundation - Writing and Information Literacy 

English 1110.01 (130): Language and Controversy 
Instructor: Evan DeCarlo  
Some times, with the unbelievably fast changes we see in technology, it becomes easy to lose sight of what else has been accelerating all along: language. Language today -- and the way we use it -- is in a constant state of change. And nowhere else do we see that change erupt more visibly than through the lens of public controversy. This course runs the gamut from seemingly small disagreements about controversial comma placements in legal language -- to debates about what we say on social media -- all the way up to massive cultural controversies about the ways we use language to define our own identities. Today's public discourse is fueled by disagreement about the words and rules we do (and do not) decide to use -- and that's exactly what we'll be studying and writing about this summer. 

Students are encouraged to bring their interests, expertise, and unique backgrounds to their work in this class as we select individual topics for research and analysis. Expect to write, chat, debate, and have a lot of fun as we explore this exciting topic together. 
Potential Assignments: Papers, Research Project, Creative Work 
GEL: Writing and Communication, Level 1  
GEN: Foundation - Writing and Information Literacy 


2000-Level

English 2220: Introduction to Shakespeare 
Instructor: Tamara Mahadin 
A visitor strolling along London’s South Bank in the late sixteenth century would encounter, in quick succession, brothels, a bull- and a bear-baiting ring, a notorious prison already centuries old, and a round wooden theater. For this theater, Shakespeare first wrote his influential plays, in the process attracting an audience from all walks of life—aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. In this course, we’ll be imagining what it was like to be among them, experiencing Shakespeare’s plays in action.  
For better or worse, the figure of Shakespeare looms large in our cultural imagination. He is, without a doubt, the most canonized of English authors. Thus, to an introduction to his work is an introduction to literary study as a whole. It is also an introduction to the many ways Shakespeare is weaponized and valorized in our broader culture—from politics to business to medicine to law to psychology and more. Alert to such larger concerns, this course introduces students to some Shakespearean texts and contexts. Emphasis is placed on Shakespeare’s choice of drama— thus the plays are treated as plays, and experienced in performance—and on close reading and interpretation. But interpretation will be done in light of the traditions in and against which Shakespeare wrote, most especially the conventions of the three traditional Shakespearean genres: comedy, tragedy, and history. Potential Texts: Our in-depth exploration of Shakespeare’s language, works, and world will include the texts and contexts of Julius Caesar, A Midsummer Night's Dream, Macbeth, and The Tempest. 
Potential Assignments: Glossing Shakespeare's Language, Mini-Papers, Open-book Quizzes administered through Carmen, and Final Exam 
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual & Performing Arts 


English 2261 (20): Introduction to Fiction 
Instructor: Rachel Stewart 
"Elementary, my dear Watson!" Or, I should say, "Introduction to Fiction, my dear students!" In this course, we will examine the foundational elements of fiction through a focus on the detective fiction genre. Treating these elements as "clues" to be investigated, by the end of the semester you will understand the building blocks of fiction, as well as how these "clues" operate in one of fiction's most beloved genres. We will not be chained down by time period or type of media, starting with a visit to Sherlock Holmes in Victorian London, making a pit-stop in 1940's Japan, and ending with contemporary film and television detectives.  
Potential Texts: A Study in Scarlet by Arthur Conan Doyle (1887), Death on the Nile by Agatha Christie (1937), The Honjin Murders by Seishi Yokomizo (1946), Knives Out by Rian Johnson (2019) 
Potential Assignments: Opportunity for both traditional papers and creative work for major assignments will be provided. 
GEL: Literature 
GEN Foundation: Literary, Visual & Performing Arts 

English 2261 (30): Introduction to Fiction 
Instructor: Samantha Trzinski 
C. S. Lewis once argued that “a children’s story that can only be enjoyed by children is not a good children’s story in the slightest” Though intended for a younger audience, children’s literature teaches readers of all ages and can be enjoyed by children and adults alike. This course will focus on early forms of children’s literature from the late eighteenth century through the nineteenth century. We will read moral tales from authors such as Maria Edgeworth and Amelia Opie, selections from the Grimm Brothers’ fairy tales, Lewis Carroll’s Alice’s Adventures in Wonderland, and Louisa May Alcott’s Little Women. We will learn how children’s literature evolved throughout the course of the nineteenth century and how changing concepts of childhood influenced literature. This course provides a foundational introduction to the study of fiction and will familiarize you with some of the basic literary concepts associated with the genre of fiction. Throughout the semester, you will learn college-level strategies for analyzing literature and how to construct logical interpretations based on textual evidence.   
Potential Texts: Moral tales from Maria Edgeworth and Amelia Opie, Grimm Brothers' fairy tales, Lewis Carroll's Alice's Adventures in Wonderland, and Louisa May Alcott's Little Women 
Potential Assignments: Discussion boards, quizzes, short papers, creative final project 
GEL: Literature 
GEN Foundation: Literary, Visual & Performing Arts 

English 2265: Introductory Fiction Writing 
Section 10 Instructor: Andrew Romriell 
Section 20 Instructor: Sophia Huneycutt 
Stephen King, Jane Austen, Sarah J. Maas, and Colleen Hoover all started somewhere. Now is your chance to start writing, too! In this class, we'll explore the pillars of fiction writing (character, dialogue, point of view and narration, plot and structure, suspense, setting, and style) and apply them to our own stories.  
Potential Texts: Shit Cassandra Saw That She Didn’t Tell the Trojans Because at that Point Fuck Them Anyway by Gwen E. Kirby, Jealous Husband Returns in Form of Parrot by Robert Olen Butler, A Very Old Man with Enormous Wings by Gabriel Garcia Marquez, The Husband Stitch by Carmen Maria Machado 
Potential Assignments: Writing new short stories and flash fiction; completing short craft analyses on published stories; sharing and giving feedback on classmates' stories 

English 2277: Introduction to Disability Studies 
Instructor: Amrita Dhar 
What is disability studies? How did we get to this field of inquiry? Why does the discussion of disability pertain to us all? This introductory class on interdisciplinary disability studies will provide students with a grounding in sociopolitical models of disability as well as community-based modes of knowledge production. Together, we will also read disability testimonials, think disability justice, and imagine a future of collective access and belonging. 
Potential Texts: Keywords for Disability Studies, eds Rachel Adams, Benjamin Reiss, and David Serlin, Disability Visibility, ed. Alice Wong 
Potential Assignments: This class will ask students to complete brief reflection papers throughout the term, two class presentations, and a short final paper. 

English 2291: American Literature 1865 to the Present 
Instructor: Thomas Davis 
This course provides a survey of American literature from the end of the Civil War to the present day. We will attend closely to the formal and stylistic developments of different periods of literary history with an eye on the political and historical antagonisms that accompany and underwrite these aesthetic innovations. The lectures will sketch out the broad historical, cultural, and artistic transformations of the 19th, 20th, and 21st centuries: the changes wrought by the aftermath of war; the transformative realities and legacies of capitalism, settler colonialism, and imperial ambition; the material and psychological impact of two world wars; economic turbulence; shifts in American conceptions of race, gender, and sexuality; and the role of technological innovation. As we move through the centuries, we will be able to see how literature not only internalized many of these historical pressures, but provided unique ways to see and to think about them.  
Potential Texts: Norton Anthology of American Literature 1865 to the Present and a contemporary novel such as Octavia Butler's The Parable of the Sower or Jesmyn Ward's Salvage the Bones
Potential Assignments: A few quizzes, a midterm, a final, and a handful of discussion posts. 
GEL: Literature 
GEN Foundation: Literary, Visual & Performing Arts 

English 2367.01 (10): Language, Identity, and Culture in the U.S. Experience 
Instructor:  Addison Koneval 
The National Council of Teachers of English defines literacy as “a tool for meaningful engagement with society makes sense.” More than simply the ability to read and write, literacy is a complex means of communication, navigation, and even a means of empowerment or control. In this course, we will explore these complex facets of literacy, paying special attention to its entangled relationship to intersectionality, identity, and justice as they relate to literacy issues in education. We will understand how literacy practices, standards, and infrastructures inside and out of school contribute to “success” in school. Readings will explore topics like linguistic nationalism, linguistic discrimination, code-switching, neoliberal schooling standards, and more through a number of research-based literacy projects. 
Potential Texts: Who Says? The Writer’s Research. Deborah H. Holdstein & Danielle Aquiline. Third Edition. 
Potential Assignments: Major research-based literacy projects, weekly practice and reflection assignments 

English 2367.01 (20): Language, Identity, and Culture in the U.S. Experience 
Instructor: Caleb González 
You are currently living #collegelife. As students at a major public research university, you are part of a community that produces, circulates, and critiques knowledge. But why do we live #collegelife? Who gets to live #collegelife? And why is #collegelife always being discussed in the news, popular culture, government committees, and private homes as both the problem and the solution to America's problems? In this course, we will critically and creatively explore American higher education – it's histories, identities, and representations – and produce research that addresses its cultural, sociological, economic, and affective aspects. 
Potential Assignments: Literacy narrative, rhetorical analysis of a podcast, research proposal and critical project. 

English 2367.01 (30): Language, Identity, and Culture in the U.S. Experience Cultural Citizenship - Advancing Recognition through Literature and Media 
Instructor: Irma Zamora 
In this course we will use the definition by scholars Renato Rosaldo, William V. Flores and Rina Benmayor’s of cultural citizenship as the claim for marginalized groups to keep their differences while still belonging to the nation through a process of “building community, claiming space, and claiming rights” (Flores and Benmayor 296). Considering this, we will analyze representations of community-building, space-claiming, and belonging of marginalized group sin excerpts from novels, television, film and more. We will question: how are communities and spaces represented across media? How do these representations affect interpretations of belonging of marginalized groups in the United States? How are authors/creators from marginalized groups working towards cultural citizenship? What are the larger implications of literary representations of cultural citizenship? In what ways do these representations shape our understanding of the world around us? 
Potential Texts: Ede, Lisa. The Academic Writer: A Brief Rhetoric. Bedford, 2021. 5th ed. Holdstein, Deborah H. and Danielle Aquiline. Who Says? The Writer's Research. Oxford University Press, 2013. (2nd Edition) 
Potential Assignments: Discussion posts, Presentations, Final papers. 
Guiding Questions: How are communities and spaces represented across media? How do these representations affect interpretations of belonging of marginalized groups in the United States? How are authors/creators from marginalized groups working towards cultural citizenship? What are the larger implications of literary representations of cultural citizenship? In what ways do these representations shape our understanding of the world around us? 
Additional Materials: May need access to Netflix. 

English 2367.01 (40): Language, Identity, and Culture in the U.S. Experience Instructor: Carissa Ma 
Our course theme is Rhetorical Perspective on Invasion Ecology in the U.S. In this class we will discuss the ways in which the notion of invasion, i.e. the entering or taking over of a place, is rhetorically deployed for particular projects of nationalism, white supremacy, imperialism, and other intersecting political frameworks. Non-native species are real and persistent features of life on this planet insomuch as beings (animals, plants, bacteria) physically move (or are moved) from one place to another. What constitutes a ‘non-native’, and the various vocabularies through which we are encouraged to ‘speak,’ ‘see,’ and act toward them, are, however, symbolic constructions. Indeed, “invasive species” as a trope turns our attention to such vital questions as: What belongs? What/where are the boundaries? Who constructs them? We’ll be reading a number of texts addressing eco/biological discourses, contemporary crises of refugees, policed borders, occupied Indigenous lands, etc. Through these readings and activities we’ll examine issues of ability, health, disease, and nativity. 
Potential Texts: Deborah H. Holdstein and Danielle Aquiline, Who Says? Ursula K. Le Guin, The Word for World is Forest (1972) 
Potential Assignments: Book Review, Reflections, Abstract, Final Paper & Draft 
Guiding Questions: What/who belongs? What/where are the boundaries? Who constructs them? 

English 2376.02: Literature in the U.S. Experience  
Instructor: Natalie Kopp 
The American Midwest, from the Rust Belt to Chicago to rural farmland, occupies a unique space in the American cultural imagination. It has been called everything from America’s “heartland” to “flyover country.” It is a place where politicians vie for votes, a cornerstone of American industry, and, sometimes, the punchline of jokes. In this course, we will turn to literature and film (poetry, creative non-fiction, fiction, and documentary) about the American Midwest, by the diverse voices that make it up. These works will serve as an entry point into conversations about the land and culture, including issues such as gentrification of midwestern cities and stereotypes surrounding rural and small-town midwestern life. We will call on our own regional backgrounds, from within and outside the Midwest, to enrich our discussions of the Midwest’s place in the American cultural imagination. As a second-year writing course with a literature focus, this class will allow you to hone your academic writing skills and further develop the ways in which you write about narratives and stories.  
Potential Texts: The Crown Ain’t Worth Much by Hanif Abdurraqib, Universal Harvester by John Darnielle, essays from Black in the Middle: An Anthology of the Black Midwest, and others.  
GEL: Literature 
GEL Diversity: Social Diversity in the US 
GEL: Writing and Communication: level 2 
GEN Foundation: Literary, Visual & Performing Arts 

English 2367.08: A Cultural History of Video Games 
Instructor: Chris Turpin 
Depending on who you ask the first computer game was invented in either 1940 (Nimatron) or 1958 (Tennis for Two). The history of games go back even further. In nearly every society (historic and current) you can find evidence of people playing games, thinking about games, and discussing games. While they are often written off as simple wastes of time, games are and always have been huge cultural influences. Games have shaped how we think about everything from getting a date to waging global nuclear war. In this class you will learn about the the cultural impact of games from the very first extant board games to the next-gen video games the future. You will also learn how to write and talk about complex cultural phenomena like games in a way that is legible to academic audiences. By the end of the course you will have a fuller understanding of how games influence the world around us, how the world influences our games, and how to productively discuss those influences. You'll also get to play a lot of video games, which is almost never a bad thing 
Potential Assignments: Writing Papers and Recording Video Essays 
Guiding Questions: Where do games come from? What effects have games had on our society? What effects has society had on our games? 
Additional Materials: Xbox Live Cloud Gaming Pass 


3000-Level

English 3271: Structure of the English Language  
Instructor: Lauren Squires 
Want to learn more about how the English language works, and how it reflects social facts and identities? This class is an introduction to the linguistic structure of the English language: its systems of sounds, words, and sentences, and how these systems differ across dialects, contexts, and periods in history. This fully online, asynchronous version of the course moves quickly in an intensive 6-week session. We first work to acquire the analytical tools needed to scientifically analyze any language, and apply these to the structure of English. We then move to understanding patterns of English in its conversational and social contexts, exploring how English is used in interaction, how its dialects and styles vary across individuals and groups, how the language we now think of as “English” came to be. 
Potential Texts: Curzan, Anne and Michael Adams. 2012. How English Works: A Linguistic Introduction. 3rd edition. Boston: Longman. 
Potential Assignments: Weekly online activities including readings, quizzes, discussions, midterm and final exam 

English 3304: Business and Professional Writing 
Instructor: Rachel McCoy 
The study of principles and practices of business and professional writing. 

English 3372 (10): Special Topics in Science Fiction or Fantasy  
Instructor: Dennin Ellis 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
GEL: Literature 
GEN Foundation: Literary, Visual & Performing Arts 

English 3372 (40): Special Topics in Science Fiction or Fantasy  
Instructor: Elise Robbins 
Building New Worlds (And Re-Building Our Own): One of the reasons fantasy appeals to so many is that it creates new worlds to escape to. But one of the most interesting things about these alternate worlds is often how they make us think about our own. The novels, short stories, games, TV shows, and films in this class will explore how writers and artists craft alternate worlds for their audiences. Together, we will discuss what makes these worlds appealing, unappealing, convincing, beautiful, etc. and what building worlds can show us about how narrative works more generally. We will also use fantasy worlds as lenses to re-examine the social, economic, political, racial, religious, and cultural contexts around us.


4000-Level

English 4450: Literature and Culture of London 
Instructors: Kay Halasek 
Admission by application only. Applications closed January 10, 2023. 
Literature and Culture of Londong: Detecting Victorian London_Crime in the City" engages students in investigating some of the most sensational criminal cases (both real and fictional) of the Victorian era. Seen through the lenses of poverty, policing, punishment, and popular opinion, the course seeks to explore racial difference and racism, social and economic class prejudice, and political constraint and upheaval—and their intersections—as they impinge upon crime, criminality, and social justice. 
While in London, students will attend classes, guest and public lectures, and theatre performances; visit museums; gather for group meals and high tea; and take tours of numerous London sites, including the East End, Highgate Cemetery, Inns of Court, and the Old Bailey. Planned out-of-London excursions include travel to Portsmouth and Southsea (on the southern coast of England)—Dickens' birthplace and Conan Doyle's home while first writing his Sherlock Holmes stories. 
Potential Texts: Students will examine how the cases studied themselves—as well as the genres of police memoir, crime reporting, ephemera, and fiction of the period (e.g., Charles Dickens, Arthur Conan Doyle, C.L. Pirkis, Mary Elizabeth Braddon, Sheridan Le Fanu, L.T. Meade, and Matthias McDonnell Bodkin)—reflected and influenced shifts in social and cultural practice, legal reform, and political belief.   
Potential Assignments: Topic overview (encyclopedic entry), British Library archival project, two multimodal projects, and textual and image analysis 


5000-Level

English 5189S - Comparative Studies Field School
Instructor - TBD
Introduction to ethnographic field methods (participant-observation, writing field notes, photography, interviewing), archiving, and public humanities. An introduction to fieldwork is followed by a field experience (where students will reside together in local housing) followed by accessioning, exhibition planning and reflection.

1000-Level

English 1110: First-Year English Composition 
Instructor: Garrett Cummins 
This class focuses on first-year composition students doing a semester-long research project related to writing in their majors, future professions and/or activist passion. As such we focus on connecting ideas about academic writing, rhetoric and information literacy so that we can better understand the conversations that are happening in our major field of study. Lastly, this class focuses on writing as both a way to learn information as well as learning how to write academic papers and do academic research. 
Potential Texts: The instructor supplies all the readings for the course because he uses open educational resources. 
Potential Assignments: The class has four assignments: 1) an initial source evaluation of research, 2) a literature review, 3) a researched argument related to information literacy in your major, 4) major written course reflection. Also, we write parts of the bigger assignments throughout the semester, giving students credit for their efforts. 

English 1110.01: Writing and Information Literacy 
Instructor: Shaun James Russell 
This course is not designed to teach you how to write. You already know how to write. Whether you believe your writing is a weakness, a strength, or somewhere in between, you have been using the written word in various forms for most of your life. Frankly, you wouldn’t be in a college classroom if you haven’t. Instead, this course is designed to hone the considerable writing ability you already possess, and develop it into a set of skills that will prove indispensable throughout your college career and beyond. Although much of this course will understandably be tied to the written medium—it is a composition course, after all—we will be using the theme of MUSIC AND IMAGE (broadly defined) to help get at many of the same concepts we will seek to uncover in our writing. This semester, we will examine some of the many ways in which music joins with images to help deliver a message, and we will analyze the effectiveness of its rhetoric. Through many examples (some of which you will provide) we will look at how music is being used with images, who is using it, for what purposes and why. 
Potential Texts: Rosenwasser, David, and Jill Stephen. Writing Analytically 8th ed. Cengage Learning, 2018. (ISBN 9781337559461 (paperback); 9781337672429 (ebook)). 
Potential Assignments: This course will feature an assignment sequence that includes source selection, a primary source analysis, an intro and thesis statement exercise, an annotated bibliography, a brief multimodal presentation, and a final analytical research paper. 
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy   

English 1110.01: Writing and Information Literacy 
Instructor: Liz Miller 
Your work in English 1110 will help you develop your writing and information literacy skills by engaging with and participating in a research community. You will learn to ask critical questions, make connections among writers and ideas, contribute to your peers’ understanding of a subject or issue and reflect on your role as a writer and composer within your research community. Through a series of projects, you will gain experience locating, identifying, interpreting and using objects within a collection of digital archives. Also, you will access a variety of databases to build a Worknet, a tool for researching and reading scholarly texts. You will learn responsible and ethical practices for accessing, using and creating information. Finally, you will learn to make effective rhetorical choices while composing accessible print and multimodal texts. 
Throughout the semester, you will be encouraged to apply composing strategies and rhetorical analysis practices–we will learn these together during the course–to projects and topics that interest you personally. We’ll work together to brainstorm priorities for your individual research and writing to ensure that you’re able to create work that is meaningful to you beyond the immediate scope of our course. 
Potential Texts: Ball, Cheryl E., Jennifer Sheppard, and Kristin L. Arola. Writer/Designer: A Guide to Making Multimodal Projects. 3rd Ed. 
Clary-Lemon, Jennifer, Derek Mueller, and Kate Pantelides. Try This: Research Methods for Writers. 
Potential Assignments: Discord discussion, artifact presentations, creative digital projects, research work 
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy   

English 1110.02: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.  
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy   

English 1110.03: First-Year English Composition 
Section 10 Instructor: Staff 
Section 20 & 30 Instructor: Christiane Buuck 
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, 1193. This course is available for EM credit only through the AP program. 
GEL: Writing and Communication, Level 1 
GEN: Foundation - Writing and Information Literacy   

English 1193: Individual Studies 
Instructor: Christiane Buuck 
Intensive practice in the fundamentals of expository writing. This course is graded S/U. 


2000-Level

English 2150: Career Preparation for English and Related Majors SESSION 2  
Instructor: Jennifer Patton 
This general elective course helps English majors and students from other Humanities disciplines to explore and prepare for careers after graduation. Students will analyze texts to gain a practical and theoretical understanding of the world of work. They will learn to identify their own strengths and preferences to guide their job activity and career choices. 

English 2201H: Selected Works of British Literature - Medieval through 1800 
Instructor: Christopher Jones 
The class introduces the literary history of England from the beginnings through the later 18th century. Through a study of representative authors from the Middle Ages, Renaissance and 18th century, students will trace major developments in literary forms, styles, and content. 
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2202: Selected Works of British Literature - 1800 to Present  
Instructor: Jill Galvan 
This course will introduce you to some of the major British literary and cultural trends of the last two centuries. Our texts will cover the Romantic, Victorian, modernist, and contemporary periods, including a bit of the twenty-first century. We’ll talk about many major artistic forms and movements—for example, the lyric, the Gothic, the dramatic monologue, aestheticism, World War I poetry and postcolonial literature. We’ll also cover the historical phenomena that inform our texts, including the French Revolution, slavery and abolitionism, industrialization, imperialism, debates over gender roles, the rise of scientific values, the two world wars and decolonization. Finally, besides teaching you literary and cultural history, English 2202 will help you to become a better critical reader and literary analyst, either for future classes or for your own enjoyment. You’ll practice reading texts with an eye for fine detail (a.k.a. close-reading or explicating) in order to construct logical, complex interpretations based on textual evidence. 
Potential Text(s): (tentative) William Blake, Mary Kingsley, Mary Wollstonecraft, John Keats, Christina Rossetti, Charlotte Brontë, Olive Schreiner, Oscar Wilde, Wilfred Owen, Virginia Woolf, Una Marson, Ngugi wa Thiong’o, Kazuo Ishiguro 
Potential Assignments: (tentative) two exams, midterm and final; two short papers (3-4 pp. each), designed to build your skills in literary interpretation; and regular attendance and participation in a weekly recitation section 
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2220 (20): Introduction to Shakespeare  
Instructor: Christian B. Williams 
This Introduction to Shakespeare course introduces students to the plays, theater, life, and times of England’s greatest writer, Mr. William Shakespeare. In this course, students will learn how to read Shakespeare’s language, practice close-reading of selected passages, discuss dramatic form and genre, and contextualize Shakespeare’s dramatic works in their historical moment. In doing so, students will explore various questions and topics that particularly interest them as well as those that interest other Shakespeare scholars. These explorations will range from asking and answering such questions as what makes certain characters in Shakespeare’s plays so darn “mean and nasty” (and why we love them), to addressing the ever-popular question, “why does Shakespeare talk like that?”; from examining closely how a “savage” historical moment is possibly dramatized in a particular play, to understanding the ways in which certain forms and structures within the dramatic tradition work to bring all of these matters to life on the contemporary stage. 
Potential Texts: Richard III, Romeo and Juliet, Macbeth, Hamlet, Othello, Measure for Measure, All's Well that Ends Well. 
Potential Assignments: Exam(s), formal-essay writing, short quizzes, close-reading assignments  
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2220 (40): Introduction to Shakespeare  
Instructor: Meaghan Pachay 
A visitor strolling along London's South Bank in the late sixteenth century would encounter in quick succession, brothels, a bull-and a bear-baiting ring, a notorious prison already centuries old, and a round wooden theater. For this theater Shakespeare first wrote his influential plays, in the process attracting an audience from all walks of life— aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. In this course, we'll be imagining what it was like to be among them, experiencing Shakespeare's plays in action. For better or worse, the figure of Shakespeare looms large in our cultural imagination. He is, without a doubt, the most canonized of English authors. Thus, to an introduction to his work is an introduction to literary study as a whole. It is also an introduction to the many ways Shakespeare is weaponized and valorized in our broader culture— from politics to business to medicine to law to psychology and more. Alert to such larger concerns, this course introduces students to some Shakespearean texts and contexts. Emphasis is placed on Shakespeare's choice of drama— thus the plays are treated as plays, and experienced in performance— and on close reading and interpretation. But interpretation will be done in light of the traditions in and against which Shakespeare wrote, most especially the conventions of the three traditional Shakespearean genres: comedy, tragedy, and history.  
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2220H: Introduction to Shakespeare 
Instructor: Hannibal Hamlin 
For four centuries now, William Shakespeare has been widely regarded as the greatest writer in the English language. He's certainly the most influential. More has been written about Shakespeare than any other writer in the history of the world, no joke. His plays have been adapted into countless other plays, novels, poems, music, paintings, films, TV shows, and comics, and not only in English but in German, Russian, Spanish, Japanese, Hindi, and Yoruba. We will read a sampling of Shakespeare's plays in a variety of genres and over the course of his career. We'll think about how his plays work as theater; how he adapts and transforms the source material on which so many of his plays depend; how Shakespeare can be such an "original" when he borrows so much from other writers; how he can create such deep and realistic characters; and how it is that Shakespeare can accomplish all of the above (and more) through language. What we'll discover is that, as one critic put it, "the remarkable thing about Shakespeare is that he is really very good in spite of all the people who say he is very good." 
GEL: Literature 
GEL: Diversity - Global Studies 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2221: Introduction to Shakespeare, Race, and Gender 
Instructor: Tamara Mahadin 
How has the past shaped our society’s ideas about race and gender? When Shakespeare’s plays are read and performed today, how do they reinforce and challenge systems of oppression? We will examine these questions as we use the plays of Shakespeare to study the historically and socially constructed categories of race, ethnicity, gender, and sexuality. This course attends to the ways these categories intersect to shape lived experiences today, and it considers how they influence what and how we read. We will analyze how Shakespeare represents the anxieties and desires of the past, as well as how modern playwrights like Toni Morrison resist and remake Shakespeare’s narratives. In doing so, we will reflect upon our own experiences and assumptions. 
Potential Texts: Shakespeare's Titus AndronicusThe Merchant of Venice, and Othello; Toni Morrison's Desdemona 
Potential Assignments: Reflection quizzes, Glossing Shakespeare's Language, Play Analysis, Group Work: Adaptation Analysis, and Take-home final exam. 
Additional Materials: Laptops or tablets to watch performances (accessible through Ohio State library: Drama Online) 
GEN: Foundation - Race, Ethnicity and Gender Diversity 

English 2260 (20): Introduction to Poetry  
Instructor: Elise Robbins 
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. This course will acquaint you with a variety of poetry, representing different eras, styles and topics. You do not need to consider yourself fantastic with poetry to take it! No matter what background you come from with poetry, my goal is that by the end, you'll feel comfortable articulating both how it works and why it matters. We will explore the art of poetry by reading, reciting, discussing, analyzing and writing a range of poems from across space and time. We will break down the mechanics of how poems work (e.g., rhyme, meter, word choice, genre, etc.) and how they've been used across cultures for millennia to tell stories, to celebrate religious rites, to preserve history, and to reflect on the human experience. In doing so, we will explore how this art both reflects and constructs both our collective cultures and our individual senses of what it means to be human. 
Potential Texts: Art of Poetry by Shira Wolosky, Citizen by Claudia Rankine, Rhyme's Reason: A Guide to English Verse by John Hollander, Odyssey by Homer / Emily Wilson 
Potential Assignments: (tentative) short response/analysis papers (2-3), creative oral presentation, midterm and final exams, final project (creative or critical) and class participation 
GEL: Literature  
GEN: Foundation - Literature, Visual and Performing Arts  

English 2260 (30): Introduction to Poetry 
Instructor: John Rooney
“All high poetry is infinite; it is as the first acorn, which contained all oaks potentially." -Percy Bysshe Shelley (1821)
Poetry is infinite because, as English Romantic poet Percy Bysshe Shelley tells us, it must be rediscovered and even recreated by each generation. In this course, we will read and rediscover poetry in English of the past five centuries, from the English Renaissance to the present day, by focusing on the short lyric, a form both concise and inexhaustible. Along the way, we will see the lyric in many forms, including the sonnet, the ode, the ballad, the villanelle, and even free verse. We will also explore lyric’s many moods and modes: the mournfulness of elegy, the wit and humor of satire and epigram, the reverence of the hymn, the natural beauty of the pastoral, and the passion of love poetry. We will try to understand what makes these poems work, as we investigate meter, rhyme, word choice, and figures of speech. But, at the same time, we will also be deeply invested in attempting to realize what they make us feel, and enable us to know. We will read many poets, including William Shakespeare, John Donne, Katherine Philips, Thomas Gray, Charlotte Smith, John Keats, Emily Brontë, Alfred Tennyson, Christina Rossetti, Claude McKay, and Louise Glück, among others. No prior experience with poetry is necessary.
Potential Assignments: Engaged reading, short responses, and a choice of approaches to papers/projects.
GEL: Literature  
GEN: Foundation - Literature, Visual and Performing Arts 

English 2261: Introduction to Fiction 
Section 10 Instructor: Sandra Macpherson
Section 30 and 70 Instructor: Matthew Cariello 
Section 80 Instructor: Jessica Prinz 
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included. 
GEL: Literature  
GEN: Foundation - Literature, Visual and Performing Arts 

English 2261 (20): Introduction to Fiction - What's Love Got to Do with It?: The History, Rhetoric, and Politics of Love Stories. 
Instructor: Antonio Ferraro
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included.  
GEL: Literature  
GEN: Foundation - Literature, Visual and Performing Arts 

English 2261H: Introduction to Fiction (Honors) 
Instructor: Jill Galvan  
This course has two goals. The first is to familiarize (or re-familiarize) you with literary concepts associated with fiction, as well as to introduce new concepts that will allow you to see this genre in more sophisticated terms. The second is to teach you the skills for coming up with persuasive, thought-provoking interpretations of literature. Each class will include some lecture, but most of the course will be conducted as an open discussion. We will likely end with a unit that considers: how does learning about fiction help someone to become a better critical thinker about texts, voices and stories overall—even stories that are technically nonfiction? Our readings will span time periods and cultural and social perspectives. 
Potential Text(s): Longer works (novel-length) (tentative): Robert Louis Stevenson’s Jekyll and Hyde, Justin Torres’s We the Animals, Karen Joy Fowler’s We Are All Completely Beside Ourselves and Trevor Noah’s Born a Crime. Short stories (also tentative): Herman Melville, Charlotte Perkins Gilman, Toni Morrison, Jennifer Egan, Ted Chiang, Curtis Sittenfeld, Carmen Machado, and others. 
Potential Assignments: Regular and enthusiastic participation, three short response papers (1 ½-2 pp. each), a final project (5-7 pp.) and two exams (midterm and final). 
GEL: Literature  
GEN: Foundation - Literature, Visual and Performing Arts 

English 2263: Introduction to Film 
Instructor: Jesse Schotter 
This course offers an introduction to the language and aesthetics of cinema, familiarizing students with the basic building blocks of film, the forms that movies use to tell stories, communicate complex ideas, and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. We will use each week's film as both a case study in the strategic deployment of certain cinematic techniques, and as a specific set of images and sounds that combine to create a unique cinematic expression. Throughout the term, we will focus on detailed analysis of films, analyzing closely the ways in which the multiple elements of moviemaking come together to make, and complicate, meaning. Our primary goal in this class is to become skilled at thinking, talking, and writing critically about movies and, in the process, to deepen our appreciation and understanding of the film medium. 
GEL: Visual and Performing Arts  
GEN: Foundation - Literature, Visual and Performing Arts 

English 2264: Introduction to Popular Culture Studies 
Instructor: Natalia Colon Alvarez 
Introduction to the analysis of popular culture texts. 
GEL: Cultures and Ideas  
GEN: Foundation - Historical and Cultural Studies.  
*Cross-listed in CompStd 

English 2265: Introductory Fiction Writing 
Section 30 Instructor: Katie Harms 
Section 40 Instructor: Aline Resende Mello 
Section 50 Instructor: Andrew Romriell 
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2266: Introductory Poetry Writing  
Section 10 Instructor: Polley Poer 
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. 

English 2266 (20): Introductory Poetry Writing  
Instructor: Hannah Nahar  
The word "poem" comes from the Greek "poeisis," meaning to make. A poem is a "made thing." A thing made out of words, out of images, out of lines, out of thoughts, out of feelings, out of time! In this introductory poetry writing course, we will make poems and talk about them. We'll read lots of published poems and consider how they work, how they sing and move us. The primary materials for this course will be your own poems, though, and the interests of the class will help determine how we run it and what we read. 
Potential Texts: Poems, all available on Carmen 
Potential Assignments: Creative work, informal reading responses 
Guiding Questions: What is a poem? How can we make poems?

English 2267: Introduction to Creative Writing 
Instructor: Kurt Ostrow 
Essays, line breaks and plot—oh my! Buckle up for this crash course in creative writing. Over the course of the semester, we will flex our prose muscles, sharpen our poetry scissors and mix all our metaphors. As we read a lot of excellent, mostly contemporary writing, you will fill up notebooks with your own stories and poems—some true, others made up. We will also share work in class, giving and getting generous feedback. No creative writing experience required, just courage. 

English 2268: Introductory Creative Nonfiction Writing 
Instructor: Elise Gorzela  
Anne Lamott says, “Perfectionism is a mean, frozen form of idealism, while messes are the artists true friends…. We need to make messes in order to find out who we are and why we are here—and, by extension, what we’re supposed to be writing.” In this course, I will encourage you to make a mess. Being a writer means putting aside the time to sit and stare and read and think and write, to make a mess over and over again to figure out how to tell the story you came to say. Life is messy and that makes writing nonfiction the unique work to form that mess into a narrative on the page. This course is set up to introduce students to writing nonfiction with a variety of readings to discuss craft, low stakes writing exercises and workshop where you will receive feedback on your writing. 
Potential Assignments: Writing exercises, one longer creative essay and a final portfolio. 

English 2269: Digital Media Composing 
Section 10 Instructor: Christoffer Turpin 
Section 40 Instructor: Elizabeth Velasquez 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production.  
GEL: Visual and Performing Arts 
GEN: Foundation - Literature, Visual and Performing Arts course 

English 2270: Introduction to Folklore 
Section 10 Instructor: Zahra Abedi 
Section 20 Instructor: Daisy Ahlstone 
A general study of the field of folklore including basic approaches and a survey of primary folk materials: folktales, legends, folksongs, ballads, and folk beliefs.  
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies 
GEN: Foundation - Race, Ethnicity and Gender Diversity 
*Cross-listed in CompStd 2350 

English 2276: Arts of Persuasion 
Instructor: Anna Bogen 
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media, and cultural contexts.  
GEL: Cultures and Ideas 
GEN: Theme - Citizenship for a Diverse and Just World 

English 2277: Introduction to Disability Studies 
Section 10 Instructor: Addison Koneval 
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability.   
GEL: Cultures and Ideas 
GEN: Theme - Health and Wellbeing 

English 2280: The English Bible 
Instructor: Hannibal Hamlin 
The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise LostPilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myself to Morrison’s Song of Solomon. We will read a selection of biblical books in order to gain some appreciation of the Bible’s wide range of literary genres, forms, styles, and topics. Our discussion will include the nature of biblical narrative and characterization, the function of prophecy and its relation to history, the peculiar nature of biblical poetry, so-called Wisdom literature, anomalous books like Job and The Song of Songs (including the historical process of canonization that made them “biblical” and the kinds of interpretation that have been used to make them less strange), the relationship between (in traditional Christian terms) the Old and New Testaments (including typology, the symbolic linking of characters, events, themes, and images in the books before and after the Incarnation), and the unity (or lack thereof) of the Bible as a whole. As occasion warrants, we will also look at some of the diverse ways the Bible has been read and interpreted––the stranger the better––by poets and writers, artists and film-makers over the past millennia.  
Do note: this is NOT a faith-based course in religion, but rather an English course on the Bible as a literary work. Any and all faiths, or none, are welcome, and none will be privileged.    
Potential Text(s): The English Bible: King James Version (2 vols.), ed. Herbert Marks (1) and Gerald Hammond and Austin Busch (2), Norton Critical Edition  
Potential Assignments: Evaluation will be based on active participation in class discussion and activities, a film review, an essay, a mid-term test, and a final exam.  
GEL: Literature 
GEN: Foundation - Literature, Visual and Performing Arts  

English 2281: Introduction to African-American Literature  
Instructor: Elizabeth Sheehan  
This course introduces students to key African American writers and cultural movements of the last two and half centuries. Central questions for the class include: how are community, power, race, gender, and sexuality represented and experienced in and through the texts we will read? How are these texts shaped by the audience to whom they may be addressed? How do these texts relate to struggles for racial justice, including anti-slavery, anti-colonial, and prison abolition movements? We will read work by writers including Phyllis Wheatley, David Walker, Harriet Jacobs, Frederick Douglass, Charles Chesnutt, Langston Hughes, Zora Neale Hurston, Malcolm X, James Baldwin, Audre Lorde, June Jordan, Toni Morrison, and Octavia Butler, and we will examine literary and political movements including the Harlem Renaissance and the Black Arts Movement. 
GEL: Social Diversity in the United States  
GEN: Foundation - Literary, Visual and Performing Arts 
GEN: Foundation - Race, Ethnicity and Gender Diversity  
*Cross-listed in AfAmASt 

English 2282: Introduction to Queer Studies 
Instructor: Lily Blakely 
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class, and nationality.  
GEL: Cultures and ideas and diversity soc div in the US course  
GEN: Foundation - Historical and Cultural Studies  
GEN: Foundation - Race, Ethnicity and Gender Diversity 
*Cross-listed in WGSSt 

English 2290: Colonial and U.S. Literature to 1865 
Instructor: Elizabeth Renker 
This course provides a broad survey of selected literature from the time of European colonial occupation in North America to the end of the Civil War and the beginning of federal Reconstruction of the former Confederate states. We will explore how various writers working in a number of genres--nonfiction, short fiction, the novel, and poetry--addressed a broad array of historical, cultural, and literary concerns, including settlement of the what they called a New World; encounters and conflicts with indigenous peoples; political and theological upheavals; aesthetic conventions and rebellions; race and gender categories; literary and philosophical movements; slavery and emancipation; and civil war and its contentious and violent aftermath.  
GEL: Literature 
GEN: Foundation - Literary, Visual and Performing Arts 

English 2367.01: Language, Identity, and Culture in the U.S. Experience 
Section 10 Instructor: Caleb Gonzalez 
Section 0120 Instructor: Peyton Del Toro 
Section 140 Instructor: Appy Frykenberg 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America.  
GEL: Writing and Communication - Level 2  
GEL: Diversity - Social Diversity in the US 

English 2367.01 (50): Language, Identity, and Culture in the U.S. Experience 
Instructor: Kay Halasek 
In this section of English 2367.01, you will analyze the various ways that scholars in academic disciplines and commentators in the public sphere take up and contribute to some of the most widely debated topics of our time. Working from within and across disciplinary texts and artifacts in mathematics and the sciences, social sciences, business, architecture, food and agricultural studies, engineering, education, humanities, health professions and arts, you will investigate the intersections among rhetoric, language, identity and culture and their relationship to citizenship for a diverse and just world. The course is framed by and engages these public and disciplinary conversations through concepts and theories from both classical and contemporary rhetorical theory.You will complete a series of scaffolded assignments that ask you to investigate, analyze, critique and contribute to current scholarly and public debates on your selected topics. The course includes extensive guided instruction and practice in scholarly research, and as a “flipped” classroom, it also asks that you a conduct a great deal of independent research and complete numerous activities outside of class. 
Potential Text(s): All course readings and videos will be available in Carmen. A separate textbook is not required. 
Potential Assignments: Students will complete a series of class activities, homework assignments, one Reading Response, an Academic Analysis Assignment, Public Discourse Analysis Assignment and Final Project (including a Proposal). 
Guiding Questions:  We will explore how scholars, researchers and other academics--as well as public figures--address and frame their arguments in a wide range of topics related to politics and ideology, higher education, technologies, gender and consumerism, etc. Questions might include the following: What does it mean to be a "good" citizen? What is the role (and responsibility) of scholars, researchers, and students in contributing to debates in the public sphere? 
Additional Materials: Students must have access to their Ohio State email and Carmen accounts and Microsoft 365. RECOMMENDED EQUIPMENT: Computer: current Mac (OS X) or PC (Windows 7+) with high-speed internet connection. Webcam: built-in or external webcam, fully installed and tested. Microphone: built-in laptop or tablet mic or external microphone. Other: a mobile device (smartphone or tablet) or landline to use for BuckeyePass authentication. 
GEL: Writing and Communication - Level 2  
GEL: Diversity - Social Diversity in the US 

English 2367.02: Literature in the U.S. Experience 
Section 10 Instructor: Kayode Odumboni 
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience.  
GEL: Writing and Communication - Level 2  
GEL: Literature (BS only)  
GEL: Social Diversity in the United States 
GEN: Foundation - Literature, Visual and Performing Arts 

English 2367.02 (30): Literature in the U.S. Experience  
Instructor: Honor Lundt 
This course will be an introduction to science fiction, stretching from the pulp era to the present, which features short fiction, film, novels and television. We will use these examples of the fantastic to explore depictions of gender and race in the American imagination. 
GEL: Writing and Communication - Level 2  
GEL: Literature (BS only)  
GEL: Social Diversity in the United States 
GEN: Foundation - Literature, Visual and Performing Arts  

English 2367.02 (50): Literature in the U.S. Experience 
Instructor: Amelia Mathews-Pett 
We will be exploring the Western genre in this course. By discussing literature, film, and other media, we will examine how Westerns create and mold American identity and mythology through their construction of race, ethnicity, class, gender, religion, and sexuality. Our consideration of Westerns will be integrated within a broader context of discussing genres, in which we will also examine how academic writing genres operate. Over the course of the semester, students will explore a storytelling genre of their choosing, and demonstrate their ability to write in the academic research writing genre for their final projects. 
GEL: Writing and Communication - Level 2  
GEL: Literature (BS only)  
GEL: Social Diversity in the United States 
GEN: Foundation - Literature, Visual and Performing Arts  

English 2367.02 (70): Literature in the U.S. Experience 
Instructor: Carissa Ma 
Our course theme is Rhetorical Perspective on Invasion Ecology in the U.S. In this class we will discuss the ways in which the notion of invasion, i.e. the entering or taking over of a place, is rhetorically deployed for particular projects of nationalism, white supremacy, imperialism, and other intersecting political frameworks. Non-native species are real and persistent features of life on this planet insomuch as beings (animals, plants, bacteria) physically move (or are moved) from one place to another. What constitutes a non-native? And the various vocabularies through which we are encouraged to speak, see, and act toward them, are, however, symbolic constructions. We'll be reading a number of texts addressing eco/biological discourses, contemporary crises of refugees, policed borders, occupied Indigenous lands, etc. Through these readings and activities, we'll examine issues of ability, health, disease, and nativity. 
Potential Texts: Deborah H. Holdstein and Danielle Aquiline, Who Says?; Janet E. Gardner, Reading and Writing About Literature  
Potential Assignments: Papers, leading class discussion, oral presentation 
Guiding Questions: What/who belongs? What/where are the boundaries? Who constructs them?  
GEL: Writing and Communication - Level 2  
GEL: Literature (BS only)  
GEL: Social Diversity in the United States 
GEN: Foundation - Literature, Visual and Performing Arts  

English 2367.02 (100): Literature in the U.S. Experience: Environmental Literature  
Instructor: Misha Grifka 
In this course, we will practice analyzing all kinds of written media - novels, short stories, poems, comics, even games - and understanding them in the context of the environment. How does literature portray and respond to climate change? How do writers and readers imagine their environmental surroundings? How have people tried to leave behind their anthropocentric perspective and understand nature on a deeper level? While we can't answer those questions definitively, we'll use them as a springboard for posing our own questions. 
Potential Assignments: Potential assignments include papers, creative works, short writing assignments, and quizzes. 
GEL: Writing and Communication - Level 2  
GEL: Literature (BS only)  
GEL: Social Diversity in the United States 
GEN: Foundation - Literature, Visual and Performing Arts  

English 2367.04: Technology and Science in the U.S. Experience 
Instructor: Staff 
Explores how technological changes impact our culture & relationships; students build & expand skills in rhetorical analysis & composition through experimentation with new forms of communication.  
GEL: Writing and Communication - Level 2 

English 2367.05: Writing about the U.S. Folk Experience 
Instructor: Mary Hufford 
Concepts of American folklore and ethnography; folk groups, tradition, and fieldwork methodology; how these contribute to the development of critical reading, writing, and thinking skills in the context of lived environments.   
GEL: Writing and Communication - Level 2 
GEL: Social Diversity in the United States 
GEN: Theme - Lived Environments 

English 2367.06: Composing Disability in the U.S. 
Instructor: Staff 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America.  
GEL: Writing and Communication - Level 2 
GEL: Social Diversity in the United States 

English 2367.08: The U.S. Experience - Writing About Video Games 
Section 10 Instructor: Kelsey Mason 
Section 20 Instructor: Carlos Kelly 
Section 30 Instructor: Morgan Beers 
Section 40 and 50 Instructor: Lauren Cook 
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required.  
GEL: Writing and Communication - Level 2 

English 2463: Introduction to Video Game Analysis 
Section 10 Instructor: Ryan Helterbrand 
Section 20 Instructor: Alex Thompson 
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style, and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the English Department Video Game Lab.  
GEL: Visual and Performing Arts 

English 2464: Introduction to Comics Studies 
Instructor: Rolando Rubalcava 
Study of sequential comics and graphic narrative and the formal elements of comics, how word and image compete and collaborate in comics to make meaning and how genre is activated and redeployed. Students analyze comics texts, articulate and defend interpretations of meaning and learn about archival research at OSU's Billy Ireland Cartoon Library and Museum. No background in comics is required.  
GEL: Visual and Performing Arts 
GEN: Foundation - Literature, Visual and Performing Arts 

English 2581: Introduction to U.S. Ethnic Literatures and Cultures 
Instructor:  Julianna Crame 
This course explores multi-ethnic literature in the U.S. through the lens of U.S. empire, with a particular focus on how various generations interact with hegemonic systems of power based in colonialism. While dominant media often portrays U.S. society as socially equal and diverse, those who do not fit into colonial ideals based on their race, gender, sexuality, and/or class must contend with numerous inequalities. We will explore various literature (novels, short stories, memoirs, etc.) to discuss depictions of how Native Americans, African Americans, Asian Americans, and Latinx Americans struggle against systems of U.S. empire. Each group’s different historical contexts influence their strategies for survival and the ideologies they instill in subsequent generations. Children born into the empire must then figure their roles in a society that both “Others” them and enforces their assimilation. These narratives will facilitate discussion on different kinds of colonialism, such as neocolonialism and internal colonialism, as well as strategies particular to the U.S. empire, such as the American Dream and model minority myth. Although U.S. media often asserts the injustices of colonialism are in the past, we shall see how these systems still inform current hierarchical social practices.  
GEN: Foundation - Race, Ethnicity, and Gender Diversity 


3000-Level

English 3110: Citizenship, Justice, and Diversity in Literatures, Cultures and Media - Social Reform Literature in the U.S. 
Instructor:  Elizabeth Hewitt 
This course will study literature about and from the numerous social reform movements that began to sprout up across the United States beginning in the early 19th century. We will read novels, poetry, and treatises about various social and political movements including abolitionism, temperance, women's suffrage, free love, anarchism, socialism, labor reform, health and sanitation reform, prison reform, American Indian rights, and others. This course fulfills the Citizenship for a Diverse and Just World GE requirement and will provide students an opportunity to read literature that analyzes how theories of justice have changed across history and influenced popular notions of citizenship. 
GEN: Theme - Citizenship for a Diverse and Just World 

English 3271: Structure of the English Language 
Section 10 and 30 Instructor: Clarissa Surek-Clark 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings.  
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies 

English 3271 (20): Structure of the English Language 
Instructor: Galey Modan 
This course is an introduction to English linguistics. You will gain the analytical tools to scientifically analyze any language, and apply those tools to English. We'll learn about the basic characteristics of language: the sounds of English and how they're put together, word formation processes, and rules for combining words into utterances/sentences. While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education. We'll also consider how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings. 
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies 

English 3304: Business and Professional Writing  
Section 20 Instructor: Lauren Colwell 
Section 40 Instructor: Natalie Kopp 
The study of principles and practices of business and professional writing.  

English 3304 (10): Business and Professional Writing  
Instructor: Angel Evans  
Who are you--professionally? What do you want your work to say about you--even in meetings and conference rooms where you aren't present? This course will guide students in personal branding, building an effective resume and cover letter, interviewing, salary negotiation, and successfully navigating other workplace situations/communicative contexts. Regardless of major, students who complete the course will gain more confidence and tools for their professional future. You will also complete a polished portfolio showcasing your experience to prospective employers. 

English 3304 (30): Business and Professional Writing 
Instructor: Christa Teston 
In this online, asynchronous course you will learn principles and practices associated with writing well in business and professional contexts. I’ll provide you with a lot of feedback on your prose and give you several opportunities to refine your style, organization, and collaborative writing strategies.
Because the majority of the writing you’ll do in this class is collaborative and in service of a community partner’s marketing campaign, students enrolled in this version of the course should be (or be willing to become) adept at asynchronous team writing. Asynchronous team writing regularly requires daily check-ins with team members and advanced time management skills.
At the end of this course, you will have writing samples that demonstrate expertise in the following genres,

  • correspondence genres (letters, memos, social media);
  • presentation genres (pitches, pecha kucha, slideware);
  • collaboration genres (charter document, strategic plan);
  • information genres (reports, documentation, public service announcements, fact sheets);
  • proposal genres (project proposals, marketing proposals);
  • employment search genres (resume, cover letter, interview techniques).

English 3305: Technical Writing  
Section 10 Instructor: Susan Lang 
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.  

English 3305 (20): Technical Writing  
Instructor: Jonathan Buehl 
Technical Writing is designed to improve the communication skills and career prospects of three groups: (1) science and engineering majors preparing for technology-focused careers, (2) humanities majors interested in exploring career options in technical communication and (3) students of any major who want to enhance their marketability by learning about workplace writing. 

English 3331: Thinking Theoretically 
Instructor: Ethan Knapp 
This class will take a step back from what usually happens in classes about literature (and art) and ask some of the big questions about why people study these things in the first place. Why is literature a good thing? How is the experience of art important and what does it have to teach us that is different from the experience of the real world? How are different kinds of art (literature, music, film) like each other and how do they present different worlds and different possibilities? Readings will include a wide selection of thinkers, from Plato and Aristotle to Mary Wollstencraft and William Blake. The course should be very exciting for anyone interested in the connections between literature and philosophy -- or anyone interested in honing their abilities in critical thinking. Highly recommended for anyone considering graduate school. 
Potential Assignments: Midterm, Final, and possible short paper.

English 3361: Narrative and Medicine 
Instructor: Hannibal Hamlin 
Humanity's death rate remains steady at 100%. We all die. How we come to terms with death, or resist it, or deny it, varies among peoples and cultures. No surprise then that death has been so popular a topic throughout the history of stories. Adam and Eve bring death into the world by eating the forbidden fruit. Gilgamesh mourns his beloved friend Enkidu. Priam and Troy mourn the death of Hector. David laments Saul and Jonathan. The pyramids, the Taj Mahal, the terra cotta army of Emperor Qin Shi Huang, the Treasury at Petra, and Ohio's Serpent Mound are all tombs. This course explores plays, poems, stories, novels, and films about death. Aided by readings in sociology, philosophy, and medical ethics, we will ask what death is, why and how we die, how we grieve, why we treat the dead as we do, and why we imagine the dead returning to the living. Thinking about death and dying is obviously essential to anyone planning a career in health care, and studying literature allows this in ways unavailable to medicine, philosophy, sociology, and other disciplines. But readings in these fields will also enrich the experience of literature for students in English. 
Potential Texts: Readings will include excerpts from Atul Gawande's Being Mortal: Medicine and What Matters in the End, Thomas Lynch's The Undertaking: Life Studies from the Dismal Trade, Richard Selzer’s The Exact Location of the Soul, and Mary Roach's Stiff: The Curious Lives of Human Cadavers. Literary works will include excerpts from the Bible and Gilgamesh, stories by Poe and Raymond Carver, John Crace’s novel Being Dead, George Saunders' weird historical-purgatorial fantasy Lincoln in the Bardo, Wole Soyinka’s tragedy Death and the King’s Horseman, Abba Kovner’s verse illness narrative Sloan-Kettering, Amy Bloom’s memoir of her husband’s euthanasia, In Love, and Maylis de Kerangal’s novel of organ transplant, Heart.  
GEL:  Literature 

English 3364: Special Topics in Popular Culture: “Disneyfying” Diversity - Disney’s Depictions of Race in Feature Film and on Network Television  
Instructor: Katlin Marisol Sweeney-Romero 
On May 26, 2023, Disney will premiere its latest live-action remake of one of its most iconic, animated feature films: The Little Mermaid. When it was announced that Princess Ariel would be portrayed by multi-hyphenate superstar Halle Bailey, the internet was flooded with backlash exemplifying what media scholar Moya Bailey terms misogynoir: the combined anti-Black racism and misogyny that is projected at Black women across film, news and social media. In anticipation of the film’s release, we will place the online discourse surrounding The Little Mermaid in the larger context of how audiences have responded to The Walt Disney Company’s complicated 100-year history of depicting race on-screen. We will track the evolution of racial representation across Disney’s transmedia storytelling in the twentieth and twenty-first centuries, with attention to how its films, television shows, theme parks, soundtracks, and the careers of its “Franchisable Girl” stars have each contributed to this history. To guide our inquiries into this topic, we will analyze how the emergence of Disney Channel Original Movies (DCOMs) in the 1980s effectively capitalized on the nostalgia of Disney’s feature-length animated films for a new, “tween” market while simultaneously introducing new venues for racial representation. 
Potential Texts: Bailey, Moya. Misogynoir Transformed: Black Women's Digital Resistance (NYUP, 2021); Beltrán, Mary and Camilla Fojas, editors. Mixed Race Hollywood (NYUP, 2008); Blue, Morgan Genevieve. Girlhood on Disney Channel: Branding, Celebrity, and Femininity (Routledge, 2017); Brode, Douglas. Multiculturalism and the Mouse: Race and Sex in Disney Entertainment (U of Texas P, 2005); Cheu, Johnson, editor. Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability (McFarland & Company, Inc., Publishers, 2013); Telotte, J.P. The Mouse Machine: Disney and Technology (U of Illinois P, 2008) 
Additional Materials: Disney+ subscription (will be used for all primary viewings) 
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies  

English 3372 (20): Special Topics in Science Fiction or Fantasy - My Hideous Progeny
Instructor: Karen Winstead 
"My hideous progeny" - that's what Mary Shelley called Frankenstein (1818), widely considered the first science fiction novel in English. Dr. Frankenstein created a living being and abandoned it, with devastating consequences. Shelley's Frankenstein introduced crucial questions that subsequent generations of science fiction authors and filmmakers have seized on: What is our responsibility towards the beings we create? What happens when our creatures develop minds of their own and goals that conflict with ours? What happens when they rebel? May their creators destroy them? We might think of theses science fiction authors and filmmakers as Shelley's spiritual children, and their works as Frankenstein's own "hideous progeny". In this course, we'll explore how authors of science fiction dealt with the issues Mary Shelley introduced. We'll begin by reading Frankenstein and move on to other novels and films treating the relation between creatures and their creators, including Ridley Scott's Blade Runner (1982), Spike Jonze's Her (2013), Alex Garland's Ex Machine (2014), Neil Blomkamp's Chappie (2015), Kazuo Ishiguro's Klara and the Sun (2021), and Sara Gailey's The Echo Wife (2021).
Potential Texts: Students would only need to purchase Klara and the Sun and The Echo Wife.
Potential Assignments: Weekly discussions, a reading/viewing journal, and a final project developed in consultation with me. 
GEL: Literature 
GEN: Foundation - Literary, Visual and Performing Arts  

English 3372 (30): Special Topics in Science Fiction or Fantasy  
Instructor: Dennin Ellis 
Science fiction is good for an awful lot (including pure entertainment), but in particular it gives us a lens through which to observe and reflect on our own world. This can be useful for exploring issues on the micro scale (such as those of individual identity) or the macro scale (issues pertaining to larger sociopolitical forces). We’ll be focusing on the latter in this class - how does the genre of science fiction address society, politics, culture, etc.? Specifically, we will consider how sci-fi addresses topics like (anti-)authoritarianism, (anti-)fascism and (anti-)capitalism. Don’t worry, those smaller issues of identity certainly come up too, as they’re swept along by these larger forces. We’ll also find some space to fit in some anime and comics. We’ll do a week on ‘the weird’ as a subgenre of sci-fi, and a week on the REALLY weird (Samuel Beckett, Franz Kafka, Jorge Luis Borges) in order to test the boundaries of sci-fi.
Potential Texts: Philip K. Dick, Do Androids Dream of Electric Sheep?, Boris and Arkady Strugatsky, Roadside Picnic, Ursula K. Le Guin, The Left Hand of Darkness, Aldous Huxley, Brave New WorldBlade Runner (1982), Starship Troopers (1997), Things to Come (1936), Snowpiercer (2013), Mad Max: Fury Road (2015), Brazil (1985), Metropolis (1927).  
Potential Assignments: Writing/group activities throughout the semester, final project (solo or in a group) focusing on a text of your choice.  
GEL: Literature 
GEN: Foundation - Literary, Visual and Performing Arts  

English 3372 (40): Special Topics in Science Fiction or Fantasy - At the Margins of Humanity 
Instructor: Morgan Podraza 
What does it mean to be human? Through our readings and discussions, we will question and analyze concepts of the "human" and "humanity." The short stories, books, comics and films we will spend time with this semester will allow us to explore the qualities, experiences and potential futures of humanity through the science fiction genre. Together we will examine characters and worlds that will help us to see ourselves and others in new ways, to discover new ways of understanding our bodies and minds, and to make connections between the fictional worlds of science fiction and the world we live in. 
Potential Texts: The Word for World is Forest by Ursula K. Le Guin; Black Panther Volume 1 written by Ta-Nehisi Coates; The Memory Librarian by Janelle Monáe; Bitch Planet by Kelly Sue DeConnick and Valentine De Landro; The Lifecycle of Software Objects by Ted Chiang; O Human Star by Blue Delliquanti. 
Potential Assignments: Discussion posts, short essays, in-class debate and reflections. 
GEL: Literature 
GEN: Foundation - Literary, Visual and Performing Arts  

English 3372 (60): Special Topics in Science Fiction or Fantasy - How Magic Works 
Instructor: David Brewer 
The most fundamental mark of fantasy is that it features stories in which magic works. The magic may be front and center (Harry Potter) or kept largely in the background (Game of Thrones); it may be an instrument of strong good or evil or merely a morally neutral tool. But regardless of the form it takes in the vast majority of fantasy, magic is real, which means that to the extent that we buy into these stories and the worlds in which they're set, we are temporarily accepting the existence of magic (or at least suspending our disbelief in its existence). This course will investigate how that process works, and what it might be able to tell us about the workings of literature more generally. We'll also consider how fantasy's open embrace of magic has contributed to its (traditionally low, but recently rising) cultural status. 
GEL: Literature 
GEN: Foundation - Literary, Visual and Performing Arts  

English 3378: Special Topics in Film and Literature 
Instructor: Luke Wilson 
In this course we will read and discuss five of Shakespeare’s tragedies and watch and analyze some of significant film adaptations of these plays. We’ll work by reading the plays themselves, carefully, first, and then investigate how different directors have responded. Film adaptations of Shakespeare cover a wide range of approaches, from those that follow Shakespeare’s text closely to those that translate the text into a wholly different language and idiom. The best filmic renderings of Shakespeare tend not to scrupulously adhere to the text but rather bring to bear the film medium’s own unique representational resources. In this course we’ll focus on Shakespeare’s major tragedies (probably Richard III, Hamlet, Othello, Macbeth, and Coriolanus), and watch one or two films of each play. You’ll write frequently about what you’re reading and watching, in discussion posts and response papers, and you’ll have a chance to explore your ideas in greater depth in a substantial essay. There will also be a final exam, as well as an assignment in which you report on a film we haven’t watched in class.
Potential Texts: An edition of Shakespeare's plays. Everything else on Carmen. 
Potential Assignments: Frequent short writing (discussion posts, response papers); a final paper; a final exam; a film review. 
Questions: How have some directors translated Shakespeare's densely literary texts into the cinematic medium? 
GEL: Cultures and Ideas 
GEN: Foundation - Historical and Cultural Studies 

English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Susan Lang 
This course will introduce students to a continuum of research methods used by scholars in such fields as writing, rhetoric, literacy studies, composition studies, and technical communication. We will focus primarily on empirical research methods. You will learn techniques of these various methods and apply them to a series of activities throughout the semester. During the last month, we will shift focus to writing research in writing, rhetoric, and literacy studies. 

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Kay Halasek 
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences and create meaning, and how these practices are learned and taught. 
Potential Text(s): No course textbook must be purchased for this course. All course materials will be available in Carmen. 
Potential Assignments: In-class activities and homework assignments; literacy autobiography; short rhetoric, writing and literacy unit projects; research proposal and final project; colloquium presentation.  
Guiding Questions: What is rhetoric--and how is its practice defined by cultures, politics, and education? How do we define literacies? Whose literacies are (de)valued and why? What does it mean to study writing as a rhetorical, political, and literate act? 
Additional Materials: Students will need access to a computer or other robust device during class with a current Mac (OS X) or PC (Windows 7+) with a high-speed internet connection. Webcams and microphones are optional. 

English 3398 (20): Methods for the Study of Literature  
Instructor: Thomas Davis 
This course offers a foundation for those seeking to develop the skills and practices to succeed in the English major. We will think carefully about how our understanding and analysis of texts relate to the world as well as the practical ends of the kinds of work we do; to that end, we will experiment with different methods and different forms of writing (close reading exercises, public-facing criticism, and researched essays). Students will engage with a wide range of genres, forms, and media, including poetry, climate fiction, visual media and possibly a video game. We will also consider the value of economic, intellectual, and cultural undertaking of humanistic work in our contemporary moment of political antagonism, economic transition, and ecological breakdown. 

English 3398 (30): Methods for the Study of Literature 
Instructor: Leslie Lockett  
This course builds skills pertinent to the advanced study of literature, especially the close reading of literary texts, familiarity with multiple genres, the use of literary-critical methods and other scholars’ research in developing one's analysis of texts, and the construction of clear and insightful essays about literature. We will practice varied approaches to literary criticism and study texts from across different genres, including poems, short stories, drama, and the novel. Requirements include informal written assignments, which develop skills in academic argumentation, and three formal essays, two of which involve research. 

English 3398 (40): Methods for the Study of Literature 
Instructor: Koritha Mitchell 
This class will introduce students to a variety of "methods" for literary studies. It builds on the critical thinking and writing skills that students already possess by offering opportunities to put forth clear, thesis-driven arguments. We will cover several theoretical approaches to literature. In many cases, we will examine The Great Gatsby through different lenses in order to get a feel for how these approaches illuminate the richness of a single text. To further test the theories introduced, we will read other literary forms, including drama and poetry. 
Potential Text(s): REQUIRED READING will include: F. Scott Fitzgerald, The Great Gatsby; Lois Tyson, Critical Theory Today, 3rd edition; (all other texts available electronically) 
Potential Assignments: REQUIREMENTS will include: thoughtful class participation, three essays, a library assignment and a thesis-driven oral presentation. So, students enrolling in this section of 3398 should welcome the opportunity to practice their public speaking skills. 

English 3398 (60): Methods for the Study of Literature 
Instructor: Sarah Neville 
This class is designed to support students in developing the writing and research skills they need to be successful English majors. Classes and short assignments will cover issues like: What does secondary criticism add to literature? How do I read actively? What kinds of tools do I need? How do I stake a claim? Do I need a flag? What's the difference between a long paper and a short one? How can I distinguish between what they say about a text and what I say? In addition, over the course of the term students will learn the types, tools, and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. Along the way, we'll read a novel by Robertson Davies, short stories by Dorothy Parker, Lorrie Moore, Donald Barthelme, and George Saunders, plays by Djanet Sears and William Shakespeare, and poems by Billy-Ray Belcourt. Students will complete in-class exercises and multiple short writing assignments that ultimately build towards a longer research paper. Previous students have found this course "rigorous in the best way, "inspiring," "engaging," "respectful of students' time" and "encouraging." 

English 3405: Special Topics in Professional Communication 
Instructor: Jonathan Buehl 
This course will introduce students to a range of technical editing practices: developmental editing, comprehensive editing, focused editing (for style, structure, design, etc.), copyediting and proofreading. You will learn editing techniques and apply them in both print and electronic publishing contexts. We will also discuss the ethical and legal aspects of technical editing and the social and organizational factors that affect editorial practices. At the end of this course, you should feel confident in applying for an entry-level position as a technical editor. 
Potential Text(s): Cunningham, Malone, and Rothschild. Technical Editing: An Introduction to Editing in the Workplace. 
Potential Assignments: Editing projects, editing exams, regular practice assignments 
Additional Materials: Access to Micrsoft Word and Adobe Acrobat. We will also use an XML editor that 1) will be free to students and 2) is platform independent (Mac or PC). 

English 3465: Special Topics in Intermediate Fiction Writing 
Section 30 Instructor: Nicole Barnhart 
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3465 (10): Special Topics in Intermediate Fiction Writing 
Instructor: Sahalie Martin 
Welcome to Intermediate Fiction: Kitchen Sink Storytelling! In your introductory writing courses, you have learned about the basic building blocks of fiction: character, plot and detail. Now we can focus on taking all of the disparate elements of fiction and balancing them to create strong, cohesive stories. With a vast amount of storytelling at our fingertips, it can be tempting to throw “everything but the kitchen sink” at your draft. But how do you narrow your focus to what your story actually needs to reach its full potential? To explore this question, we will be reading short stories from a diverse group of writers whose use of individual story elements bring their work to life.
Potential Assignments: One short story, one revised story, and multiple in-class creative exercises

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Amanda Scharf 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3467S: Issues and Methods in Tutoring Writing 
Instructor: Allison Kranek 
Theories and practices in tutoring and writing; explores writing-learning connections and prepare students to work as writing consultants/tutors for individuals and small writing groups.  
*Cross-listed in ArtsSci 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: Amber Taylor 
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.  

English 3662: An Introduction to  Literary Publishing 
Section 20 Instructor: Eros Livieratos 
An introduction to the theory and practice of editing and publishing literature.  

English 3662 (10): An Introduction to  Literary Publishing 
Instructor: Hannah Smith 
In this course, we will consider the theory and practice of editing and publishing literature. We'll discuss the history and evolution of literary publishing across a variety of contexts, particularly focusing on how the industry is currently evolving. We’ll contemplate the various social, economic, and political factors that influence the publishing industry and how to engage with these elements of the literary landscape as readers, writers, publishers, and editors. Students will work on acquiring some of the basic skills demanded by the publishing industry: editing, industry knowledge, historical knowledge, development of aesthetic vision and discernment, considerations of ethics, and more. The course is designed around each student executing a major project of their choosing— something that will contribute to their job portfolios and/or development in their prospective career (writer, editor, literary agent, et cetera).
Potential Texts: Literary Publishing in the 21st Century; NYT and other journalistic articles; a collection of poetry + a collection of short stories
Potential Assignments: Write a book review; present on a topic within the publishing industry; create a zine


4000-Level

English 4150: Cultures of Professional Writing 
Section 20 Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.  

English 4150 (10): Cultures of Professional Writing 
Instructor: Christiane Buuck 
This class will offer you the opportunity to explore a range of types of workplace writing. Many of our course assignments are designed to help you compile a writing portfolio that will be useful if you apply to the Professional Writing Minor, and/or in future job searches. Additionally, you will interview two professionals in your field of interest. You will hone your editing skills by practicing AP style, reviewing common usage mistakes and how to avoid them, giving and receiving feedback in peer review, practicing repurposing content and drafting for different audiences and revising for clean, professional copy in every deliverable. 
Potential Texts: All our texts will come from real-world examples, articles and other readings posted to Carmen. 
Potential Assignments: You'll practice writing in different professional genres including press releases, feature articles, agendas, reviews, brochures, procedural guides, website copy, and more. You'll also hone your editing skills each week through editing exercises that focus on common writing errors and how to revise them. 
Guiding Questions: What do I want to do when I graduate? How can I polish my writing? How can I build my professional network? How is the work world changing in and through this pandemic? What kind of professional life would I like to have? 

English 4189: Professional Writing Minor - Capstone Internship 
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 

English 4513: Introduction to Medieval Literature 
Instructor: Christopher Jones  
This class introduces students to medieval European literature, especially those aspects of it that would be influential on authors in subsequent periods of literary history. We will sample texts about mythology and religion, heroic legend, chivalric romance, satire, allegory, and autobiography. 

English 4520.01: Shakespeare 
Instructor: Alan Farmer 
This course will explore the formal, social and political engagements of Shakespeare’s plays. It will pay particular attention to how his plays conform to and work against the genres of comedy, tragedy, history and romance, and to how they represent such issues as gender, sexuality, religion, race and political power. In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Richard III, Much Ado About Nothing, Measure for Measure, Othello, King Lear, Antony and Cleopatra, The Winter's Tale and The Tempest. Requirements include two essays, an academic performance review, a midterm exam, a final exam, regular attendance and active participation. 
Potential Text(s):  I will order specific editions of the plays we will read, usually from the New Cambridge Shakespeare editions, but any modern edition with glosses, notes and line numbers will be fine. Good editions of single plays are published by Folger, Pelican, Cambridge, Norton, Oxford, Bedford, Arden, Bantam and Signet. Reputable one-volume Complete Shakespeares are published by Longman, Norton, Oxford, Pelican and Riverside. You will need to have physical copies of the plays we read, so do not buy any electronic editions. 

English 4522: Renaissance Poetry -The Faerie Queene 
Instructor: Sarah Neville   
Dragons. Knights. Swordfights. Magicians. Princesses. Satyrs. Tournaments of Champions. King Arthur. Giants. Enchantresses. Secret meanings. Symbolism. Righteous English patriotism. A desperate plea for patronage. And that’s just the first book. Edmund Spenser’s The Faerie Queene is a rollicking adventure story, a powerful national epic, a searching philosophical meditation and guide for moral conduct, a profound exploration of renaissance theology, a pointed critique of traditional attitudes toward gender and class, a wildly imaginative work of fantasy and a deeply beautiful poem unto itself – this is unquestionably one of the most fascinating and complex works in all of English literature. In this course we will read the whole poem – all six books and change – paying special attention to historical questions about gender, class, politics, science and religion. Reading all of The Faerie Queene is a major accomplishment that few people ever attempt – Publishers’ Weekly named it one of the Top Ten Most Difficult Books – making it the Everest climb on an English major’s bucket list and offering lifelong bragging rights. Are you brave enough to take the challenge? 
Potential Text(s): Edmund Spenser, The Faerie Queene
Potential Assignments: Students will be evaluated by reading quizzes, short essays, and a final creative project. 

English 4542: The Nineteenth-Century British Novel 
Instructor: Amanpal Garcha 
We will study how the novels of the 1800s, in their ways of representing characters and events, reveal some of the major conflicts in nineteenth-century English society. The five works of fiction we will read -- by Jane Austen, Charlotte Bronte Thomas Hardy, and others -- try to embrace seemingly irreconcilable ideas: of a Romantic emphasis on individual passion and freedom and a more modern emphasis on social conformity and productivity; of the aristocracy's age-old cultural power and the new middle class's increasing influence; of traditional, religious concepts of truth and new ideas from science, including Darwin's theory of evolution; of male power and women's changing roles; and of ancient community ideals and the expansion of governmental and capitalistic institutions. 

English 4543: 20th-Century British Fiction 
Instructor: Elizabeth Sheehan  
Over the course of the 20th century, Britain went from being the world's largest empire to being one of a number of global financial and political powers. This course explores the relationship between literature and empire. Key questions for the class include: how do British writers--whether elite intellectuals in London or writers from British colonies--uphold or contest imperial systems? How do the form and content of literary texts register and reconfigure the dynamics of empire, including hierarchies of race, gender, sexuality, and class, as well as processes of extraction and migration? What might 20th century British fiction help us to understand about our contemporary moment, which has been described as a period of U.S. imperial decline? 
Potential Text(s): Works by Rudyard Kipling, James Joyce, Virginia Woolf, Claude McKay, George Lamming, Jean Rhys, Graham Greene, Jeanette Winterson, Salman Rushdie and Kazuo Ishiguro, as well as related literary and cultural theory. 
Guiding Questions: How to British writers—whether elite intellectuals in London or writers from British colonies—uphold or contest imperial systems? How do the form and content of literary texts register and reconfigure the dynamics of empire, including hierarchies of race, gender, sexuality, and class as well as processes of extraction and migration? What might 20th century British literary text help us to understand about our contemporary moment, which has been described as a period of U.S. imperial decline?  

English 4551: Special Topics in 19th-Century U.S. Literature - Popular Culture, Industrial Print, and the Remaking of American Literature, 1830s-1890s 
Instructor: Jared Gardner  
This course will study the emergence of mass popular culture in the age of industrial print, opening up imaginative literature to new audiences, authors and media. We will look at the rise of serial fiction in the U.S. and at a range of new print marketplaces, including the penny press, the story paper, the dime novel. We will study the impact of the changing technologies and economics of print throughout the 19th century, and how the rise of popular literature shaped a new understanding of "serious literature" which American authors had to negotiate as they considered venues and publishers. We will conclude by looking at the emergence of two new narrative media at century's end—the twinned birth of comics and film—which would go on and shape popular culture for the first half of the twentieth century. 
Potential Text(s): Authors studied will include Edgar Allan Poe, Fanny Fern, E.D.E.N. Southworth, George Lippard and Charles Chestnutt. We will also read true crime writing, temperance literature, urban sketches and dime novels. 
Potential Assignments: We will engage in short projects involving archives, both traditional and online. Final projects will offer a wide range of possible methods and goals. 

English 4555: Rhetoric and Legal Argumentation 
Instructor: James Fredal   
In this course, we will learn about rhetorical theory, analysis and practice, as they apply to legal argumentation. We will begin by reviewing some fundamentals of rhetoric and its elements, and then we'll look at legal texts: oral arguments from trials, Supreme Court decisions, and law articles on the nature of legal argument. We'll ask what rhetorical methods can bring to an understanding of argument in the law. 

English 4562: Studies in Literature and the Other Arts 
Instructor:  Christopher Stackhouse 
However employed, verbal and written language has provided foil and scaffold in the visual arts. As much as the image of an artwork defines itself in our presence, descriptions by word have coordinated with our material and conceptual experience of it. Visual artists have long understood this; and writers – poets in particular – have necessarily exercised literary craft to accommodate the power of images. Historically, the Abrahamic religious traditions offered early examples of the deployment of images, which illustrated sacred texts or enhanced spiritual experiences for their publics. But the range of devotional practices where beliefs are represented by figural and abstract imagery extends far beyond Judaism, Christianity, and Islam. By contrast, our time now faithfully favors personal expression while relying on consonant systems of communication. Contemporary literary and visual artists often subvert wanting conceptual stabilities of ‘representation’ and ‘meaning’ to more importantly produce and convey sensibility. Our interdisciplinary survey will closely examine the plasticity of language across media and artistic fields, evaluating the archive through an ultramodern lens. 

English 4565: Advanced Fiction Writing 
Instructor: Austen Osworth 
This is the advanced undergraduate workshop in the writing of fiction, designed for creative writing concentrators and other writers by permission of the instructor. We'll begin the semester by looking closely at the work of such contemporary masters of the short story as Tessa Hadley, Jhumpa Lahiri, and Danielle Evans, and short writing assignments in response to prompts, and then we'll transition into workshopping your full-length stories. 
Potential Assignments: Numerous short assignments, two complete full-length stories and a final revision. 

English 4566: Advanced Poetry Writing 
Instructor: Kathy Grandinetti 
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Elissa Washuta 
Advanced workshop in the writing of creative nonfiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

English 4569: Digital Media and English Studies 
Instructor: John Jones 
Students in 4569 will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity these tools are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support. 
Potential Texts: Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd Edition. Readings supplied by the instructor 
Potential Assignments: Students will create multiple interactive design projects, a short paper, and take occasional quizzes. 
Guiding Questions: How can objects communicate? What is the rhetoric of objects? 
Additional Materials: The Arduino Starter Kit 

English 4572: English Grammar and Usage 
Instructor: Daniel Seward 
In this class, we will explore English grammar as both a natural phenomenon and as an artificial collection of usage rules traditionally taught as “the Standard”—all while considering the social and ethical implications of using (or not using) and teaching (or not teaching) “the Standard.” Alongside lessons on English syntax and pragmatics, we will consider the affordances of “non-standard” English usage associated with particular discourse communities, as well as the ways spoken and written expression contribute to our personal, social, and cultural identities. Finally, we will consider what it means to be a good "citizen-grammarian": that is, someone who can offer accurate, pragmatic, and socially conscientious guidance about usage, all without simplistically privileging standardized forms, which tend to reflect the preferences of already-privileged discourse communities. 
Potential Texts: Required textbook: Louise Cummings, Working with English Grammar (Cambridge UP, 2018). This is available in print or electronic formats. Other readings on writing style will be distributed on Carmen as PDF documents or through URLs. 
Potential Assignments: Three online, open-resource exams; a Lexical Field Guide focusing on usage in a particular discourse community; weekly participation postings in various forms.

English 4577.02: Folklore II - Genres, Form, Meaning and Use: Legend, Rumor, Superstition and Folk Belief 
Instructor: Merrill Kaplan  
Rumors and spooky stories, superstitions and conspiracy theories, fake news and folk belief, UFOs and elves: folklorists study all these things and more as legendry, the genre in which societies work through their most pressing fears, beliefs and doubts. Take this course for a deep dive into how legend crystalizes cultural anxieties and how people use legend in ongoing debates about the nature of our world. 
Potential Texts: Lynne McNeill, Folklore Rules: A Fun, Quick, and Useful Introduction to the Field of Academic Folklore Studies; Reidar Christiansen, ed., Folktales of Norway
Potential Assignments: Collection project, short writings 
Guiding Questions: What happens at the edge of narrative credibility? 

English 4578 (20): Special Topics in Film - Television, Narrative, Seriality 
Instructor: Sean O'Sullivan 
This course will consider central questions of televisual art and narrative, focusing on the first seasons of three 21st-century series: The Wire, Mad Men and Orange Is the New Black.  What are the basic narrative practices and structures of television—and serial television in particular?  How are story worlds created?  What are the strategies and effects of devices such as the episode and the season?  How does character operate within television narrative?  How does televisual storytelling organize space and time?  What are the consequences of genre conventions and audience responses?  A recurring subject for the class will be the tension between the episodic and the serial—between individual aesthetic experiences and sprawling fictional universes.  Throughout, we will examine the vital intersections of an array of fields and practices: film studies, narratology, literature, media studies, visual culture and the segmented organization of experience. 
Potential Assignments: Viewings (3-4 episodes per week); readings (typically modest in length); regular quizzes; two short essays; final project. 

English 4578 (30): Special Topics in Film - Film and American Society After World War II 
Instructor: Ryan Friedman 
This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts from a variety of sources (e.g., popular magazines, film-trade publications, books of popular sociology, design treatises, political speeches) published during the era in which these films were produced and released. These textual primary sources will serve to illustrate historical discourses describing, reinforcing, and/or critiquing what were conceived of as significant social issues and shifts - from the "veterans problem," to the "housing crisis," to "juvenile delinquency," to sexism, and racial segregation in schools. In our discussions, we'll be interested in how the assigned films reflected, responded to, and inflected the print debates happening around these issues and shifts-even and perhaps especially when the films are not overtly working in the "social problem" genre. We'll also approach the films in the context of the upheavals happening in the American film industry during this period, as a result of the Paramount decree, the HUAC hearings, suburbanization, and declining movie theater attendance. In particular, we'll examine the ways in which the rise of television as a competing medium of mass entertainment shaped the stories that Hollywood movies told and the visual devices that they used to dramatize these stories. Our primary goal in this course is to attain a deep understanding of the intersection of media and ideology during a particular historical moment. Students in this course will gain advanced experience in various aspects of film criticism, including formal analysis and the application of historical frameworks, and in making and supporting written and verbal arguments. The final research project will require students to situate a film of their choosing in relation to the major trends in postwar cinema covered by this course, and the final exam will test students' mastery of course content. 
Potential Texts: All videos and readings will be available through the library catalogue at no cost to students. 
Potential Assignments: Class participation, weekly quizzes, a group presentation, an analytical essay, and a take-home final exam. 

English 4583: Special Topics in World Literature in English - Self and Nation in World Literatures 
Instructor: Pranav Jani 
This course will offer a broad understanding of a field of world literature known as “postcolonial literature.” We will examine literature from several regions that are now politically independent but have been and continue to be fundamentally shaped by colonialism and imperialism, like Haiti, India, Nigeria, Pakistan, Sri Lanka and Zimbabwe. We will also deepen our understanding of postcolonial literature by comparing it with texts from groups who are colonized today – like Native Americans and Palestinians. While paying attention to historical and political contexts and the authors’ unique styles and narrative practices, we will read these texts through the lens of how they construct, in their specific contexts, unique notions of self and nation. We will learn critical terms and methods of reading that allow us to answer a number of questions about colonialism, nationalism, patriarchy, race, caste, class, sexuality and the construction of self in postcolonial literature. 
Potential Text(s): Authors will probably include: Edwidge Danticat, Salman Rushdie, Ama Ata Aidoo, Kamila Shamsie, Shyam Selvadurai, Tstisti Dangarembga, Randa Jarrar and Elissa Washuta, List subject to change. 
Potential Assignments: Weekly posts, 1-2 shorter paper, research project. 

English 4587: Studies in Asian American Literature and Culture 
Instructor: Jian Chen 
Focuses on problems and themes in Asian American literature and culture from the late nineteenth century to the present. Topic varies. Examples: Asian American Literature and Popular Culture; Empire and Sexuality in Asian American Literature. 

English 4588: Studies in Latino/a Literature and Culture 
Instructor: Paloma Martinez-Cruz 
This course is designed to provide students with a working knowledge of key themes in U.S. Latinx identities and cultural practices beginning with a timeline of Latino/a/x literature in the colonial period (shipwrecked Spaniards in Texas!) and concluding with the individual preparation of a critical anthology (choose your own adventure!) to demonstrate students’ ability to thoroughly read and meaningfully critique major themes in Latinx culture.  Class organization will emphasize critical engagement with texts, films, performances, lectures, discussion, and class materials that foster a greater awareness of how to interpret the cultural production of Latinx citizens and denizens of the U.S. national project along creative, political, social, and economic trajectories.  Class meetings are structured in a seminar format centered on thoughtful discussion of films and readings. The course will be conducted in English and readings will be in English and Spanglish. 

English 4590.04H: Romanticism - The Emergence of the Gothic 
Instructor: Jacob Risinger 
The Gothic, a genre that arose alongside Romanticism and continues to structure our imaginings and our understanding of fictionality.  In this class, we will dive into the Gothic at its moment of emergence, reading some of the novels, poems and plays that reviewers in the 1790s described as predicated upon “the art of frightening young people, and reviving the age of ghosts, hobgoblins, and spirits.”  All haunting aside, we’ll interrogate the cultural desires and anxieties that lurk beneath the surface of Gothic texts, as well as the historical and philosophical contexts that made this mode of writing both popular and culturally incisive.  In our wide-ranging class, we’ll read novels by writers like Ann Radcliffe, Jane Austen, James Hogg and Mary Shelley, and because the Gothic fixates on the return of the repressed, we’ll have occasion to think pay particular attention to the revolutionary Gothic, the feminist Gothic, and the postcolonial Gothic. 
Guiding Question: What happens when you live through the Enlightenment—a cultural moment attuned to the power of rationality, skepticism, and empirical science—only to discover that you are still afraid of the dark?  

English 4592 (10): Special Topics in Women in Literature and Culture - Sarah Piatt and 19th Century Concepts of Gender. 
Instructor: Elizabeth Renker 
Sarah Piatt (1836-1919) has been called America's great undiscovered poet. A celebrity in her own time, she was, like many women writers of the nineteenth century, expunged from the canon in the early twentieth century. In the 1990s, scholars began at last to bring her work back to public attention as part of a more general recovery of the work of women writers. Since that time, she has achieved recognition as one of the great voices of American and transatlantic literary history, writing extensively about the conflicts and fractures of nineteenth-century social life in a searing and often ironic voice. One of her major topics was the position of woman in society, including her roles as belle, wife, mother, poet, and public figure. This class will explore her poems and bring them into dialogue with public conceptions of gender as her world defined them as well as with selected short writings by other women of her era. 

English 4592 (20): Special Topics in Women in Literature and Culture - Medieval Women 
Instructor: Karen Winstead 
In this course you'll meet some of the diverse women who inhabited the Middle Ages, including Hrotsvitha of Gandersheim, medieval Europe's first dramatist; Hildegard of Bingen, mystic, advisor to rulers and popes, inventor of a language and alphabet, and author of poetry, music, plays, and treatises on topics ranging from botany to sex; Margery Kempe, visionary, mother of fourteen, entrepreneur, and traveler; and Christine de Pizan, a young widow who supported her children and mother by writing poetry, political allegories, and self-help books at the court of France. You'll encounter remarkable gender-benders, including the military leader and martyr Joan of Arc and the (fictional) Silence, born a woman but raised to be a great knight.  You'll find that women's experience in the past was a lot more complex than you might have expected, and it can help you think in new ways about women's experiences today. 

English 4592 (30): Special Topics in Women in Literature and Culture -The Surplus Woman Question and the Beginnings of Feminism 
Instructor: Clare Simmons 
The British Census of 1851 revealed that there were at least half a million more women in Britain than there were men, leading to the conclusion that many women would never be wives. If marriage could no longer be assumed to be the ultimate goal of women’s lives, this raised the question of what women’s roles in society should be. Modern feminism owes much of its origins to debates over the so-called “Surplus Woman Question,” so in this course we will read examples of nineteenth-century women’s writing that challenge earlier notions of womanhood and that present a variety of answers as to how women might find personal fulfillment. Many of the texts that we will read provide insight not only into women’s lives but also into representations of race and colonialism in the nineteenth century. 
Potential Texts: Texts will include Louisa May Alcott, Work; Charlotte Brontë, Jane Eyre; Diana Mulock Craik, The Half-Caste; Florence Nightingale, Cassandra; Christina Rossetti, Goblin Market; Mary Seacole, Wonderful Adventures
Potential Assignments: Course requirements are careful reading in advance; regular attendance and participation; reading response questions; two essays; and a teaching-related presentation. 
Guiding Questions: How did women start to make independent lives for themselves? How did women create ideas of community? How did Britain's colonial ventures impact them? 

English 4597.01: The Disability Experience in the Contemporary World  
Instructor: Amrita Dhar 
This advanced undergraduate class exists at the intersection of disability studies and cultural studies. We shall discuss a range of materials (including life writing, contemporary’s art and film, podcasts, academic essays) to explore the various meanings of disability in our world. We shall similarly take note of areas where work remains to be done: towards intersectional thinking, and wider recognition of the community scholarship and activism that advance the field of disability studies.  
Potential Texts: All the readings (book chapters, journal articles, blogs) will be available on Carmen in the pdf format. 
Potential Assignments: one-two paper(s), one group project, one creative work. 
Questions: What are some guiding questions that this course will explore?  
What does it mean to understand disability as a global phenomenon? How does disability intersect with race, gender, sexuality, ethnicity, class, and geopolitics? 


5000-Level

English 5191: Internship in English Studies - Promotional Media Internship  
Instructor: Scott DeWitt 
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor (Professor DeWitt) as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship opportunity is especially applicable to students across majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them. Media skills are NOT a pre-requisite for this internship; students will have the opportunity to learn all media skills necessary for the class. (This internship fulfills the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.) 
Potential Assignments: YouTube videos, podcasts. 
Guiding Questions: How can a promotional media internship opportunity help students across majors develop their digital media skills in a workplace setting? 
Additional Materials: Experience with technology is helpful, but you will learn all of the skills you need in class. 

English 5664: Studies in Graphic Narrative - Graphic Memoir 
Instructor: Jared Gardner 
A course designed for both graduate students and advanced undergraduates, "Graphic Memoir" will introduce the styles, structures, and strategies of autobiographical life stories told in comics form. Starting with "how-to" texts by comics artists, we will investigate the relationship among form, content, and medium in graphic memoirs in a variety of styles. The readings fall into three groupings: lifewriting set in the context of larger historical events; memoirs of illness and recovery; and women's memoirs focusing on gender and sexuality. 
Potential Texts:  David B, Epileptic (1996), Lynda Barry, One! Hundred! Demons!  (2005), Alison Bechdel, Fun Home (2006), Brownholtz, Bethany (2013), Exercises in Style: 21st-century Remix pdf:http://via.library.depaul.edu/cgi/viewcontent.cgi?article=1141&context=etd Phoebe Gloeckner, Diary of a Teenage Girl (2002), Matt Madden, 99 Ways to Tell a Story: Exercises in Style (2005), Marisa Acocella Marchetto, Cancer Vixen (2009), Scott McCloud, Making Comics (2006), Khale McHurst, I Do Not Have an Eating Disorder (webcomic): http://misspixnmix.tumblr.com/post/3232725607/i-do-not-have-an-eating-disorder-p01-ive-been Raymond Queneau, Exercises in Style (1947/1981) pdf: http://www.altx.com/remix/excerpts-ex.pdf Marjane Satrapi, Persepolis (2000), Art Spiegelman, Maus (1991), GB Tran, Vietnamerica (2011), Critical articles and book chapters on Carmen. 
Potential Assignments: Students write weekly reading responses and do two kinds of oral presentations, one a commentary on a critical reading and one a close reading of a single page of graphic memoir. Each student creates a one-page graphic memoir. For the final project, students may choose to write a research paper or to create a more extended graphic memoir. 
Questions: How do comics make meaning through graphic design? What can graphic narrative do for autobiography that prose narrative can't do? How (and why) do comics artists use their medium to represent personal, national and familial traumas?

English 5723.01: Tree, Forest, Pasture, Garden, Animal: The Literature and Politics of the Natural World in Seventeenth-Century England
Instructor: Luke Wilson 
At the heart of this course is the importance of the tree in the British literary and political imagination. One tree – the so-called Royal Oak – is central to some of the mythologies that shaped the English experience of the Civil War period. Pursued by the Parliamentary forces Charles II hid in it before fleeing to the continent; and the regicide of 1649 was represented as its felling at the hands of, or at least at the direction of, Oliver Cromwell. But trees were of far broader significance to English national identity. The seventeenth century gave rise to the phenomenon of what Keith Thomas has called “trees as pets” – singular, fetishized trees loaded with personal, familial, or historical significance. At the same time, trees collectively – forests, and the timber they produced – were esteemed as the symbolic and literal source of English power abroad and prosperity at home, but one that was increasingly recognized as under threat of exhaustion as the consequences of centuries of deforestation. 
In this course we’ll try, then, to see the forest for the trees, and the trees for the forest. But we’ll also read about other natural and artificial configurations of the landscape, including gardens, pastures, and fields, and about the animals that inhabited them. Some of the most important literary works of the century are shaped around these figurations of the natural world: Shakespeare’s As You Like It; Jonson’s The Forest, Marvell’s garden and country house poems; the spiritually-inflected landscapes of Herbert and Vaughan; Milton’s Paradise Lost and Masque at Ludlow Castle; Margaret Cavendish’s animal poems; country house poems by various writers; and many more, including works by Amelia Lanyer, Robert Herrick, Thomas Carew, Edmund Waller, and Richard Lovelace. The Civil War period saw land-use disputes that called into question the traditional order of the landed gentry and its rights and obligations; we’ll read material related to the Digger and Leveller movements, which called for the conversion to public use of privately held farm and pastureland. The course will (probably) begin with As You Like (c. 1599) and end with excerpts from Paradise Lost (1667). 
Potential Texts: An anthology of seventeenth-century poetry; an edition of Shakespeare; most other material on canvas. 
Potential Assignments: Short paper; final research paper; class presentation. 
Questions: Why were the English so obsessed with trees? How was the natural world understood by the English in the seventeenth century? How did the political and social upheavals of the seventeenth century affect representations of the natural world? 

1000-Level

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available 
Old GE: Writing and Communication—Level 1 
New GE: Foundation Writing and Information Literacy Course

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
*Traditional and online sections available 
Old GE: Writing and Communication—Level 1 
New GE: Foundation Writing and Information Literacy Course

English 1110.03 (10): First-Year English Composition
Instructor: Ryan Helterbrand
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program. 
Old GE: Writing and Communication—Level 1 
New GE: Foundation Writing and Information Literacy Course

English 1110.03 (20 and 30): First-Year English Composition 
Instructor: Christiane Buuck 
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program. 
Old GE: Writing and Communication—Level 1 
New GE: Foundation Writing and Information Literacy Course 

English 1193: Individual Studies
Instructor: Christiane Buuck
Intensive practice in the fundamentals of expository writing.


2000-Level

English 2201: Selected Works of British Literature: Medieval through 1800 
Instructor: Leslie Lockett 
We will explore major British literary texts written from the early Middle Ages through the late eighteenth century, including Beowulf, the lais of Marie de France, Chaucer’s Canterbury Tales, the poetry of Shakespeare, Milton’s Paradise Lost, and Aphra Behn’s Oroonoko. Our approach to the literature will emphasize close reading, form and genre, and historical context.  
Old GE: Literature 
Old GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2202H: Survey of British Literature, Romanticism to the Present (Backwards)
Instructor: Robyn Warhol
This writing-and discussion-intensive course surveys English literature from the Romantics to the 21st century—backwards. We begin with postmodern-era writers from Africa, India, Canada, Ireland and England; next we read Modernist authors; then we survey the Victorian period; and finally, we come to the Romantics. By starting with the present, we can recognize the themes, styles and genres of the past that became important for the writers of today. We can place authors who are underrepresented in traditional literary history because of their race, gender or sexual orientation at the center of our inquiry, rather than coming to them last, as if they were an afterthought of literary history. 
Topics of discussion in the class are student driven. For each day of class, students come prepared with a short, informal written response to a specific question about the day’s reading assignment, which will be the first question we discuss. Every day one student will present an oral close reading of a 100-word passage from the assigned text, ending the presentation on a question for class discussion. Lectures—featuring illustrated powerpoints and focusing on the historical, biographical, geographical and cultural context for the day’s reading—will be open-ended, inviting questions and challenges from the class. 
In addition to informal writing assignments, students will do creative work such as mapping a storyworld, finding illustrations online for one of our texts, creating timelines of literary history, diagramming a plot and writing parodies or imitations of works that we discuss. Some projects will be individual, and students will work in groups for other projects. 
Guiding Questions: What do you need to learn to be able to comprehend any poem, story, play or novel you happen to pick up after this course is over? How does literary history look when you observe it upside down (placing Africa and Asia at the center, rather than North America) and backwards? 
Potential Text(s): The required text for the course is the Norton Anthology of English Literature: The Major Authors, 10th Edition, Volume 2. 
Old GE: Literature 
Old GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2220 (10): Introduction to Shakespeare
Instructor: Tamara Mahadin
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
Potential Text(s): TBD
GE: Literature 
GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2220 (20): Introduction to Shakespeare
Instructor: Christopher Highley
In late sixteenth-century London, on the south bank of the Thames, amongst bear-baiting rings and brothels stood a round wooden theater that brought together people from all walks of life - aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we'll be imagining what it was like to stand with them and watch Shakespeare's theater in action. Our in-depth exploration will include selected comedies and tragedies, not to mention a lot of fun along the way. 
Potential Text(s): Free online editions of Shakespeare from the Folger Shakespeare Library. 
GE: Literature 
GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2220 (30): Introduction to Shakespeare 
Instructor: Luke Wilson
Why does our culture continue to fetishize Shakespeare? In this course we'll try to find out, by reading five or six of the plays -- some more and some less well-known, along with a few of his sonnets. Our focus will be on close analysis of the texts themselves, but we’ll also pay attention to the social and political milieu in which the plays were composed and first performed. Possible plays include: The Merchant of Venice, As You Like It, Measure for Measure, Hamlet, Othello, King Lear, Pericles and The Winter’s Tale.
Guiding Questions: What's so great about Shakespeare? How are his plays a part of what we are today? What were the cultural and historical circumstances that shaped what and how he wrote? 
Potential Text(s): The Norton Shakespeare, ed. Greenblatt, third edition, in two volumes (Early Plays; Later Plays). 
Potential Assignments: Weekly quizzes, a formal essay, a short writing exercise, a performance review and a final exam. 
Old GE: Literature 
Old GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2220H: Introduction to Shakespeare 
Instructor: Alan B. Farmer
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history, and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion, and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. Students will view and write a review of a performance of a Shakespeare play, and in addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Richard II, Henry V, Much Ado About Nothing, Measure For Measure, A Midsummer Night's Dream, Othello, Macbeth and The Tempest.  
Potential Text(s): I plan to order specific editions from the New Cambridge Shakespeare series.
Potential Assignments: Requirements include a midterm exam, final exam, an academic performance review, two critical essays (one shorter, one longer), regular attendance and active participation.
GE: Literature 
GE: Diversity: Global Studies 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2260 (20): Introduction to Poetry
Instructor: Jill Galvan
This course will acquaint you with a variety of poetry, representing different eras, styles and topics. You do not need to consider yourself fantastic with poetry to take it! Newcomers are welcome, and part of my goal will be to help everyone become more confident by the end of the semester. Our syllabus will be divided into four units. The first will overview primary elements and teach you how to break down a poem and develop an interpretation. The second unit will do a deep dive into specific genres (sonnet, dramatic monologue, ghazal, ballad, etc.). The third unit will cluster around particular themes, exploring how variously poets address them (for instance, love/sex; nature; mythological figures). The fourth unit will focus on a few specific poets.
Potential Texts: Poems by Ha Jin, Emily Dickinson, Christina Rossetti, Ocean Vuong, Audre Lorde, William Shakespeare, Terrence Hayes, Robert Browning, Evie Shockley, Natalie Diaz, Sylvia Plath, Una Marson, Oscar Wilde, Mary Oliver, Ray Gonzalez, and many more.
Potential Assignments: (tentative): Three short analytical responses (1 1/2 - 2 pp. each), midterm and final exams, final project (either critical or creative) and regular participation

English 2260 (30): Introduction to Poetry 
Instructor: Ethan Knapp
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. 
GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2261: Introduction to Fiction 
Section 20 (Full term), 30 & 70 Instructor: Staff 
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included. 
GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2261 (40): Introduction to Fiction 
Instructor: Jill Galvan
This course has two goals. The first is to familiarize (or re-familiarize) you with some of the basic literary concepts (character, point of view, tone, symbolism, etc.) associated with the genre of fiction. The second is to help you feel comfortable approaching fiction critically. You will learn college-level strategies for analyzing literature, including reading a text with an eye for fine detail (a.k.a. close-reading), and how to construct logical interpretations based on textual evidence. I will probably provide some lecture in each meeting, but much of the class will be conducted as a general discussion. Our readings will span literary history and diverse cultural and social perspectives. Possibly, they will loosely circulate around the theme of humanity/what it means to be human (in a variety of senses!). We may also consider the question: how do we as readers (maybe unconsciously) bring ideas of fiction--a storyline, character, symbolism, etc.--into our consumption of *nonfiction*? How do these ideas influence how we read public accounts (like the news or social media)? How do they shape our experience of, say, memoir?
Potential Texts: (Tentative list for novels): Mary Shelley's Frankenstein, Octavia Butler's Kindred, Art Spiegelman's Maus, Justin Torres' We the Animals, Karen Joy Fowler's We Are All Completely Beside Ourselves, Trevor Noah's Born a Crime
Potential Assignments: (Tentative): Active participation, regular reading quizzes, three short response papers (1 1/2 - 2 pp. each), midterm exam, final exam

English 2261 (20 & 80)-SESSION 2: Introduction to Fiction
Instructor: Elizabeth Renker
Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature.  Focusing on the first two seasons of the HBO series, this class will train you in core analytical methods that will enable you to understand GoT at a deeper level; it will also improve your analytical skills overall.  (We will not have time to read the books by George R.R. Martin.)  All students are required to watch all eight seasons of the HBO series before second session begins. You will then re-watch (and read the transcript for) one episode per class period. Each class session will train you to understand and apply the core skills of literary interpretation without a lot of heavy reading assignments. You will see very quickly how meaningful and helpful they are in achieving a deeper understanding of Game of Thrones. Class meets via Zoom during our scheduled class period, and attendance is required.   
Potential Assignments: Daily attendance with cameras on (maximum of four absences and/or four days without camera allowed before a penalty begins); preparation of five daily written homework questions; short daily quizzes about the homework; daily participation in class discussion; and three exams conducted on Carmen, of which the two highest grades will count.   
Required Materials: an HBO subscription; additional readings posted on Carmen.
Old GE: Literature
New GE: Foundation: Literary, Visual and Performing Arts 

English 2263: Introduction to Film 
Instructor: Jared Gardner
This course offers an introduction to the language and aesthetics of cinema, familiarizing students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas, and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Throughout the term, we will focus on detailed analysis of films, analyzing closely the way in which the multiple elements of movie-making coming together to make, and complicate, meaning. 
Potential Text(s): Opensource textbook and weekly screenings.
Potential Assignments: Two projects, including creative options, quizzes and active discussion on Carmen and in recitation.
Old GE: Visual and Performing Arts 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2264: Introduction to Popular Culture Studies 
Section 10 Instructor: Rob Barry
Section 20 Instructor: Dennin Ellis
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 
*This is a combined-section class. Cross-listed in CompStd 

English 2265: Introductory Fiction Writing 
Section 10 Instructor: Nicole Barnhart
Section 20 Instructor: Grace Culhane
Section 30 Instructor: Katie Harms
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2266: Introductory Poetry Writing 
Section 10 Instructor: Arah Ko
Section 20 Instructor: Eros Livieratos
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. 

English 2267: Introduction to Creative Writing 
Instructor: Polley Poer
An introduction to the writing of fiction, poetry, and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 

English 2268 (10): Introductory Creative Nonfiction Writing 
Instructor: Kurt Ostrow
In this course, we will write and share true stories about our lives and society. We will first study the craft of published works—from personal essays to cultural criticism—and write short pieces inspired by them. We will then workshop longer drafts of student essays with a protocol that we will create together. Why take this course? After all, creative nonfiction is vulnerable work. For me, Gloria Anzaldúa says it best: "I write...to discover myself, to preserve myself, to make myself...To convince myself that I am worthy and that what I have to say is not a pile of s***." Here, I hope we will all write ourselves closer to appreciating our own and others' worth. 
Potential Text(s): We will read work by writers such as Jo Ann Beard, Billy-Ray Belcourt, Eula Biss, Brian Blanchfield, Alexander Chee, Tressie Macmillan Cottom, Annie Dillard, Melissa Febos, Masha Gessen, John Green, Leslie Jamison, Robin Wall Kimmerer, Kiese Laymon, Audre Lorde, Rebecca Solnit, Jia Tolentino and Jerald Walker. 

English 2268 (20): Introductory Creative Nonfiction Writing 
Instructor: Amber Taylor
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. 

English 2269: Digital Media Composing 
Section 10 Instructor: Morgan Beers
Section 40 Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
Old GE: Visual and Performing Arts 
New GE: Foundation: Literary, Visual and Performing Arts

English 2270H: Introduction to Folklore 
Instructor: Merrill Kaplan
"Wait, you can study that?" Folklore isn’t just fairy tales. It’s also everyday culture from rumors and memes to holiday recipes and Bloody Mary in the mirror. All of it is meaningful and communicates messages about the identity and values of groups and individuals. Take this course to learn about how to think about the familiar in unfamiliar ways, see the artistry in the everyday, and discover the fascinating culture that is already yours.
Guiding Questions: What is folklore? How is meaning encoded in the everyday things we say, do and make?
Potential Texts: Lynne McNeill, Folklore Rules: A Fun, Quick, and Useful Introduction to the Field of Academic Folklore Studies
Potential Assignments: Folklore collection project, short essays, leading class discussion
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies
*This is a combined-section class. Cross-listed in CompStd 

English 2276: Arts of Persuasion 
Instructor: Melissa Guadron
English 2276 introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts. Come learn the ancient and modern arts of persuasion! In English 2276, we'll practice techniques developed for writing effective, ethical (and stylish) arguments. Plus, we'll learn theory designed for dealing successfully with complex and contentious issues. 
Old GE: Cultures and Ideas 
New GE: Theme: Citizenship for a Diverse and Just World

English 2277: Introduction to Disability Studies 
Instructor: Staff
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 
Old GE: Cultures and Ideas 

English 2280: The English Bible 
Instructor: James Fredal
The Bible in English translation, with special attention to its literary qualities, conceptual content and development within history. 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2280H: The English Bible 
Instructor: Hannibal Hamlin
The Bible in English translation, with special attention to its literary qualities, conceptual content and development within history. 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2281 (20): Introduction to African American Literature 
Instructor: Koritha Mitchell
This course will not only introduce students to major figures in African American literature; it will also place these figures in the context of African American history and culture. We will work from the premise that this literary tradition has never existed solely to respond to so-called "dominant" culture and "mainstream" literature. In addition to well-known writers, such as Frederick Douglass, W.E.B. Du Bois, Langston Hughes and Zora Neale Hurston, this course will explore the work of equally important but less widely known authors, such as Harriet Jacobs, Ida B. Wells, Charles Chesnutt and Audre Lorde. All students must invest in both volumes of the Norton Anthology of African American Literature. 
Old GE: Literature 
Old GE: Diversity: Social Diversity in the US 
New GE: Foundation: Literary, Visual and Performing Arts 
New GE: Foundation: Race, Ethnic and Gender Diversity
*This is a combined-section class. Cross-listed in AfAmASt 

English 2281 (30): Introduction to African American Literature 
Instructor: Adélékè Adéẹ̀kọ́ 
A study of representative literary works by African-American writers from 1760 to the present. 
Old GE: Literature 
Old GE: Diversity: Social Diversity in the US 
New GE: Foundation: Literary, Visual and Performing Arts 
New GE: Foundation: Race, Ethnic and Gender Diversity
*This is a combined-section class. Cross-listed in AfAmASt 

English 2282: Introduction to Queer Studies 
Instructor: Ryan Helterbrand
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class and nationality. 
Old GE: Cultures and Ideas 
Old GE: Diversity: Social Diversity in the US 
New GE: Foundation: Historical and Cultural Studies
New GE: Foundation: Race, Ethnic and Gender Diversity
*This is a combined-section class. Cross-listed in WGSSt 

English 2291: U.S. Literature 1865 to the Present
Instructor: Thomas Davis
This course will provide a survey of American literature from the aftermath of the Civil War to the present. We will attend closely to the formal and stylistic developments of different periods of literary history with an eye on the political and historical antagonisms that accompany and underwrite these aesthetic innovations. The lectures will sketch out the broad historical, cultural, and artistic transformations of the 19th, 20th and 21st centuries: the changes wrought by war, race, colonialism, and capitalist expansion; the material and psychological impact of two world wars; technological transformation; and the lived experiences of environmental crisis. As we move through the centuries, we will be able to see how literature not only internalized many of these historical pressures, but provided unique ways to see and to think about them. Recitations will enhance your understanding of these issues and develop close reading skills.
Potential Assignments: Quizzes and exams. 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructor: Staff 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. 
Old GE: Diversity: Social Diversity in the US 
Old GE: Writing and Communication: Level 2

English 2367.02: Literature in the U.S. Experience 
Section 20, 40 & 60 Instructor: Staff 
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience. 
Old GE: Diversity: Social Diversity in the US 
Old GE: Writing and Communication: Level 2 
Old GE: Literature (BS only) 
New GE: Foundation: Literary, Visual and Performing Arts

English 2367.02 (70): Literature in the U.S. Experience 
Instructor: Pranav Jani
Reserved: English Major Only
Our subject will be literature from 2001 to the present. Our class this semester has this thesis: while the up-to-date concern for diversity would seem apt for new forms of literature and contemporary modes of art, I will argue that diversity has always been a subject for Twentieth-Century authors. Most canonical works have always had the theme of diversity, We will see some of the following: ethnic diversity (African-American, Native American, Asian American and Jewish); literature about disabilities (injured veterans; blindness, autism, depression, alcoholism); the insane and the temporarily insane; the victims of racism, prejudice, and violence. Many works also consider traditionally denigrated groups, like women and homosexuals. The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and it exercises our capacity for empathy and understanding.
Potential Texts: Jennifer Egan, A Visit From the Goon Squad, David Eggers The Circle, Kazuo Ishiguro, Never Let Me Go, Ian McEwan, Machines Like Me, Art Spiegelman Maus.
Potential Assignments: Two or three short essays, Midterm, Final, and Participation in Discussions.
Old GE: Diversity: Social Diversity in the US 
Old GE: Writing and Communication: Level 2 
Old GE: Literature (BS only) 
New GE: Foundation: Literary, Visual and Performing Arts

English 2367.08: The U.S. Experience: Writing About Video Games
Section 10 Instructor: Christoffer Turpin
Section 20 Instructor: Ryan Helterbrand
Section 40 Instructor: Lauren Cook
Section 50 Instructor: Liz Miller
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required.
Old GE: Writing and Communication: Level 2 

English 2367.08 (30): The U.S. Experience: Writing About Video Games
Instructor: Kelsey Paige Mason
Our course will address theories in game studies, with the focus of our analysis being tabletop roleplaying games (TTRPGs) and video game RPGs. Students will analyze character development and creators, plot and story, NPCs and party interactions, narrative structures, gameplay mechanics, worldbuilding and more. Our approach will be to look at all gameplay and story choices as intentional and rhetorical. The structure of this class will give students the opportunity to investigate TTRPG sourcebooks, video games, streams / podcasts and actual play performances.
Guiding Questions: How do we imagine decolonized, accessible, non-discriminatory game worlds? What influence does the past of roleplaying games have on possible futures for roleplaying game development? 
Potential Text(s): This is an asynchronous, online course with a variety of ways to participate. Materials will be available via Carmen. 
Potential Assignments: Assignments which will be revised and build into future assignments (scaffolded), presentation, creative project, annotated bibliography, peer review workshops. 
Old GE: Writing and Communication: Level 2 
*This is an asynchronous, online course with a variety of ways to participate. Materials will be available via Carmen. 

English 2464: Introduction to Comics Studies
Instructor: Natalia Colón Alvarez 
Study of sequential comics and graphic narrative and the formal elements of comics, how word and image compete and collaborate in comics to make meaning and how genre is activated and redeployed. Students analyze comics texts, articulate and defend interpretations of meaning and learn about archival research at OSU's Billy Ireland Cartoon Library and Museum. No background in comics is required. 
Old GE: Visual and Performing Arts
New GE: Foundation: Literary, Visual and Performing Arts

English 2581: Introduction to U.S. Ethnic Literatures and Cultures 
Instructor: Martin Joseph Ponce 
This course provides students with a broad survey of literature produced by and about the major U.S. racial groups from the late 19th century to the present. Through readings of novels, memoirs, short stories, poetry, and nonfiction, we will consider how African American, American Indian, Asian American, and Chicanx/Latinx writers have addressed the social and historical construction of racial differences and hierarchies—and their intersections with ethnicity, gender, sexuality, class, dis/ability, location, citizenship status, and so on—while also seeking to imagine alternatives to those conditions of domination and subordination. 
Guiding Questions: How have African American, American Indian, Asian American and Chicanx/Latinx writers critically and creatively engaged with practices of racial, class and gender subordination and territorial dispossession? What kinds of historical, cultural and experiential knowledges—often obscured, forgotten or disavowed—do they demand that readers acknowledge, remember and reckon with? What sorts of literary forms have they used and invented to claim cultures and communities of survival, renewal and transformation? Most broadly, how have U.S. ethnic literatures challenged, revised and reimagined the realities, ideals and possibilities of “America”? 
Potential Text(s): Possible authors include: Toni Morrison, W.E.B. Du Bois, Langston Hughes, Zora Neale Hurston, Zitkala-Ša, Carlos Bulosan, Nella Larsen, Tomás Rivera, Julie Otsuka, James Baldwin, N. Scott Momaday, Audre Lorde, Maxine Hong Kingston, Leslie Marmon Silko, Cherríe Moraga, Gloria Anzaldúa, Viet Thanh Nguyen, Jhumpa Lahiri, Javier Zamora, Mohsin Hamid, Claudia Rankine, Danez Smith, Layli Long Soldier. 
Potential Assignments: Requirements: attendance, participation, quizzes, worksheets, 2 discussion posts/presentations, 2 papers, final exam. 
New GE: Foundation: Race, Ethnicity and Gender Diversity 


3000-Level

English 3264: Monsters Without and Within 
Instructor: Karen Winstead
Storytellers have long used monsters not only to frighten us but to jolt us into thinking more deeply about ourselves, others and the world we live in. This course will examine how horror novel(la)s and their film adaptations use monsters to explore fundamental issues of wellbeing and citizenship. The films this course features are all “rogue adaptations,” that is, films that aggressively and self-consciously transform their literary sources—reinterpreting characters and retooling plots to create monsters that offer different visions of what we have to fear and of how we can (or cannot) overcome the monsters without and within.
Guiding Questions: How do literature and film use monsters to join debates on urgent contemporary issues? How can we analyze films’ multifarious, often antagonistic, relationships to their literary sources? How have works of horror anticipated social, personal and national problems before they were identified as such? How can you use monsters to think about the problems—personal, national, global—that confront us in the twenty-first century?
Potential Text(s): Stephen King, The Shining; Richard Matheson, I Am Legend; Mary Shelley, Frankenstein; Robert Louis Stevenson, Dr. Jekyll and Mr. Hyde.
Potential Assignments: You'll be keeping a "Director's Notebook" through the term, reflecting on interpretive cruxes and the challenges of adaptation; you'll engage in weekly discussions; for your final project, you'll imagine how you might go about producing your own "rogue adaptation" of one of the works we have studied.
New GE: Theme: Citizenship for a Diverse and Just World
New GE: Theme: Health and Well-being

English 3271: Structure of the English Language 
Section 10 & 20 Instructor: Clarissa Surek-Clark
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings. 
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 

English 3271 (30): Structure of the English Language 
Instructor: Galey Modan
This course is an introduction to English linguistics. You will gain the analytical tools to scientifically analyze any language, and apply those tools to English. We will learn about the basic characteristics of language: the sounds of English and how they're put together, word formation processes, and rules for combining words into utterances/sentences. While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education. We'll also consider how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings. 
Potential Text(s): How English Works, by Anne Curzan and Michael Adams.
Potential Assignments: Problem sets, slang journal, group discussions, quizzes, midterm and final.
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 

English 3271 (40): Structure of the English Language 
Instructor: Lauren Squires
This class is an introduction to the linguistic structure of the English language: its systems of sounds, words, and sentences, and how these systems differ across dialects, contexts, and periods in history. We first will work to acquire the analytical tools needed to scientifically analyze any language, and apply these to the structure of English. We will then move to understanding patterns of English in its conversational and social contexts, exploring how English is used in interaction, how its dialects and styles vary across individuals and groups, how the language we now think of as “English” came to be, and what its future holds. 
Guiding Questions: What makes up the sound system of English? How does English form words? What makes English sentences grammatical? How can we understand society through understanding language variation?
Potential Text(s): Curzan, Anne and Michael Adams. 2012. How English Works: A Linguistic Introduction. 3rd edition. Boston: Longman.
Potential Assignments: Weekly online activities; homework sets; midterm quizzes; final quizzes; Slang journal.
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 

English 3304: Business and Professional Writing 
Instructor: Staff 
The study of principles and practices of business and professional writing. 

English 3305: Technical Writing 
Section 10 Instructor: Staff 
Section 20 Instructor: Lauren Colwell
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3360: Ecopoetics: British Environmental Poetry and the Industrial Revolution
Instructor: Clare Simmons
Why was “Nature” so important to nineteenth-century British poets? One answer is environmental: with the rise of industrialization, less and less Britons were living in rural communities, and an increasing proportion worked in factory cities where land, water and air were becoming polluted to the extent that human and animal life were endangered. 
This course, which can be used as part of the English major or towards the General Education “Lived Environments” Theme requirement, will provide an introduction to the types and forms of poetry in English, with a focus on poetry written during Britain’s first period of industrialization, approximately 1780 (the beginnings of factory production) to 1880 (after Charles Darwin’s Origin of Species and Descent of Man and general recognition of human impact on the environment). No previous experience in reading and writing about poetry is required. Students will have the opportunity to read a wide selection of readings contrasting the natural and industrialized environment; and to practice skills in close reading, analyzing, discussing and writing about literary works. 
Guiding Questions: How do we think of "Nature"? How does learning about past environmental disasters help guide our thinking today?
Potential Text(s): Online poetry anthology through Carmen.
Potential Assignments: Reading journal; quizzes; midterm and final.
New GE: Theme: Lived Environments

English 3361: Narrative and Medicine: Death
Instructor: Rolando Rubalcava
This class will cover narrative studies and its application towards narratives of illness and disability in an effort to apply and practice the goals of narrative medicine. By studying core concepts of narrative (time, plot, character), we will learn about the applications of narrative studies and how it can be used in a clinical setting. Readings will include novels, memoirs, short stories written by physicians and medical students, and graphic narratives, as well as theoretical texts to enhance our understanding of the goals of narrative medicine. This study is inherently interdisciplinary, encouraging students to bring their interests from fields outside of narrative studies to the class. By discussing key features like intersubjectivity and temporality, and its methods, including ethical listening and close reading, our class will become the vehicle for discussions on more complex topics, like health disparities, the ethics of medical practice, and acknowledging physician’s roles as listeners when engaging with narratives.
Guiding Questions: What are the goals for practitioners of narrative medicine? How can narrative medicine help bridge the study of medical education and the humanities? How can discussion on subjects such as narrative, temporality, and space help us think about the needs of patients?
Potential Texts: Being Mortal (Atul Gawande), No Apparent Distress (Rachel Pearson), Winter Journal (Paul Auster), Lighter Than My Shadow (Katie Green), COVID Chronicles (Ethan Sacks)
Potential Assignments: Assignments will include in-class discussions, reading responses, quizzes, and a final essay
Old GE: Literature 

English 3364: Special Topics in Popular Culture: Media Franchising in the Age of Streaming, Shared Universes and Legacyquels
Instructor: Alex Thompson
In this class students will examine two of the biggest current media franchises, Marvel and Star Wars, for how they operate in various media, including film, TV, comic books and video games. Students will ask how companies make decisions in situations where the stakes are as big as they can be, how creators attempt to make corporate art personal to them, and how audiences respond to those works in an ever-changing cultural, political and economic landscape. 
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 

English 3372 (10): Special Topics in Science Fiction or Fantasy 
Instructor: Amelia Matthews-Pett
The content of this course inhabits a space between science fiction and fantasy. In it, we will explore what some of the most common supernatural threats in literature and popular culture at large can tell us about human anxieties. To this end, we will dip our toes into the world of monsters, exploring formerly-human entities, humans with special powers and human-made creatures. Our exploration will cover folklore, literature and film to discuss how people use the idea of monsters to explain the unexplainable and create possibilities for interpreting human experience. While this course is neither strictly science fiction or strictly fantasy, by tracing some of the most common supernatural entities in American popular culture we can consider how monsters are made across those and related genres, juxtaposing critical differences between magical and scientific worldbuilding. At the core of each week’s content will be one central question: “What do monsters tell us about ourselves?” 
Potential Text(s): Carmilla by Sheridan le Fanu, Mongrels by Stephen Graham Jones, The Haunting of Hill House by Shirley Jackson, Clay's Ark by Octavia E. Butler, Do Androids Dream of Electric Sheep? by Philip K. Dick
Potential Assignments: Discussions, quizzes, creative and traditional essay options for midterm and final 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 3372 (20): Special Topics in Science Fiction or Fantasy 
Instructor: Morgan Podraza 
What does it mean to be human? This course explores the qualities, experiences and potential futures of humanity through science fiction. Together we will examine characters and worlds from a variety of media in order to test the boundaries of the human and discover new ways of understanding our bodies and minds.
Potential Text(s): Bloodchild by Octavia E. Butler; O Human Star by Blue Delliquanti; Trouble on Triton by Samuel R. Delany; Advantageous by Jennifer Phang; The Left Hand of Darkness by Ursula K. Le Guin.
Potential Assignments: Discussion posts, in-class presentations, creative mid-term and final projects.
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 3372—SESSION 2: Special Topics in Science Fiction or Fantasy 
Instructor: Molly Farrell
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts

English 3372 (40): Special Topics in Science Fiction or Fantasy: Environmental Science Fiction 
Instructor: Thomas Davis
Science Fiction and Fantasy often takes us to places with weird environments, including future Earths, dreamscapes and other planets. In recent years, sci-fi and fantasy works have begun directly addressing the crises of climate change, the sixth mass extinction, and the uncertain prospects for human life on an altered planet. This class examines the ways environmental sci-fi/fantasy novels, short fiction and film narrate planetary change and what that means for human and nonhuman futures. Students will read from and view a diverse set of sci-fi/fantasy fiction, ranging from intergalactic epics, Afrofuturism, weird fiction and the recent subgenre cli-fi. Students will also get a chance to build their own environmental sci-fi/fantasy worlds.
Guiding Questions: How does literature think through environmental change? What does sci-fi world-building have in common with other types of modeling? What can environmental literature teach us now in our own moment of ecological breakdown?
Potential Text(s): H.G. Wells The Time Machine, Ursula K. Le Guin The Dispossessed, Octavia Butler The Parable of the Sower, Jeff VanderMeer Borne, Ling Ma Severance and the film The Girl With All the Gifts.
Potential Assignments: Short papers, a zine, a bestiary and a final world-building project.
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts  

English 3372 (50): Special Topics in Science Fiction or Fantasy 
Instructor: Honor Lundt  
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
Old GE: Literature 
New GE: Foundation: Literary, Visual and Performing Arts 

English 3378: Special Topics in Film and Literature: Filming the Pandemic in Black
Instructor: Simone Drake
This course will focus on “Black film” productions between 2019 and 2022. We will contemplate the various roles the COVID-19 pandemic played in the production, marketing and consumption of Black film as the entertainment industry, like the rest of the world, pivoted to virtual spaces. The selected films will be placed in conversation with African American writers, as we contemplate intertextuality and shared tropes between film, prose and performance. 
Potential Text(s): Films include: The Last Black Man in San Francisco; The Forty-Year-Old Version; Sylvie’s Love; Uncorked; Black Box; and Concrete Cowboy. Written texts include: Toni Morrison, Love; Lisa B. Thompson, Single Black Female; Zora Neale Hurston, Their Eyes Were Watching God; Richard Wright, “Almos’ a Man”; Tananarive Due, The Good House; and August Wilson, Radio Golf. 
Potential Assignments: Reading/viewing quizzes, active participation, a film reference entry paper (2 pages) and three synthesis papers (4-5 pages) are required. 
Old GE: Cultures and Ideas 
New GE: Foundation: Historical and Cultural Studies 

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Jonathan Buehl
In English 3379, you will learn about the scholarly practices of researchers in Writing, Rhetoric, and Literacy (WRL) Studies. You will learn how to write effective research-based arguments in these subfields of English studies by practicing methods of data collection and analysis, developing research questions, working with genres of research writing, and revising your writing for clarity and purpose. And you will understand how to transfer what you learn to new contexts - both other courses in the English major and contexts outside the university. 

English 3379 (30): Methods for the Study of Writing, Rhetoric and Literacy 
instructor: John Jones
In English 3379, you will learn about the scholarly practices of researchers in Writing, Rhetoric, and Literacy (WRL) Studies. You will learn how to write effective research-based arguments in these subfields of English studies by practicing methods of data collection and analysis, developing research questions, working with genres of research writing, and revising your writing for clarity and purpose. And you will understand how to transfer what you learn to new contexts - both other courses in the English major and contexts outside the university. 
Potential Text(s): Students will read a range of articles in writing, rhetoric and literacy. 
Potential Assignments: Students will complete three questionnaires and worksheets that explore methods in writing, rhetoric and literacy, respectively, and propose or write an 8-page research project in one of these fields. 

English 3398 (10): Methods for the Study of Literature 
Instructor: Sandra MacPherson
This course has two goals. First, the course will give you the tools you need to succeed as an English Major. We will work on fundamental skills such as close textual analysis, practice putting together essays and research projects, and learn some of the specialized vocabulary writers and scholars use to talk about literary works. Second, we will also think together about why literature is important, what it does for us and how we understand its place in the modern world. 

English 3398 (20): Methods for the Study of Literature 
Instructor: Christopher Jones
This section of English 3398 combines exercises in analytical reading with formal and informal writing assignments. The emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. These skills include (a) the ability to objectify and articulate what we, as readers, bring to interpretation of a text; (b) the ability to "close read" for patterns and argue from them; (c) the ability to identify the conventions of various textual forms (genres) and the different kinds of critical engagement they encourage; and (d) the ability to conduct and effectively incorporate research into the historical backgrounds, reception, or influence of authors and texts. These four emphases inform the four unit divisions of our class. 

English 3398 (30): Methods for the Study of Literature 
Instructor: Sarah Neville
This class is designed to support students in developing the writing and research skills they need to be successful English majors. Classes and short assignments will cover issues like: 

  • What does secondary criticism add to literature? 
  • How do I read actively? What kinds of tools do I need? 
  • How do I stake a claim? Do I need a flag? 
  •  What’s the difference between a long paper and a short one? 
  • How can I distinguish between what they say about a text and what I say? 

In addition, over the course of the term students will learn the types, tools, and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. Along the way we’ll read a novel by Robertson Davies, short stories by Dorothy Parker, Lorrie Moore, Donald Barthelme and George Saunders, plays by Djanet Sears and William Shakespeare, and poems by Billy-Ray Belcourt. Students will complete in-class exercises and multiple short writing assignments that ultimately build towards a longer research paper. Previous students have found this course “rigorous in the best way,” “inspiring,” “engaging,” “respectful of students’ time” and “encouraging.” 

English 3398 (70): Methods for the Study of Literature 
Instructor: Elizabeth Hewitt
This section of English 3398 combines exercises in analytical reading with formal and informal writing assignments. The emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. These skills include (a) the ability to objectify and articulate what we, as readers, bring to interpretation of a text; (b) the ability to "close read" for patterns and argue from them; (c) the ability to identify the conventions of various textual forms (genres) and the different kinds of critical engagement they encourage; and (d) the ability to conduct and effectively incorporate research into the historical backgrounds, reception, or influence of authors and texts. These four emphases inform the four unit divisions of our class. 

English 3465: Special Topics in Intermediate Fiction Writing 
Section 20 Instructor: Sophia Honeycutt
Section 30 Instructor: Sahalie Martin
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Hannah Smith 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: Elise Gorzela
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3662: An Introduction to Literary Publishing 
Instructor: Amanda Scharf 
An introduction to the theory and practice of editing and publishing literature. 


4000-Level 

English 4150: Cultures of Professional Writing 
Section 10 Instructor: Chrisstiane Buuck
Section 30 & 40 Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

English 4189: Professional Writing Minor: Capstone Internship
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 

English 4515: Chaucer
Instructor: Ethan Knapp
A close study of Troilus and Criseyde and The Canterbury Tales as introduction to the artist and his period. 

English 4520.01 (20): Shakespeare
Instructor: Luke Wilson
This course is designed as an introduction to some of the more important critical problems and issues in Shakespeare studies through close study of plays in each of the dramatic genres in which Shakespeare wrote. Our primary concern will be with Shakespeare’s text, but we will also spend some time discussing theatrical performances as well as film adaptations. Written assignments will encourage you to develop your knowledge of Shakespeare by way of different sets of skills: informal response; close textual and semantic analysis; engagement with secondary (scholarly) discussions of Shakespeare; group work on play performance; and the production of substantial critical arguments of your own.
Guiding Questions: What's the big deal about Shakespeare? Why does our culture still fetishize his plays and sonnets?
Potential Text(s): The Norton Shakespeare, ed. Stephen Greenblatt, et al. 3rd ed. Norton, 2015. Vol. 1: Early Plays and Poems; Vol. 2: Later Plays.
Potential Assignments: Several informal responses; a close reading assignment; possible class presentation; possible group work on play performance; a final critical essay.

English 4523: Special Topics in Renaissance Literature and Culture: Court and Society in Stuart England.
Instructor: Christopher Highley
In the forty years after the death of Queen Elizabeth in 1603, England went from a state of relative tranquility to the brink of bloody civil war. This course examines the political, religious and social forces that turned a nation upside down during the reigns of the first Stuart kings—James I and his son Charles I. We will explore one of Britain’s most politically tumultuous and culturally vibrant periods through classics like Shakespeare’s Macbeth, as well as the king’s own publications, and a plethora of poems, pamphlets and pictures. The course is organized around a series of crisis points, starting with the Scottish 'invasion' of England in 1603, and moving to the Gunpowder Plot, the death of a royal heir, the outbreak of war in Europe, court favorites and scandals, religious and political polarization and the struggle between king and parliament. We will read modern historical scholarship and literary criticism alongside the primary literary and political texts. 
Potential Texts: Elegies on the death of Elizabeth; King James's coronation pageant; Shakespeare, Macbeth; Selected works of King James, including Of DemonologieA Counterblaste against Tobacco; preliminary materials to King James Bible; masques and other court entertainments; poetry of Ben Jonson, John Donne, Robert Herrick and others; libels and ballads; paintings by Van Dyck and others.
Potential Assignments:  Short exercises; quizzes; research papers.

English 4535: Special Topics in Restoration and Eighteenth-Century Literature and Culture: The Invention of Celebrity 
Instructor: David Brewer
This course will investigate the invention of celebrity (and celebrities) over the course of the eighteenth century. Fame has been around since antiquity; celebrity began sometime between 1660 and 1820. In so doing, we'll try to get a new vantage point from which to assess our own culture of celebrity. Some of what we'll be considering will seem quite familiar, despite all the wigs and beauty marks. Some of it will seem deeply odd (though I hope equally deeply thought-provoking). Either way, though, you should come away from this course with not only a fresh sense of both the eighteenth century and our present moment, but also the often twisted and counterintuitive connections between the two. For better or worse, we are the heirs of the eighteenth century in far more ways than just our political system.
Guiding Questions: We will explore what sort of beings celebrities are, if and how that varies by what they're celebrated for, why we're so fascinated with them, and what the cultural consequences of that fascination might be.
Potential Texts: We'll be reading a range of plays, poetry and life writing (diaries and biographies) and considering quite a few images. Likely candidates include work by John Gay, David Garrick, William Shakespeare [as he was rewritten in the period], Richard Brinsley Sheridan, Samuel Pepys, Frances Burney, Olaudah Equiano, James Boswell, Lord Rochester, Alexander Pope, Phillis Wheatley, Lord Byron, William Hogarth and Thomas Rowlandson. We'll also consider some recent films, including The Favourite.
Potential Assignments: Course requirements will include active participation in our discussions, a weekly reading/viewing journal, a presentation on a current celebrity and how they fit or extend the questions we’re considering, a few short written exercises, and some engagement with the collections of our Rare Books and Manuscripts Library.

English 4540: Before Night Falls: Nineteenth-Century British Poetry
Instructor: Jacob Risinger
Set down on a darkling plain, poets from Thomas Gray and William Blake to Christina Rossetti and Oscar Wilde raged against the dying of the light. 
In this course, we will explore poets who tried to make sense of the long nineteenth century and its tumultuous changes. These poets were some of the first writers to grapple with the modern world as we know it. Their century was rocked by the invention of the train, the telegraph, the photograph and the bicycle. The industrial revolution gave rise to a broad but unpredictable social realignment, and Darwin’s evolutionary hypothesis disrupted religious convictions and comfortable visions of nature. Revolutionary political ideas prompted the reconsideration of tradition, custom and order. As the British Empire expanded to cover a quarter of the globe, many writers confronted an increasing disjunction between local culture and a globalized world. Over the course of the semester, we will think about how these developments resulted in the formal and thematic transformation of British poetry. 

English 4564.04: Major Author in the 20th-Century Literature in English: Reading Toni Morrison as Theory and Practice 
This course has two goals. The first is to read Toni Morrison’s fiction and non-fiction oeuvre as theoretical tools for studying and understanding the social construction of Blackness and its inseparability from various other identities. An important question arises: what knowledge is gained when we privilege the intellectual thought and creative production of a Black woman cultural producer and scholar like Toni Morrison over the canon of dead and aging white, male critical theorists? The second goal is to apply Morrison’s theories in our own work, as well as consider how her work can be placed in conversation with other types of cultural productions (i.e. music, visual art, film, dance, etc.) as well as social problems. 
Potential Text(s): Texts will include a selection of Morrison’s novels, essays, and speeches, along with other cultural texts that will be placed in conversation with her work. 
Potential Assignments: Reading quizzes, a digital project, and a seminar paper (12-15 pages) are required. 

English 4565: Advanced Fiction Writing 
Instructor: Lee Martin
Storytelling is a way of thinking on the page through action, character, dialogue and setting. In this workshop, you'll write stories and present them to the class for conversation about what the story is attempting to do, how it's attempting to do it, and what might be done in revision to make it better. We’ll think about the technical choices writers make and the effects these choices have on the process of storytelling. Reading and analyzing from a writer’s perspective gives us a chance to think about how stories are made and also an opportunity to build our own technical repertoire when it comes to constructing narratives.
Guiding Questions: What makes a story memorable?
Potential Text(s):  I'll provide online sample of published stories for our consideration.
Potential Assignments: Generally, each student will have the chance to present two original works, significantly revising one of them by the end of the semester. Each student will also provide verbal and written commentary for their peers' stories.

English 4566: Advanced Poetry Writing 
Instructor: Marcus Jackson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Staff
This is the advanced creative writing workshop in creative nonfiction. Admission is limited to creative writing concentrators who have taken English 2268, and to other students who have successfully completed English 2268 with permission of the instructor by portfolio submission. 
Potential Text(s): No textbook will be required. Various essays and craft texts will be provided via Carmen. The bulk of students' reading will consist of their peers' workshop essays.
Potential Assignments: Workshop essay, peer responses, writing exercises, and brief reading responses.

English 4569: Digital Media and English Studies
Instructor: John Jones
Students in 4569 will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity these tools are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support.
Guiding Questions: How can objects and the environment be rhetorical? In what ways can communicators learn to craft rhetorical interactions with objects?
Potential Text(s): Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd Edition.
Potential Assignments: Students will create multiple interactive design projects, write a short paper and take occasional quizzes.

English 4572: English Grammar and Usage 
Instructor: Lauren Squires
In this class you will learn to describe and analyze the structure of English sentences, becoming familiar with the concepts and patterns of grammar from a linguistic—a scientific—perspective. We will seek to understand the linguistic principles that underlie all speaking and writing in English. Sound boring? It won't be! By looking at grammar with an open mind, we will see how issues of grammar relate to our human interactions, social dynamics and identities, and the quirks and changes we all notice when we pay attention to the language around us. Note that this is not a writing course, an editing course, or a course designed to teach people how to speak/write in English. However, having an enhanced understanding of English grammar will equip you with the skills to more critically understand speaking and writing styles, including effective writing and products designed to encourage it, such as usage handbooks and language-learning pedagogical materials. 
Guiding Questions: How do English speakers form sentences? How do we know what kinds of sentences are grammatical in English? How can we investigate contemporary English usage?
Potential Text(s): Free online textbook: English Language Learning Modules.
Potential Assignments: 
Homework sets; midterm exam; final exam; final analysis project.  
Mode of Instruction: We will meet in a computer-equipped classroom so we can use digital tools daily for exploring grammar! 

English 4574: History and Theories of Writing
Instructor: Dan Seward
Theories of writing have generally reflected ideas about a) how the mind works in the act of communication and b) how individuals influence others through public and private discourse. In this class, we will learn the ways these ideas have evolved over time and across cultures. Our sources will include scholarly studies and two different kinds of primary texts, namely, philosophical reflections on writing and excerpts from writing handbooks representing a range of historical periods and places. 
And though this course focuses on theories, we will keep in mind that writing is a psychological and social act, one that needs to be mindfully performed to be understood. Towards that end, we will try our hands at writing exercises taught to onetime students like William Shakespeare and Martin Luther King. We will describe the distinctive features of written works by those left out of formal education, like Margaret Cavendish and Juana de la Cruz. We will rehearse moves of institutional resistance performed by reformers like Elizabeth Cady Stanton and Kwame Nkrumah. In our final unit, we will practice different modes of digital composition as we examine modern theories influenced by cognitive studies, sociolinguistics, ecological sciences and disability studies. 
This class has something for anyone awed by or curious about the act of writing, including students of literary and political history, philosophers of the mind and society, students of human behavior, activists eager to influence, and all writers seeking to expand their communicative repertoires by exploring the techniques practiced by others.
Guiding Questions: How did past theories of writing shape the written work and intellectual dispositions of individuals living in those historical periods? What do these theories of writing reveal about our understanding of the human condition? How adaptable are past theories for 21st-century concerns about social justice, equity, wellness and accessibility? How do we weigh the act of writing—morally, intellectually and pragmatically—among other forms of action?
Potential Text(s): Excerpts from or short pieces by Plato, Han Fe Tzu, Quintilian, Nagarjuna, Aphthonius, Julian of Norwich, Erasmus, Elizabeth Tudor, Juana de la Cruz, John Milton, Margaret Cavendish, Adam Smith, Hugh Blair, Frederick Douglass, Harriet Jacobs, Elizabeth Cady Stanton, Virginia Woolf, M.K. Ghandi, Martin Luther King, Ngũgĩ wa Thiong’o, Thich Nhat Hanh; chapters and articles by modern scholars surveying traditions of writing reflecting various cultures from across the globe.
Potential Assignments: Semi-formal online postings to facilitate reflection on and discussion of readings; an oral Reading Report (presenting an optional reading to classmates); a formal midterm paper (6-8 pages); a final web-based writing project (no prior web writing experience necessary; a great chance to learn).

English 4575: Special Topics in Literary Forms: Story Engineering
Instructor: Angus Fletcher
In this course, you'll learn to write like your favorite author, in any genre or any medium, from poetry to comics, film to fiction, essays to television, memoir to mashup, ancient or modern. You'll uncover your author's creative blueprint by identifying the formal elements that she uses like nobody else. Maybe her unique style, or her special recipe for character, or her innovative use of plot. Then you'll incorporate that blueprint into your own writing, creating an original piece that sounds just like your favorite author--while also sounding just like you. 
Potential Text(s): Your favorite books, scripts, comics, etc.

English 4578 (20): Special Topics in Film: Bad Reviews
Instructor: Jesse Schotter 
“That story counts for less than gimmicks, and characters less than both.” “A big, expensive, time-consuming, essentially mechanical operation.” These are excerpts from some of the reviews that greeted The Empire Strikes Back when it premiered. In this class, we’ll watch a selection of classic, canonized films, and read bad reviews of them. What can we learn from these contrarian takes? About these films, or what we look for in films more generally? About critics’ blind spots when it comes to genre, gender or race? About how certain films get canonized and others don’t? In so doing we’ll try to clarify what our own criteria are in judging movies and understand what makes for an insightful and effective review. 
Guiding Questions: What makes for an effective review? What can we learn about films, canons and the culture from reading negative reviews? What are your criteria for judging films?
Potential Texts: The Empire Strikes Back, CluelessThe GraduateSchindler’s List, Do the Right ThingThe Tree of LifeThey Live, and Celine and Julie Go Boating.
Potential Assignments: Three 3 page response papers, class discussions and one 6-8 page review.

English 4578 (30): Special Topics in Film
Instructor: Sandra MacPherson
Examination of particular topics, themes, genres or movements in cinema; topics may include particular directors, periods, genres. 

English 4580: Special Topics in LGBTQ Literatures and Cultures 
Instructor: Koritha Mitchell
When society is designed to deny your humanity, creating a life requires deliberate effort and purpose-driven strategies. Queer people of color are therefore some of the most intellectually rigorous artists on the planet. In this class, we will explore works by queer authors of color who have chosen to write about their lives. In so doing, we will approach queer literature in a way that does not exoticize queer experiences, but instead, highlights how strange society’s most accepted values are. To honor each author’s intellectual rigor, we will focus on the deliberate choices about craft that shape the texts and the deliberate choices that shaped the lives represented by those well-crafted narratives. To bolster our critical and literary awareness, we will also read scholarly analysis of the genres of life writing, memoir and biography. Students should register for this course only if they are also willing to hone their oral presentation skills. Public speaking is a top fear among Americans; college-educated people need practice. 
Potential Text(s): Janet Mock's Redefining Realness, Meredith Talusan's Fairest, Michael Arceneaux's I Can't Date Jesus, Samra Habib's We Have Always Been Here, and scholarship on life writing, memoir and biography.
Potential Assignments: Careful, consistent reading; active, thoughtful class participation; a scholarly annotation assignment; and oral presentations.

English 4581: Special Topics in U.S. Ethnic Literatures 
Instructor: Martin Ponce
This course considers how formally innovative texts produced by Indigenous and U.S. writers of color have engaged with deeply political topics, such as chattel slavery, settler colonialism, overseas war and imperialism, labor recruitment and exploitation, immigration exclusion, segregation, incarceration, policing, the “war on terror,” sexual violence, and queer genders and sexualities. 
Guiding Questions: In what ways have Indigenous and U.S. writers of color contested not only ideologies of racialization that have justified various modes of social domination and subordination but also the conventional literary forms expected of them? What are the aesthetic and political implications of using experimental techniques that result in potentially “difficult” texts to address conditions of oppression and forge possibilities for resistance?  
Potential Text(s): Possible authors: Toni Morrison, N. Scott Momaday, Deborah Miranda, Jessica Hagedorn, Emily Jungmin Yoon, Randa Jarrar, Philip Metres, Kazim Ali, Valeria Luiselli, Javier Zamora, Claudia Rankine.
Potential Assignments: Attendance, participation, in-class work, 2 discussion posts/presentations, midterm paper and final project.

English 4582: Special Topics in African American Literature: Things African American Poetry Does with Words
Instructor: Adélékè Adéẹ̀kọ́ 
This lecture and discussion, senior level, class, will read, analyze, and write about, panegyric, invective, and prophecy; three dominant, interrelated, thing-doing, world-changing, speech acts in African American poetry. Each of these acts will be interpreted and discussed apart from the standard metrical forms--e.g., spirituals, sonnet, blues, haiku, ballad, lyric--they inhabit. The three main speech acts will be further divided into other sub-forms like self-praise, the praise of culture heroes, self and social interrogation, malediction, divination, benediction, and prognostication. It is envisaged that at the end of the course, students would have developed a good understanding of how poems can be read as speech acts and, more specifically, how those acts constitute and articulate desires that are driven persistently by freedom aspirations in the larger African American society.
Guiding Questions: Poetry is hardly ever about itself; hardly ever.
Potential Texts: Claudia Rankine, Citizen: An American Lyric; a course anthology of poems.
Potential Assignments: 12 weekly responses, each about 250 words; 2 analytical papers, each about 1,750 words; punctual and regular attendance
*This is a combined-section class. Cross-listed in AfAmASt 

English 4584: Special Topics in Literacy Studies: Literacy, Place and Community Spaces
Instructor: Beverly J. Moss
Whether it is a focus on the work of literacy practitioners working in community literacy centers, community organizers using literacy for social justice, or members of a social club engaging in literacy practices that advance the mission of the club, documenting the rich and complex literacy practices that occur beyond traditional academic settings has become an important part of understanding the nature of community literacies and the relationship between literacy, space and place. With the “social turn” in Composition and Literacy Studies, writing and literacy scholars have begun to question the “what” “how” and “why” certain literacy practices function and circulate in local community spaces—social clubs, community organizations, political organizations, community centers, churches and other community sites.
Guiding Questions: 
In this class, we will explore the following questions:

  • Who are the literacy sponsors in these community spaces, and what are the constraints and affordances of these sponsorships?
  • What is the relationship between a community site’s dominant literacy practices, location, and that site’s identity?
  • What is the relationship between the literacy identities of communities and how these communities are positioned economically, politically, socially and rhetorically?
  • What constitutes “community”?  

These are just some of the questions that we will pursue as we read scholarship in community literacy, examine community literacy programs, explore the strengths and weaknesses of university-community literacy partnerships and engage in designing (and carrying out) community-based literacy research. 
Potential Assignments: One short essay, a longer research project and research journal.

English 4592 (20): Special Topics in Women in Literature and Culture: The Marriage Plot, Then and Now 
Instructor: Robyn Warhol
Girl meets boy, girl loses boy, girl marries boy in the end. . . But does she always have to? 
This course traces the convention of the marriage plot from its flowering in Jane Austen and Charlotte Brontë, to its dominance in mainstream U.S. popular culture throughout the 20th century and even today. Looking at Hollywood films, T.V. movies, popular novels, graphic memoirs and literary fiction, we will identify the 21st-century strongholds of the marriage plot and explore variations, subversions and queerings of the form.
Guiding Questions: Where did the marriage plot come from in Western culture? What kinds of privilege does the marriage plot presume? Why has the storyline persisted into an era when women have so many other acceptable paths to follow besides marriage?
Potential Text(s): Readings will include Stephanie Coontz’s 2006 Marriage: A History, or, How Love Conquered Marriage; Austen’s Persuasion (1818); Brontë’s Jane Eyre (1847); Frances Harper's Iola Leroy (1892), Truman Capote’s Breakfast at Tiffany’s (1958); Alice Walker’s The Color Purple (1983), Bharati Mukherjee’s Jasmine (1989) and Marisa Acocella Marchetto’s graphic memoir Cancer Vixen (2006) as well as Hollywood films like CluelessPretty Woman and the most recent Pride and Prejudice.
Potential Assignments: In addition to a midterm and a final requiring identification of passages from the reading, students will write informal responses to daily prompts and present a close reading of one short passage in class. Students will also do group projects on cheap romance novels and Hallmark movies.

English 4592 (30): Special Topics in Women in Literature and Culture: Gender and Empire
Instructor: Molly Farrell
The colonization of the Americas has usually been told as a "boy story," with pirates or explorers, shipwrecks or frontiers, as its characters and settings. This class asks what would happen if we put girls and women, homes and domestic spaces, at the center of that story instead. Focusing on literature from and about early America, we will look at the ways sex, gender and families intersect with enslavement and empire. 
Potential Text(s): Toni Morrison's A Mercy and Playing in the Dark; early novellas about shipwrecks on deserted islands; and novels about sex scandals from pre-"Bridgerton" New England and Jamaica.
Potential Assignments: Two critical essays, presentations, response papers, reading quizzes, attendance and participation. 

English 4597.04H: Interdisciplinary Approaches to Narrative in the Contemporary World: Narrative Ethics 
Instructor: James Phelan
My working title for this course is "Ethics and the Experience of Reading Narrative." How, if at all, do moral values relate to authorial construction and readerly re-construction and de-construction of narrative? The short answer is "it's complicated, but way more than you probably suspect." The longer answer will be the course itself, as we work through some narrative theory and a range of contemporary narratives--short stories, novels, literary nonfiction, film and graphic narrative. More specifically, we will explore the crucial role of ethics in what I call rhetorical reading. 
Rhetorical reading is an activity rooted in two aspects of our engagements with literary narrative. (1) We love literary storytelling because it has the capacity to make us think and feel deeply about human experiences. (2) When we are engaged in such rich thoughts and feelings, we are finding pleasure and value in the lives we are living as readers. Rhetorical reading is a method for doing a deep dive into the lives we live as readers, and it sees ethics--the moral dimensions of storytelling--as central to our reading experiences. Rhetorical reading distinguishes between the ethics of the told and the ethics of the telling, even as it remains attuned to the interactions between them. The ethics of the told refer to the moral dimensions of characters and events (who are the good guys and bad guys, and what happens when it's hard to tell the difference?). The ethics of the telling refer to the moral dimensions of narrative strategies such as unreliable narration, surprise endings, and so on. Rhetorical reading also explores the interactions between readers' ethical engagements and both their emotional responses (those deep feelings) and their aesthetic judgments (is it any good?). 
Just as important, rhetorical reading distinguishes among three activities, as part of its own ethical stance: (1) understanding, the effort to meet authors and narratives on their own terms; (2) overstanding, the move to establish a dialogue between those terms and the readers' own values; and (3) spring boarding, an endeavor to use the narrative for the readers' own purposes, including finding various kinds of relevance between it and their particular situations. By the end of the course, students will have enhanced both their skills and their knowledge, as they deepen their understanding of the ethical dimensions of narrative, of the powers (and limits) of rhetorical reading, and of a range of rich narrative texts. 
Guiding Questions: Does this narrative succeed in making us think and feel deeply? If so, how? If not, why not? What role does ethics play in our response? How do we negotiate the relations between the ethical values we bring to our reading and the values underlying an author's construction of a narrative? Is understanding possible? Is it an ethical obligation? What are the ethical obligations of understanding? How does rhetorical reading handle disagreements among readers?
Potential Text(s): Spike Lee, Do the Right Thing (1989) (with that title, how could we not include it?), Colson Whitehead, The Underground Railroad; Miriam Engelberg, Cancer Made Me a Shallower Person; a range of short stories (by Edwidge Danticat, Joyce Carol Oates, Colm Toibin, William Trevor and others), and selected nonfiction narratives to be determined.
Potential Assignments: Everyone will have a turn to do an agenda setting. Two short papers, one an exercise in understanding, the second an exercise in overstanding or spring boarding; a final paper worked out in consultation with the instructor.


5000-Level

English 5612: The History of the Book in Modernity
Instructor: David Brewer
This course will explore books from the past two centuries as physical objects and consider what difference that makes for our understanding of the texts and images they bear and the uses to which they've been put. We will range widely in terms of genre, language and price point, and be completely embedded in the holdings of Ohio State's Rare Books and Manuscripts Library (indeed, we may never set foot in our assigned classroom in Denney). By the end of the course, you'll understand not only why judging books by their covers is impossible to avoid, but also why it's actually a good thing and how it can help us make sense of the many ways in which books work in and on the world. 
Please note that undergraduates can take 5000-level classes without any sort of special permission.
Guiding Questions: We've all been told not to judge a book by its cover. Yet we do it every day, and the world of books depends on our doing it. Let's learn to do it in better, more interesting and more far-reaching ways.
Potential Text(s): We will be considering a wide range of books, pamphlets, periodicals and zines from Ohio State's Rare Books and Manuscripts Library, not all of which we'll be able to read in the conventional sense. But we'll quickly see how much we can grasp about the function and use of books whether or not we know the languages in which they're written.
Potential Assignments: Course requirements will include active participation in our discussions, a weekly object journal, a few short written exercises, researching and deciding with your colleagues on a few new items to acquire for the Rare Books and Manuscripts Library [to be purchased by you with at least $5,000 of OSU funds], and a collectively curated exhibition of materials from the RBML collection that will be open to the public.

English 5710.01/5710.02: Introduction to Old English Language and Literature
Instructor: Christopher Jones
This course teaches students to read and declaim Old English, which was the spoken language of the English people in the early Middle Ages (up to ca. 1150), and the original language of evocative poems including Beowulf and The Wanderer. In the first half of the semester, we will learn declensions, conjugations, and vocabulary; in the second half, we will translate works of Old English prose and poetry. No prior knowledge of Old English or other languages is required. 
Potential Text(s): Mitchell and Robinson's A Guide to Old English 
Potential Assignments: Students are graded on their preparation for each class meeting, eight quizzes, three written translation assignments and a final exam. 

English 5721.01/.02: Graduate Studies in Renaissance Drama: The Plays of Beaumont and Fletcher: Genre, Kingship, Sexuality and Colonialism 
Instructor: Alan B. Farmer 
Francis Beaumont and John Fletcher were two of the most popular and innovative playwrights in Renaissance England. Their plays were regularly performed at court, were best-sellers in print, and were eventually monumentalized in a 1647 folio collection. The plays they wrote—by themselves, collaboratively with each other and collaboratively with other playwrights—radically changed the genres and forms of English drama. Beaumont’s wildly allusive The Knight of the Burning Pestle challenged audiences to follow its ironical, metatheatrical plots, while their tragicomedies The Faithful Shepherdess, Philaster and A King and No King astonished—and confused—audiences with their complex plots and surprise endings. Their plays often explored gender and power, as in The Woman's Prize, which centers on the revolt of a wife against her shrew-taming husband, and in The Maid's Tragedy, which ends with the King’s mistress taking revenge on her former lover, while several of the later plays of Fletcher, most notably The Island Princess and The Sea Voyage, present searing representations of European colonialism. In this course, we will read several well-known and lesser-known plays by Beaumont and Fletcher as we consider how these plays engage with such important early modern topics as courts and kings, gender and sexuality, London and colonialism, revenge and tragedy.
Potential Assignments: Several short research assignments, a presentation and a final essay.

1000-level

English 1109: Intensive Writing and Reading
Instructor: Erin Bistline
Provides intensive practice in integrating academic reading and writing.

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition
Instructor: Staff
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, 1193.

GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Christiane Buuck
Intensive practice in the fundamentals of expository writing.


2000-level

English 2202: British Literature, 1800-Present 
Instructor: Amanpal Garcha 
This course will introduce students to the major movements in British literature since the end of the eighteenth century. We will read works from authors who have played dominant roles in shaping the English literary tradition; these authors include William Wordsworth, Elizabeth Barrett Browning, James Joyce, Virginia Woolf and many others. In lecture, we will learn about some of Great Britain’s dramatic social and political transformations over the last two hundred years as the nation became the first modern, industrialized imperial power in the nineteenth century and then, in the twentieth, faced crises arising from the crumbling of its colonial holdings, its economic decline and the effects of radically new technologies. Perhaps more importantly, the lectures will aim to show how those historical transformations influenced writers’ creativity as British literature moved from the idealism of the Romantic movement, to the subdued pragmatism of the Victorian age, to the conceptual challenges brought on by the modern and postmodern eras. During recitation, students will explore the historical and artistic issues covered in lecture in more detail; recitation will also help students increase their understanding and appreciation of the assigned literary works. 
GE: Literature 
GE: Diversity: Global Studies 

English 2220 (10): Introduction to Shakespeare 
Instructor: Luke Wilson
In this online, asynchronous introduction to Shakespeare, we will read five or six plays representing some of Shakespeare’s range, including some of the most canonical and some that are less well known. Our focus will be on close analysis of the texts themselves, but we’ll also pay attention to the social and political milieu in which the plays were composed and first performed. Possible plays include: The Merchant of Venice, As You Like It, Measure for Measure, Hamlet, King Lear, Pericles and The Winter’s Tale.  
Potential Text(s): Text: The Norton Shakespeare, ed. Greenblatt, third edition, in two volumes (Early Plays; Later Plays).  
Potential Assignments: Weekly quizzes; a formal essay; a short writing exercise; a performance review; and a final exam.  
GE: Literature 
GE: Diversity: Global Studies 

English 2220 (20): Introduction to Shakespeare 
Instructor: Alan Farmer 
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: The Comedy of ErrorsJulius CaesarHenry the FifthMuch Ado About NothingThe Merry Wives of WindsorOthelloMacbeth and The Winter's Tale
Potential Texts:  I will order the New Oxford Shakespeare, gen. ed. Gary Taylor et al. (ISBN 9780198749721), but any modern edition with glosses, notes and line numbers of the above plays is fine. Good editions of single plays are published by Folger, Pelican, Cambridge, Norton, Oxford, Bedford, Arden, Bantam and Signet. Reputable one-volume Complete Shakespeares are published by Longman, Pelican, Riverside and Norton.  
Potential Assignments: Requirements include a midterm exam, final exam, two essays (one shorter, one longer), regular attendance and active participation.
GE: Literature 
GE: Diversity: Global Studies 

English 2220 (40): Introduction to Shakespeare
Instructor: Sarah Neville 
This class will approach a selection of Shakespeare’s plays through several methods, examining them not only as historical artifacts rooted in the time and place of their creation, but also as spectacles created to be continuously performed and re-adapted right through to our modern age. In order to better enable us to consider the ways that staged properties, blocking, special effects and audience engagement are crucial parts of Shakespeare’s stagecraft, this section of 2220 is especially interested in the practical means by which Shakespeare’s plays resonate with both historical and contemporary audiences. Through exercises, assignments and class discussions in costuming, casting, producing and directing, we will seek to answer questions like: “How was the English stage of 1592 different from a typical American stage of 2020?” “How did a production simulate two actors playing twins?” “When you don’t have modern technologies, how do you create special effects?” and “What did Elizabethans think a Roman or medieval battle looked like?” Students in this class will develop the capacity for discriminating judgment based on aesthetic and historical appreciation of Shakespeare through reading, discussion and informed critical written interpretation of the texts. Through this process, students will also learn to appraise and evaluate both the social values of Shakespeare’s cultural moment as well as their own.  
Potential Text(s): New Oxford Shakespeare (2016). 
Potential Assignments: Students will be evaluated by short writing assignments, a group presentation and a final exam.  
GE: Literature 
GE: Diversity: Global Studies 

English 2220H: Introduction to Shakespeare 
Instructor: Jennifer Higginbotham 
In late sixteenth-century London, on the south bank of the Thames, amongst bear-baiting rings and brothels stood a round wooden theater that brought together people from all walks of life—aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we’ll be imagining what it was like to stand with them and watch Shakespeare’s theater in action. Our in-depth exploration will include selected comedies and tragedies, not to mention a lot of fun along the way. 
Potential Texts: Readings will be from the free online editions published by the Folger Shakespeare Library. 
GE: Literature 
GE: Diversity: Global Studies 

English 2260 (20): Introduction to Poetry 
Instructor: Jill Galvan 
This course will acquaint you with a variety of poetry, representing different eras, styles and topics. You do not need to consider yourself fantastic with poetry to take it! Newcomers are welcome, and part of my goal will be to help everyone become more confident by the end of the semester. Our syllabus will be divided into three units. The first will overview primary elements and teach you how to break down a poem and develop an interpretation. The second unit will do a deep dive into a few specific genres (sonnet, dramatic monologue, ghazal, ballad, etc.). The third unit will cluster around a few particular themes, exploring how variously poets address them. Our authors will range widely, including Ha Jin, Emily Dickinson, Christina Rossetti, Ocean Vuong, Audre Lorde, William Shakespeare, Terrence Hayes, Robert Browning, Evie Shockley, Natalie Diaz, Sylvia Plath, Una Marson, Oscar Wilde, Mary Oliver, Ray Gonzalez and many more. 
Potential Assignments:  Tentative course requirements: three short analytical responses, two exams, final project (either critical or creative) and regular participation.  
GE: Literature 

English 2260 (30): Introduction to Poetry: Ohio Poets 
Instructor: Shaun Russell
This Intro to Poetry course has the thematic subtitle of "The Renaissance and Everything After." While this subtitle is a little tongue-in cheek, it evokes an unspoken idea that we’ll explore in this course: that much of the poetry that came after the Renaissance (also known as the early modern era) is fundamentally indebted to the Renaissance in many ways, both directly and indirectly. As a result, we'll start the course with several weeks of early modern poetry before we segue into transhistorical and transatlantic poetry to see if we can make connections between the poems written in different centuries on different continents, and the poems written distinctly in sixteenth- and seventeenth-century Britain. In addition to many of the key figures of Renaissance poetry, such as Spenser, Shakespeare, Donne, Herbert, and Milton, we will also spend considerable time on women poets and poets of color, all with a view toward exploring the interconnectedness of influence across eras and areas. Assignments will include regular short reading quizzes, a close-reading assignment, a mid-term exam, and a final research essay.
GE: Literature 

English 2260 (40)--SESSION 2: Introduction to Poetry
Instructor: Timothy Griffin
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature 

English 2260H: Introduction to Poetry 
Instructor: Elizabeth Renker 
This class will train you to understand how poems work. Week by week, you will learn specific analytical methods that will unlock the art of poetry for you. (Most college students report that they have not learned these methods in high school.) Each week, we apply new concepts as we break down and discuss two or three short poems each day. (Reading assignments are mostly short poems, so there are few pages of reading for each class.) Class will include a mini-lecture on the day’s topic followed by extensive discussion during which I will guide you in learning the core skills of valid interpretation based in meaningful evidence. Your skills will grow and improve each week. You will complete this class with a new ability to understand poetry as well as with improved analytical skills overall. Class will include a unit on current song lyrics (the most popular form of poetry in the US today). 
Guiding Questions: How do poems work? Why do so many people feel intimidated by "poetry"? When I read a poem for the first time, what basic features do I want to notice in order to start to unlock it? 
Potential Assignments:  Five short papers (1-3 pages), one of which you will present in class.  
GE: Literature 

English 2261: Introduction to Fiction 
Section 10 and 30 Instructor: Zoë Brigley Thompson 
Section 20 Instructor: Sandra MacPherson 
Section 70 and 80 Instructor: Matthew Cariello 
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included. 
GE: Literature 

English 2261 (90 and 100): Introduction to Fiction 
Instructor: Jessica Prinz 
This class has not only a subject (fiction) but also a thesis. While the up-to-date concern for diversity would seem apt for new forms of literature and contemporary modes of art, I will argue that diversity has always been a subject for twentieth-century authors. Such “canonical” works (those texts deemed to be part of the “great” tradition) have always treated the theme of diversity. Thus, such writers like Hemingway and Ellison, Ozick and Spiegelman, all address the diverse nature of life in the U.S and Europe. This semester we’ll see some of the following: ethnic diversity (African American, Native American, Asian American, and Jewish); literature about disabilities (injured veterans; blindness, autism, depression; alcoholism); the victims of racism, prejudice and violence. Many works also consider traditionally denigrated groups, like women and homosexuals (LGBTQ). The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and it exercises our capacity for empathy and understanding 
Potential Texts: Texts will include short fiction from the twentieth and twenty-first centuries. 
Potential Assignments: Two short papers and two exams. Participation in discussion required. 
Additional Materials: Almost all readings will be available in Carmen. 
GE: Literature 

English 2263: Introduction to Film 
Instructor: Ryan Friedman 
This course familiarizes students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Our primary goal in Introduction to Film is to become skilled at thinking, talking and writing critically about movies and, in the process, to deepen our appreciation and understanding of the film medium. 
Potential Texts: Looking at Movies (6th edition): e-textbook available at a reduced cost and integrated into Carmen site through CarmenBooks program. 
Potential Assignments: Weekly quizzes, shorter analytical writing assignments, a shot-by-shot analysis essay and participation in recitation. 
GE: Visual and Performing Arts 

English 2264: Introduction to Popular Culture Studies 
Instructor: Staff
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas 
*This is a combined-section class. Cross-listed in CompStd 

English 2265: Introductory Fiction Writing 
Section 10 Instructor: Sahalie Martin 
Section 30 Instructor: Katie Harms 
Section 40 Instructor: Sophia Huneycutt 
Section 50 Instructor: Clancy Tripp 
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2266: Introductory Poetry Writing 
Section 10 Instructor: Maya McOmie 
Section 20 Instructor: Neomi Chao 
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. 

English 2267: Introduction to Creative Writing 
Instructor: Elizabeth Lawson 
An introduction to the writing of fiction, poetry, and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 

English 2268: Introductory Creative Nonfiction Writing 
Instructor: Elise Gorzela 
An introduction to the fundamentals of technique, craft, and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. 

English 2269: Digital Media Composing 
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GE: Visual and Performing Arts 

English 2270: Introduction to Folklore 
Instructor: Staff 
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course. 
GE: Cultures and Ideas 
*This is a combined-section class. Cross-listed in CompStd 

English 2276: Arts of Persuasion 
Instructor: James Fredal 
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media, and cultural contexts. 
GE: Cultures and Ideas 

English 2277: Introduction to Disability Studies 
Instructor: Staff
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 
GE: Cultures and Ideas 

English 2281: Introduction to African American Literature 
Instructor: Staff 
A study of representative literary works by African-American writers from 1760 to the present. 
GE: Literature 
GE: Diversity: Social Diversity in the US 
*This is a combined-section class. Cross-listed in AfAmASt 

English 2282: Introduction to Queer Studies 
Instructor: Staff 
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class, and nationality. 
GE: Cultures and Ideas 
GE: Diversity: Social Diversity in the US 
*This is a combined-section class. Cross-listed in WGSSt 

English 2290: Colonial and U.S. Literature to 1865 
Instructor: Elizabeth Renker 
This course provides a broad survey of selected literature from the time of colonial occupation in North America to the U.S. Civil War. We will explore how various writers working in a number of genres--nonfiction, short fiction, the novel and poetry--addressed a broad array of historical, cultural and literary concerns, including settlement of the “New World”; encounters and conflicts with the indigenous peoples who already lived there; political and theological upheavals; aesthetic conventions and rebellions; race and gender categories; literary and philosophical movements; slavery; and civil war. This course fulfills a GE requirement in Literature. The format of the two weekly lectures will be synchronous online and will include some class discussion; attendance at lecture is optional, and lectures will be recorded for later viewing. Recitation sections will meet synchronously once per week, and attendance is required. 
Guiding Questions: What are the basic analytical methods that help students to understand literary texts, even those written in remote historical periods? Why is literature interesting? How does historical context inform literature?  
Potential Texts: Students must rent or purchase one (new or used) paperback anthology that contains most of our assigned class readings and one short paperback novel. Any additional reading will be posted to Carmen. 
Potential Assignments: Daily reading assignment; brief Carmen quiz prior to each of the two weekly lectures; attendance and participation at each of the weekly recitation sections; three exams, of which you may count the two highest grades.  
GE: Literature 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructor: Staff 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America. Only one 2367 (367) decimal subdivision may be taken for credit. 
GE: Diversity: Social Diversity in the US 
GE: Writing and Communication: Level 2

English 2367.02: Literature in the U.S. Experience 
Instructor: Staff 
Discussion & practice of the conventions, practices, & expectations of scholarly reading of literature & expository writing on issues relating to diversity within the U.S. experience. 
GE: Diversity: Social Diversity in the US 
GE: Writing and Communication: Level 2 
GE: Literature (BS only) 

English 2367.03: Documentary in the U.S. Experience 
Instructor: Zoë Brigley Thompson 
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video, and documentaries. 
GE: Writing and Communication: Level 2 

English 2367.06: Composing Disability in the U.S. 
Instructor: Staff 
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America.  
GE: Diversity: Social Diversity in the US 
GE: Writing and Communication: Level 2 

English 2367.08: The U.S. Experience: Writing About Video Games 
Section 10 and 20 Instructors: Staff 
Section 30 and 40 Instructor: Lauren Cook 
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required. 
GE: Writing and Communication: Level 2 

3000-level

English 3271: Structure of the English Language 
Section 10 and 30 Instructor: Clarissa Surek-Clark
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings. 
GE: Cultures and Ideas 

English 3304: Business and Professional Writing 
Instructor: Staff 
The study of principles and practices of business and professional writing. 

English 3305: Technical Writing 
Instructor: Staff 
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3331: Thinking Theoretically: TOYS R US
Instructor: Sandra MacPherson 
This class will introduce students to a millennial strand of critical theory called “Thing Theory,” an intellectual project devoted to thinking through the relationship between human beings and the non-human entities we create, use and misuse. What is a thing, anyway? Is it different from an “object”? The philosopher Martin Heidegger says yes: a thing is what emerges when an object forces itself upon our attention by breaking. A hammer is an object; a broken hammer is a thing. On this account, things are defined by their relation to the human subjects who use them. This makes sense as a way of thinking about tools, perhaps: tools are made by us for us. What about paintings, however? Paintings are objects made by human subjects. But are they made to be used? If not, what are they made for? Is there a difference between the painting as painting and the painting as a commodity in the art market? What about natural objects such as trees? These are not made by us, but they are used—and used up—by us. In recent years the law has increasingly been willing to grant non-human animals the status of legal persons, endowed with rights and protections. (As I write this, drug kingpin Pablo Escobar’s hippos were just made legal persons.) Should we not likewise protect the natural objects upon which the human species depends for breath and shelter? If corporations have rights, why not forests or water systems? We live in a world organized on the one hand around a pervasive interface of human and machine, and on the other around a growing understanding of the human species as itself a natural object, a geologic force. How might contemporary developments in robotics, climate change, genetic engineering and animal rights require us to rethink the special status of the human being upon which Thing Theory—and indeed much of the history of culture—is based?  
Potential Text(s): Theoretical texts by Martin Heidegger (on things), Sigmund Freud (on the fetish), Karl Marx (on the commodity), Roland Barthes (on fashion), Norman Bryson (on still life painting), Donna Haraway (on the cyborg), Katherine Hayles (on cybernetics), Jane Bennet (on the electrical grid), Anna Tsing (on mushrooms), Peter Stallybrass (on gloves), Heather Keenleyside (on pets), Anne Cheng (on ornaments), Stephen Best (on the slave). Possible literary texts include J. M. Coetzee’s Slow Man, Richard Powers’ The Overstory, a selection of Georgic poems, short stories by Virginia Woolf and A. M. Homes, films by Robert Bresson (Au Hasard Balthazar), Agnès Varda (The Gleaners and I) and Julia Ducourneau (Titane), and artworks by Jean-Siméon Chardin, Anne Valleyer-Coster, J.M. Turner, John Constable, Charles Ethan Porter, Agnes Martin, Cindy Wright, Theo Jansen and Olafur Eliasson. 

English 3361: Narrative and Medicine: Death
Instructor: Hannibal Hamlin 
Humanity’s death rate remains steady at 100%. We all die. How we come to terms with death, or resist it, or deny it, varies among peoples and cultures. No surprise then that death has been so popular a topic throughout the history of the arts. Adam and Eve bring death into the world by eating the forbidden fruit. Gilgamesh mourns his beloved friend Enkidu. Priam and Troy mourn the death of Hector. David laments Saul and Jonathan. The pyramids, the Taj Mahal, the terra cotta army of Emperor Qin Shi Huang, the Treasury at Petra, and Ohio’s Serpent Mound are all tombs. This course explores plays, poems, stories, novels, and films about death. Aided by readings in sociology, philosophy, and medical ethics, we will ask what death is, why and how we die, how we grieve, why we treat the dead as we do, and why we imagine the dead returning to the living. 
Potential Texts: Readings will include excerpts from Atul Gawande’s Being Mortal: Medicine and What Matters in the End, Thomas Lynch’s The Undertaking: Life Studies from the Dismal Trade and Mary Roach’s Stiff: The Curious Lives of Human Cadavers. Literary works will include excerpts from the Bible and Gilgamesh, René Depestre’s magical Haitian zombie novel Hadriana in All My Dreams, George Saunders’ weird historical-purgatorial fantasy Lincoln in the Bardo, Alejandro Amenábar’s haunting film The Others, Elizabeth Stuart Phelps’s visionary Civil War novel The Gates Ajar, stories by Raymond Carver, and elegiac poems by Walt Whitman and Emily Dickinson. 
GE: Literature 

English 3364: Special Topics in Popular Culture: Insurgent Youth: Punk, Riot Grrrl, and Black Metal 
Instructor: Thomas Davis 
How do subcultural worlds develop and respond to moments of political distress? How can music, art, and lifestyles model other ways of living and thinking? This class pursues these two questions by investigating three distinct subcultures: punk, riot grrrl, and black metal. We will listen to a wide range of music, placing it in its historical context and tracing its lasting influences. Readings and viewings will range across documentary films, memoirs, cultural theory, zines, and other literary and visual texts. We will have visits from Hawak (California based punk band), Myke C-Town (Dead End Hip Hop), and others. We will also collaborate with OSU's Special Collections and work with their archive of punk, queercore, and Riot Grrrl zines. 
Potential Texts: Dick Hebdige Subculture: The Meaning of StyleSalad Days: A Decade of Punk in Washington DC (Film); Decline of Western Civilization (Film); Until the Light Takes Us (Film); Punk Singer (Film); Gone Home (Video Game) 
Potential Assignments: Three short concept papers, a zine, and longer cultural analysis final project. 
GE: Cultures and Ideas 

English 3372: Special Topics in Science Fiction or Fantasy 
Section 20 & 30 Instructor: Staff 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
GE: Literature 

English 3372 (60): Special Topics in Science Fiction or Fantasy 
Instructor: Jared Gardner 
This course turns to a wide range of speculative fictions taking us into futures in which climate change has already wrought monumental changes. National borders have been rewritten, economies have crumbled or completely transformed, political systems have been upended and everyday life moves to rhythms unimaginable in our present. As we come upon a tipping point beyond which these possible futures become increasingly probable, this course will allow us to use the imaginative time travel of science fiction to think about what lies beyond for a world in which climate change is no longer a call to action that keeps on not coming, but is now a transformative event from which humanity and the planet we share must now rebuild. Some of these works will be grim, to be sure, but many are also hopeful, imagining possibilities on the other side of a climate changed to rethink many of the forces that have brought us to this juncture in human history. We will read novels, short fiction and graphic narrative (and maybe watch a movie or two) so as to visit a range of futures in which all we fear has come to pass and humanity—always adaptable, infinitely resilient, but so terribly bad at imagining its own futures—tries not to make the same mistakes again.  
GE: Literature 

English 3378: Special Topics in Film and Literature: Shakespeare and Film 
Instructor: Alan Farmer 
In this course, we will study some of the most innovative and influential films ever made of Shakespeare’s plays. We will both read specific plays and view films that cut across dramatic genres, time periods, countries and cinematic styles, by such directors as Max Reinhardt (Austria and Germany), Laurence Olivier (England), Akira Kurosawa (Japan), Baz Luhrmann (Australia), Michael Almereyda (U.S.), Al Pacino (U.S.) and Julie Taymor (U.S.). We will focus on how directors and actors have chosen to adapt Shakespeare for performance, but also consider how these films have shaped, and continue to shape, the cultural meaning of “Shakespeare” for modern audiences.  
Potential Texts: Probably Richard III, A Midsummer Night's Dream, Much Ado About Nothing, Romeo and Juliet, Hamlet, Titus Andronicus and Macbeth
Potential Assignments: Requirements will include two essays, several quizzes, a midterm exam, a final exam, regular attendance and active participation.  
GE: Cultures and Ideas 

English 3379: Methods for the Study of Writing, Rhetoric and Literacy 
Section 10 Instructor: Susan Lang 
Section 20 Instructor: James Fredal 
Introduction to the interrelated fields of Writing, Rhetoric, and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning, and how these practices are learned and taught. 

English 3398 (20): Methods for the Study of Literature 
Instructor: Susan Williams 
Let's hone your writing skills and de-mystify the methods behind literary analysis! This course will familiarize you with analytical methods in such a way as to prepare you for advanced courses in all literary fields and the genres of creative writing. We will practice the skills of literary criticism and apply a range of critical theories to poems and short stories, with a particular interest in those that explore and respond to works of art. We will also practice using digital databases to do research in literary history.  
Guiding Questions: How do we articulate the relationship between literature and the visual arts? How do different theoretical, conceptual and thematic frames affect literary interpretation? What are the transferable critical thinking skills that come from literary analysis? What does "close reading" really mean?  
Potential Texts: In addition to poems from different historical periods, we will read Suzan-Lori Parks’s play In the Blood and Celeste Ng's novel Little Fires Everywhere as re-readings of Nathaniel Hawthorne's The Scarlet Letter, considering how authors build on each other as they practice their craft.  
Potential Assignments: Three papers; one 2-3 page close-reading exercise; two peer review assignments; occasional asynchronous homework assignments  

English 3398: Methods for the Study of Literature 
Section 30 Instructor: Jacob Risinger 
Section 60 Instructor: Ethan Knapp 
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. 

English 3465 (10): Special Topics in Intermediate Fiction Writing 
Instructor: Katie Pyontek 
For students who have experience with the basic elements of writing fiction. This intermediate fiction workshop will focus on story structure and the writing process. We’ll start the semester watching films, reading published short stories, and discussing how and why these different stories work for us. Then we’ll devote time to generating new stories and talking about issues students come across in their writing. The second half of this course will focus on workshopping student stories with the intent of exploring what’s working and how to best revise. Students will begin at least three new stories, and workshop at least one short story in class.

English 3465 (30): Special Topics in Intermediate Fiction Writing
Instructor: Macey Phillips 
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Arah Ko 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3467S: Issues and Methods in Tutoring Writing 
Instructor: Allison Kranek 
Theories and practices in tutoring and writing; explores writing-learning connections and prepares students to work as writing consultants/tutors for individuals and small writing groups. 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: Louise Edwards 
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3662: An Introduction to Literary Publishing 
Section 10 Instructor: Hannah Smith 
Section 20 Instructor: Amanda Scharf 
An introduction to the theory and practice of editing and publishing literature. 

4000-level

English 4150 (10): Cultures of Professional Writing 
Instructor: Christiane Buuck 
This class will explore a range of types of workplace writing. Many of our course assignments are designed to help you compile a writing portfolio that will be useful if you apply to the Professional Writing Minor, and/or in future job searches. Additionally, you will interview two professionals in your field of interest. You will hone your editing skills by practicing AP style, reviewing common usage mistakes and how to avoid them, giving and receiving feedback in peer review, practicing repurposing content and drafting for different audiences and revising for clean, professional copy in every deliverable.  
Guiding Questions: What do I want to do when I graduate? How can I polish my writing? How can I build my professional network? How is the work world changing in and through this pandemic? What kind of professional life would I like to have?  
Potential Texts: All our texts will come from real-world examples, articles and other readings posted to Carmen.  
Potential Assignments: You'll practice writing in different professional genres including press releases, feature articles, agendas, reviews, brochures, procedural guides, website copy, and more. You'll also hone your editing skills each week through editing exercises that focus on common writing errors and how to revise them.  

English 4150 (20): Cultures of Professional Writing 
Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

English 4189: Professional Writing Minor: Capstone Internship
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.

English 4321: Environmental Literatures, Cultures and Media 
Instructor: Thomas Davis 
Can literature and art help us live more justly on a warming planet? This course begins to answer that question by examining the intertwined relationship of cultural production and environmental justice movements over the last several decades. We will explore the critical roles of imaginative storytelling, activist writing, documentary film, poetry and visual art in shaping the knowledge and tactics of environmental justice struggles. How do these works center the voices and lived experiences of Black, Indigenous and people of color who have historically experienced greater exposure to toxic waste, oil spills, geographic displacement, and environmental racism? Over the course of the semester will we ask how environmental justice reframes our ideas of nature, culture, violence, and the human. We will look at artworks that emerge from key situations—the #NoDAPL movement at Standing Rock, Cancer Alley in Louisiana, Hurricane Katrina and campaigns for justice for nonhumans. Our case studies will allow us to think more critically and imaginatively about the different futures for life on a warming planet. 
Potential Texts: Non-fiction and criticism: Henry David Thoreau, Robert Bullard, Nick Estes, Dina Gilio-Whitaker, Robin Wall Kimmerer, Julie Sze, Dana Alston and Andreas Malm. Poetry: Nikky Finney, Gwendolyn Brooks, Layli Long Soldier and Craig Santos Perez. Fiction: Cherie Dimaline The Marrow Thieves, Jesmyn Ward Salvage the Bones and Ashley Shelby Muri. Visual art: Cannupa Hanska Luger, The Winter Count Collective and Monique Verdin.
Potential Assignments: Short critical and creative assignments, a collaboratively authored "Keywords for Environmental Justice" zine and a longer project modeling environmental futures. 

English 4513: Introduction to Medieval Literature 
Instructor: Leslie Lockett 
This course introduces students to major genres of medieval European literature written over the span of a millennium and situates those works of literature within their diverse historical and intellectual contexts. Building upon selections from classical Rome and early Christianity, we will explore the medieval literature of feud and warfare, romance, monastic and scholastic learning, and popular religion and mysticism. Along the way, we will work to dismantle “presentist” misconceptions about the Middle Ages, particularly those that oversimplify pliable categories such as “hero” and “feminist.” Students are strongly encouraged to choose topics for written assignments that will make the literature more meaningful and enjoyable within the contexts of their individual interests.  
For most of our readings, students are required to bring paper copies to class or to have electronic copies that can be marked up on a tablet. Some works are best consulted in the editions prescribed on the syllabus; some will be compiled in a course pack that will be housed on Carmen.  
Potential Texts: Vergil, Aeneid; Augustine of Hippo, Confessions; Boethius, The Consolation of Philosophy; selected Lives of Saints; short Old English poems such as "The Wanderer"; anonymous, Njal's Saga; anonymous, Song of Roland; Chrétien de Troyes, Percival; Hildegard of Bingen, Scivias; Peter Abelard, History of My Misfortunes; Thomas of Celano, Life of St. Francis of Assisi.  
Potential Assignments: Two research projects, in-class presentation, midterm and final exams. 

English 4522: Renaissance Poetry 
Instructor: Luke Wilson 
How did English poets of the Renaissance think and write about the natural world? What even was “the natural world” for them? Was that even a thing? Maybe; but when poets wrote about what we’d call nature they were really writing as much about the human as about something outside it. Perhaps that’s true of all writing about nature, but it’s especially important to avoid misunderstanding Renaissance poetry. The course title avoids labels such as “ecopoetics” and “the environment” in order to resist, at the outset, an anachronistic approach more oriented toward our own categories of thinking than the period’s; our approach will be primarily, but not exclusively, historical rather than theoretical. 
We’ll read Renaissance poetry, primarily by major and minor English poets of the seventeenth century, probably including Ben Jonson, Amelia Lanyer, Robert Herrick, Thomas Carew, John Milton, Henry Vaughan, Andrew Marvell and Margaret Cavendish. The seventeenth century, at the center of which were the English civil wars (1642-1651), was a period of intense political violence and struggle, and either in spite of or because of this, these poets turned with renewed interest to the natural environment as a means of making sense of the times, but also as a source of poetic interest in its own right. Time permitting, we’ll also read prose from the period addressing different elements of the natural world in more practical contexts (forestry, mining, farming, legal disputes involving land use, and so on). Some likely topics: trees as pets; pets and other animals; forests and their cultural, political, and allegorical significance; agrarian land use and labor; resource extraction; “the country” as a political and socio-economic category; chorography and mapping; literary genres including pastoral, georgic and the sylva.  
Potential Assignments: Short response papers; discussion posts; joint class presentations; a final research paper.  

English 4533: The Early British Novel: Origins to 1830 
Instructor: Roxann Wheeler 
What is the history of the novel before Jane Austen wrote? Criticizing powerful Englishmen is at the heart of the early novel; the flip side of this coin is representing what was on the minds of fictional characters whose situations were made miserable by elite men? The early novel dramatizes a new kind of character in literary history: the underdog, and it stages both cultural debates about and literary pleasures of unrequited love and lust; the hazards of courtship and miserable marriage; enslavement on the colonial fringes of empire; and overwrought emotions aroused by a stranger's suffering. These early novels for the first time depict an ordinary protagonist's interiority, the hallmark of the modern novel, as they explore modern emotions elicited by dislocations of slavery, capitalism and overbearing patriarchal power. In studying how to interpret the strange characters and disturbing plots of early novels, we will learn how to situate literary Englishness in a global world both sexually and otherwise. 
Guiding Questions: What forms of the novel were popular and important? What made the eighteenth-century novel's theory of character, setting and plot different from the nineteenth century's? 
Potential Texts: Aphra Behn, Oroonoko; or, The Royal Slave (1688); Samuel Richardson, Pamela; or Virtue Rewarded (1741); Frances Burney, Evelina; the History of a Young Lady's Entrance into the World (1778); William Godwin, Things as They Are: or, The Adventures of Caleb Williams (1794); Anonymous, The Woman of Color (1808). 
Potential Assignments: One short literary analysis, one research paper and a final exam. 

English 4542: The Nineteenth-Century British Novel 
Instructor: Clare Simmons 
Victorians loved novels. In the Victorian period, the novel became the dominant literary form in Britain, providing a means both to express cultural anxieties and to escape them. A loose theme for this course is the representation of social class in the novel, raising such questions as how novels delineate class distinctions; the respective roles of men and women in society; and the role of outsiders. We will consider not only what story is told, but how the story is told and how the novel form reflects both material and cultural changes over the course of the nineteenth century from the Romantic period to the late Victorian period. We will examine the works in their historical and cultural contexts and try to account for material and social circumstances that give rise to different sub-genres such as the Gothic, realism, the sensation novel and naturalism.  
Guiding Questions: How do novels raise our awareness both of the social and cultural contexts in which they were written, and of human values?  
Potential Texts: Readings will include: Emily Brontë, Wuthering Heights; Dinah Mulock Craik, The Half-Caste; Charles Dickens, A Christmas Carol; Mary Elizabeth Braddon, Lady Audley’s Secret; and Thomas Hardy, Tess of the D’Urbervilles.  
Potential Assignments: Regular attendance and participation; reading response questions; two essays.  

English 4565: Advanced Fiction Writing 
Instructor: Michelle Herman 
This is the advanced undergraduate workshop in the writing of fiction, designed for creative writing concentrators and other writers by permission of the instructor. We'll begin the semester by looking closely at the work of such contemporary masters of the short story as Tessa Hadley, Jhumpa Lahiri and Danielle Evans, and short writing assignments in response to prompts and then we'll transition into workshopping your full-length stories. 
Potential Assignments: Numerous short assignments, two complete full-length stories, a final revision. 

English 4566: Advanced Poetry Writing 
Instructor: Kathy Grandinetti 
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Lee Martin 
This is an advanced workshop for those of you interested in writing creative nonfiction. We'll study the craft though assigned readings and the discussion of your own essays. 

English 4572: English Grammar and Usage 
Section 10 and 20 Instructor: Daniel Seward 
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4578 (20): Special Topics in Film: Bad Reviews
Instructor: Jesse Schotter 
“That story counts for less than gimmicks, and characters less than both.” “A big, expensive, time-consuming, essentially mechanical operation.” These are excerpts from some of the reviews that greeted The Empire Strikes Back when it premiered. In this class, we’ll watch a selection of classic, canonized films, and read bad reviews of them. What can we learn from these contrarian takes? About these films, or what we look for in films more generally? About critics’ blind spots when it comes to genre, gender or race? About how certain films get canonized and others don’t? In so doing we’ll try to clarify what our own criteria are in judging movies and understand what makes for an insightful and effective review. 
Potential Texts: Films may include The Empire Strikes BackSchindler’s ListThe GraduateDo the Right ThingCluelessThe Tree of LifeCeline and Julie Go Boating and others. 
Potential Assignments: Assignments will include two brief reviews of films and one longer analytical essay, as well as participation in class discussions. 

English 4578 (30): Special Topics in Film: Film and American Society After World War II 
Instructor: Ryan Friedman 
This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts from a variety of sources (e.g., popular magazines, film-trade publications, books of popular sociology, design treatises, political speeches) published during the era in which these films were produced and released. These textual primary sources will serve to illustrate historical discourses describing, reinforcing, and/or critiquing what were conceived of as significant social issues and shifts—from the “veterans problem,” to the “housing crisis,” to “juvenile delinquency,” to sexism and racial segregation in schools. In our discussions, we’ll be interested in how the assigned films reflected, responded to and inflected the print debates happening around these issues and shifts—even and perhaps especially when the films are not overtly working in the “social problem” genre. We’ll also approach the films in the context of the upheavals happening in the American film industry during this period, as a result of the Paramount decree, the HUAC hearings, suburbanization and declining movie theater attendance. In particular, we’ll examine the ways in which the rise of television as a competing medium of mass entertainment shaped the stories that Hollywood movies told and the visual devices that they used to dramatize these stories. 
Guiding Questions: Our primary goal in this course is to attain a deep understanding of the intersection of media and ideology during a particular historical moment. Students in this course will gain advanced experience in various aspects of film criticism, including formal analysis and the application of historical frameworks, and in making and supporting written and verbal arguments. The final research project will require students to situate a film of their choosing in relation to the major trends in postwar cinema covered by this course, and the final exam will test students’ mastery of course content. 
Potential Texts:  All videos and readings will be available through the library catalog at no cost to students. 
Potential Assignments: Class participation, weekly quizzes, a group presentation, an analytical essay and a take-home final exam. 

English 4580: Special Topics in LGBTQ Literatures and Cultures 
Instructor: Martin Ponce 
This course examines 20th and 21st-century U.S. literary and visual texts that explore “queer” histories, homelands and futures through the framework of LGBTQ2+ literacies. What roles has reading (for) depictions of homoerotic desires and nonbinary gender embodiments played in the constitution of queer and trans selves, communities and traditions? How have those literacy practices and processes of self-understanding and community formation been transformed by the foregrounding of racial and colonial differences? What histories, homelands and futures have LGBTQ2+ readers and writers (of color) invoked, represented and reimagined?
Potential Text(s): Alison Bechdel, Samuel R. Delany, Natalie Diaz, Audre Lorde, Larissa Lai, Carmen Maria Machado, Leah Lakshmi Piepzna-Samarasinha, Joanna Russ, Danez Smith, Samuel Steward, Monique Truong and Craig Womack. 
Potential Assignments: In-class exercises, two discussion posts + presentations, one shorter paper and one final project. 

English 4581: Special Topics in U.S. Ethnic Literatures 
Instructor: Pranav Jani 
In September 2020, US President Trump aimed to turn back the clock, arguing that classroom curricula – including Critical Race Theory, historians like Howard Zinn and critiques of whiteness – have diminished the “greatness” of the US in the eyes of Americans. Since then, the fights over "CRT" have gotten even more intense, with states like Ohio attempting to pass bills banning the teaching of "divisive concepts." 
But Ethnic Studies and related fields, in explaining why racism and white supremacy have such a strong hold in US society, push in the opposite direction, building on past criticisms of racism to expand our understanding of it. Indeed, classes like this would be under threat if Ohio HB 322 & 327 passed. 
These debates lower the bar about what racism is, and how we learn about it. Our class will raise the bar, and go well beyond the basic defense of racial justice education. 
Reading novels, short stories, essays and films, we will take up: How can we grasp the different but linked experiences and histories of Black, Native, Latinx, Asian and Arab peoples in the US? How do the legacies of settler colonialism in the Americas, the enslavement of Africans and colonialism in Asia and elsewhere shape BIPOC lives in the US? How do gender, sexuality and the family interact with race? 
We will examine how people of color and Indigenous peoples have survived and struggled in racialized spaces that are very much products of US history. Part of this history is the effort to articulate these stories in the face of dominant forces that would rather ignore and erase them/us.  
Guiding Questions: How is race tied to history? How are people of color and indigenous people differently racialized? How can literature and culture show points of solidarity and difference? Why is the right-wing so invested in fighting histories that center BIPOC peoples?  
Potential Text(s): Gyasi, "Homecoming"; Kincaid, "A Small Place"; Aldama, "Long Stories Cut Short"; Jarrar, "A Map of Home"; Nguyen, "The Refugees"; Shamsie, "Burnt Shadows"; Native Nonfiction essays from Washuta and Warbuton anthology; Nair, "Mississippi Masala" (film). 
Potential Assignments: Two short papers, oral presentation, research paper and weekly Carmen posts.

English 4583: Special Topics in World Literatures in English: Literature of the Black Atlantic 
Instructor: Elizabeth Hewitt 
The term "Black Atlantic" was coined by the cultural historian, Paul Gilroy, to describe the historical encounters between African, European and American people that have shaped our modern world. This course will study the literature (fiction, non-fiction, poetry, film and comics) of this encounter. We will read writing from four centuries of the Black diaspora and we will consider how this writing challenges the nationalist emphasis that dominates literary studies. We will study work by Phillis Wheatley, Olaudah Equiano, Honorée Fanon Jeffers, Mary Prince, Ousmane Sembène, Ryan Coogler, Toussaint Louverture, Herman Melville, Frederick Douglass, George Lamming, Saidiya Hartman and others.  
Potential Assignments: Course requirements will include two reflection essays, annotation and archival projects and creative lesson plans.  

English 4584: Special Topics in Literacy Studies 
Instructor: Christopher Castillo 
Whether you are trying to cop a new pair of Bad Bunny Crocs, find a local coffee shop near you, or building your own website, coding presents new opportunities to investigate the theory and practice of emerging digital literacies. In this seminar, we will investigate how coding as a type of literacy and sociomaterial theory of new literacies inform the practices of particular cultural communities. We will read scholarship that explores how people develop and use their digital literacies practices in response to intersecting themes of oppression and discrimination. We will also develop as coders by practicing genres unique to coding such as app and web page development.  
Guiding Questions: Who programs, and who can call themselves a programmer?; How is programming learned and sponsored?; How is programming used?; How do technologies and social factors intersect in programming?  
Potential Text(s): Byrd, Antonio. "Like Coming Home": African Americans Tinkering and Playing toward a Computer Code Bootcamp. College Composition and Communication 71.3 (2020): 426-452. Watkins, S. Craig, and Alexander Cho. The Digital Edge: How Black and Latino youth navigate digital inequality. Vol. 4. NYU Press, 2018. Vee, Annette. Coding literacy: How Computer Programming is Changing Writing. Mit Press, 2017.  
Potential Assignments: App Development; Web page development; and argumentative essays.

English 4590.08H: U.S. and Colonial Literature 
Instructor: Molly Farrell 
How do contagious diseases make us who we are? Starting from the premise that epidemiology is a narrative form, this class will call into question the boundaries between science and literary or historical study. Immunities and illnesses that take place in the body also create communities that can overlap or transgress categories like race, nation and culture. Just as medical doctors and public health advocates seek to understand the dangerous force of disease outbreaks, so too have storytellers from ancient times to the present. Pairing medical information with narrative texts, the class will consider five pandemics that preceded COVID-19: plague, smallpox, yellow fever, influenza and AIDS. Collectively, we will develop an understanding of why humans repeatedly feel compelled to contain epidemics through narrative, and speculate how we might begin to narrate COVID-19. 
Potential Text(s)Journal of the Plague Year; Clotel; Pale Horse, Pale Rider; The Normal Heart; Contagious: Cultures, Carriers, and the Outbreak Narrative; and Contagion [film].  
Potential Assignments: Course requirements may include research presentations, written responses, composing your own outbreak narrative and a final project.  

English 4591.01H: Special Topics in the Study of Creative Writing: Monsters, Mayhem, Method: Crafting Horror
Instructor: Nick White 
Writers, beware: There will be no happy endings in this class. In this workshop, I will expect you to learn an appreciation for the shocking art and bewitching craft that is horror. For those of you daring enough to face the abyss with me, I can teach you how to bedevil the minds and entangle the senses of your readers with the demonically-willed word. Stephen King has said that "we make up horrors to help us cope with real ones." In that spirit, the kind of horror literature we will study and write in this workshop will not be interested cheap thrills and schlocky gore alone, but in plumbing the depths of what frightens us to better understand ourselves and each other.  
Potential Texts:  Flash pieces from Tiny Nightmares: Very Short Stories of Horror; Short novels by Victor LaValle (The Ballad of Black Tom), Carmen Maria Machado (Especially Heinous), Stephen Graham Jones (Night of the Mannequins) and Samanta Schweblin (Fever Dream).  
Potential Assignments: Shorter creative flash pieces to specific writing prompts and one longer short story. 

English 4591.02H: Special Topics in the Study of Rhetoric 
Instructor: Kay Halasek 
Guilt. Fear. Shame. Anxiety. Remorse. Tools of the trade for tyrants and despots—and also for Big Oil, political extremists and the NRA (to name just a few); as they seek to secure their bottom lines, increase their political power; and deflect attention away from their own culpability, lies, and deceits. Just how do corporations, organizations, political figures and zealots use language, images, objects or actions to convince us of their (un)truth(s)? Investigating that question is at the center of “Rhetorics of Deception and Deflection: How Big Oil, Political Extremism and the NRA are Framing Our Future.” Taking as our primary case study the competing contemporary rhetorics of global climate change, we will collectively investigate how rhetorical appeals, the arts of linguistic deception and deflection, and the framing of arguments define and defy truth. Students will analyze discourses, images, bodies, actions, digital platforms, and material artifacts through a wide range of methods and methodologies: cluster criticism, qualitative coding, historiographic analysis, case studies, ethnography, and fieldwork. Each student will select and investigate throughout the term a debate, public policy, social movement, organization, etc., deploying multiple means of analysis—not to settle on a belief (or persuade others to that belief) but—to examine (as Krista Ratcliff writes) “how we use language and how languages uses us.” 
Guiding Questions:  Just how do corporations, organizations, political figures and zealots use language, images and objects or actions to convince us of their (un)truth(s)? What tools (if not those of the master) can I use (to quote Audre Lorde) to “dismantle the master’s house”?  
Potential Texts: Jensen, Tim. Ecologies of Guilt in Environmental Rhetorics, Palgrave Macmillan, 2019. Mann, Michael E. The New Climate War: The Fight to Take Back the Planet,  Public Affairs, 2021. Rai, Candice, and Caroline Gottschalk Druschke, eds. Field Rhetoric: Ethnography, Ecology, and Engagement in the Places of Persuasion, The University of Alabama Press, 2018.  
Potential Assignments: Short rhetorical analysis exercises, ethnographic observations, "fieldwork" investigating living-rhetoric-in-action, a final project and showcase (discursive, visual, or multimodal). 

English 4592 (10): Special Topics in Women, Literature and Culture: Women's Sonnets 
Instructor: Jennifer Higginbotham 
Women played an influential role in the development of the sonnet. When the Italian poet Petrarch popularized the form in the fourteenth century, he started an ongoing literary tradition, and women have been at the forefront of its innovation almost from the start. Initially present only as love objects, women quickly adapted the form to their own poetic voices. The Protestant exile Anne Lock was responsible for getting the first sonnet sequence in English published in 1560 when she appended Thomas Norton’s paraphrases of Psalm 51 to her translation of one of Calvin’s sermons, while women like Elizabeth Carey and Lady Spencer participated in the translation of Petrarch’s original Canzoniere in the 1590s. After we dive into the mechanics of what makes a sonnet “a sonnet,” we’ll apply our knowledge to trace the history of women’s sonnets from the sixteenth century to today. In addition to gaining mastery of poetic form, students will engage with feminist and queer theory to explore what sonnets help us understand about gender and sexuality, and what gender and sexuality can help us understand about sonnets. 
Potential Texts: Stephen Regan, Mary Wroth, Emma Lazarus, Charlotte Smith, Patience Agbabi, Natasha Trethewey, Marilyn Nelson, Marilyn Hacker, Gwendolyn Brooks and June Jordan. 

English 4592 (20): Special Topics in Women, Literature and Culture: Medieval Women
Instructor: Karen Winstead 
In this course you’ll meet some of the diverse women who inhabited the Middle Ages, including Hrotsvitha of Gandersheim, medieval Europe’s first dramatist; Hildegard of Bingen, mystic, advisor to rulers and popes, inventor of a language and alphabet and author of poetry, music, plays and treatises on topics ranging from botany to sex; Margery Kempe, visionary, mother of fourteen, entrepreneur and traveler; Christine de Pizan, a young widow who supported her children and mother by writing poetry, political allegories and self-help books at the court of France; Leoba, the teacher who promoted self-care as a prerequisite to effective learning. You’ll encounter remarkable gender-benders, including the military leader and martyr Joan of Arc and the (fictional) Silence, born a woman but raised to be a great knight. 
Guiding Questions: How do the structures of patriarchy that prevailed during the Middle Ages resemble or differ from those that prevail now? What were the social, political, economic, and cultural factors that shaped women's lives and writings? How can a nuanced understanding of women's experience in the past nuance our understanding of women's experience in the present? How did queerness manifest itself in the Middle Ages?  
Potential Texts: The Romance of SilenceBook of Margery Kempe, Letters of Abelard and Heloise, Lais of Marie de France, Selected Writings of Christine de Pizan.  
Potential Assignments: Most of your grade will be determined by your performance on the weekly quizzes and informal writing assignments designed to deepen your engagement with and appreciation of the literature you will be reading. For your final project, you will construct a metaphorical "City of Ladies" from the stories and experiences of the women you have studied.  

English 4592 (30): Special Topics in Women, Literature and Culture: African American Women’s Poetry Books, 1773-present--SESSION 2
Instructor: Molly Farrell
What does the literary history of Black women’s writing in America tell us about the poetry book as a form, and vice versa? In this class, we will read across four centuries of Black women’s volumes of poetry, each book expressing a moment in time in the careers of legendary writers, rather than an anthology that attempts to be comprehensive. How do these poems speak to each other within the book, and how do African American women poets speak to each other—or not—across time? Our explorations into these questions will begin and end in the eighteenth century, with Rita Dove’s epic Sonata Mulattica set in that historical period, and with the first book published by an African American, Phillis Wheatley’s Poems on Various Subjects. In between we will read breakout books by Frances E. W. Harper in the nineteenth century and Gwendolyn Brooks in the twentieth; as well as books celebrating Black Power and the expansiveness of children’s literature. Course requirements may include short interpretive exercises, response papers, a discussion presentation, and a final essay.

English 4597.01: The Disability Experience in the Contemporary World 
Instructor: Sona Hill 
Disability Studies is a field of study which offers a critique of commonly held assumptions regarding oppressive binaries such as normal/abnormal, disabled/non-disabled, rational/irrational, human/subaltern, white/colored, civilized/savage – binaries that are justified by claiming that they are rooted in irrefutable scientific fact. This course aims at fostering a critical conversation among social justice studies, transnationalism (or global studies) and disability studies. These are three interdisciplinary realms of knowledge in need of engagement with one another, given today’s socio-political landscape. 
In the global context, people become disabled as they are often forced to move/migrate/seek-asylum. At other times, people cannot move precisely because they are disabled. People become disabled in containment/immobility (e.g., prison), or they are imprisoned in institutions because they are disabled. A new wave of emerging literature argues that moving and not-being-able to move in relation to borders, walls, wars and bodies should be politicized and historicized. In this course, we use the global context of a capitalist economy, the imperialist politics of the US, Western Europe, Russia and China, and regional imperialism(s) and nationalism(s) in the Middle East, North Africa, South Asia and Latin America to understand how disabled bodies are generated through incarceration, neocolonialism, forced migration and armed conflicts sustained by exploitative social relations, which are always and inevitably gendered and raced. In this course, we will also take a look at Indigeneity (relationship to land) and disability. In order to think about race, Indigeneity and disability together, we must pay close attention to the multiple dimensions of settler-colonial violence, including the violence of: healthcare, education and social services. Moreover, we must grasp both the ways in which settler-colonialism is disabling through its violence, racism and gross inequality; and the ways in which settler-colonialism represents Indigenous people as always/already disabled. 
This course is designed in a way that Disability Studies attempts to take up disability in the context of settler- and neo-colonialism as well as global- and regional-imperialism(s). We will query the seemingly irresistible urge toward research entitlement in health and disability studies in the global context, and interrogate locations of settler/imperial power and privilege. As well, this course will focus on the gender, race, and class dimensions of population movement, global class relations, and forced migration. The course will pay careful attention to competing theoretical analyses of the relationship between disability, gender, race, and class in the context of neocolonialism and imperialism. We will discuss disability theories, critical feminist and race theories, Marxist feminist analysis, transnational, diaspora, mobility and cultural studies.  
Guiding Questions: What does it mean to understand disability as a global phenomenon? How does disability intersect with race, gender, sexuality, ethnicity, class and geopolitics?  
Potential Text(s): All the readings (book chapters, journal articles, blogs) will be available on Carmen in the pdf format.  
Potential Assignments: One-two paper(s), one group project, one creative work.  

5000-level

English 5191: Internship in English Studies 
Instructor: Scott DeWitt 
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor (Professor DeWitt) as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship opportunity is especially applicable to students across majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them. Media skills are NOT a pre-requisite for this internship; students will have the opportunity to learn all media skills necessary for the class. (This internship fulfills the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.) 
Potential Assignments: YouTube videos, podcasts. 
Guiding Questions: How can a promotional media internship opportunity help students across majors develop their digital media skills in a workplace setting? 
Additional Materials:  Experience with technology is helpful, but you will learn all of the skills you need in class. 

English 5664: Studies in Graphic Narrative: Graphic Memoir 
Instructor: Robyn Warhol 
A course designed for both graduate students and advanced undergraduates, “Graphic Memoir” will introduce the styles, structures and strategies of autobiographical life stories told in comics form. Starting with “how-to” texts by comics artists, we will investigate the relationship among form, content and medium in graphic memoirs in a variety of styles. The readings fall into three groupings: lifewriting set in the context of larger historical events; memoirs of illness and recovery; and women’s memoirs focusing on gender and sexuality. 
Guiding Questions: How do comics make meaning through graphic design? What can graphic narrative do for autobiography that prose narrative can't do? How (and why) do comics artists use their medium to represent personal, national and familial traumas? 
Potential Texts:  David B (1996), Epileptic; Lynda Barry (2005), One! Hundred! Demons!;  Alison Bechdel (2006), Fun Home; Bethany Brownholtz (2013), Exercises in Style: 21st-century Remix pdf;  Phoebe Gloeckner (2002), Diary of a Teenage Girl; Matt Madden (2005), 99 Ways to Tell a Story: Exercises in Style; Marisa Acocella Marchetto (2009), Cancer Vixen; Scott McCloud (2006), Making Comics; Khale McHurst, I Do Not Have an Eating Disorder (web comic); Raymond Queneau (1947/1981), Exercises in Style pdf; Marjane Satrap (2000), Persepolis; Art Spiegelman (1991), Maus; GB Tran (2011), Vietnamerica
Potential Assignments: Students write weekly reading responses and do two kinds of oral presentations, one a commentary on a critical reading and one a close reading of a single page of graphic memoir. Each student creates a one-page graphic memoir. For the final project, students may choose to write a research paper or to create a more extended graphic memoir. 

English 5721.01/5721.02: Graduate Studies in Renaissance Drama 
Instructor: Christopher Highley 
This course will introduce students to current critical approaches, methodologies and resources in the study of Early Modern drama. It defines drama broadly, in a way that encompasses many forms of performance, from adult and boy plays on the public stage, to school plays and court masques. Topics include: the business of theater; playwrights, players, and playgoers; the control and regulation of the stage; drama in print; the closing of the public theaters; and editing Early Modern plays. The plays we read will depend on student interests, but there will be a mix of the canonical (Marlowe's Dr. Faustus) and the more obscure (Ralph Roister Doister). We will also read modern scholarship, as well as documents from the period. 
Guiding Questions: What forms did dramatic performance take in early modern England? What functions and whose interests did it serve? Why did a culture of public playgoing emerge in London and its suburbs in the later sixteenth centuries? How was public theater organized, managed and regulated? What sorts of questions and approaches have guided recent criticism of this drama and English theatrical culture more generally? What new resources are available for the study of this subject? 
Potential Texts: Various paperback versions of plays as well as lots of Carmen readings. 
Potential Assignments: Students will give in-class reports and write a research paper (which may be based on an examination of a play in the library's rare book room). There will also be various short exercises that utilize resources like the Early English Books Online (EEBO) database; the Database of Early English Playbooks (DEEP); Martin Wiggins, British Drama: A Catalogue; the Records of Early English Drama (REED); and the Map of Early Modern London (MOEML). 

1000-level

English 1109: Intensive Writing and Reading
Instructor: Staff
Provides intensive practice in integrating academic reading and writing.

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition
Instructor: Staff
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, 1193.
GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Christiane Buuck
Intensive practice in the fundamentals of expository writing.


2000-level

English 2150: Career Preparation for English and Related Majors
Instructor: Jenny Patton
This general elective course helps English majors and students from other Humanities disciplines to explore and prepare for careers after graduation. Students will analyze texts to gain a practical and theoretical understanding of the world of work. They will learn to identify their own strengths and preferences to guide their job activity and career choices

English 2201: British Literature to 1800 
Instructor: Karen Winstead 
I teach this course with the conviction that engaging deeply with the literature of the past can enrich your lives and make you savvier consumers of the present. Everything you read and do is designed to stimulate a creative and productive engagement with the literature and culture of pre-1800 Britain. The readings and lectures will introduce you to major trends, authors and works from each of the four major periods of pre-1800 British literature and explore the contexts—social, historical, political, cultural—within which works were written and read. You will discover important forerunners of today’s popular genres, including horror, romance, comics and science fiction. Weekly quizzes will help consolidate your knowledge, while weekly writing assignments and discussions will challenge you to apply what you learned and to grow intellectually from your colleagues’ insights. The final portfolio project encourages you to channel your knowledge and think in creative ways. 
Potential text(s): All readings will be available in a PressBoooks anthology designed specifically for this course. 
Potential assignments: Weekly quizzes and informal writing assignments; participation in recitations; and a final portfolio project 
GE: Literature
GE: Diversity: Global Studies

English 2201H: Selected Works of British Literature: Medieval through 1800
Instructor: Christopher Jones
This class seeks to give students a roadmap to the history of English literature from the earliest recorded texts to the late 1700s. Older literature in English often intimidates modern readers, but this course aims both to make texts understandable and to show their enduring interest and relevance to questions about identity, morality and aesthetics that still confront us today.
Guiding question(s): What is literature? How has it both shaped and been shaped by society? What value is there is studying texts written centuries ago?
GE: Literature
GE: Diversity: Global Studies

English 2202H: Survey of British Literature—Romantics to the Present 
Instructor: Robyn Warhol 
This writing- and discussion-intensive course surveys English literature from the Romantics to the 21st century—backwards. We begin with postmodern-era writers from Africa, India, Canada, Ireland and England; next we read Modernist authors; then we survey the Victorian period; and finally, we come to the Romantics. By starting with the present, we can recognize the themes, styles, and genres of the past that became important for the writers of today. Authors who are underrepresented in traditional literary history because of their race, gender or sexual orientation are at the center of our inquiry, instead of coming last, as if they were an afterthought of literary history. 
Guiding question(s): What does the history of English literature look like, if viewed from other places in the world where English is spoken and written? What does our present-day culture remember about the Romantics, the Victorians and the Modernists, and what have we forgotten? What reading techniques can we use to get the most out of fiction, poetry and drama from the present and the past? 
Potential text(s): The Norton Anthology of English Literature: Major Authors, 10th Edition, Volume 2. Be sure that you use this edition of the anthology. At least one copy will be on reserve at Thompson Library. 
Potential assignments: Students will do creative work (like mapping, illustrating and parodying works we read) as well as informal and formal writing. Each student will also present one oral close reading of a short passage from the assigned reading. 
GE: Literature
GE: Diversity: Global Studies

English 2220: Introduction to Shakespeare
Section 10 and 20 Instructor: Jennifer Higginbotham
In late 16th-century London, on the south bank of the Thames, amongst bear-baiting rings and brothels stood a round wooden theater that brought together people from all walks of life—aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we’ll be imagining what it was like to stand with them and watch Shakespeare’s theater in action. Our in-depth exploration will include selected comedies and tragedies, not to mention a lot of fun along the way. 
Potential text(s): Free online editions of Shakespeare from the Folger Shakespeare Library. 
GE: Literature
GE: Diversity: Global Studies

English 2220: Introduction to Shakespeare
Section 30 Instructor: Allison Hargett
When taking a course based entirely on one author, we have to ask: Why is Shakespeare so popular? Shakespeare’s enduringness and universality, as shown by the dozens of current film and novel adaptations of his plays, makes him a constant in English departments and high school curriculums. However, despite being the most quoted author in the English language and, debatably, the center of Renaissance literary studies, Shakespeare hardly existed in a vacuum. Our study of Shakespeare will move chronologically through a selection of his major works including lyric poetry, sonnets and plays, while recognizing those works by lesser-known authors that influenced and were influenced by Shakespeare. We’ll explore the social and political conditions in which Shakespeare wrote and aim to bust some common myths about several of Shakespeare’s major works and his representations of gender, sexuality, race and social identity. Ultimately, we’ll question how Shakespeare achieved his dominance in English classrooms while considering the impact of his works on 17th-century London and beyond.
Potential text(s): Free online editions of Shakespeare’s plays and poetry from the Folger Shakespeare Library.
GE: Literature
GE: Diversity: Global Studies

English 2220: Introduction to Shakespeare
Section 40 Instructor: Luke Wilson
Shakespeare continues to blow our minds, over 400 years after his death. This is a little surprising. No other writer, before or since, has quite captured the minds of people across the globe in the way that Shakespeare has. His plays have been translated into over 100 languages, and performed in at least 75 countries. Countless film versions have been made in dozens of countries, including all the European ones (of course) but also India, China, Japan, Russia, Korea, Madagascar, and on and on. Despite a decline in the popularity of live theater in western cultures, Shakespeare continues to thrive on stage. And his works continue to be read at all levels in the Anglo-American world and beyond. What accounts for this enduring popularity? Why do we care so much about Shakespeare? In this course we’ll explore some of the reasons for this global phenomenon, by reading the plays themselves closely and by studying the historical conditions—the culture, the politics, the religious milieu—in which Shakespeare wrote and lived. We’ll play special attention to the theatrical conventions that shape the kinds of plays Shakespeare wrote (comedies, histories, tragedies, romances), and to the ways in which he combined socially conservative views with an often radical and seemingly modern understanding of the relation between persons and cultural norms.
Potential text(s): Third edition of The Norton Shakespeare, in two volumes (early plays and late plays).
Potential assignments: Quizzes, response papers, collaborative group project, and one formal essay.
GE: Literature
GE: Diversity: Global Studies

English 2220H: Honors Introduction to Shakespeare 
Instructor: Alan Farmer 
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late 16th and early 17th centuries. 
Potential text(s): In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Richard II, Henry V, Much Ado About Nothing, The Merry Wives of Windsor, Othello, Macbeth, and The Winter's Tale. I will order the New Oxford Shakespeare, gen. ed. Gary Taylor et al. (ISBN 9780198749721), but any modern edition with glosses, notes and line numbers of the above plays is fine. Good editions of single plays are published by Folger, Pelican, Cambridge, Norton, Oxford, Bedford, Arden, Bantam and Signet. Reputable one-volume Complete Shakespeares are published by Longman, Pelican, Riverside and Norton. 
Potential assignments: Requirements include a midterm exam, final exam, two essays (one shorter, one longer), regular attendance and active participation. 
GE: Literature
GE: Diversity: Global Studies

English 2260 (20): Introduction to Poetry
Instructor: David Brewer
Poetry used to be a fairly central part of American life, both in school and out. These days, except for song lyrics, it’s not. I think that’s a loss. This course will be devoted to exploring the many joys and insights that poetry (including lyrics) has to offer, in the hope that it will become a pleasure and a resource in your own lives, both now and going forward.
Potential assignments: Course requirements include a weekly reading journal; several short written exercises; several opportunities to write your own verse; active participation in our discussions; and a final project.
GE: Literature

English 2260 (30): Introduction to Poetry
Instructor: Leslie Lockett
This course introduces students to strategies for understanding and enjoying poetry in English, from Old English elegies through Lin-Manuel Miranda's lyrics to the musical Hamilton. We will learn about the sounds of poetry in the ear and the shapes of poetry on the page; we will discuss social and political uses of poetry; and we will learn about the techniques by which poets imbue their words with multiple layers of meaning.
Guiding question(s): How can we unfold the multiple layers of meaning in great poetry? How can we describe the sounds of poetry, and what do those sounds do to enhance a poem's meaning? How does performance, with or without music, change our perception of poetry?
Potential text(s): Lin-Manuel Miranda, Hamilton; Shira Wolosky, The Art of Poetry; Gerard Manley Hopkins, "The Wreck of the Deutschland"; and many short poems.
Potential assignments: Commonplace Book entries, several very short papers and quizzes.
Additional materials: Subscription to Disney+ for at least a month in order to view Hamilton multiple times.
GE: Literature

English 2261: Introduction to Fiction
Section 20 Instructor: Jessica Prinz
Our subject will be literature from 2001 to the present. Our class this semester has this thesis: while the up-to-date concern for diversity would seem apt for new forms of literature and contemporary modes of art, I will argue that diversity has always been a subject for 20th-century authors. Most canonical works have always had the theme of diversity. We will see some of the following: ethnic diversity (African-American, Native American, Asian American and Jewish); literature about disabilities (injured veterans; blindness, autism, depression; alcoholism); the insane and the temporarily insane; and the victims of racism, prejudice and violence. Many works also consider traditionally denigrated groups, like women and homosexuals. The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and it exercises our capacity for empathy and understanding.
Guiding question(s): What are the central themes in the literature of our time?
Potential text(s): Jennifer Egan, A Visit From the Goon Squad; David Eggers, The Circle; Kazuo Ishiguro, Never Let Me Go; Ian McEwan, Machines Like Me; Art Spiegelman, Maus.
Potential assignments: A few short essays; a midterm; a final; and participation in discussions.
GE: Literature

English 2261: Introduction to Fiction
Section 30 and 40 Instructor: Staff
Section 60 Instructor: Sandra MacPherson
Examination of the elements of fiction -- plot, character, setting, narrative, perspective, theme, etc. -- and their various interrelations; comparisons with nonfictional narrative may be included.
GE: Literature

English 2261 (Session 2): Introduction to Fiction—Game of Thrones as Literature
Instructor: Elizabeth Renker
Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature.  Focusing on the first two seasons of the HBO series, this class will train you in core analytical methods that will enable you to understand GoT at a deeper level; it will also improve your analytical skills overall.  (We will not have time to read the books by George R.R. Martin.)  All students are required to watch all eight seasons of the HBO series before second session begins. You will then re-watch (and read the transcript for) one episode per class period. Each class session will train you to understand and apply the core skills of literary interpretation without a lot of heavy reading assignments.  You will see very quickly how meaningful and helpful they are in achieving a deeper understanding of Game of Thrones.
Potential assignments: Daily attendance with cameras on (maximum of four absences and/or four days without camera allowed before a penalty begins); preparation of five daily written homework questions; short daily quizzes about the homework; daily participation in class discussion; readings posted on Carmen; and three exams conducted on Carmen, of which the two highest grades will count. 
Additional materials: An HBO subscription
GE: Literature

English 2261H: Introduction to Fiction
Instructor: Antony Shuttleworth
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included.
GE: Literature

English 2263: Introduction to Film 
Instructor: Jared Gardner 
This course offers an introduction to the language and aesthetics of cinema, familiarizing students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Throughout the term, we will focus on detailed analysis of films, analyzing closely the way in which the multiple elements of movie-making come together to make and complicate meaning. 
Potential assignments: Two projects, including creative options; quizzes; and active discussion on Carmen and in recitation 
GE: Visual and Performing Arts

English 2264: Introduction to Popular Culture Studies
Instructor: Rob Barry
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas
*This is a combined-section class. Cross-listed in CompStd

English 2265: Introductory Fiction Writing
Section 10 Instructor: Marne Litfin
Section 20 Instructor: Max Delsohn
Section 30 Instructor: Elise Gorzela

An introduction to the fundamentals of technique, craft, and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2266: Introductory Poetry Writing
Section 10 Instructor: Hannah Smith
Section 20 Instructor: Maya McOmie
An introduction to the fundamentals of technique, craft, composition, and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.

English 2267: Introduction to Creative Writing
Instructor: Clancy Tripp
An introduction to the writing of fiction, poetry, and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.

English 2268: Introductory Creative Nonfiction Writing
Section 10 Instructor: Amber Taylor
Section 20 Instructor: Elizabeth Lawson

An introduction to the fundamentals of technique, craft, and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2269: Digital Media Composing
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production.
GE: Visual and Performing Arts

English 2270: Introduction to Folklore
Instructor: Emma Cobb

Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course.
GE: Cultures and Ideas
*This is a combined-section course. Cross-listed in CompStd

English 2276: Arts of Persuasion
Instructor: Andrew Bashford
English 2276 introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media, and cultural contexts. Come learn the ancient and modern arts of persuasion! In English 2276, we'll practice techniques developed for writing effective, ethical (and stylish) arguments. Plus, we'll learn theory designed for dealing successfully with complex and contentious issues.
GE: Cultures and Ideas

English 2277: Introduction to Disability Studies
Instructor: Melissa Guadron
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability.
GE: Cultures and Ideas

English 2280H: The English Bible
Instructor: Hannibal Hamlin
The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise Lost, Pilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myself to Morrison’s Song of Solomon. We will read a selection of biblical books in order to gain some appreciation of the Bible’s wide range of literary genres, forms, styles and topics. Our discussion will include the nature of biblical narrative and characterization; the function of prophecy and its relation to history; the peculiar nature of biblical poetry; so-called Wisdom literature; anomalous books like Job and The Song of Songs (including the historical process of canonization that made them “biblical” and the kinds of interpretation that have been used to make them less strange); the relationship between (in traditional Christian terms) the Old and New Testaments (including typology, the symbolic linking of characters, events, themes and images in the books before and after the Incarnation); and the unity (or lack thereof) of the Bible as a whole. As occasion warrants, we will also look at some of the diverse ways the Bible has been read and interpreted—the stranger the better—by poets and writers, artists and film-makers over the past millennia.
Do note: this is NOT a course in religion, but rather an English course on the Bible as a literary work. Any and all faiths, or none, are welcome, and none will be privileged.
Potential text(s): The English Bible: King James Version (2 vols.), ed. Herbert Marks (1) and Gerald Hammond and Austin Busch (2), Norton Critical Edition.
Potential assignments: Evaluation will be based on active participation in class discussion and activities; a film review; an essay; a mid-term test; and a final exam.
GE: Literature

English 2281 (10): Introduction to African American Literature
Instructor: Adélékè Adéẹ̀kọ́
"It is right that what is just should be obeyed.” (Blaise Pascal, Pensee 1670)
In this introductory course, we will be interpreting fiction, poetry, film, drama and commentary about variations on the African American drive for justness. The historical coverage will be wide, and the range will extend far back to 1773.
Guiding questions: One recurrent question: why seek justness?Potential texts:  Henry Louis Gates, Jr., and Valerie Smith (eds.), Norton Anthology of African American Literature. Films: Denzel Washington's The Great Debaters; Jordan Peele's Get Out; Ryan Coogler's The Black Panther
Potential assignments: (a) Two analytical papers, each about 1,500 words long, on different sections of course readings and discussion topics; (b) One short answer final exam on the main themes, genre and texts discussed in the class; (c) Reading assignment quizzes.
Additional materials: MS Office, Adobe Acrobat
GE: Literature
GE: Diversity (Social Diversity in the US)
*This is a combined-section class. Cross-listed in AfAmASt.

English 2281 (20): Introduction to African American Literature
Instructor: Ryan Friedman
This course offers a chronological survey of African American literature from its beginnings in the 1700s through the late twentieth century, introducing students to major African American-authored texts from a variety of genres (autobiography, poetry, fiction, drama, oratory, and essay). While conceiving of African American literature as a coherent set of traditions with recurring themes and styles, we will seek to understand each writer’s representational project in depth and to situate his or her work in its specific literary, cultural, and historical contexts.
Potential Texts: We'll be looking at texts included in The Norton Anthology of African American Literature. The authors we read will likely include: Philip Wheatley, David Walker, Frederick Douglass, Elizabeth Keckley, Frances E. W. Harper, W. E. B. Du Bois, Paul Laurence Dunbar, Charles Chesnutt, Ida Wells-Barnett, Claude McKay, Rudolph Fisher, Sterling Brown, Langston Hughes, Zora Neale Hurston, Nella Larsen, Richard Wright, Ralph Ellison, Gwendolyn Brooks, Lorraine Hansberry, James Baldwin, Malcolm X, Alice Walker, Audre Lorde, Toni Morrison, and Octavia Butler.
Potential Assignments: Daily reading quizzes, two shorter papers, a midterm exam, and a final exam.
GE: Literature
GE: Diversity (Social Diversity in the US)
*This is a combined-section class. Cross-listed in AfAmASt

English 2282: Introduction to Queer Studies
Instructor: Lesia Pahulich

Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class, and nationality.
GE: Cultures and Ideas
GE: Diversity (Social Diversity in the US)
*This is a combined-section class. Cross-listed in WGSSt

English 2291: U.S. Literature—1865 to the Present 
Instructor: Brian McHale 
This course provides a broad survey of American literature over more than a century and a half, from the aftermath of the Civil War to the new millennium. Examining a wide range of fiction, nonfiction, poetry and drama, the course studies literary engagements with such historical and cultural phenomena as post-Civil War Reconstruction; the expanding social, economic and cultural networks of the late-19th and early 20th centuries; immigration and internal migration; race and regional identity; the two World Wars and other armed conflicts of the 20th century; and the increasingly rapid pace of social and technological changes over the last 75 years. Our investigation of literary responses and influences will include attention to such literary genres, trends and movements as the short story, the emergence of new forms of poetry, realism and its variants, modernism and postmodernism. 
Guiding question(s): 1) How did U.S. literature change over the decades from Reconstruction to the end of the 20th century? In response to what external and internal factors? 2) How do the successive periods of U.S. literature – Realism, Modernism, Postmodernism – differ from each other? What is distinctive about each? 3) Who made U.S. literature in these decades? What were their backgrounds? How did U.S. writers relate to each other, to the cultural institutions of their time, and to the larger forces of history? 4) What kinds (genres) of writing were practiced in each period of U.S. literary history?  
Potential text(s): Robert S. Levine et al, editors, The Norton Anthology of American Literature, Vol. 2: 1865 to the Present. Shorter Ninth Edition. New York: W.W. Norton, 2017. Other texts will be made available via Carmen. 
Potential assignments: Weekly quizzes; regular posting to discussion boards; midterm exam; final exam 
GE: Literature

English 2367.01: Language, Identity and Culture in the U.S. Experience
Instructor: Staff
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)

English 2367.02: Literature in the U.S. Experience
Section 20, 40 and 60 Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)
GE: Literature (B.S. only)

English 2367.02: Literature in the U.S. Experience
Section 70 Instructor: Jessica Prinz
Our subject will be literature from 2001 to the present. Our class this semester has this thesis: while the up-to-date concern for diversity would seem apt for new forms of literature and contemporary modes of art, I will argue that diversity has always been a subject for 20th-century authors. Most canonical works have always had the theme of diversity. We will see some of the following: ethnic diversity (African-American, Native American, Asian American and Jewish); literature about disabilities (injured veterans; blindness, autism, depression; alcoholism); the insane and the temporarily insane; and the victims of racism, prejudice and violence. Many works also consider traditionally denigrated groups, like women and homosexuals. The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and it exercises our capacity for empathy and understanding.
Guiding question(s): How do we read contemporary fiction? What are some of the central themes of the period?
Potential text(s): Jennifer Egan, A Visit From the Goon Squad; David Eggers, The Circle; Kazuo Ishiguro, Never Let Me Go; Ian McEwan, Machines Like Me; Art Spiegelman, Maus.
Potential assignments: Two or three short essays; a midterm; a final; and participation in discussions.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)
GE: Literature (B.S. only)

English 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video, and documentaries.
GE: Writing and Communication (Level Two)

English 2367.05: The U.S. Folk Experience
Instructor: Staff
Concepts of American folklore & ethnography; folk groups, tradition, & fieldwork methodology; how these contribute to the development of critical reading, writing, & thinking skills.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)

English 2367.06: Composing Disability in the U.S.
Instructor: Jamie Utphall
Extends & refines expository writing & analytical reading skills, emphasizing recognition of intertextuality & reflection on compositional strategies on topics pertaining to education & pop culture in America.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)

English 2367.07S: Literacy Narratives of Black Columbus: Hip Hop Literacies
Instructor: Christopher Castillo
This particular course centers the study of literacy in the Black Columbus community. You will learn about the field of literacy studies, African American literacies, and the importance of collecting, analyzing, and preserving life history and literacy narratives. You will collaborate with a small group of peers to gather literacy narratives in partnership with local members of the Black Columbus community. Our course topic centers around Hip Hop as a global youth culture rooted in the histories, politics, and experiences of African/Black Americans. We will explore the historical and contemporary intersections between literacy and Hip Hop -- from the lived creative communities of rappers, taggers, and break dancers to the commodified cultural products found on Fortnite, TikTok, and Broadway -- and think carefully about how these connections matter in the narratives you publish and the narratives you collect. Additionally, you will learn practical digital literacy skills in preparation for the community sharing night, our culminating course event and public reception where you will share your work with members of the local community.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the US)
*This is a combined-section class. Cross-listed in AfAmASt.

English 2367.08: The U.S. Experience: Writing About Video Games
Instructor: Staff
Emphasizes persuasive and researched writing, revision, and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. 
GE: Writing and Communication (Level Two)

English 2463: Introduction to Video Games Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style, and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the English Department Video Game Lab.
GE: Visual and Performing Arts

English 2464: Introduction to Comics Studies
Instructor: Morgan Podraza
Study of sequential comics and graphic narrative and the formal elements of comics, how word and image compete and collaborate in comics to make meaning and how genre is activated and redeployed. Students analyze comics texts, articulate and defend interpretations of meaning and learn about archival research at OSU's Billy Ireland Cartoon Library and Museum. No background in comics is required.
GE: Visual and Performing Arts


3000-level

English 3271: Structure of the English Language
Section 10 and 20 Instructor: Clarissa Surek-Clark
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings.
GE: Cultures and Ideas

English 3271 (30): Structures of the English Language 
Instructor: Galey Modan 
This course is an introduction to English linguistics. You will gain the analytical tools to scientifically analyze any language, and apply those tools to English. We will learn about the basic characteristics of language: the sounds of English and how they’re put together; word formation processes; and rules for combining words into utterances/sentences. While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education. We’ll also consider how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings. 
Guiding question(s): How do the systems of sound, word formation, meaning and grammar work in English? Where do attitudes about 'good' and 'bad,' 'proper' and 'broken' English come from, why are they generally unrelated to the inherent structure of English and how are they used to perpetuate discrimination? 
Potential text(s): How English Works by Anne Curzan and Michael Adams 
Potential assignments: Problem sets, slang journal, group discussions, quizzes, midterm and final 
GE: Cultures and Ideas 


English 3304: Business and Professional Writing
Instructor: Staff
The study of principles and practices of business and professional writing.

English 3305: Technical Writing
Instructor: Staff
Study of principles and practices of technical writing. Emphasis on the style, organization, and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3361: Narrative and Medicine
Instructor: Nathan Richards
Study of fictional and nonfictional narratives offering diverse perspectives on such medical issues as illness, aging, treatment, health and healing, and doctor-patient relationships.
GE: Literature

English 3364: Special Topics in Popular Culture—Vampires 
Instructor: Karen Winstead 
We will investigate the representation of vampires in popular culture, from their folkloric roots and their classic 19th-century literary representations to their recent incarnations in TV, film, games and novels. What makes bloodsuckers so mesmerizing? How has their image shifted through the centuries and across cultures? How and why have they been used to explore issues as diverse as generational and class conflict, racial prejudice, environmental responsibility, changing gender roles? How can we use them to think about the issues that matter to us? 
Potential text(s): Novel(las): Polidori, The Vampyre; Stoker, Dracula; Marryat, Blood of the Vampire; Gomez, The Gilda Stories; and Moreno-Garcia, Certain Dark Things. Films: Alfredson, Let the Right One In; Amirpour, A Girl Walks Home Alone at Night; and Jarmusch, Only Lovers Left Alive
Potential assignments: Weekly quizzes on the readings and lectures; informal writing assignments ("vampire diaries"); and a creative/analytical final project ("gallery of fear") 
GE: Cultures and Ideas

English 3372 (10): Science Fiction and/or Fantasy—Time Travel
Instructor: Clare Simmons
Supposing you could travel to the future: Would it be an improvement on the world that we know, or is the future of the Earth something we’d rather not think about? And supposing you could go back in time: What would you want to see? What would you want to change? Could you in fact change the past, and if so, what would be the effect on our world now? In this course we will explore ideas about time travel old and new in variety of classic science fiction works.
Potential text(s): Texts will include works by William Morris, H.G Wells, Ray Bradbury, Joyce Carol Oates, Octavia Butler, and more; we will also view some movie and video ideas about time travel ranging from Dr. Who to The Time Traveler’s Wife.
Potential assignments: Assignments will include quizzes, a short paper, and a research report based on a novel or video of your choice.
GE: Literature

English 3372 (20): Science Fiction and/or Fantasy—Octavia Butler's Visions 
Instructor: Molly Farrell 
A president campaigns on a promise to "make America great again." Violent mobs inspired by this slogan terrorize anyone who stands in his way. Migrants head north and climate change devastates California. All the while, interest in Mars exploration grows despite budget cuts. All of this Octavia Butler envisioned in her startlingly prescient Parable novels from the 1990s, which have only grown in stature since her death in 2004. This class will dive into Butler's pathbreaking speculative fiction, from her time-bending novel Kindred about confronting the realities of enslavement to her lesser-known works that established her as a founder of Afro-Futurism. In addition, we will explore different editions of her works and the papers she left behind in the archive to learn more about how her ideas developed as she became a "genius" award-winning leader in a genre that had previously excluded Black women. 
Potential assignments: Critical essays, research and creative responses, presentations, attendance and participation. 
GE: Literature

English 3372 (40): Science Fiction and/or Fantasy—Environmental Science Fiction 
Instructor: Thomas Davis 
How do we imagine human futures on a warming, volatile Earth? In recent years, sci-fi and fantasy have begun directly addressing the crises of climate change, the sixth mass extinction and the uncertain prospects for human life on an altered planet. This class examines the ways environmental sci-fi/fantasy novels, short fiction and film narrate planetary change and what that means for human and nonhuman futures. Students will read from read and view a diverse set of sci-fi/fantasy fiction, ranging from intergalactic epics, Afrofuturism, weird fiction and the recent subgenre cli-fi. Students will also get a chance to build their own environmental sci-fi/fantasy worlds. 
Potential text(s): Ursula K. Le Guin's The Dispossessed, Octavia Butler's The Parable of the Sower, Jeff VanderMeer's Borne, Omar El Akkad's American War and N.K. Jemisin's The Fifth Season. We may also explore video games and very likely a film. 
Potential assignments: Short papers, a zine and a creative-critical world-building project. 
GE: Literature

English 3372 (50): Science Fiction and/or Fantasy—Children's Fantasy Literature
Instructor: Jesse Schotter
This class will survey some of the most important children's fantasy novelists of the 20th century, from E. Nesbit, C.S. Lewis and J.R.R. Tolkien up through Lloyd Alexander, Ursula K. LeGuin, J.K. Rowling, Diana Wynne Jones and N.K. Jemisin. We will examine how these two genres—fantasy and children's lit—grew up together, and we will explore the varying influences on these writers, from myth and folklore to Christianity and Taoism and Existentialism to feminism and critical race theory.   
Potential assignments: Course requirements include a paper, two responses, a final exam, quizzes and active participation in class discussions.
GE: Literature

English 3378: Special Topics in Film and Literature—The Film and Literature of 1930s Hollywood 
Instructor: Jared Gardner 
After the introduction of sound film in 1927 and with the advent of the Great Depression in 1929, American film and literature faced new opportunities and new challenges. We will watch a range of films in the context of the development of film in the 1930s, alongside fiction that was the inspiration for Hollywood films of the period or was itself shaped by Hollywood. In our readings we will focus especially on authors who joined the caravan of writers seeking to capitalize on Hollywood’s new need for dialogue and, after the implementation of the Motion Picture Production Code of 1934, Hollywood’s desperation for writers who could address adult topics without spelling them out directly. 
GE: Cultures and Ideas

English 3379: Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: John Jones 
In English 3379, you will learn about the scholarly practices of researchers in writing, rhetoric and literacy (WRL) studies. You will learn how to write effective research-based arguments in these subfields of English studies by practicing methods of data collection and analysis, developing research questions, working with genres of research writing and revising your writing for clarity and purpose. And you will understand how to transfer what you learn to new contexts—both other courses in the English major and contexts outside the university. 
Potential assignments: Students will complete projects in rhetoric, writing and literacy along with a final project. 

English 3398: Methods for the Study of Literature
Section 10 Instructor: Ethan Knapp
This course has two goals. First, the course will give you the tools you need to succeed as an English Major. We will work on fundamental skills such as close textual analysis; practice putting together essays and research projects; and learn some of the specialized vocabulary writers and scholars use to talk about literary works. Second, we will also think together about why literature is important, what it does for us and how we understand its place in the modern world.
Potential text(s): Mark Strand and Evan Boland, The Making of a Poem; James Joyce, Dubliners; Jennifer Egan, A Visit from the Goon Squad.
Potential assignments: Students will write three short papers.

English 3398: Methods for the Study of Literature
Section 30 Instructor: Roxann Wheeler
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by dept permission.

English 3398 (20): Methods for the Study of Literature
Instructor: Christopher Jones
This section of English 3398 combines exercises in analytical reading with formal and informal writing assignments. The emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. These skills include (a) the ability to objectify and articulate what we, as readers, bring to interpretation of a text; (b) the ability to “close read” for patterns and argue from them; (c) the ability to identify the conventions of various textual forms (genres) and the different kinds of critical engagement they encourage; and (d) the ability to conduct and effectively incorporate research into the historical backgrounds, reception or influence of authors and texts. These four emphases inform the four unit divisions of our class.

English 3465: Special Topics in Intermediate Fiction Writing
Section 20 Instructor: Katie Pyontek
Section 30 Instructor: Macey Wright
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3466: Special Topics in Intermediate Poetry Writing
Instructor: Neomi Chao

For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3467S: Issues and Methods in Tutoring Writing
Instructor: Beverly Moss
English/CSTW 3467s focuses on theories and practices in tutoring writing. The aim of this course is to prepare undergraduates to work with writers from diverse backgrounds and disciplines. This class provides a unique opportunity for its members to learn about composition theory and pedagogy, tutoring strategies and writing center theories and practices in order to put these theories and practices to work in classroom and writing center settings. Students will apprentice as writing consultants/tutors in the University Writing Center. Therefore, in addition to our regularly scheduled class time, each person enrolled in this course will spend approximately one hour per week in the Writing Center. In addition to your observations, you will be expected to complete a semester-long research project. This course is particularly helpful to those who are planning careers as teachers or who are enrolling in the professional writing minor (3467 is an elective for the writing minor).
Potential text(s): Fitzgerald and Ianetta, The Oxford Guide for Writing Tutors
Potential assignments: Observations in the writing center; tutor journal; final project.
*This is a combined-section class. Cross listed in ArtsSci

English 3468: Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Louise Edwards
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3662: An Introduction to Literary Publishing
Instructor: Kortney Morrow
An introduction to the theory and practice of editing and publishing literature.


4000-level

English 4150: Cultures of Professional Writing
Section 10 Instructor: Christiane Buuck
Section 20 Instructor: Daniel Seward
Section 30 Instructor: Jennifer Patton
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4189: Professional Writing Minor: Capstone Internship
Instructor: Jennifer Patton
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.

English 4514: Middle English Literature
Instructor: Ethan Knapp
This course will look at some of the most exciting literature written in England during the Middle Ages, a period of social upheaval and rapid transformation. And a period of great stories. We'll look at stories of knightly adventure, philosophical rumination, and one of the earliest autobiographies ever written. We'll be reading these texts in Middle English, the language of the time, but no prior knowledge of the language will be assumed -- indeed, learning a little bit of it will be part of the fun.
Potential text(s): Geoffrey Chaucer, Dream Visions; Sir Gawain and the Green Knight; Sir Orfeo; Thomas Hoccleve, The Series.
Potential assignments: A midterm, final exam and paper.

English 4520.01: Shakespeare 
Instructor: Alan Farmer 
This course will explore the formal, social, and political engagements of Shakespeare’s plays. It will pay particular attention to how his plays conform to and work against the genres of comedy, tragedy, history, and romance, and to how they represent such issues as gender, sexuality, religion, race, and political power. 
Potential text(s): In addition to some critical and historical essays on the early modern theater and culture, we will likely read some combination of the following plays: Richard III, Much Ado About Nothing, Measure for Measure, Twelfth Night, Othello, King Lear, Antony and Cleopatra, The Winter's Tale and The Tempest. I will order the New Oxford Shakespeare, gen. ed. Gary Taylor et al. (ISBN 9780198749721), but any modern edition with glosses, notes and line numbers of the above plays is fine. Good editions of single plays are published by Folger, Pelican, Cambridge, Norton, Oxford, Bedford, Arden, Bantam and Signet. Reputable one-volume Complete Shakespeares are published by Longman, Pelican, Riverside and Norton.
Potential assignments: Requirements include two essays, a performance review, a midterm exam, a final exam, regular attendance and active participation. 

English 4520.02: Special Topics in Shakespeare
Instructor: Luke Wilson
We tend to think of Shakespeare as in a class by himself, and in some ways it’s true: he really was exceptional. And yet he never worked outside the context of the highly collaborative theater business; he was always closely attuned to changing audience tastes as to the work of contemporary playwrights. In this course we will read a few Shakespeare plays alongside others that influenced them or that they influenced. We may pair The Merchant of Venice, for example, with Christopher Marlowe’s The Jew of Malta, The Tempest with Ben Jonson’s The Alchemist, and Hamlet with Thomas Kyd’s The Spanish Tragedy. The plays in each of these pairings are each wonderful in their own right, but they become even more delightful when we begin to see the connections between them. Prior experience with Shakespeare is nice, but by no means necessary.
Potential text(s): Individual editions of several plays, and possibly a collected works of Shakespeare.
Potential assignments: Quizzes, response papers, one or two formal essays, and a collaborative project.

English 4521: Renaissance Drama—Ben Jonson 
Instructor: Christopher Highley 
Ben Jonson famously said of Shakespeare that he was "not for an age, but for all time." Yet ironically, it was Jonson and not his friend and rival Shakespeare who was the more celebrated dramatist in the later seventeenth century. 
This course will introduce you to one of Renaissance England’s most flamboyant personalities and one of its greatest playwrights. Whereas Shakespeare left us few clues about his private life, Jonson left an abundance. It was a life full of danger: the young Jonson killed a man in a duel and narrowly escaped the death penalty; he later converted to Catholicism at a time when doing so put one’s life in danger; and in 1605, he got caught up in the Gunpowder plot to assassinate King James. Several of his plays caused political scandals and landed him in trouble. Yet Jonson also enjoyed the friendship of some of the age’s great intellectuals as well as the patronage of nobles and monarchs. He even considered himself England’s Poet Laureate. 
Jonson wrote nearly twenty plays (most were comedies), but we will only be able to read a handful like The Alchemist in which a gang of rogues con their London neighbors during plague-time; Volpone in which a man pretends to be on his deathbed in order to extort his acquaintances; and Epicoene in which a nephew hatches an outrageous cross-dressing scheme in order to trick his miserly and noise-averse uncle. These comedies are uproariously LOL funny, politically edgy and endlessly discussable. 

English 4551: Special Topics in 19th-Century U.S. Literature—Photography and Literature 
Instructor: Susan Williams 
"A picture is worth a thousand words." This adage first appeared in print in 1911, but it has a pre-history in the works of 19th-century American writers who explored the possibility that images could replace words. The 1839 invention of the daguerreotype—the first photographic method—and the technological innovation that followed created new understandings of the relationship between visual and verbal representation. In this course, we will examine 19th-century American texts that respond to photography as a new technology by using photographic portraits as a plot device, theme or image. We will also see how American writers used photographic portraits to help advertise and promote their writing, as well as how their writing helped establish key words for representing photography as a visual medium that is both hyper-realistic and uncanny. We will read works of poetry, fiction and drama in order to understand how different literary genres explored this new medium. We will also consider how the rise of photography intersected with abolitionist literature to make slavery visible in ways that we continue to reckon with today. 
Guiding question(s): How did 19th-century American writers understand photographs in spiritual or magical terms on one hand, and scientific and realistic terms on the other? What stories do 19th-century photographs tell, and how do fictional, dramatic or poetic invocations of photographs help us understand the medium more fully? How does reading a photograph compare to reading a literary work? How does the history of photographic portraiture inform our use of selfies and social media today? 
Potential text(s): Dion Boucicault, The Octoroon: A Play in Four Acts; Alexander Gardner, Gardner’s Photographic Sketchbook of the Civil War (Dover) ISBN: 978-0486227313; Nathaniel Hawthorne, The House of the Seven Gables (Penguin) ISBN: 978-0140390056; short stories, poetry and essays by Charles Chesnutt, Rebecca Harding Davis, Emily Dickinson, Frederick Douglass, Oliver Wendell Holmes, Edgar Allan Poe and Walt Whitman. 
Potential assignments: Bi-weekly homework assignments (reflections; discussion posts; collaborative research page; archival assignments); two papers (one interpretive and one research); and occasional in-class exercises or quizzes. We will utilize Ohio State's libraries' acclaimed Rinhart collection of daguerreotypes as well as historical newspaper and periodical databases that will help us research literary uses of photography. 

English 4559: Introduction to Narrative and Narrative Theory 
Instructor: Brian McHale 
“Narrative” is a current buzz-word and a catch-all term—everything is narrative nowadays! However, it is also one of the principle means of organizing experience in everyday life and conversation, popular culture and literary works. This course introduces students to the basic concepts and tools of “classical” narrative theory and analysis, in four general areas: the underlying structure of story; the reordering of story-events in the plot; the production of a story-world (narrative time and space); and the representation of selves (narrators, speakers, perceivers, minds). We will study a selection of classic essays in narrative theory, and we will read and analyze a variety of mainly literary narrative – fairy-tales, short-stories, novels, a graphic narrative, a film and an episode from a tv series. We will also survey some of the developments in “post-classical” narrative theory, including rhetorical narrative theory, feminist and queer narratology, cognitive narrative theory, and seriality and complexity in narrative TV. 
Guiding question(s): 1) How do we make sense of stories? What makes them worth telling? What makes them intelligible and interesting? 2) How do stories produce worlds? How do they represent selves? 3) What do stories do? What can we do with them? 
Potential text(s): Alison Bechdel, Fun Home; F. Scott Fitzgerald, The Great Gatsby; and Gabriel García-Márquez, Chronicle of a Death Foretold. Other texts will be made available through CarmenCanvas. 
Potential assignments: Five short papers and one longer final paper. 

English 4565: Advanced Fiction Writing 
Instructor: Lee Martin 
This is an advanced fiction workshop. Our focus will be on original pieces of fiction submitted for workshop discussion. We'll be particularly interested in pieces that explore the complicated layers of characters, or what William Faulkner called "the verities and truths of the heart." Fiction exists to show us something about what it is to be human, and that's what we'll expect from the pieces submitted to the workshop. I'll ask students to give me a significant revision of one piece at the end of the semester. Over the course of our time together, we may read published pieces and participate in writing exercises intended to generate material and allow the practice of certain techniques of fiction. 

English 4566: Advanced Poetry Writing
Instructor: Marcus Jackson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Zoë Brigley Thompson
This is the advanced creative writing workshop in creative nonfiction. Admission is limited to creative writing concentrators who have taken English 2268 and to other students who have successfully completed English 2268 with permission of the instructor by portfolio submission. 
Potential text(s): No textbook will be required. Various essays and craft texts will be provided via Carmen. The bulk of students’ reading will consist of their peers’ workshop essays. 
Potential assignments: Workshop essay, peer responses, writing exercises and brief reading responses. 

English 4569: Digital Media and English Studies 
Instructor: John Jones 
In this course, students will explore how digital culture enables physical objects to argue. From smart speakers to fitness trackers, digital technologies are enabling new forms of communication, both in the production of new genres of written text and in their interactions with people and the environment. Students will use the programable Arduino platform to explore the rhetorical possibilities of interactive digital objects, paying particular attention to the new forms of digital creativity they are enabling. In this way, students will not only analyze digital objects but become makers themselves, thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing they can support. 
Potential text(s): Massimo Banzi and Michael Shiloh, Getting Started with Arduino: The Open Source Electronics Prototyping Platform, 3rd edition 
Additional materials: Arduino starter kit 
Potential assignments: Students will create multiple interactive design projects, write a short paper and take occasional quizzes. 

English 4572: English Grammar and Usage
Instructor: Lauren Squires
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4573.01: Rhetorical Theory and Criticism
Instructor: James Fredal
If you've ever been moved by a poem or film, angered by a tweet, laughed at YouTube video, pondered an essay or learned something new from a newspaper article or textbook, then you've experienced rhetoric. To study rhetoric is to learn about how texts work on people cognitively, emotionally, imaginatively, morally, even physically. It is to learn to be a better reader and perhaps a better writer. We'll study rhetoric through theory—learning new terms and concepts for talking about texts—and we'll do it through analysis—examining classic texts to see how they work. You'll write eight or so short papers on the texts we analyze, and then two or three longer unit papers that build on the short ones. We'll start with texts that we work on as a class, then you'll be encouraged to find your own texts, to show us how they work and what is interesting about them. This will be a hands-on course: expect lots of discussion and in-class analysis.
Guiding question(s): How do texts work? How do they create meaning and effects in their audiences? And how do audiences perceive and construct these effects?
Potential text(s): Sonja Foss's Rhetorical Criticism, plus a range of classic works in poetry and prose, fiction and nonfiction, broadcast and digital, graphics and video, and games.
Potential assignments: Several short papers and two to three longer unit papers.

English 4573.02: Rhetoric and Social Action—Health, Illness and Wellness Activism
Instructor: Margaret Price
This course investigates sites of social action including public speech, demonstrations, social-media communications and art/activism (“artivism”) that relate to questions of health, illness and wellness. We’ll study the rhetorical and discursive work that circulates around contemporary social-action movements such as the Movement for Black Lives, the Me Too movement and Disability Justice. We’ll engage questions such as these: How does activism around questions of health, illness and wellness get started? How is it sustained, and who benefits (or is harmed) in various ways? How do health, illness and wellness intersect with other categories, such as race, gender, sexuality, class and geography? What are the implications when health/illness activism moves globally?
Potential texts:  Potential texts will include Care Work by Leah Lakshmi Piepzna-Samarasinha; Building Access by Aimi Hamraie; "The Care and Feeding of 911 Infrastructure" by Elizabeth Ellcessor; "Small Change" by Malcolm Gladwell; "Publics and Counterpublics" by Michael Warner.
Potential assignments: Students will complete weekly short assignments, including discussion posts, short reading responses and reading quizzes. Longer assignments will include analyses of readings and a multi-media project.

English 4575: Special Topics in Literary Forms and Themes
Instructor: Angus Fletcher
In this course, you'll learn to write like your favorite author, in any genre or any medium, from poetry to comics, film to fiction, essays to television, memoir to mashup, ancient or modern. You'll start by learning the secret to uncovering your favorite author's creative blueprint, identifying the formal elements that your author uses like nobody else. Maybe the element is a unique style, or a special recipe for character, or an innovative use of plot, or storyworld, or voice, or atmosphere. Then you'll incorporate that blueprint into your own writing. So you'll create your own original piece of writing that sounds just like your favorite author--while also sounding just like you.

English 4578 (20): Special Topics in Film—Crying, Screaming, ****ing: Film's Body Genres
Instructor: Sandra MacPherson   
Why and how does film affect our bodies, marshalling its technical and formal apparatus to make viewers weep, or gasp in terror, or feel desire? To a certain extent, as a visual and aural medium capturing real bodies moving in space and time, all films require and solicit bodily responsiveness. But the so-called "body genres"—melodrama, horror and pornography—are unique in their singular devotion to responsiveness, and to soliciting a particular *kind* of response. In this class we will attempt to come to terms with the history and logic of each of the genres separately; with what they might have in common; and what they reveal about the role of the body in film more generally.
Potential texts: Films might include: Way Down East; Within Our Gates; Stella Dallas; Letter From an Unknown Woman; Imitation of Life; The Bitter Tears of Petra von Kant; Dancer in the Dark; The Cabinet of Dr. Calligari; Cat People; What Ever Happened to Baby Jane?Rosemary's Baby; Don't Look Now; Us; Teeth; In The Realm of the Senses; Romance XX; Love; Stranger by the Lake; and Shame. Occasional readings in film theory.
Potential assignments:  Possible assignments include discussion posts, a paper, a mid-term exam, a genre tree and a final project.
Additional materials: Course may require occasional film rentals.

English 4578 (30):  Special Topics in Film—Alfred Hitchcock and Christopher Nolan
Instructor: Sean O'Sullivan
Think of an Anglo-American director whose career has been defined by popular entertainments--loosely categorized as "suspense thrillers"--and who has achieved wide-spread success both at the box office and among movie critics. You might be thinking of Alfred Hitchcock; but you might be thinking of Christopher Nolan. This course will juxtapose two filmmakers who explore similar territories, particularly in the relationship between psychology and narrative, and between individuality and genre. But these filmmakers also represent two very different moments in cinema history: the "classical" Hollywood from the middle of the 20th century, and the blockbuster/independent era of the early 21st century. We will look closely at some of Hitchcock's and Nolan's signature films, paying attention to them as distinct works of art, but we will simultaneously consider how those works of art reflect conventions and innovations of movie storytelling as a practice, and as a cultural touchstone.
Guiding question(s): How do we assess the intersections of artistic ambition and popular success? Why does our sense of a director's career matter to how we watch individual films? When do we care about character, and when do we care about plot? What happens when character is plot, and plot is character?
Potential text(s): The 39 Steps; The Lady Vanishes; Vertigo; North by Northwest; Psycho; The Birds; Memento; The Prestige; The Dark Knight; Inception; and Tenet. We will likely read 1-2 articles or book chapters per week.
Potential assignments: Two shorter essays; final project; regular quizzes; in-class writing; active engagement in the course. Creative options for the final project will be available.

English 4581: Special Topics in U.S. Ethnic Literatures—Race and Indigeneity in Visual Culture
Instructor: Jian Chen
This course focuses on representations and economies of race and indigeneity in visual culture, including film and video, performance, digital media and literature. How do different cultural technologies and genres visualize race and indigeneity? How do these visual representations reproduce, mediate, resist and/or reshape histories of white supremacy, settler colonialism and racial capitalism? We will engage with materials that show and discuss the visual dimensions of Black, Indigenous, Latinx, Asian and Arab/Middle Eastern racialization and racial identity, especially as they intersect with gender, sexuality, migration, socio-economic class and dis/ability.
Potential text(s): Assigned course materials may include work by Stuart Hall, Kim Tallbear, Leticia Alvarado, Ella Shohat, Lisa Nakamura, Nicholas Mirzoeff, Sydney Freedland, Mindy Kaling, Guillermo Gómez-Peña and Ava DuVernay.
Potential assignments: Assignments may include short written exercises and an exploratory final project.

English 4586: Studies in American Indian Literature and Culture 
Instructor: Elissa Washuta 
This course is devoted to the study of fiction, nonfiction and poetry by Native/Indigenous writers since 1970. In reading and analyzing these texts, students will consider the ways in which Native writers construct representations, build worlds, hold stories in forms and enact kinship. Through writing and discussion, students will engage in literary analysis while considering authors’ refusals of settler colonialism and their commitments to Indigenous futures, and in doing this work, students will have opportunities to engage with Indigenous works as living pieces of a vital field. 
Potential text(s): Laura Da’, Tributaries; Daniel Heath Justice, Why Indigenous Literatures Matter; Tommy Pico, Nature Poem; Billy-Ray Belcourt, This Wound is a World; Louise Erdrich, Tracks; Tanya Tagaq, Split Tooth; Tommy Orange, There There; eds. Elissa Washuta & Theresa Warburton, Shapes of Native Nonfiction.
Potential assignments: Book reviews; a take-home, fully open-book exam; weekly short reading responses; and a presentation.

English 4587: Studies in Asian American Literature and Culture—Reckoning with the Racial Present
Instructor: Martin Joseph Ponce
Asian Americans occupy a fraught racial position in the current moment—alternately cast as the “yellow peril” during the global pandemic (*China virus*, *kung flu*) which has incited anti-Asian harassment and violence, on the one hand, and as the “model minority” (*high-achieving*, *honorary white*) during the resurgence of the Black Lives Matter movement which has been used to quell calls for racial justice, on the other. Asian American literature, visual culture, activism and scholarship has much to teach us about the histories of these stereotypes, the possibilities for challenging them and the aesthetic conundrums that arise when addressing colonial, imperial and racial oppression. By engaging with such topics as the Asian American Movement, Afro-Asian connections, the “Black Pacific,” the post-9/11 “war on terror” and speculations on a post-pandemic apocalypse, this courses aims to shift commonplace understandings of Asian Americans and bring greater awareness to the complexities of their literary, artistic and activist practices.
Guiding question(s): How and why have Asian Americans been racially positioned as the "yellow peril" and the "model minority" in specific historical circumstances? In what ways have Asian American literature, visual culture, activism and scholarship contended with those stereotypes? What alternative forms of knowledge about Asian American racialization and culture have they put forth?
Potential text(s): Jessica Hagedorn, Dogeaters (1990); Mohsin Hamid, The Reluctant Fundamentalist (2007); Cathy Park Hong, Minor Feelings: An Asian American Reckoning (2020); Ling Ma, Severance (2018); Shani Mootoo, Cereus Blooms at Night (1996); Karen Tei Yamashita, I Hotel (2010).
Potential assignments: Several informal writing responses, two mini-research annotations with accompanying presentations, a midterm paper and a final project.

English 4590.04H: Seminar in Romanticism—Romanticism and Revolutionary Experience 
Instructor: Jacob Risinger 
 “It was the best of times, it was the worst of times.” In a dozen famous words, Charles Dickens captured the paradox of the French Revolution. In its early days, self-empowered citizens stormed the Bastille and passed the “Declaration of the Rights of Man.” Idealistic poets proclaimed that human nature had been “born again.” But four years later, while blood from the guillotine filled the streets, the Reign of Terror had eclipsed any promise of revolutionary change. In this course, we will examine a group of British writers for whom the Revolution was—in Shelley’s terms—“the master theme of the epoch in which we live.” Readings (novels, poetry and political pamphlets) will include work by Edmund Burke, Charlotte Smith, William Godwin, Mary Wollstonecraft, William Blake, Helen Maria Williams, William Wordsworth, Percy Shelley and others. In the final weeks of the course, we will turn our attention to how the literature and rhetoric surrounding the French Revolution continues to inform the way we imagine, depict and discuss “revolution”—from the Russian Revolution in 1917 (George Orwell, Animal Farm) to the countercultural revolution of the 1950s and 60s (Alan Ginsberg and Beat poetry).  
Potential text(s): Romanticism & Revolution, A Reader (Wiley-Blackwell, ed. Mee and Fallon); Wordsworth, Wordsworth’s Poetry and Prose (Norton, ed. Halmi); Blake, The Marriage of Heaven and Hell (Dover Fine Art); Blake, Songs of Innocence & Experience (Oxford Paperbacks); Williams, Letters Written in France (Broadview, ed. Fraistat & Lanser); Godwin, Caleb Williams (Oxford, ed. Clemitt); Inchbald, Nature and Art (Broadview, ed. Maurer); Orwell, Animal Farm (Signet Classics). 

English 4592 (10): Special Topics in Women and Literature—Gender and Empire 
Instructor: Molly Farrell 
The colonization of the Americas has usually been told as a "boy story," with pirates or explorers, shipwrecks or frontiers, as its characters and settings. This class asks what would happen if we put girls and women, homes and domestic spaces, at the center of that story instead. Focusing on literature from and about early America, we will look at the ways sex, gender and families intersect with enslavement and empire. Potential text(s): Readings may include Toni Morrison's A Mercy and Playing in the Dark; early novellas about shipwrecks on deserted islands; and novels about sex scandals from pre-"Bridgerton" New England and Jamaica. 
Potential assignments: Two critical essays, presentations, response papers, reading quizzes, attendance and participation. 

English 4592 (20): Special Topics in Women and Literature
Instructor: Roxann Wheeler

Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary.

English 4595: Literature and Law
Instructor: Clare Simmons
“Literature and Law” is a course in the representation of law in literature and the literary analysis of legal discourse; it is not a course in the study of law, but should be of interest to anyone who wants to engage with the role of law in culture; the legal and literary representation of human rights; and how law uses language. "Literature and Law" can be applied towards the English major and Human Rights minor; many students from other departments also take it to fulfill upper-level course requirements, so the course provides an excellent opportunity to meet students from a wide variety of fields who are interested in law and perhaps thinking about law school. We will read both some legal materials and some literature that represents law in action. The special topic of this course is “The Outsider in the Court Room,” so we will read some actual cases and also a variety of fictional representations of law in action, and consider how the rights of outsiders are protected, or sometimes forgotten, by the law. We will also practice some court-room procedures of our own in mock-trials.
Guiding question(s): What is the relationship between law and justice?
Potential text(s): Readings will include a 2,000-year-old murder trial; some medieval animal trials; Shakespeare’s The Merchant of Venice; the Amistad trial; Wilkie Collins’s novel The Law and the Lady; Reginald Rose’s Twelve Angry Men; and a collection of famous trials available online.
Potential assignments: Students will be responsible for regular attendance and participation, including in group mock-trials; three short case briefs; a longer research paper; and discussion questions.

English 4597.01: Disability Experience in the Contemporary World 
Instructor: Sona Hill
This course is designed in a way that Disability Studies attempts to take up disability in the context of settler- and neo-colonialism as well as global- and regional-imperialism(s). We will query the seemingly irresistible urge toward research entitlement in health and disability studies in the global context, and interrogate locations of settler/imperial power and privilege. As well, this course will focus on the gender, race, and class dimensions of population movement, global class relations, and forced migration. The course will pay careful attention to competing theoretical analyses of the relationship between disability, gender, race, and class in the context of neocolonialism and imperialism. We will discuss disability theories, critical feminist and race theories, Marxist feminist analysis, transnational, diaspora, mobility and cultural studies, adult education, and theorizations of learning.
Guiding question(s): What is the relationship between disability, race, capitalist economy, geopolitics, forced migration, dispossession, and displacement? This course aims at fostering a critical conversation among social justice studies, transnationalism (or global studies) and disability studies.
Potential text(s): Readings, viewings, and listenings will be made available via Carmen in PDF format. There are no books to purchase; however, you should ensure you have a reliable digital device (e.g., laptop or a pc) to complete assignments.
Potential assignments: 1-2 papers, 1-2 creative assignments, and one group project


5000-level

English 5710: Introduction to Old English
Instructor: Leslie Lockett
This course teaches students to read and declaim Old English, which was the spoken language of the English people in the early Middle Ages (up to ca. 1150), and the original language of evocative poems including Beowulf and The Wanderer. In the first half of the semester, we will learn declensions, conjugations, and vocabulary; in the second half, we will translate works of Old English prose and poetry. No prior knowledge of Old English or other languages is required.
Guiding question(s): What did English look and sound like in the centuries before Chaucer, and long before Shakespeare? How is classical Old English poetry radically different in form from any other English poetry since the age of Chaucer? How did non-literate poets compose their poems, and how were poems passed down in manuscripts when printing was not yet available?
Potential text(s): Mitchell and Robinson's A Guide to Old English.
Potential assignments: Students are graded on their preparation for each class meeting, eight quizzes, three written translation assignments and a final exam.

English 5720: Shakespeare's Dramaturgy 
Instructor: Sarah Neville 
This course for graduate students and advanced undergraduates will examine Shakespeare’s stagecraft and consider both his playwrighting techniques and the way his practices responded to the ever-changing circumstances of the theatrical ecosystem in which he worked. We will ask (and try to answer) questions about matters like properties (“How spectacular is a severed head?”), juxtaposition (“How do repeated entries train audiences to see patterns?”), character (“Who gets to speak soliloquies?”), structure (“Why do plays often begin with figures we never see again?”), pace (“How much time elapses between scenes?”), genre (“Why are the comedies set in foreign countries?”) and the way that such choices affect the relationship between actors and an audience. 
Guiding question(s): How does Shakespeare...DO THAT? 
Potential text(s): Titus Andronicus, King Lear, Macbeth, Richard III, Henry IV, Two Gentlemen of Verona, Much Ado About Nothing, A Midsummer Night’s Dream, The Winter’s Tale
Potential assignments: Students will be evaluated by short writing assignments, a minor presentation and a long paper. 

1000-level

 

English 1110.01: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1 


2000-level

 

English 2220: Introduction to Shakespeare
Instructor: Shaun Russell 
Shakespeare is everywhere. Though the title of this course is "Introduction to Shakespeare," the truth is that almost everyone has been introduced to Shakespeare in some form or another, whether in a high school English course, in a local theatre production, through one of the many film adaptations or just through sheer cultural osmosis. So what does an "introduction to Shakespeare" actually mean? In this course, you will be reacquainted with some of Shakespeare's more familiar dramatic works in new ways, and you will be introduced to some of Shakespeare's lesser-known dramatic works in such a way that you'll probably wonder why they're not more popular. You won't need to have any prior training in Shakespeare, as this course will build upon what you already know about the acclaimed playwright and help to develop that knowledge into a deeper understanding. Through it all you'll learn about Shakespeare's life and the world he lived in, as well as some key formal considerations such as style and genre. As this is a full-term, in-person summer course, we will read five or six plays. Assignments will include small weekly reading quizzes, two essays and a midterm exam, as well as the expectation of regular participation via class discussion.

English 2260: Introduction to Poetry
Instructor: Jack Rooney 
“All high poetry is infinite; it is as the first acorn, which contained all oaks potentially.” — Percy Bysshe Shelley (1821)
Poetry is infinite because, as English Romantic poet Percy Bysshe Shelley tells us, it must be rediscovered and even recreated by each generation. In this course, we will read and rediscover poetry in English of the past five centuries, from the English Renaissance to the present day, by focusing on the short lyric, a form both concise and inexhaustible. Along the way, we will see the lyric in many forms, including the sonnet, the ode, the ballad, the villanelle and even free verse. We will also explore lyric’s many moods and modes: the mournfulness of elegy, the wit and humor of satire and epigram, the reverence of the hymn, the natural beauty of the pastoral, and the passion of love poetry. We will try to understand what makes these poems work, as we investigate meter, rhyme, word choice and figures of speech. But, at the same time, we will also be deeply invested in attempting to realize what they make us feel, and enable us to know. We will read many poets, including William Shakespeare, John Donne, Katherine Philips, Thomas Gray, Charlotte Smith, John Keats, Emily Brontë, Alfred Tennyson, Christina Rossetti, Claude McKay and Louise Glück, among others.
Requirements include engaged reading, short responses, a “commonplace” journal, occasional quizzes and a final paper/project.
GE: Literature

English 2261: Introduction to Fiction 
Section 20 instructor (6-week session 1): Antonio Ferraro 
Section 30 instructor (4-week session 1): Jesse Schotter 
Section 40 instructor (6-week session 2): Meghean Pachay
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included. 
GE: Literature

English 2264: Introduction to Popular Culture Studies 
6-week session 2 
Instructor: Nick Bollinger 
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas 
Cross-listed in Comp Studies

English 2265: Introductory Fiction Writing 
6-week session 1 
Instructor: Katie Pyontek 
This introductory fiction workshop will cover the fundamentals of craft and composition. We will read and discuss published short stories, write our own short stories and offer feedback and support to each other on drafts shared in workshop. Prompts and writing exercises will be provided. No prior workshop experience is necessary. Readings will include stories by beloved writers such as Jhumpa Lahiri, Xuan Juliana Wang, Percival Everett, Jim Shepard, Grace Paley and others. 

English 2267: Introduction to Creative Writing 
6-week session 1 
Instructor: Maya McOmie 
The purpose of this class is to introduce you to writing as an artistic practice. We will begin by approaching each genre (creative nonfiction, poetry and fiction) as readers, analyzing a wide range of styles and forms to better situate ourselves within the current state of contemporary literature. From these texts, we will uncover tricks and tools that will help in the development of your own unique voice. In addition to poems, essays and short stories, we will be reading several craft pieces, or instructional texts on the art of writing. Our reading list is diverse and challenging, and I ask and expect you to read with an open mind. Some possible authors include: Danez Smith, Layli Long Soldier, Solmaz Sharif, Ocean Vuong, Kaveh Akbar, Tracy K. Smith, Leslie Jamison, Lia Purpura, Hanif Willis-Abdurraqib, Alexander Chee, Eula Biss, Diane Cook, Miranda July, Jhumpa Lahiri and Carmen Maria Machado. 
The rest of our time together will be a workshop. This means that you will read your peers' writing closely, offering sincere and engaged feedback in the form of both written responses and in-class discussion. You will also share your own writing with the class and get the chance to see your work from the perspective of a committed, generous, detail-oriented readership. Each student will workshop several poems, a short essay or a short story over the course of the term. Through this, you will expand your range of writing skills—pushing yourself to be curious, fearless and voracious—as a way of getting closer to understanding both who you already are as a writer, and who you might want to become. 

English 2277: Introduction to Disability Studies 
Instructor: Jamie Utphall 
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability.
GE: Cultures and Ideas 

English 2367.01: Language, Identity, and Culture in the U.S. Experience 
Section 10 instructor (8-week session 2): Arielle Irizarry 
Section 20 instructor (8-week session 1): Staff 
Section 20 instructor (8-week session 2): Carlos Kelly 
Section 40 instructor (8-week session 1): Liz Miller 
Section 50 instructor (8-week session 1): Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.  
GE: Writing & Communication—Level 2
GE: Diversity (Social Diversity in the U.S.)

English 2367.02: Literature in the U.S. Experience 
Section 10 instructor (8-week session 1): Kayode Odumboni
Section 20 instructor (8-week session 2): Kelsey Mason 
Section 30 instructor (8-week session 1): Amelia Matthews-Pett
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience. 
GE: Writing & Communication—Level 2
GE: Diversity (Social Diversity in the U.S.)
GE: Literature (BS only)


3000-level

 

English 3372 (10): Science Fiction and Fantasy—The Fairy Tale and Reality 
Instructor: Dorothy Noyes 
6-week session 1 
This course examines the history and uses of the most influential narrative formula in the modern Western world: the fairy tale.  While most of us associate the fairy tale with magic and fantasy, here we consider the many ways in which fairy tales call us back to the "real" world. Fairy tales stage the choices of underlings as they seek to survive in a world where the rules are both imposed from above and unreliable. Poor people told competing versions of common stories as they debated the balance of luck, virtue, brains and opportunism required to get off the farm. Their oral stories were reworked in print and successor media for a variety of commercial and ideological purposes, creating prominent models of selfhood and success along the way. Simultaneously, a fairytale counterculture has continually pushed the subversive undertones of the tales to denaturalize, even break dominant cultural scripts. All of these transformations point us to the tension inherent in all fantasy and especially visible in formula fiction: does it help us to accept reality, to reflect on reality and change it or to escape reality altogether? 
Monday and Wednesday meetings will be online synchronous; Fridays asynchronous. 
GE: Literature 

English 3372 (30): Science Fiction and Fantasy: "New Wave" Science Fiction of the 60s and 70s
Instructor: Evan Van Tassell
6-week session 2
In this class, we will explore the so-called “New Wave” movement in American science fiction that arose during the 1960s and 70s. Authors of this era turned away from the optimism and aesthetics of earlier sci-fi and began writing stories that were more experimental, more political, and more interested in social issues. Primarily through short stories, we will examine some of the major figures of this period and consider how their writing changed the genre of science fiction in ways that are still recognizable today. Along the way, we'll see how these changes reflected and influenced discussions of diversity, social justice, and inequality that were taking place in American society at large. We will read a wide range of authors that may include Philip K. Dick, Ursula K. Le Guin, Samuel R. Delany, James Tiptree Jr. (aka Alice Sheldon), and Frank Herbert.
GE: Literature 

English 3372: Science Fiction and Fantasy 
Section 20 instructor (4-week session 1): Brian McHale 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 
GE: Literature 

English 3465: Special Topics in Intermediate Fiction Writing 
6-week session 2 
Instructor: Macey Phillips 
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 


4000-level

 

English 4189: Professional Writing Capstone 
Instructor: Lindsay Martin 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 

1000-level

 

English 1109: Intensive Writing and Reading 
Instructor: Staff 
Provides intensive practice in integrating academic reading and writing.

English 1110.01: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition—Selling More Than Just a Film: Movie Posters as Cultural Lenses
Instructor: Christiane Buuck 
We don’t often look at physical movie posters, but they merit a second glance. Their composition and visual details work together to sell a story to audiences. At the same time, these advertisements offer important insights into the society that creates them, including a culture’s views on race, class, gender, love, power, wealth, anxiety, age, war, globalization, childhood, life and death. In this course we will analyze movie posters for the messages they contain and for the ways in which these messages reflect, reveal, promote and/or challenge larger issues in their culture.
Guiding questions: How do I speak and write with confidence in a collegiate academic setting? How do I analyze texts and conduct nuanced research? How do I become an effective peer reviewer and how do I revise my own work? How do I find and use university resources such as the Writing Center and the library?
Text: David Rosenwasser and Jill Stephen, Writing Analytically, 7th edition.
Potential assignments: Essays, responses to readings, reflections and presentations.
GE: Writing and Communication—Level 1 
This is a co-curricular course. To be enrolled in this class, you must also be enrolled in 1193. English 1193 is a 1-credit course that is graded Satisfactory/Unsatisfactory. For this course, you will visit the Writing Center three times during the semester to work on major assignments for English 1110.03 and document these visits in post-conference memos.


2000-level

 

English 2201H: Selected Works of British Literature—Medieval through 1800 
Instructor: Leslie Lockett
This course introduces students to some of the major British literary texts written from the early Middle Ages through the late eighteenth century, including Beowulf, Chaucer’s Canterbury Tales, Marlowe’s Doctor Faustus, Milton’s Paradise Lost and Aphra Behn’s Oroonoko. Our approach to the literature will emphasize close reading, form and genre, and historical context. Students will develop their research skills by means of a researched essay or creative project. Other requirements include response papers and a final exam.
Texts: Broadview Anthology of English Literature, Concise Edition, Volume A; other materials posted on Carmen 
Assignments: Response papers, final research paper or creative project, reading quizzes, final exam 
GE: Literature 
GE: Diversity (Global Studies)

English 2202: Selected Works of British Literature—1800 to Present 
Instructor: Jacob Risinger 
At a moment in which borders are closed and travel is suspended, sign on for a great grand tour of British literature from the French Revolution to the Brexit referendum. Over the semester, we’ll take stock of two centuries worth of tumultuous change, paying particular attention to the way in which a diverse set of writers transformed literary forms and conventions in an attempt to accommodate the ever-evolving world around them. In this course, we’ll read and discuss writers like Jane Austen, John Keats, Charles Dickens, Virginia Woolf, Sam Selvon, Philip Larkin and Zadie Smith as they attempt to make sense of industrialization, urbanization, shifting conceptions of gender, the collapse of an empire, a sequence of brutal wars, environmental devastation, wide-scale immigration and Britain’s changing relation to the rest of the world. We’ll also have occasion to think about how literature can alert us to new accounts of human psychology, changing structures of belief and even a ghost or two along the way. 
In its pandemic mode, this course will consist of lively prerecorded lectures that you can watch on your own schedule, as well as weekly recitation sections for engaged discussion. Optional socially-distanced or online events will be scheduled to work against the impersonality of a large, online class. English 2202 is a foundational course for English majors as well as a rewarding experience for anyone curious about literature and history.  
GE: Literature 
GE: Diversity (Global Studies)

English 2202H: Selected Works of British Literature: 1800 to Present 
Instructor: Antony Shuttleworth 
This course examines the work of selected British authors from the Romantic period to the present. During this period Britain gained, and lost, a position of huge influence in the world, as rapid and far-reaching industrial and technological change transformed human life and people's sense of how it should be lived, creating a cultural and intellectual legacy which still informs current ideas and debates. A central concern will be the way in which texts offer literary responses to these changing historical and cultural conditions, influencing notions of personal experience, class, gender and power. We will examine concepts of Romanticism, Victorianism and Modernism, and students will be instructed in techniques of close textual analysis and discussion. In addition to developing writing and critical thinking abilities, the course will provide understanding of the continuing importance and power of works from this period among its readers and beyond.
Texts: Wolfson and Manning (Eds.), Masters of British Literature, Volume B (Longman); Jane Austen, Pride and Prejudice (Penguin); Ian McEwan, Atonement (Anchor)
GE: Literature 
GE: Diversity (Global Studies)

English 2220 (10): Introduction to Shakespeare
Instructors
Section 10: Jennifer Higginbotham 
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GE: Literature 
GE: Diversity (Global Studies)

English 2220 (20): Introduction to Shakespeare
Instructor: Christopher Highley
This course introduces students to Shakespeare through the careful study of seven plays chosen from different genres and phases of his career. Even as we read carefully and pay attention to Shakespeare's language, we will discuss the nature of the the Early Modern theater as well as the political, social and cultural conditions that helped to shape Shakespeare's imagination.
Guiding questions: How do we read a Shakespeare play? What are the major themes and questions his plays explore? How are the plays related to the time in which they were written?
Texts: Taming of the Shrew; Twelfth Night; Measure for Measure; Hamlet; Macbeth; Anthony and Cleopatra; The Tempest.
Assignments: Two in-class midterms with IDs and essay; final research paper; online quizzes.

English 2220 (40): Introduction to Shakespeare
Instructor: Luke Wilson
In this introduction to Shakespeare, we will read five or six plays representing some of Shakespeare’s range, including some of the most canonical and some that are less well known.  Our focus will be on close analysis of the texts themselves, but we’ll also pay attention to the social and political milieu in which the plays were composed and first performed.  Possible plays include: The Merry Wives of WindsorAs You Like ItThe Merchant of VeniceKing LearAntony and CleopatraCoriolanusPericlesTwo Noble Kinsmen, and The Winter’s Tale.  
Guiding Questions: What's so great about Shakespeare? Why all the fuss? What does Shakespeare mean for us today? What was it like attending a play in Shakespeare's time?
Texts: The Norton Shakespeare, ed. Greenblatt, third edition, in two volumes (Early Plays and Later Plays).
Assignments: One or two formal essays; frequent short response papers; a performance-related group project; a critical articles review; and (conditions permitting) an exam.

English 2220 (50): Introduction to Shakespeare 
Instructor: Hannibal Hamlin 
For four centuries now, William Shakespeare has been widely regarded as the greatest writer in the English language. He’s certainly the most influential. More has been written about Shakespeare than any other writer in the history of the world, no joke. His plays have been adapted into countless other plays, novels, poems, music, paintings, films, TV shows and comics, and not only in English but in German, Russian, Spanish, Japanese, Hindi and Yoruba. We will read a sampling of Shakespeare’s plays in a variety of genres and over the course of his career. We’ll think about how his plays work as theater; how he adapts and transforms the source material on which so many of his plays depend; how Shakespeare can be such an “original” when he borrows so much from other writers; how he can create such deep and realistic characters; and how it is that Shakespeare can accomplish all of the above (and more) through language. What we’ll discover is that, as one critic put it, “the remarkable thing about Shakespeare is that he is really very good—in spite of all the people who say he is very good.” 
Texts: We will read five plays, including some familiar ones (Twelfth Night and Macbeth) and some unfamiliar (King John and Pericles), as well as his blockbuster Hamlet and some non-dramatic poems. 
Assignments: Assignments will include a close reading, a critical essay, a midterm test and a final exam. 
Guiding Questions: We'll think about the nature of drama and dramatic genres, but the plays themselves address love, gender and sexuality; political power and legitimacy; family dysfunctions and inherited guilt; crime and punishment; and the problems and possibilities of human happiness. 
GE: Literature 
GE: Diversity (Global Studies) 

English 2220H: Introduction to Shakespeare 
Instructor: Christopher Highley 
This course introduces students to Shakespeare through the careful study of seven plays chosen from different genres and phases of his career. Even as we read Shakespeare's language carefully, we will discuss the nature of the the Early Modern theater as well as the political, social and cultural conditions that helped to shape his imagination. 
Guiding questions: How should we approach Shakespeare? Why study his plays? What do they offer readers and viewers?
Texts: Taming of the Shrew; Twelfth Night; Measure for Measure; Hamlet; Macbeth; Anthony and Cleopatra; The Tempest.
Assignments: Short essays; midterms; quizzes; in-class reports.
GE: Literature 
GE: Diversity (Global Studies) 

English 2260 (20): Introduction to Poetry 
Instructor: Leslie Lockett 
This course introduces students to strategies for understanding and enjoying poetry in English, from Old English elegies through Lin-Manuel Miranda's lyrics to the musical Hamilton. We will learn about the sounds of poetry in the ear and the shapes of poetry on the page; we will discuss social and political uses of poetry; and we will delve into the techniques by which poets imbue their words with multiple layers of meaning. 
Texts: Shira Wolosky, The Art of Poetry; poems posted on Carmen; access to the film Hamilton 
Guiding Questions: What is poetry supposed to do? How can we describe what we observe in poetry in a way that transcends individual taste? 
GE: Literature 

English 2260 (30): Introduction to Poetry 
Instructor: Jacob Risinger 
   "Then she opened up a book of poems 
   And handed it to me 
   Written by an Italian poet 
   From the thirteenth century 
   And every one of them words rang true 
   And glowed like burnin’ coal 
   Pourin’ off of every page 
   Like it was written in my soul." 
   — Bob Dylan, “Tangled Up In Blue” 
How can poems written hundreds of years ago still resonate with our experiences of love, grief, anxiety, ecstasy and apprehension? This course will serve as an introduction and grand tour of classic and contemporary British and American poetry. It will also be a course where we think about how poetry intersects with ordinary human life. Over the course of the semester, we will consider the major themes, forms, contexts and innovations that have shaped the evolution of poetry. How has love poetry changed over the four centuries that separate Shakespeare from Seamus Heaney? What can poems by Elizabeth Bishop, Rita Dove and Danez Smith tell us about our changing conception childhood? What (if anything) does poetry have to do with politics? 
This is a hybrid course. Our Tuesday, we’ll meet in person; on Thursday, we’ll hold a synchronous online session via Zoom. We will read a great deal of poetry, from Shakespeare to current US Poet Laureate Joy Harjo. No prior familiarity with poetry is necessary!  
GE: Literature 

English 2260 (40): Introduction to Poetry 
Instructor: Abigail Greff 
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. 
GE: Literature 

English 2260H: Introduction to Poetry 
Instructor: Zoë Brigley Thompson 
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. 
GE: Literature 

English 2261: Introduction to Fiction
Instructors
Section 10: Katelyn Hartke 
Section 30: Preeti Singh 
GE: Literature

English 2261 (20 and 90): Introduction to Fiction
Instructor: Koritha Mitchell  
This introduction to fiction course will focus on authors from the United States who have a variety of backgrounds. That is, not every writer studied will be white. Likely authors include Frances E.W. Harper, Zora Neale Hurston, Jhumpa Lahiri, Nathaniel Hawthorne, Edgar Allen Poe, and Kate Chopin. The selected works will help us examine elements of fiction, such as point of view, setting, character, theme, tone, style and diction. Expect examinations that include being given a passage and needing to identify the author, the work, and other distinguishing features discussed in class.
GE: Literature

English 2261 (70): Introduction to Fiction 
Instructor: Jessica Prinz
English 2261 will be taught this semester as an introduction to twentieth-century fiction. We will discuss the elements of fiction (plot, narrative, progression, imagery, symbolism, theme, setting, tone, point of view and more), as we read broadly in the genre of the short story and the novel.
This class is not officially a “D” (diversity) course, but I will teach it that way. The interest in diversity is especially prevalent in literature and art of the contemporary period (1945 to the present). But I argue here that diversity has always been a subject for Twentieth-Century authors. Such “canonical” works (those texts deemed to be part of the “great” tradition) have always treated the theme of diversity. Thus, such writers like Hemingway, Faulkner, Chopin and Fitzgerald (modern writers), Morrison and Ellison (contemporary writers) all address the diverse nature of life in the twentieth century and beyond. This semester we’ll see some of the following: ethnic diversity (African American, Native American, and Jewish); literature about disabilities (like blindness, depression or alcoholism); the insane and the temporarily insane; the victims of racism, prejudice and violence. Many works also consider traditionally denigrated groups, like women, African Americans, and homosexuals. The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and it exercises our capacity for empathy and understanding.
Course Requirements: Attendance, participation n discussions, two exams (midterm and final, and at least two short essays (5 pages each).

English 2261 (80): Introduction to Fiction
Instructor: Kelsey Mason
When was the last time you heard the term “dystopia?” Was it doomscrolling and seeing an offhanded tweet about how, “We’re living in a dystopia”? Or having a conversation about online learning and a friend says, “Proctorio is totally dystopian”? What has this term come to mean when used more colloquially? How about “utopia?” Do we mostly hear “utopia” when it’s applied to unrealistic fantasies?
In this class, we’ll start with contemporary applications of the terms “dystopia” and “utopia.” What do these terms mean in their modern usage in political and social events? We’ll survey twentieth and twenty-first century dystopian texts and break down their component parts: character development, narrative structures, themes, authorship and historical context. Then, we will jump back and look at nineteenth-century utopian and dystopian literature, these genres’ origins, and ways that authors articulated visions of the future and critiques of their present.
Together, we’ll complicate “utopia” and “dystopia,” and address ways in which they are not just literary genres, but also influence nineteenth-century lifestyles and sociopolitical theories. Novels and short stories will be from diverse global contexts, and students will be encouraged as part of our course discussions and assignments to address texts according to their interests.
This is an online course with a variety of ways to participate. Materials will be available via Carmen. Synchronous classes will be held via Zoom and recorded for asynchronous participation.
GE: Literature

English 2261 (100): Introduction to Fiction 
Instructor: Thomas Davis 
Alternative facts, fake news, the return of authoritarian politics, a global pandemic, ecological breakdown, a reckoning with the historical and contemporary realities of racial injustice: our current political climate feels unique and without precedent. And yet it spurred enough interest in Orwell’s classic dystopian novel 1984 that the publisher reported a 9500% increase in sales since the 2016 presidential inauguration, leading some outlets like Amazon to sell out completely. Journalists and commentators continue returning to it in 2020 to make sense of contemporary politics. Why would a novel published in 1948 appear relevant today? Is the renewed popularity of political fiction a sign of its explanatory power? Does it speak to a broader mood of political paranoia? And how might contemporary fiction engage with urgent political issues? This class will start with 1984 to tease out how fiction engages in political thinking and examine the ways political interests have employed fiction and the arts to achieve their ends. We will examine 1984 in its post-WWII historical context and track how it has been used over the last 60 years. We will then turn our attention to a range of genres and forms that political fiction has taken over the last 40 or so years, including utopic fiction, speculative fiction, magical realism, the gothic and a pandemic novel that should strongly resonate with our current predicament. 
Texts: Readings include Ursula K. Le Guin’s The Dispossessed, Octavia Butler’s The Parable of the Sower, Ling Ma’s Severance and Jesmyn Ward’s National Book Award-winning Sing, Unburied, Sing
Assignments: Students will write a few short papers, engage in synchronous discussions once a week, and have significant latitude on the shape of their final project. 
GE: Literature

English 2262: Introduction to Drama 
Instructor: Sarah Neville 
Dramatic works combine the storytelling art of narrative and the lyrical art of poetry with live performance in front of a group of viewers. Because drama involves both elements of social ritual as well as public entertainment, this art form serves to build communities by uniting, inciting, and/or inspiring audiences in interpretive critical activity. This class will explore selected dramatic works from Ancient Greece to the present day, considering plays’ political and social import as well as their effects on a modern-day audience. Students will attend a live Zoom play as part of their work for the course and learn the art of reading – and writing – a performance review. Evaluation will include short writing assignments and a final take-home exam.  
Texts: Norton Anthology of Drama, Shorter 3rd Ed. Angels in AmericaOedipus the King; A Raisin in the Sun; The Cherry Orchard; Snow in Midsummer; Trifles; The America Play; Waiting for Godot; Everyman; The Good Woman of Setzuan 
GE: Literature 

English 2263: Introduction to Film 
Instructor: Jared Gardner 
This course offers an introduction to the language and aesthetics of cinema, familiarizing students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas, and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Throughout the term, we will focus on detailed analysis of films, analyzing closely the ways in which the multiple elements of moviemaking come together to make, and complicate, meaning.Introduction to methods of reading film texts by analyzing cinema as technique, as system, and as cultural product. We will learn how to take films and put them back together so as to better understand the choices made—in terms of lighting, music, sound, composition, acting, cinematography, editing and more—and their effects these choices have on our experience and understanding of the final film. Finally, we will take the set of tools and terms we have developed throughout the course and put it to work in learning how to share our insights about movies through writing. Along the way we will watch and discuss some amazing films by directors such as Agnes Varda, Spike Lee, Francis Ford Coppola, Akira Kurosawa, Orson Welles, and more.
Assignments: The class will have roughly 7 quizzes, a final exam, and 2 short writing projects.
GE: VPA 

English 2264: Introduction to Popular Culture Studies
Instructors
Section 10: Robert Barry 
Section 20: Frank DiPiero 
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas. 
This is a combined section class. Cross-listed in CompStd. 

English 2265 (10): Introductory Fiction Writing
Instructors 
Section 10: Mohan Fitzgerald 
Section 30: Morgan Fox 
Section 40: Adam Luhta 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2265 (50): Introductory Fiction Writing 
Instructor: Katie Pyontek 
This introductory fiction workshop will cover the fundamentals of craft and composition. We will read and study published short stories, write our own short stories, and offer feedback and support to each other on drafts shared in workshop. Prompts and writing exercises will be provided. No prior workshop experience is necessary. Readings will include stories by beloved writers such as Jhumpa Lahiri, Laura van den Berg, Xuan Juliana Wang, Toni Cade Bambara, Garth Greenwell, Grace Paley and others.

English 2266 (10): Introductory Poetry Writing 
Instructor: Maya McOmie 
In this introduction to poetry course, we will explore various elements of poetic craft and the ways poets convey meaning and expression through craft elements such as meter, rhyme, form, repetition, syntax variation, musicality of the line, lineation, white space, metaphor, image, etc. Throughout the semester, we will discuss the following questions: What is the purpose of poetry? How is a poem built? What elements enhance or subvert a poem's essence? How do we recognize various elements within a poem? What is being conveyed, and in what way? By the end of the semester, students will have a firm grasp on the fundamental elements of reading, interpreting and creating poetry as well as how to respond and provide constructive criticism to their peers. 

English 2266 (20): Introductory Poetry Writing 
Instructor: Neomi Chao 
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.

English 2267: Introduction to Creative Writing 
Instructor: Daniel Barnum-Swett 
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.

English 2268: Introductory Creative Nonfiction Writing 
Instructor: Elizabeth Lawson 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. 

English 2269 (10): Digital Media Composing
Instructor: Elizabeth Miller 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GE: VPA 

English 2269 (40): Digital Media Composing—Audionarratology
Instructor: D'Arcee Charington Neal
If you’re a fan of Audible, Serial or NPR, then you already know that they all come from soap operas, and historic radio shows of the past, like H.G. Wells’ War of the Worlds, produced in 1938. However, audio stories died down as New Media (television, computers and the Internet) took over, replacing our past times with new entertainment. But with the rise of smartphones, fanfiction and computer technology more powerful than ever before, they’re coming back in a big way. Part podcast and part creative writing, audionarratology has been secretly growing for the past 10 years in the underground world of digital audio, and for good reason. More immersive than a traditional book, with the portability and ease of digital music, it allows listeners the freedom to get lost in worlds that they can hear, while giving composers a whole new way of expressing themselves. In this specific section of 2269, through digital media production, it’s part creative writing, part audio producer. You’ll learn about the basics of building an audionarrative: creating a good story (while learning other ways to tell one), and how to produce and find high quality audio clips. Later, you’ll learn how to combine that knowledge with the three foundational tools of rhetoric, and in a series of structured workshops, craft and showcase your stories for your peers and your own digital portfolio.
Assignments: Creative digital work with a short final assignment paper. We will be using Adobe Audition to produce all work (available through Ohio State and the Creative Suite).
Guiding Questions:  How can audio create unique ways of telling a story? How do the foundational ideas of rhetoric work in digital composition?
GE: VPA 

English 2270: Introduction to Folklore 
Instructor: Sarah Craycraft 
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course. 
GE: Cultures and Ideas. 
This is a combined section class. Cross-listed in CompStd. 

English 2270H: Introduction to Folklore 
Instructor: Merrill Kaplan 
Folklore is the culture that people make for themselves. Not all of us are specialists, but all of us tell stories and cultivate communities. This class explores everyday expressive forms including stories, customs, objects and digital forms shared in informal contexts. We will consider various interpretive approaches to these examples of folklore and folklife, and we will investigate the history of folklore studies. Recurring central issues will include the dynamics of tradition, the nature of creativity and artistic expression, and the construction of group identities. Folklore theory and methods will be explored through readings and an independent collecting project in which students will gather folklore from the wild, document it and interpret it for meaning.
Guiding questions: How do people express themselves in traditional forms? How are social concerns articulated in stories, jokes, memes and other genres? How does human creativity burble up in everyday life?
Texts: Lynn McNeill, Folklore Rules.
Assignments: Discussion forum posts, short analytical papers and an original collection of examples of folklore.
GE: Cultures and Ideas. 
This is a combined section class. Cross-listed in CompStd. 

English 2276: Arts of Persuasion 
Instructor: James Fredal 
This class will introduce students to the art of persuasion through rhetorical history, theory and criticism. We’ll examine two important periods in rhetoric—ancient Greek and modern American—through a selection of classic primary and secondary sources. From these works we will develop a set of rhetorical terms and concepts, and we’ll practice using these terms and concepts to think about how people are persuaded and how they should be persuaded, about the relationships between knowledge and opinion, reality and appearance, ethics and ideals, politics, aesthetics and action, and we’ll use these same concepts to analyze a wide range of texts to better understand how they work. Class periods will be divided between lecture, class discussion and occasional group work. You’ll also have several opportunities to present our work in spoken and written form to the rest of the class.
Guiding questions: How do people persuade? 
Texts: A few works on rhetorical theory, from Plato and Aristotle to Kenneth Burke and Judith Butler, and a few persuasive texts, from ancient legal speeches to Ida B. Wells' anti-lynching campaign, war protest songs and recent internet memes.
Assignments: We'll have several short informal response papers and a few more formal unit papers, but no exams or quizzes.
GE: Cultures and Ideas 

English 2277: Introduction to Disability Studies 
Instructor: Kelsey Mason 
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 
GE: Cultures and Ideas

English 2280: The English Bible 
Instructor: James Fredal 
In this class, we will read the Bible as a work of literature, which is to say, as a secular rather than a sacred text. We will explore the Bible through various methods of literary and historical criticism and ask questions about its authorship, its cultural context, its relationship to other ancient literatures, its composition process, its many literary genres and styles, its history and development, its rhetorical purposes and goals, and of course, its meaning. By taking this class you should 1) become familiar with the Bible narrative, its times, places and scenes, and with its structure, its central themes and characters 2) gain experience identifying and interpreting the different genres and literary and rhetorical forms and styles that make up the books of the Bible, 3) understand some of the processes of Biblical composition, transmission, canon formation, redaction and translation, as well as some of the reasons for and consequences of these processes, and 4) practice some basic types of Biblical criticism and analysis so that you can continue to read, question and learn from Biblical study into the future.
Texts: The NRSV Bible.
Assignments: We'll have several quizzes, a midterm exam and a final exam.
Guiding Questions: What does the Bible say and how can I interpret it?
GE: Literature 

English 2282: Introduction to Queer Studies 
Instructors: Jian Chen, Katherine Ritter
This course explores queer cultural and political practices that attempt to reimagine and transform sexual, gender, racial and colonial social orders in the US. It tracks diverging moments of self-defined queer emergence by the late 1960s through their adaptation and expansion in response to changing state, social and historical conditions in the late twentieth century and early twenty-first century. As a derogatory term turned back against those using it, queer has been claimed as a perversely “negative” descriptive that rejects common-sense heterosexual (and sometimes gender) conventions, while creating different ways of desiring, relating and being in the world. The term continues to be used in various ways as a coalitional term bringing together lesbian, gay, bisexual and sometimes also transgender identities and communities and as a term that resists efforts to define and assimilate non-heterosexual sexual (and sometimes gender) practices based on dominant “normal” standards. Rather than treating transgender identities as new appearances, we will situate transgender practices as part of the past, present and future of queer-ness. The course will engage with the histories and experiences of indigenous communities and communities of color and the analysis of race and racism, settler colonialism, and empire as vital to understanding sexuality and gender in the US.
Texts: Literature, film and scholarship by Audre Lorde, Gloria Anzaldúa, Daniel Heath Justice, Bushra Rehman, Michael Bronski, Tee Franklin, Jenni Livingston, Craig Womack
Assignments: Weekly discussion comments, short written exercises, exploratory final project
Guiding Questions: How have lesbian, gay, bisexual, transgender, queer (LGBTQ) social identities and desires developed historically over time? How have LGBTQ people defined themselves and mobilized around their concerns culturally and politically? What is "queer" about LGBT identities and practices?
GE: Cultures and Ideas 
GE: Diversity: Social Diversity in the U.S. 
This is a combined section class. Cross-listed in Women's, Gender and Sexuality Studies 

English 2290: Colonial and US Literature to 1865 
Instructor: Elizabeth Hewitt 
In this course, we will consider the relationship between literature and nationalism: how is literature used to establish national identity? What happens when the laws and practices of the nation contradict the stories told about it? What happens to national stories when citizens disagree? Can people who are not afforded citizenship help write national myths? We will approach these and other questions by reading work from before the United States was a nation until its division during the Civil War. We will explore how essayists, politicians, novelists and poets addressed a broad array of historical, cultural and literary concerns, including settlement, revolution, slavery, diversity, religion, equality and others. 
Potential Texts: Authors we will read include: Anne Bradstreet, Benjamin Franklin, Olaudah Equiano, Ralph Waldo Emerson, Henry David Thoreau, Edgar Allan Poe, Herman Melville, Frederick Douglass, Emily Dickinson and numerous others. 
GE: Literature 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructor: Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.01 (150): Language, Identity and Culture in the U.S. Experience 
Instructor: Scott DeWitt 
English 2367.01, Language, Culture and Identity in the U.S. Experience, is an intermediate composition course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries. This section of English 2367.01 will take up the study of documentary work and storytelling and its intersection with personal narrative, the complicated process of identifying, gathering, interpreting and telling nonfiction stories. Our class will begin with a study of documentary as a text form, an art form and as a genre. We will study mostly documentary film and sound, but we'll also explore a variety of creative nonfiction forms. We will look at the relationship among the subject, the audience and the composer while trying to better understand the concept of "craft." Our work will focus on rhetorical analysis, the “how” and “why” of documentary work in relationship to content. This is a writing class, so we will produce print texts as well as digital media texts. This course is structured mostly as a studio class where we will be working together in one of the English department's digital media classrooms. I will teach you a number of digital media technologies, and you will be able to create your work in the spaces these technologies afford you.
Materials: You will not be asked to purchase a textbook for this class. You will have access to cameras, audio recorders and computers from The Digital Media Project. We will talk about media storage options on the first day of class.
Assignments: You will produce print texts (academic essays) as well as digital media texts.
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.02: Literature in the U.S. Experience 
Instructor: Staff 
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience. 
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 
GE: Literature 

English 2367.03: Documentary in the U.S. Experience 
Instructor: Sean O'Sullivan 
It's often argued that we're currently living in a moment of documentary resurgence--visible through the profusion of films on streaming platforms, and a revived interest in how we tell cinematic stories about the world around us. This course provides an overview of defining practices and questions of documentary filmmaking and the documentary "spirit" in non-cinematic media. We will consider the indexical (the representation of reality), the structural and the narrative—and issues of character and representation in non-fiction cinema. Our primary materials will include some foundational films of the documentary tradition, along with more recent examples and experiments in non-fiction and quasi-non-fiction cinema, and podcasts. Throughout, we will consider style and form, exploring the relevance of aesthetics (image, composition, sound, voice) to documentary. Materials may include Grizzly Man, Cameraperson, Serial (podcast), Stories We Tell, The Thin Blue Line, Senna, United 93 and Gimme Shelter.
Potential Texts: Patricia Aufderheide, Documentary Film: A Very Short Introduction. Additional readings will be posted on Carmen.
Potential Assignments: Short analytical responses, quizzes, essays. Creative work will definitely be an option.
GE: Writing and Communication (Level Two) 

English 2367.06: Composing Disability in the U.S. 
Instructor: Melissa Guadron 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.  
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.08: The U.S. Experience: Writing About Video Games 
Instructor: Staff 
Emphasizes persuasive and researched writing, revision and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required. 
GE: Writing and Communication (Level Two) 

English 2463: Introduction to Video Games Analysis
Instructor: Joshua Zirl
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary.
GE: VPA


3000-level

 

English 3271 (10 and 30): Structures of the English Language 
Instructor: Clarissa Surek-Clark 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language: the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings. 
GE: Cultures and Ideas 

English 3271 (20): Structures of the English Language
Instructor: Lauren Squires
This class is an introduction to the linguistic structure of the English language: its systems of sounds, words and sentences, and how these systems differ across dialects, contexts and periods in history. We first will work to acquire the analytical tools needed to scientifically analyze any language, and apply these to the structure of English. We will then move to understanding patterns of English in its conversational and social contexts, exploring how English is used in interaction, how its dialects and styles vary across individuals and groups, how the language we now think of as “English” came to be and what its future holds.
Texts: Anne Curzan and Michael Adams, How English Works (3rd edition)

English 3273: Modernist Thought and Culture, 1880-1945 
Instructors: Brian McHale and Stephen Kern 
This course explores what is arguably the most creative period in the entirety of Western cultural history, roughly 1890-1930, which witnessed a spectrum of revolutionary developments in physics, philosophy, psychiatry, visual art, architecture, music, dance, cinema and literature. This dynamic period also ironically straddles one of the most destructive wars in history, World War I (1914-1918). The team-teaching format ensures that students will be exposed to a dialogue of different disciplinary methods and approaches between a cultural historian (Stephen Kern) and a literary scholar (Brian McHale). 
The pillars of the course are three of the period's major thinkers: Friedrich Nietzsche, Sigmund Freud and Jean-Paul Sartre. In the first weeks we will approach imperialism through Joseph Conrad's Heart of Darkness. In the middle weeks we will read, view or listen to avant-gardists such as the Surrealists, Franz Kafka, Pablo Picasso, Gertrude Stein, Igor Stravinsky and Arnold Schoenberg. The final weeks will address the effects of the Great War dramatized in Virginia Woolf's novel Mrs. Dalloway, W.B. Yeats's short lyric "The Second Coming," and T.S. Eliot's long poem "The Waste Land," which address the hunger for wholeness and repair in postwar European society, shell shock, the practice of psychiatry, new gender roles and feminism, colonization and empire, the Armenian massacre, the influenza pandemic of 1918 and the growing secularization of high culture. 
Texts: Books: Friedrich Nietzsche, Thus Spoke Zarathustra; Joseph Conrad, Heart of Darkness; Gertrude Stein, Tender Buttons; Franz Kafka, Metamorphosis; and Virginia Woolf, Mrs. Dalloway. Short readings and selections on Carmen: William Butler Yeats, selected poems; Sigmund Freud, Introductory Lectures on Psychoanalysis (selections); T.S. Eliot, "The Waste Land"; Jean-Paul Sartre, Being and Nothingness (selections); and Jorge-Luis Borges, "Tlon, Uqbar, Orbis Tertius." Films available from Secured Media Library: Luis Bu'uel and Salvador Dali, An Andalusian Dog
Potential assignments: Students will write four papers of four pages (1200 words) each on assigned topics based on the readings, lectures and class discussions. 
This is a combined section class. Cross-listed in History 

English 3304: Business Writing 
Instructors 
Section 10: Rebecca Hudgins 
Section 20: Amelia Lawson 
Section 30: Evan Van Tassell 
Section 40: Addison Koneval 
The study of principles and practices of business and professional writing. 

English 3305: Technical Writing 
Instructors 
Section 10: Jason Collins 
Section 20: Daniel Seward 
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3331: Thinking Theoretically 
Instructor: Ethan Knapp 
This class will teach you to think about thinking. We will take a step back from what usually happens in classes about literature (and art) and ask some of the big questions about why people study these things in the first place. Why is literature a good thing? How is the experience of art important and what does it have to teach us that is different from the experience of the real world? How are different kinds of art (literature, music, film) like each other and how do they present different worlds and different possibilities? Readings will include a wide selection of thinkers, from Plato and Aristotle to Mary Wollstonecraft and William Blake. The course should be very exciting for anyone interested in the connections between literature and philosophy–or anyone interested in honing their abilities in critical thinking. 
Assignments: This course will have a midterm, final exam and final paper. 

English 3361: Narrative Medicine 
Instructor: Joey Ferraro 
Illness generates stories. Whether from patients, caregivers or loved ones, stories of illness are everywhere, informing our sense of what it means to suffer, to adjust to altered and disabled bodies, to respond to a global pandemic and to seek comfort and relief. In this class we'll explore, through close examinations of novels, essays, films and other media, the many ways illness narratives intervene in our shared and individual conceptions of illness. We’ll investigate how narrative can allow us to better understand complicated topics such as how metaphors of mental health can combat or contribute to well-being; who “owns” a story of illness; and how storytelling can influence our recognition of the political dimensions of various health disparities. Further, by drawing on our different personal and academic experiences, we'll explore how improving our narrative competencies, or the different ways we respond to and create narratives, can inform our medical competencies, or the ways we give and receive health care. 
Texts: Nemesis by Philip Roth; The Cancer Journals by Audre Lorde; Hereditary by Ari Aster 
Assignments: Critical analyses, response papers, persona narratives 
GE: Literature 

English 3372 (20): Special Topics in Science Fiction and/or Fantasy—Feminism in Science Fiction 
Instructor: Elizabeth Hewitt 
Since Mary Shelley birthed Frankenstein's monster, science fiction has been devoted to issues that are crucial to the history of feminism: alterity and equity. The imagination of other worlds, other places, other species, other laws has the unique ability to make the familiarities of sexism strange. In this class, we will read some of the canonical texts of science fiction focused on issues involving sexuality, gender, reproduction and corporeality, including Mary Shelley, Ursula LeGuin, Margaret Atwood, James Tiptree, Jr., Samuel Delany, Judith Merril and Octavia Butler. 
Texts: We will read numerous short stories and some novels (by Shelley, Butler and Atwood). We will also read the comic Bitch Planet.  
GE: Literature 

English 3372 (30): Special Topics in Science Fiction and/or Fantasy—Environmental Science Fiction 
Instructor: Thomas Davis 
Science fiction and fantasy often take us to places with weird environments, including future Earths, bizarre dreamscapes and other planets. In recent years, sci-fi and fantasy have begun addressing the crises of climate change, mass extinction, global pandemics and the uncertain prospects for human life on an altered planet. This class examines the ways environmental sci-fi/fantasy literature and film narrates these changes and what they mean for human and nonhuman futures. Students will read and view a diverse set of sci-fi/fantasy fiction, ranging from intergalactic epics, Afrofuturism, weird fiction, outbreak narratives and the recent subgenre cli-fi. Students will also get a chance to build their own environmental sci-fi/fantasy worlds. 
Texts: H.G. Wells, The Time Machine; Ursula K. Le Guin, The Dispossessed; Octavia Butler's The Parable of the Sower; Jeff VanderMeer, Borne; Alex DiFrancesco, All City; The Girl With All The Gifts. Our class will also be visited by Alex DiFrancesco. 
Assignments: Requirements include short papers; synchronous discussion once a week; and a final project. 
GE: Literature 

English 3372 (40): Special Topics in Science Fiction and/or Fantasy—How Magic Works 
Instructor: David Brewer 
The most fundamental mark of fantasy is that it features stories in which magic works. The magic may be front and center (Harry Potter) or kept largely in the background (Game of Thrones); it may be an instrument of strong good or evil or merely a morally neutral tool. But regardless of the form it takes, in the vast majority of fantasy, magic is real, which means that to the extent that we buy into these stories and the worlds in which they're set, we are temporarily accepting the existence of magic (or at least suspending our disbelief in its existence). This course will investigate how that process works, and what it might be able to tell us about the workings of literature more generally. We'll also consider how fantasy's open embrace of magic has contributed to its (traditionally low, but recently rising) cultural status. 
Texts: J. K. Rowling, Harry Potter and the Prisoner of Azkaban; Rachel Aaron, The Spirit Thief; Benedict Jacka, Veiled; Brandon Sanderson, Mistborn: The Final Empire; Leigh Bardugo, Six of Crows; Ursula Le Guin, A Wizard of Earthsea; John Bellairs, The Face in the Frost; and Susanna Clarke, Jonathan Strange and Mr. Norrell 
Assignments: A weekly reading and viewing journal; a recommendation, in the form of a slide show, of a magic system that we are not reading or watching together, posted to Carmen for your colleagues' consideration; a short response to one of your colleagues' recommendations; a short essay connecting one of the magic systems we're exploring to the other tools of world-building employed in that narrative; active participation in our discussions; and a significant contribution to a group project in which you collectively devise a new magic system and explain how it would help construct a fictional world. 
GE: Literature 

English 3372 (60): Special Topics in Science Fiction and/or Fantasy 
Instructor: Jesse Schotter 
This class will survey some of the most important children's fantasy novelists of the 20th century, from E. Nesbit, C.S. Lewis and J.R.R. Tolkien up through Lloyd Alexander, Ursula K. LeGuin, J.K. Rowling, Diana Wynne Jones and N.K. Jemisin. We will examine how these two genres—fantasy and children's lit—grew up together, and we will explore the varying influences on these writers, from myth and folklore to Christianity, Taoism and Existentialism to feminism and critical race theory.
Texts: E. Nesbit, Five Children and It; J.R.R. Tolkien, The Hobbit; C.S. Lewis, The Lion, the Witch and the Wardrobe; N.K. Jemisin, "Stone Hunger"; Lloyd Alexander, Taran Wanderer; Susan Cooper, The Dark is Rising; Ursula K. Le Guin, A Wizard of Earthsea; Diana Wynne Jones, Howl's Moving Castle; Philip Pullman, The Golden Compass; J.K. Rowling, Harry Potter and the Sorcerer's Stone; Nnedi Okorafor, Akata Witch.
Assignments: Course requirements include a paper, two responses, a final exam, viewing video lectures, active participation in online discussions and reading all discussion threads. 
GE: Literature 

English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Jonathan Buehl 
In English 3379, you will learn about writing, rhetoric and literacy studies by studying what researchers in these subfields of English Studies study and do. You will learn how to write effective research-based arguments in these subfields by practicing methods of data collection and analysis, developing research questions, working with genres of research writing and revising your writing for clarity and purpose. You will understand how to transfer what you learn to new contexts—both other courses in the English major and contexts outside the university. 
Guiding questions: What is Rhetoric? What is Writing Studies? What is Literacy? How do researchers study and write about Writing, Rhetoric and Literacy?
Texts: Course materials were developed through an Affordable Learning Exchange grant. All materials are available at no cost to students.
Assignments: Short research exercises and discussion prompts that build to a longer paper.

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Susan Lang 
This course will introduce students to a continuum of research methods used by scholars in such fields as writing, rhetoric, literacy studies, composition studies and technical communication. We will focus primarily on empirical research methods. You will learn techniques of these various methods and apply them to a series of activities throughout the semester. During the last month, we will shift focus to writing research in writing, rhetoric and literacy studies.  In addition to active class participation, students will complete three unit projects (one each in writing studies, rhetoric and literacy) and a final project. By the end of this course, students will: identify and understand common empirical research methods used by scholars in such fields as writing, rhetoric, literacy studies, composition studies and technical communications; learn techniques of these various methods and apply them to a series of activities throughout the semester; and gain practice in writing common research genres (conference abstracts, peer reviews, research proposals) to writing, rhetoric and literacy studies.  

English 3398 (20): Methods for the Study of Literature 
Instructor: Jill Galvan 
This course is designed to strengthen skills in interpretive reading and writing. It will help students with English major courses and with analyzing texts generally, both within and beyond the classroom. Our focus will be on reading with an eye for fine detail and constructing logical, well-evidenced arguments. The syllabus will cover several major genres ranging from the traditional to the recent or popular—novel, short story, poetry, drama, film, memoir and podcast. Our readings will range from the classic to the contemporary. A very tentative, partial author list includes Robert Louis Stevenson, Charlotte Perkins Gilman, Kate Chopin, J.D. Salinger, Octavia Butler, Ted Chiang, Justin Torres, Carmen Machado and Trevor Noah. In class meetings, I will be providing guidance and a critical framework, but most meetings will be run as active discussions. Tentative assignments: two exercises, three to five pages each; three papers, five to seven pages each; regular reading quizzes; and engaged class participation.  

English 3398 (30): Methods for the Study of Literature 
Instructor: Jessica Prinz 
The purpose of this course is to read broadly in the history of American and British literature with the goal of improving reading and writing skills. All key genres of literature will be considered (fiction, drama and poetry). We will devote a significant portion of the class to the various theories used to analyze literature ("critical theory"). This will be a writing-intensive course.
Text: A Little Literature, eds. Barnet, Burto and Cain (or a comparable anthology). Other texts may be assigned later. 

English 3398 (60): Methods for the Study of Literature 
Instructor: Christopher Jones 
This section of English 3398 combines exercises in analytical reading with formal and informal writing assignments. Emphasis throughout is on the acquisition and strengthening of skills required in many upper-division English courses. These skills include (a) the ability to objectify and articulate what we, as readers, bring to interpretation of a text; (b) the ability to “close read” for patterns and argue from them; (c) the ability to identify the conventions of various textual forms (genres) and the different kinds of theoretical engagement they invite; and (d) the ability to conduct and effectively incorporate research into the historical backgrounds, reception or influence of authors and texts. 
Texts: Octavia Butler, Parable of the Sower; Jhumpa Lahiri, selected stories; E.M. Forster, Howard's End 
Assignments: 4 critical essays (including 1 required revision/resubmission), occasional quizzes, regular discussion participation 

English 3405: Special Topics in Professional Communication—Writing (about) Science 
Instructor: Jonathan Buehl 
This course will prepare students to approach professional writing tasks that engage scientific discourses, such as accommodating science for non-specialists and editing technical scientific prose. Knowledge of or proficiency in science is not required. 
Students will complete assignments in which they (1) edit technical prose, (2) accommodate science for different audiences, (3) develop metaphors and analogies, (4) create explanatory visuals, and (5) analyze technical and popular science publications. These projects might include editorial responses to technical documents, science policy memos, magazine-style pieces and museum materials. 

English 3465 (10): Special Topics in Intermediate Fiction Writing 
Instructor: Macey Phillips 
Eudora Welty says, "In fiction,  while  we do not necessarily write about ourselves, we write out of ourselves, using ourselves." In this course, students will learn how to write complex, complicated and honest characters. We will examine authorial voice and character-building in a variety of shorts stories, flash fiction pieces, and novel excerpts from a diverse group of authors. By the end of the semester, students will produce and workshop 1-2 substantial pieces of writing. This is a hybrid class and will have both in-person and online components.

English 3465 (30): Special Topics in Intermediate Fiction Writing 
Instructor: Mark Ramsay 
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Kamal Kimball 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3467S: Issues and Methods in Tutoring Writing 
Instructor: Yanar Hashlamon 
English/CSTW 3467s is an interdisciplinary course on the issues, methods and history of tutoring writing. As a class, we’ll consider questions about why and how writers engage in collaborative writing support. Who is imagined as a writing tutor? Who is imagined as needing writing tutoring? What ways of thinking and writing have been prioritized in writing center studies and to what end? These questions cut to the core of Writing Centers’ role in both upholding and challenging certain institutional norms in university education along lines of race, class, disability, gender, sexuality and citizenship.
The class includes virtual observations of writing tutoring at the Ohio State Writing Center and options for weekly synchronous and asynchronous discussions of critical texts from writing center studies. The course will engage with writing tutoring as both theory and practice, preparing students to work in the Writing Center itself, or to work in broader contexts of writing education such as classroom teaching and community literacy programs. This class is a prerequisite for any undergraduate student to apply for a tutoring position at the university Writing Center, though many students take the class to learn more about the practices and politics of writing education in and beyond the classroom.
Cross-listed in ArtsSci 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: Louise Edwards 
This class will explore the personal essay and its relationship to narrative, research, lyric/poetry, visual art, music etc.  The readings will emphasize diverse voices, especially people of color, the LGBTQ community, women and those with an intersection of marginalized identities.  We'll also, of course, spend much of the class workshopping your own writing. For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. The class will be taught synchronously online via Zoom. 

English 3662: An Introduction to Literary Publishing 
Instructors 
Section 10: Alyssa Froehling 
Section 20: Zoe Mays 
An introduction to the theory and practice of editing and publishing literature. 


4000-level

 

English 4150: Cultures of Professional Writing 
Instructors 
Section 40: Daniel Seward 
Section 50: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4150 (30): Cultures of Professional Writing 
Instructor: Christiane Buuck 
This class will explore a range of types of workplace writing. Many of our course assignments are designed to help you compile a writing portfolio that will be useful if you apply to the Professional Writing Minor, and/or in future job searches. Additionally, you will interview two professionals in your field of interest. You will hone your editing skills by practicing AP style, reviewing common usage mistakes and how to avoid them, giving and receiving feedback in peer review, practicing repurposing content and drafting for different audiences and revising for clean, professional copy in every deliverable. Throughout the term, you will work individually and collaboratively to explore a professional writing field of your choice, culminating in an engaging group presentation and panel discussion.
Assignments: Professional writing portfolio assignments, editing exercises and presentations
Guiding Questions: What do want to do when you graduate? What does professionalism and professional writing look like in different fields?

English 4189: Professional Writing Minor Capstone Internship 
Instructors 
Section 10: Jennifer Patton 
Section 20: Lindsay Martin 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics. 

English 4520.01: Shakespeare 
Instructor: Sarah Neville 
This class will approach a selection of Shakespeare's plays through several methods, examining them not only as historical artifacts rooted in the time and place of their creation, but also as spectacles created to be continuously performed and re-adapted right through to our modern age. In order to better enable us to consider the ways that staged properties, blocking, special effects and audience engagement are crucial parts of Shakespeare's stagecraft, this section of 4520.01 is especially interested in the practical means by which Shakespeare's plays resonate with both historical and contemporary audiences. Through exercises, assignments and class discussions in costuming, casting, producing and directing, we will seek to answer questions like: "How was the English stage of 1592 different from a typical American stage of 2020"; "How does a production create the suspension of disbelief when the audience is in the same light as the actors?"; "When you don't have modern technologies, how do you create special effects?"; and "What did Elizabethans think a Roman or medieval battle looked like?" Students in this class will develop the capacity for discriminating judgment based on aesthetic and historical appreciation of Shakespeare through reading, discussion and informed critical written interpretation of the texts. Through this process students will also learn to appraise and evaluate both the social values of Shakespeare's cultural moment as well as their own. Students will be evaluated by short writing assignments, a virtual group presentation and midterm/final exams. 
Texts: New Oxford Shakespeare (Ed. Taylor, Jowett, Bourus, Egan, 2016) 

English 4523: Special Topics in Renaissance Literature and Culture—John Donne and Ben Jonson 
Instructor: Luke Wilson 
This course focuses on two turn of the century poets whose importance and influence are second only to that of their contemporary William Shakespeare. John Donne is the one who wrote: "No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less...And therefore never send to know for whom the bell tolls; it tolls for thee." But he's also the one who wrote a poem comparing the sex act to a flea sucking blood, and, in an age that considered suicide a mortal sin, he wrote a learned defense of suicide. Ben Jonson, for his part, begins his scurrilous, fast-paced play, The Alchemist, with the line "Thy worst!  I fart at thee!"; and it's all downhill from there. Both wrote in an unusually wide range of verse modes and genres, but their literary output extended far beyond poetry, and in this course we'll read plays and prose texts as well. Jonson was enormously self-promoting, and masterminded one of the most important literary publications of early modern England, his Workes of 1616. In contrast, few of Donne's poems were published before his death, but they did circulate widely in manuscript among a literary cognoscenti among whom he was hugely popular. Both attracted eager followings, were deeply responsive to the politics of the time and were sometime Catholics navigating a deeply Protestant culture.  
Assignments: Requirements will include class participation, frequent short response papers, a short essay and a longer, research-oriented final essay. 

English 4533: The Early British Novel—Origins to 1830 
Instructor: Sandra MacPherson 
Features the variety of novel forms emerging from 1660 to 1830, as well as relevant historical and contemporary theories of the novel, marketplace, reading or interpretation.  

English 4559: Introduction to Narrative and Narrative Theory 
Instructor: Amy Shuman 
Stories give shape to our everyday life experiences. We tell stories about ourselves, about others, about trivial interactions that fade from memory and about life changing events. In this course we explore who tells stories to whom and in what contexts and how they tell them. We’ll examine narrative form, genre, performance, repertoire and interaction. For the final project, students will work with narratives of their choice, whether from print, web-sources, interviews or daily life, and will describe those narratives in terms of one or more of the narrative dimensions discussed in class. 
Assignments: Seven comments on the readings throughout the course of the semester; midterm take-home exam; final project 

English 4564.02: Major Author in 18th- and 19th-Century British Literature—Bleak Houses: Dickens, Satire, Modern Gothic  
Instructor: Jill Galvan 
This course will center around one masterpiece novel by Charles Dickens, Bleak House (serialized 1852-53). Our discussions will involve three main aims: (1) to close-read a celebrated nineteenth-century work; (2) to think about literary genres as instruments of social critique—then and now; and (3) to consider how studying the literary/cultural past helps us to think about the present. Bleak House is a work of satire: it uses humor to make biting observations about contemporary society. At the same time (as the title hints), it borrows from the Gothic, also for social criticism. Ominous secrets and settings help Dickens to comment on Victorian problems, including urban poverty, inadequate legal systems, and constraining gender norms. Ultimately we’ll turn to a few related texts: Hannah Crafts’ The Bondwoman’s Narrative, a nineteenth-century American slave narrative that draws on Bleak House; and recent films containing some form of the Gothic and/or satire (TBA; some possibilities: It Follows (2014), Mudbound (2017), Get Out (2017), Sorry to Bother You (2018), and Parasite (2019)). Through this juxtaposition, we’ll ask how socially critical fictions change over time, and how they deploy genre in different ways. What new objects of cultural horror do modern Gothic stories unearth? How does satire today differ from nineteenth-century satire, reflecting new priorities, values, injustices, etc.? Tentative requirements: engaged participation; frequent reading quizzes; five or six short analytical response papers (one to two pages each); and one longer term paper (five to seven pages).

English 4565: Advanced Fiction Writing
Instructor: Lee Martin 
This is an advanced writing workshop that asks you to think about how short stories are made with a special emphasis on the art of characterization. Stories show us something about the complexity of human existence by concentrating on characters and their conflicting wants, needs, fears, hopes, etc. I don’t mean to suggest that these types of stories are without plots. Plenty happens, but what happens externally is less important than what happens internally to the characters involved and what it means for the rest of their lives. In other words, events occur because of the types of people characters are, and the plots that unfold always reveal something new about the inner lives of those characters. We might put it this way: characters create plots, and plots reveal characters. The stories that we’ll read will invite us to think more deeply about the technical choices writers make and the effects these choices have on the process of storytelling. Reading and analyzing from a writer’s perspective gives us a chance to think about how stories are made and also an opportunity to build our own technical repertoire when it comes to constructing narratives. 

English 4566: Advanced Poetry Writing 
Instructor: Kathy Fagan Grandinetti 
This is a workshop designed for poetry students who are either in the Creative Writing concentration or those who have made enough significant progress in previous undergraduate poetry workshops to audition for admission. The focus of this course is your poems. I will offer weekly prompts and sample texts for discussion. 
Guiding questions: What makes a poem memorable, and how do we talk about poetry to each other? 
Potential texts: Other texts TBA but will not exceed two books totaling $35.  
Assignments: Seven original poems minimum and some close readings of "model" poems 

English 4567S: Rhetoric and Community Service 
Instructor: Beverly J. Moss 
English 4567s, Rhetoric and Community Service, is an undergraduate service learning seminar that, through coursework and on-the-ground (virtual) experience, introduces you to the rhetorical expectations of non-profit organizations. All class meetings and community partner work will be delivered virtually in spring 2021.  Along with meeting virtually one day/week in class, you will be assigned to assist a community partner with the writing demands of the organization. Writing assignments will vary according to the needs of your community partner—requests may include (but certainly aren’t limited to) writing social media posts, composing website copy, creating brochures, writing donor letters, or assisting with grant writing.
You will examine how rhetoric (and writing) can affect (both positively and negatively) social change in local organizations, and will gain experience writing in the non-profit world. Community partners this spring range from education-based non-profits to a community non-profit focused on girls and women. Our main goals this semester are to make you a better rhetor through service to a nonprofit organization and to support the communication needs of the organization.
Guiding questions: What is the relationship between rhetoric, social action and community service? 
Assignments: Short papers; group presentations; writing for community partner 

English 4568: Advanced Workshop in Creative Nonfiction Writing 
Instructor: Michelle Herman 
The study and practice of literary nonfiction writing, including the many subgenres of this capacious form: the personal essay, memoir, portraiture, science writing, music writing, lyric essays, adventures in "fraudulent artifacts," and many (many) other kinds of narratives.
Texts: All readings will be in the form of PDFs and links to exemplary essays. 
Assignments: Reading, short writing assignments, two complete essays, revisions. 

English 4569: Digital Media and English Studies 
Instructor: Scott DeWitt 
This course will take up the study of digital media and its relationship to messaging and storytelling. Students from across areas in the Department of English or in majors outside of English will work on a series of short-form digital projects using rich media (video, audio, data). The most significant part of this course focuses on the “P” word: production. This course is structured mostly as a studio class, where we will be working together in one of the Digital Media Project’s classroom. Some of you may have experience with the technologies we will compose with. For those of you new to these technologies, I will teach you more than you need to know to be successful in this class. Please do not let your lack of experience with technology intimidate you. This class can be used to fulfill the digital media requirement in the writing, rhetoric and literacy concentration for the English major. 
Materials: You will not be asked to purchase a textbook for this class. You will have access to cameras, audio recorders and computers from The Digital Media Project. You are also free to use your own technology. We will take about media storage options on the first day of class.
Assignments: Short-form media projects, creative opportunities

English 4572: English Grammar and Usage 
Instructor: Lauren Squires 
You will learn to describe and analyze the structure of English sentences. You will become familiar with the concepts and patterns of grammar from a linguistic—a scientific—perspective. We will seek to understand the linguistic principles that underlie all speaking and writing in English. Importantly, this is not a writing course, an editing course or a course designed to teach people how to speak/write in English. However, our enhanced understanding of how English grammar is structured will ultimately equip you with the skills to more critically understand speaking and writing styles, including effective writing and products designed to encourage it, such as usage handbooks and language-learning pedagogical materials. 

English 4574: History and Theories of Writing—From Clay Tablets to Twitter Bots 
Instructor: Christa Teston 
This class will explore how writing has evolved since premodern times to contemporary cultural practices. 
Assignments: Reading responses, midterm exam, discourse community ethnography project 

English 4575: Special Topics in Literary Forms and Themes—Protesting Injustices and the Novel of 1790s 
Instructor: Roxann Wheeler 
How and why did the eighteenth-century novel in English become a form associated with protest of the status quo and hospitable to giving voice to marginalized characters such as serving girls, rebellious slaves, and a variety of other persecuted figures? One answer lies in genre, the fact that unlike drama on the London stage, which was performed in front of a live and therefore potentially dangerous audience, the novel, a new consumer item of the eighteenth century, was considered private, and was not censored for its incendiary content. Another answer lies in the novel's expansive form: it was able to give voice and compelling plot to characters who were usually unheard and uncared about because they were criminalized, uneducated or otherwise marginal to public life. 
We will study the novel in regard to form and content, authors and readership, in its critical engagement with eighteenth-century protest of profound social ills, which came to a head in the 1790s during the era of the French Revolution. The real social ills that were novelized include human trafficking and slavery (the 1780s were the height of the British slave trade in African people mainly to the Americas); unearned privileges of race and rank (about 150 families owned 20% percent of England and along with lesser landowners "legally" appropriated six million acres of land over the eighteenth century); unlawful incarceration of women and the laboring ranks; and sexual victimization of female servants. Not infrequently, these social ills were understood as connected to each other in this era. We will feature the sometimes surprising ways in which feminist, anti-racist, Marxist and other scholars have engaged with this literary history of radical writing and the politics of representation then and now. 
Potential texts: Aphra Behn, Oroonoko; or The Royal Slave (1688); Samuel Richardson, Pamela; or Virtue Rewarded (1740); William Godwin, Things as They Are; or The Adventures of Caleb Williams (1794); Mary Wollstonecraft, Maria; or The Wrongs of Woman (1798); Maria Edgeworth, Castle Rackrent (1800); William Earle, Obi; or The History of Three-Fingered Jack (1800); Anonymous, The Woman of Colour (1808) 

English 4577.01: Folklore and Human Rights—Cultural and Climate Sustainability, Disability and Refugees 
Instructor: Amy Shuman 
By working with local cultural groups with their particular environmental challenges, folklorists have engaged in questions about questions about how people both experience exclusion and how they have created resources for survival. Most of this folklore research is what is called participatory research, based on collaborations with community members. For this class, we will be reading documents (including films, websites, stories) produced by those communities. Students’ responsibilities include reading/viewing these documents, participating in class discussions, and collaborating on a project. 
Guiding questions: How do people work collectively in their communities in the face of human rights violations related to cultural sustainability, disability, immigrant status or other issues? 
Assignments: Students will identify examples of local community cultural practices related to human rights and post these to Carmen three times during the semester. Students will post comments on the readings every week and these will count as both the midterm and final exam. Students will work in groups to produce a collaborative project related to one of the central themes. 

English 4578 (20): Special Topics in Film—Film and American Society After World War II 
Instructor: Ryan Friedman 
This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts published in a variety of venues (e.g., popular magazines, film-trade publications, books of sociology and psychology) during the era in which these films were produced and exhibited. 
Films: The Best Years of Our Lives, Blackboard Jungle, Rebel Without a Cause, Invasion of the Body Snatchers, A Raisin in the Sun 
Assignments: Papers and an exam 

English 4578 (30): Special Topics in Film—Re-imagining the Half Hour: Contemporary Television Comedy 
Instructor: Sean O'Sullivan 
The televisual revolution of the first decade of the 21st century focused on shows like The Sopranos, The Wire, and Breaking Bad–sprawling serial empires that reshaped the default format of storytelling seriousness, the hour-long drama. But the last ten years have seen a shift of critical and viewer attention to the half-hour comedy, in terms of what kinds of stories are told, who gets to be in the stories, and who gets to tell the stories. This course will consider a range of series, from Fleabag to Insecure to Russian Doll, that have cracked open the ancient conventions of the sitcom, and of comic design more broadly, to think across the spectrum of narrative invention and representational inclusion. Throughout the semester, we will analyze how aesthetic and formal choices orient, and often disorient, our expectations of comedy as a televisual genre. One recurrent thread in our syllabus will be shows created by and starring women, actively bringing previously-marginalized voices, perspectives and bodies to the small screen. In addition to Fleabag, Insecure and Russian Doll, our roster may include Girls; Transparent; GLOW; Atlanta; Broad City; Barry; and What We Do in the Shadows
Texts: Articles, book chapters, and other materials related to contemporary television, narrative studies, and comedy.
Assignments: Analytic essays and creative work will both be on the agenda. Quizzes each class meeting. No exams.
Guiding Questions: What storytelling and aesthetic possibilities are available to makers of the contemporary half-hour television series? Which genres, audience expectations, performance styles, and connections to comedy's past have been foregrounded? Where is television going as an art form in the 21st century?

English 4581: Special Topics in U.S. Ethnic Literatures—How Race Works: Legacies of Colonialism, Slavery and Empire 
Instructor: Pranav Jani 
In September 2020, US President Trump aimed to turn back the clock, arguing that Critical Race Theory, historians like Howard Zinn, and critiques of whiteness have led people to diminish Americans' greatness. But Ethnic Studies and related fields, in explaining why racism and white supremacy have such a strong hold in US society, push in the opposite direction, building on past criticisms of racism to expand our understanding of it. 
How can we grasp the different but linked experiences and histories of Black, Native, Latinx, Asian, Arab peoples in the US? How do the legacies of settler colonialism in the Americas, the enslavement of Africans, and colonialism in Asia and elsewhere shape BIPOC lives in the US? How do gender, sexuality and the family interact with race? 
From novels, short stories, essays and films by and about different peoples of color in the US, we will examine how they/we have survived and struggled in racialized spaces that are very much products of US history. Part of this history, as we will see, is the effort to articulate these stories in the face of dominant forces that would rather ignore them. 
Guiding questions: How is race tied to history? How are people of color differently racialized? How can literature and culture show points of solidarity and difference? 
Texts: Texts include Gyasi, Homegoing; Nguyen, The Sympathizer; Aldama, Long Stories Cut Short; Shamsie, Burnt Shadows; Kincaid, A Small Place; and Jarrar, A Map of Home. Films include Reluctant Fundamentalist and Mississippi Masala
Potential assignments: Discussion posts; a short paper; annotated bibliography; research project 

English 4582: Special Topics in African American Literature—Race, Gender, Class: Studying Intersectionality 
Instructor: Pranav Jani 
In 1989, Kimberlé Crenshaw, a Black feminist and legal scholar, coined the term “intersectionality” to address the specific subordination of Black women in the law. Today, this concept, grounded in generations of Black knowledge and experience, has become so widely used and applied that its meaning can be confusing. 
In this class, we will study Crenshaw’s original use of intersectionality and her establishment of the #SayHerName movement to get a handle on the term. We will also examine African American writing from different eras, including novels, essays, a play and an autobiography, to see how they have portrayed the connections between race, gender and class, whether or not they used the word. We hope to achieve an understanding and appreciation of the concept, and its deep roots in Black thought. 
Guiding questions: What is intersectionality in its original meaning? How have Black literary texts linked race, gender and class in the past? What can literature and culture teach us about the present moment? 
Texts: Larsen, Passing; Hansberry, A Raisin in the Sun; Morrison, Sula; Combahee River Collective statement; Mock, Redefining Realness; Gyasi, Homegoing; essays by Crenshaw, Davis and Lorde. 
Assignments: Discussion posts; a short paper; annotated bibliography; research project 

English 4590.01H: Honors Seminar—Medieval Literature 
Instructor: Christopher Jones 
This course considers selected works of English literature written during the "medieval period" (c. 500-1450). Along with better-known texts such as Beowulf, Sir Gawain and the Green Knight, Everyman and selections from Chaucer, we will explore some less well-known sources, such as popular romances, religious exempla, folklore and law, that help contextualize and complicate our modern perceptions of the "English Middle Ages." A running theme of our course will also be to examine the uses (and often misuses) of the European Middle Ages for modern aesthetic and political purposes. 
Guiding questions: What are the most recognizable features of medieval literature? How have modern perceptions of "medieval" culture shaped both academic study and popular representations of the Middle Ages? 
Assignments: Discussion-leading and discussion response (both in-person and online); occasional quizzes; and short response papers, plus two longer essays 

English 4590.05H: Honors Seminar—The Later 19th Century: Freedom and Literature in the 19th Century 
Instructor: Amanpal Garcha 
Is freedom possible in modern societies, even though such societies depend upon individuals performing routinized work, acting in politically predictable ways, and placing primary emphasis on money-making? Does nature provide a retreat from such modern pressures – or does it offer an irresponsible, possibly meaningless escape from our social responsibilities? Is family life a place where we find the comfort and emotional richness that is absent from capitalist society – or is it a space of stifling conformity? In this course, we will read nineteenth-century British works by such authors as Mary Shelley, Emily Bronte and Alfred Tennyson that address these questions along alongside examples of utopian and dystopian texts that more explicitly outline some characteristically Victorian ways of imagining freedom, social reform, and the difficulties inherent in industrial capitalism. 
Potential texts: Readings will include Frankenstein by Mary Shelley, Wuthering Heights by Emily Brontë, News from Nowhere by William Morris, A Crystal Age by W. H. Hudson and The Time Machine by H. G. Wells, as well as short works by John Stuart Mill, Elizabeth Barrett Browning and Charles Dickens. 

English 4591.01H: Special Topics in Creative Writing—"Blood, Sweat, Tears": The Art and Craft of Horror 
Instructor: Nick White 
Writers, beware: There will be no happy endings in this class. Here, I expect you to learn an appreciation for the shocking art and bewitching craft that is horror. For those of you daring enough to face the abyss with me, I can teach you how to bedevil the minds and entangle the senses of your readers with the demonically-willed word. Stephen King has said that “we make up horrors to help us cope with real ones.” In that spirit, the kind of horror literature we will study and write in this workshop will not be interested cheap thrills and schlocky gore alone, but in plumbing the depths of what frightens us to better understand ourselves and each other. 
Potential texts: We will read some current and classic masters of the form, which might include Shirley Jackson’s The Haunting of Hill House, Stephen King’s Salem’s Lot, Victor LaValle’s The Ballad of Black Tom, Samanta Schweblin’s Fever Dream, Grady Hendrix’s The Southern Book Club’s Guide to Slaying Vampires, Silvia Moreno-Garcia’s Mexican Gothic, Stephen Graham Jones’ The Only Good Indians, Matt Ruff’s Lovecraft Country—and more. 
Potential assignments: Assignments will include short flash pieces from specific prompts (as modeled in the new anthology Tiny Nightmares), and one longer story (15 to 25 pages) to be workshopped by the class. 

English 4592 (10): Special Topics in Women in Literature and Culture: Women and the Black Atlantic 
Instructor: Roxann Wheeler
The literature and culture of the eighteenth-century Black Atlantic is now illuminated by visual, sound and historical archives available online; at once drawing from Africa, Britain, the Americas, especially the Caribbean, the paradigm-changing conceptual term of the Black Atlantic will anchor our reading of the cultures and literatures of slavery as they featured white, Black and brown women. This course will highlight British fiction and non-fiction about women and slavery, including slave narratives and journals of historical people living in slave-based colonies. We will study texts written by and about women in the Black Atlantic during the height of slavery and the trade in enslaved Africans. Our goal will be to use fiction and non-fiction to illuminate each other and to study the ways that women shaped and were shaped by slavery in England and the Caribbean slave colonies.
We will examine feminist issues, including the fraught politics of sisterhood across class and race difference, the long term criticism of patriarchy, property and capitalism, and the way the novel and poetry differently offered ways to dramatize historically pressing issues for women writers and characters concerned about slavery before liberalism and democracy.
Texts: Sarah Scott, Millenium Hall (1767); Douglas Hall, In Miserable Slavery [Thomas Thistlewood diaries] (1750-86)]; Abolitionist poetry selections (1780-1800); Lady Nugent’s Journal [of her residence in Jamaica 1801-05]; Amelia Opie, Adeline Mowbray; or the Mother and Daughter (1805); Anonymous, The Woman of Colour, A Tale (1808); Jane Austen, Mansfield Park (1814); Mary Prince, The History of Mary Prince (1831); Companion readings in feminist, critical race, and postcolonial literary theory.
Assignments: Likely two research papers and an exam.

English 4592 (20): Special Topics in Women in Literature and Culture
Instructor: Sandra MacPherson 
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary. 

English 4595: Literature and Law—The Outsider in the Courtroom 
Instructor: Clare Simmons 
Literature and Law is a course in the representation of law in literature and literary analysis of legal discourse; it is not a course in the study of law, but should be of interest to anyone who wants to engage with the role of law in culture; the legal and literary representation of human rights; and how law uses language. Literature and Law can be applied towards the English major and Human Rights minor; many students from other departments also take it to fulfill upper-level course requirements, so the course provides an excellent opportunity to meet students from a wide variety of fields who are interested in law and perhaps thinking about law school. We will read both some legal materials and some literature that represents law in action. 
The special topic of this course is "The Outsider in the Courtroom," so we will read some actual cases and also a variety of fictional representations of law in action, and consider how the rights of outsiders are protected, or sometimes forgotten, by the law. We will also practice some court-room procedures of our own in mock-trials.  
Guiding questions: How do we feel about the law?  How much does law depend on culture?  Is it applied equally to everyone? 
Potential texts: Readings will include a 2000-year-old murder trial; some medieval animal trials; Shakespeare's The Merchant of Venice; the Amistad trial; Wilkie Collins's novel The Law and the Lady; Reginald Rose's Twelve Angry Men; and a collection of famous trials available online. 
Potential assignments: Students will be responsible for regular attendance and participation, including in group mock-trials; three short case briefs; a longer research paper; and reading questions.  

English 4597.01: The Disability Experience in the Contemporary World—Hidden Lives: Studies in Visible/Not Hidden v. Invisible/Hidden 
Instructor: Cathy Ryan 
This 4000-level course in Disability Studies fulfills both GE and Math and English Integrated Major requirement. The course incorporates introduction to key terms and campus-community partnerships, texts, research and critical analysis, journaling, multimodal learning, small group activities, discussion board and poster session.  
Content: Investigation into Hidden Lives (unseen disabilities, micro-aggressions, implicit bias, and unknown or marginalized voices) culminating in a community poster session (“Hidden Figures”), “Lives in the Balance” (fragility, (in)visibility, canceling, mental health and wellness), Campus Advocacy (e.g., SLDS, TOPS mentors/IDD), Community Art and Invention (including social theory, graphic medicine), Accessible Design (spaces and places), and Campus-Community Partnership. Students will have the opportunity to take part in an Ohio State University sensitivity training initiative (Campus Accessibility Ambassadors, SP/SU21).    
GE: Cross-Disciplinary Seminar 


5000-level

English 5189S: Ohio Field School 
Instructor: Cassie Patterson and Jasper Waugh-Quasebarth 
The Ohio Field School Course provides an introduction to ethnographic field methods (participant-observation, writing field notes, photographic documentation, audio-interviewing), archiving and the public exhibition of research for both undergraduates and graduate students. Students will contribute to a team-based, immersive research project designed to document the ways that diverse communities express and preserve a sense of place in the face of economic, environmental and cultural change. Research projects will be centered around the requests of partnering organizations. The semester-long, experientially-based course will consist of the following:

  • Introduction to fieldwork: A Zoom-accessible class on Tuesdays from 10 a.m. to noon (slightly shorter time than listed in the schedule). The class will involve both discussion of existing literature and reflection on our own practice.
  • Lab (approximately three hours per week) in the Folklore Archives with appropriate social distancing in place. During these hours student teams will be involved in preparatory research, remote fieldwork, accessioning and the preparation of a public-facing project, designed in consultation with community partners.

As becomes possible, we hope to offer voluntary opportunities to visit Southern Perry County and environs (hiking, participation in outdoor community events, self-guided road tours) and outdoor gatherings of our entire research group, but these plans are contingent upon public health recommendations and pandemic conditions in spring 2021.
Throughout the semester, students will practice all of the skills necessary to construct a permanent record of local expressive culture that will be accessible to future researchers and community members.
To enroll students must first attend an information session and apply for the course. Information sessions will be on October 28 at 10am and November 10 at 4pm via Zoom. To register for the info sessions and receive a zoom link, please follow this link.
*Cross-listed in CompStd.

English 5612: History of the Book in Modernity 
Instructor: David Brewer 
This course will explore books from the past two centuries as physical objects and consider what difference that makes for our understanding of the texts they bear and the uses to which they've been put. We will range widely in terms of genre, language and price point, drawing extensively on the holdings of The Ohio State University's Rare Books and Manuscripts Library (in ways that are safe for the age of COVID). By the end of the course you'll understand not only why judging books by their covers is impossible to avoid, but also why it's actually a good thing: how it can help us make sense of the many ways in which books work in (and on) the world. And you'll be able to share your newfound knowledge with the world by collectively acting as the curators for an online exhibition in which you select, research, arrange and showcase objects from our collections. 
Potential assignments: A weekly object journal; a few short, informal presentations of objects from Ohio State's collections; a midterm scavenger hunt; active participation in discussions; and substantial contribution to a collectively curated online exhibit 

English 5664: Studies in Graphic Narrative—Comics Before the Comic Book, 1660-1930 
Instructor: Jared Gardner 
As a field, comics studies in the U.S. has devoted much of its energy to studying a relatively small body of work, most of it produced in the last 30 years with relatively little devoted to the long history of comics and cartooning before the rise of the comic book form in the late 1930s. One result of this is that the field has cut itself off from the insights that might be gained from this rich and understudied history before formats like the comic book and graphic novel were devised as solutions to historically specific challenges. This class will study the history of what was originally termed "caricature" until the middle of the 19th century when the newer terms "cartooning" and "comics" entered common usage. While the class will focus primarily on Anglophone texts, comics in the West was from the start an international form, involving much exchange and "borrowing." We will begin with the development of popular caricature in Bologna in the late 17th century, before following the migration of the new art to England where it will shape the graphic narrative work of William Hogarth and other 18th-century artists, culminating in the rise in the 1830s and 40s of the first periodicals devoted to comics and cartooning. This new medium—the illustrated periodical of the 19th century—will ultimately give way to the rise of the newspaper comics supplement at century's end, which will provide our final unit of focus. Along the way we will study changes in print history, including the tools and techniques of making and reproducing graphic images, as well as methods for engaging with both traditional and online archives dedicated to recovering and preserving this history. 

English 5722.01/02: Graduate Studies in Renaissance Poetry—John Milton's Paradise Lost 
Instructor: Hannibal Hamlin 
John Milton’s epic prequel to the Bible, Paradise Lost, is one of the greatest works of literature in English. In the eighteenth and nineteenth centuries, if a person had three books on their shelf, one would be the King James Bible, and another Paradise Lost. It’s not an exaggeration to say that Milton invented Satan, at least as he’s been understood for the past several centuries. Romantic writers all wrote under Milton’s shadow, and his influence is obvious in Blake’s "Milton," Wordsworth’s "The Prelude," Mary Shelley’s Frankenstein, Keats’ "Hyperion" and Byron’s "Don Juan." Percy Shelley wrote that “nothing can exceed the energy and magnificence of the character of Satan in Paradise Lost.” Malcolm X read Paradise Lost in prison, like Shelley sympathizing deeply with the rebel Satan. Charles Darwin took the poem with him on The Beagle. Paradise Lost is at the heart of Melville’s Moby Dick, Salman Rushdie’s Satanic Verses, Philip Pullman’s fantasy trilogy His Dark Materials and Toni Morrison’s A Mercy. It was the basis for Haydn’s oratorio The Creation, and has influenced songs by Nick Cave, Eminem, David Gilmour, Marilyn Manson and Mumford and Sons. Film pioneer Sergei Eisenstein called Paradise Lost a “first rate school in which to study montage and audio-visual relationships.” Twelve-year-old Helen Keller read Paradise Lost on a train ride, and she named the John Milton Society for the Blind after the poet, who was blind before he wrote his greatest poems. Popular versions of Paradise Lost shaped the liturgies of early Mormonism, and marathon readings of the poem have become a ritual at colleges and universities across the United States. 
Potential texts: Paradise Lost in any standard edition, as well as some shorter works by Milton and others, and a selection of critical essays available on Carmen 
Potential assignments: A close reading, a seminar presentation and a substantial critical essay 

1000-level

 

English 1109: Intensive Writing and Reading 
Instructor: Staff 
Provides intensive practice in integrating academic reading and writing.

English 1110.01: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.

*Traditional and online sections available 
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 

GE: Writing and Communication—Level 1

English 1110.03 (10): First-Year English Composition 
Instructors                                                                                                                             

Sections 10 and 20 instructor: Christiane Buuck                                                                

Section 30 instructor: Mira Kafantaris

Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, 1193. This course is available for EM credit only through the AP program. 

GE: Writing and Communication—Level 1 

English 1193: Individual Studies 
Instructor: Martha Sims 
Intensive practice in the fundamentals of expository writing.


2000-level

 

English 2150: Career Preparation for English and Related Majors 
Instructor: Jenny Patton 
This course is designed for English and humanities students interested in exploring and preparing for their post-graduation career options. We will begin by reflecting on individual students' strengths and preferences and thinking about job activities and careers that might complement these. We also will examine specific work environments (e.g., corporations and nonprofits); the value of attending graduate or professional school; and the role that internships, undergraduate research and networking play in career development and advancement. In addition, we will look at how to organize and manage an internship/job search; how to put together strong resumes, cover letters and portfolios; and how to interview well over the phone, via Skype and in person.

English 2201: Selected Works of British Literature — Medieval through 1800 
Instructor: Karen Winstead and Staff 
This survey will introduce students to the vibrant minds and culture that produced the masterpieces of our British literary heritage. Students will sample the writings of poets, playwrights, essayists and novelists including Chaucer, Shakespeare, Milton and Johnson. Students will get to know the worlds they inhabited, the issues they cared about and how they may have thought about themselves as artists and human beings. While exploring the past, students will find surprising precedents for popular genres of our own day, including horror, romance and graphic narrative. 
English 2201 is a foundational course for English majors but it is also a rewarding experience for anyone seeking an appreciation of our literary heritage. Lectures will sketch out the contours of literary history and weekly recitations will provide opportunities for group close reading and discussion. Requirements include a final exam, a journal of responses to the readings and weekly online quizzes on the lectures. 

GE: Literature 
GE: Diversity (Global Studies)

English 2201H: Selected Works of British Literature — Medieval through 1800 
Instructor: David Brewer 
This course will offer an introduction to the most exciting and memorable literature written in English prior to 1800, which is to say, prior to the invention of most of our standard ideas about literature. We will use the often unusual and provocative perspectives opened up by our engagement with this material both to think about how it worked in its own time and how it has shaped the world we now inhabit. In so doing, we will focus both upon the words themselves and the physical objects through which they have come down to us, drawing extensively on the holdings of our Rare Books and Manuscripts Library. Likely readings include portions of The Canterbury Tales, Sir Gawain and the Green Knight, Paradise Lost, Evelina, several darkly comic plays and some of the most moving poetry ever written. Course requirements will include a weekly reading journal, several short written exercises and active participation in both our discussions and our work with the collections of Rare Books. This course is open to non-honors students who are interested in deeply engaging with this literature and how it continues to work in the world. 

GE: Literature 
GE: Diversity (Global Studies)

English 2202H: Selected Works of British Literature — 1800 to Present 
Instructor: Jill Galvan 

This course will introduce you to major British literary trends of the last two centuries. Class meetings will include both lecture and lots of discussion. Our texts will cover the Romantic, Victorian, modern and postcolonial periods, as well a bit of the twenty-first century. We'll talk about many major forms and movements - for example, the lyric, the Gothic, the dramatic monologue, aestheticism, the Bildungsroman and modernism. We'll also cover the cultural and historical phenomena that inform our texts, including the French Revolution, slavery and abolitionism, industrialization, imperialism, debates over gender roles, the rise of scientific values, the two world wars and decolonization. Finally, besides teaching you literary and cultural history, English 2202H will help you to become a better critical reader and literary analyst, either for future classes or for your own enjoyment. You'll practice reading texts with an eye for fine detail (a.k.a. close-reading or explicating) in order to construct logical, complex interpretations based on textual evidence. Some of our authors (tentative): William Blake, Mary Kingsley, Mary Wollstonecraft, John Keats, Christina Rossetti, Charlotte Bronte, Olive Schreiner, Oscar Wilde, Wilfred Owen, Virginia Woolf, Una Marson, Ngugi wa Thiong'o and Kazuo Ishiguro. Graded requirements (also tentative): regular and enthusiastic participation, three or four short response papers (1-2 pp. each), a term paper (5-7 pp.) and two exams. 

GE: Literature 
GE: Diversity (Global Studies)

English 2220 (10): Introduction to Shakespeare 
Instructors: Hannibal Hamlin 

For four centuries now, William Shakespeare has been widely regarded as the greatest writer in the English language. He’s certainly the most influential. More has been written about Shakespeare than any other writer in the history of the world, no joke. His plays have been adapted into countless other plays, novels, poems, music, paintings, films, TV shows and comics, and not only in English but in German, Russian, Spanish, Japanese, Hindi and Yoruba. We will read a sampling of Shakespeare’s plays in a variety of genres and over the course of his career. We’ll think about how his plays work as theater; how he adapts and transforms the source material on which so many of his plays depend; how Shakespeare can be such an “original” when he borrows so much from other writers; how he can create such deep and realistic characters; and how it is that Shakespeare can accomplish all of the above (and more) through language. What we’ll discover is that, as one critic put it, “the remarkable thing about Shakespeare is that he is really very good—in spite of all the people who say he is very good.”

We will read 4-5 plays, including some familiar ones (Twelfth Night and Macbeth) and some unfamiliar (King John and Pericles), as well as some non-dramatic poems. Assignments will include two short critical papers, a midterm test and a final exam.

GE: Literature 
GE: Diversity (Global Studies)

English 2220 (30): Introduction to Shakespeare 
Instructors: Alan Farmer 
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Henry V, Two Gentlemen of Verona, As You Like It, Much Ado About Nothing, Romeo and Juliet, Julius Caesar, The Tempest and The Winter's Tale. Requirements include a midterm exam, final exam, two essays (one shorter, one longer), regular attendance and active participation. 

GE: Literature 
GE: Diversity (Global Studies)

English 2220 (50): Introduction to Shakespeare 
Instructors: Luke Wilson 
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 

GE: Literature 
GE: Diversity (Global Studies)

English 2220H: Introduction to Shakespeare 
Instructor: Jennifer Higginbotham 
In late sixteenth-century London, on the south bank of the Thames, amongst bear-baiting rings and brothels stood a round wooden theater that brought together people from all walks of life—aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we'll be imagining what it was like to stand with them and watch Shakespeare's theater in action. This particular honors section of Introduction to Shakespeare will be experimenting with cutting-edge techniques for facilitating embodied learning through the combination of rehearsal room techniques modeled on professional theater companies with close textual analysis of Shakespeare's language. Our in-depth exploration will include selected comedies and tragedies, a few poems and a lot of fun along the way. 

GE: Literature 
GE: Diversity (Global Studies)

English 2260 (20): Introduction to Poetry 
Instructor: Zoe Thompson 
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.

GE: Literature 

English 2260 (30): Introduction to Poetry 
Instructor: Hannibal Hamlin
Dylan Thomas said that poetry was what made his toenails twinkle, Carl Sandburg that a poem was an echo asking a shadow dancer to be a partner, and Marianne Moore that poems were imaginary gardens with real toads in them. What are poems really, how do they work, and how should we read them? This GE literature course will focus on short, lyric poems in English from the middle ages to the present, exploring the different things poems do, the different forms they take and sounds they make and the experience of reading them. We’ll also work on talking and writing about them. We’ll discuss forms like sonnets, ballads, sestinas, villanelles and pantoums, as well as the peculiar thing known as “free verse.” We’ll read elegies, pastorals, hymns, satires, epistles and odes. And we’ll encounter many poets, including William Shakespeare, John Donne, John Keats, Emily Dickinson, Gerard Manley Hopkins, e.e. cummings, Robert Frost, Elizabeth Bishop, Sylvia Plath, Seamus Heaney, Derek Walcott and a crowd of others.

GE: Literature 

English 2260 (40): Introduction to Poetry 
Instructor: Clare Simmons 
This course, which fulfills the General Education literature requirement, will provide an introduction to the types and forms of poetry in English, with a particular emphasis on the ways that poems represent the variety and diversity of human experience.  Students will have the opportunity to read a wide selection of poems and to practice skills in close reading, analyzing, discussing and writing about literary works. The main texts will be a selection of classic poems available through Carmen; and The Penguin Anthology of Twentieth-Century American Poetry.  Students will be responsible for regular attendance and participation in classroom discussion and group activities; a reading journal; a final portfolio project developed from the reading journal; quizzes; and mid-term and final exams.

GE: Literature

English 2261: Introduction to Fiction 
Instructors: Staff 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.

GE: Literature

English 2261 (Session 2): Introduction to Fiction — Game of Thrones as Literature 
Instructors: Elizabeth Renker 
This class, for which all class sessions will be conducted via Zoom during our scheduled class period, celebrates the conclusion to a beloved HBO series.  Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature.  This class will train you in core analytical methods that will enable newcomers to the series as well as longstanding fans to understand Game of Thrones at a deeper level of richness and pleasure.  You will learn the core skills of literary interpretation without a lot of heavy reading assignments, and you will see very quickly how meaningful and helpful they are in achieving a deeper understanding of Game of Thrones. All students are required to watch the entire series before our class begins.  Our class sessions will focus on the first two seasons, but it will also presume knowledge of the entire series.  (We will not read or discuss the books by George R.R. Martin.)  You will re-watch, and read the transcript for, one episode per class period.  During our class meetings, we will discuss the day’s episode and I will guide you through applying the analytical method we are learning.  Components of your grade: daily attendance for class; preparation of daily homework questions; short daily quizzes about the homework; high-participation activities in class; and three exams conducted on Carmen, of which the two highest grades will count.  Textbooks: an HBO subscription; additional readings posted on Carmen. 

GE: Literature 

English 2261H: Introduction to Fiction 
Instructors: Zoe Thompson 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included. 

GE: Literature 

English 2263: Introduction to Film 
Instructor: Ryan Friedman and Staff 
This course familiarizes students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Our primary goal in Introduction to Film is to become skilled at thinking, talking and writing critically about movies and, in the process, to deepen our appreciation and understanding of the film medium. 

GE: VPA 

English 2264: Introduction to Popular Culture Studies 
Instructors

Section 10 instructor: Joanna Toy 

Section 20 instructor: Staff  

Introduction to the analysis of popular culture texts.

GE: Cultures and Ideas. 
*This is a combined section class. Cross-listed in CompStd.

English 2265: Introductory Fiction Writing 
Instructor: Macey Phillips
This course is an introduction to the fundamentals of technique, craft and composition of fiction writing. We will write short stories and provide feedback in the form of biweekly workshops during which we will analyze and discuss student work. We will also study published stories by well-regarded authors.

English 2266 (20): Introductory Poetry Writing 
Instructor: Neomi Chao 
An introduction to the fundamentals of technique, craft, composition and practice in the writing of poetry. In this course, we’ll read and analyze poems by various established poets and discuss student work as well. No prior experience needed. 

English 2267: Introduction to Creative Writing—3 Genre
Instructor: Maya McOmie 
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.
The purpose of this class is to introduce you to writing as an artistic practice. We will be establishing a foundation in three genres: creative nonfiction, poetry and fiction. We will begin by approaching each genre as readers, analyzing works by great writers to figure out exactly what they’re doing and how they do it. The aim is not to imitate these writers and try to sound like them, but rather to uncover tricks and tools you can learn from, use, borrow and steal to help you sound more like yourself.
The rest of the time, our class will be a workshop. This means you will read your peers’ writing closely, offering sincere and engaged feedback in the form of both written responses and in-class discussion. Likewise, you’ll share your own writing with the class and get the chance to see your work from the perspective of a committed, generous, keen-eyed readership.
The goal of this class is to go broad in order to get narrow: you will expand your range of skills across multiple genres—pushing yourself to be curious, fearless and voracious—as a way of getting closer to understanding both who you already are as a writer, and who you might want to become.

English 2268 : Introductory Creative Nonfiction Writing 
Instructor: Louise Edwards 
Creative nonfiction is one of the broadest literary classifications, encompassing forms such as the personal essay, memoir, literary journalism, travel writing, historical narrative and the lyric essay. What does unite the diverse manifestations of this genre is the presence of the writer on the page — exploring, asking questions and framing subject matter for the reader.
This course is an introduction to the fundamentals of technique, craft and composition of creative nonfiction. You’ll write creative nonfiction, discuss and analyze your own work and your classmate’s work in a workshop format and read a variety of essays and works by published authors of creative nonfiction. Readings will emphasize a wide variety of voices in particular people of color, voices from the LGBTQ community, women and those who come from an intersection of marginalized identities. 

English 2269: Digital Media Composing 
Instructor: Staff 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 

GE: VPA 

English 2270: Introduction to Folklore 
Instructor: Staff 
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. 

GE: Cultures and Ideas 

English 2270H: Introduction to Folklore 
Instructor: Katherine Borland 
This class explores forms of traditional, vernacular culture—including verbal art, custom and material culture—shared by people from a number of regional, ethnic, religious and occupational groups. We will consider various interpretive, theoretical approaches to examples of folklore and folklife, and we will investigate the history of folklore studies. Recurring central issues will include the dynamics of tradition, the nature of creativity and artistic expression and the construction of group identities. Folklore theory and methods will be explored through readings and an independent collecting project, where students will gather folklore from their home town or the college campus. Students will interview people for stories and other oral forms, and will document cultural practices through photographs, drawings and fieldnotes. Final collecting projects will be accessioned in the Student Ethnographic Collection at the Center for Folklore Studies Archives. Make your mark documenting the expressive culture you know most intimately and that you value most and expand the consultable record of human experience. 

*This is a combined section class. Cross-listed in CompStd 
GE: Cultures and Ideas 

English 2277: Introduction to Disability Studies 
Instructors 

Section 10 instructor: Elizabeth Miller 

Section 20 (*online section*) instructor: Jessie Male 

Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability. 

GE: Cultures and Ideas 

English 2281: Introduction to African American Literature 
Instructor: Staff 
A study of representative literary works by African American writers from 1760 to the present. 

GE: Literature 
GE: Diversity (Social Diversity in the U.S.) 
*This is a combined section class. Cross-listed in AfAmASt 

English 2291: U.S. Literature: 1865 to Present 
Instructors: Brian McHale and Staff 
This course provides a broad survey of American literature over more than a century and a half, from the aftermath of the Civil War to the new millennium.  Examining a wide range of fiction, nonfiction, poetry and drama, the course studies literary engagements with such historical and cultural phenomena as post-Civil War Reconstruction; the expanding social, economic and cultural networks of the late nineteenth and early twentieth centuries; immigration and internal migration; race and regional identity; the two World Wars and other armed conflicts of the twentieth century; and the increasingly rapid pace of social and technological changes over the last 75 years. Our investigation of literary responses and influences will include attention to such literary genres, trends and movements as the short story, the emergence of new forms of poetry, realism and its variants, modernism and postmodernism.  

GE: Literature 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructors: Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 

GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.02: Literature in the U.S. Experience 
Instructor: Staff 
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience. 

GE: Literature 
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.03: Documentary in the U.S. Experience 
Instructor: Staff 
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries. 

GE: Writing and Communication (Level Two) 

English 2367.05: The U.S. Folk Experience 
Instructor: Staff 
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills. 

GE: Diversity (Social Diversity in the U.S.) 
GE: Writing and Communication (Level Two) 

English 2367.06: Composing Disability in the U.S. 
Instructor: Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
Only one decimal subdivision of English 2367 may be taken for credit.  

GE: Diversity (Social Diversity in the U.S.) 
GE: Writing and Communication (Level Two)

English 2367.08: The U.S. Experience: Writing about Video Games

Instructor: Staff 
Emphasizes persuasive and researched writing, revision and composing in various forms and media. Focusing on digital literacy, development of critical thinking skills and skill in producing analytical prose, students explore key conversations in the field of game studies and analyze a variety of types of video game writing. No prior knowledge of video games or game studies is required. 

GE: Writing and Communication (Level Two) 

English 2463: Introduction to Video Games Analysis 
Instructor: Staff 
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab. 

GE: VPA 

English 2464: Introduction to Comics Studies 
Instructor: Frederick Aldama 
We will learn the language of comics from around the world and the concepts for their study. We will discover comics as a storytelling form grown within specific nationally identified geographic regions with their own styles (U.S. alternative and mainstream as well as manga, for instance) as well as to show how they exist within a world system of comics that includes cross-pollinations and influences with fine arts, films, TV and alphabetic narrative. Along the way, we will ask questions such as: Why tell this story in comics form? What can comics as a storytelling form do that, say, a film or novel can't do? We will learn how to analyze comics and learn about archival research at Ohio State's Billy Ireland Cartoon Library and Museum. No background in comics is required. Requirements will include reading/viewing of comics, 3 papers (5-7pp each) and discussion. 

GE: VPA


3000-level

 

English 3271: Structure of the English Language 
Instructors 

Sections 10 and 20 instructor: Clarissa Surek-Clark 

Section 30 (*online section*) instructor: Gabriella Modan 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language: the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings. 

GE: Cultures and Ideas 

English 3304: Business and Professional Writing 
Instructor: Staff 
The study of principles and practices of business and professional writing. 

English 3305: Technical Writing 
Instructor: Staff 
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3331: Thinking Theoretically 
Instructor: Sandra MacPherson 
In this course we will think theoretically about the relationship between human and non-human Beings/beings. What grounds the difference between one kind of existence and another? What distinguishes the human body from that of other animals? What distinguishes organic bodies from other forms of organized matter—crystals, puddings, viruses, statues, robots, penknives? For some thinkers, the answer to the first question has been that humans are a “higher” form of animal because of our cognitive abilities—our capacity for language and memory, for making tools and art. But research increasingly suggests that Neanderthals used tools and made art, and that primates use tools and language. Moreover, other creatures clearly communicate amongst themselves and even with us, though we don’t tend to call this “language.” If language is merely a shared system of signs, however, why isn’t the family dog using language when she sits when we ask her to? What is a parrot doing when she is saying she wants a cracker? What are we doing when we say we want one? The law has increasingly been willing to grant certain kinds of non-human animals the status of legal persons, endowed with rights and protections. What about trees? Should we not protect these natural objects on which the human species depends for breath and shelter? If corporations have rights, why not water systems? We live in a world organized on the one hand around a pervasive interface of human and machine, and on the other around a growing understanding of the human as a geologic force. How might contemporary developments in robotics, climate change, genetic engineering and animal rights require us to rethink the special status of the human animal? We will pursue this question through a range of theoretical, philosophical, scientific, historical and aesthetic accounts of the human from the eighteenth century to the present. This would be a great course for those interested in science fiction, environmental humanities and human rights, along with anyone needing to fulfill a critical theory requirement.

Possible theoretical texts include selections from Rene Descartes’ Treatise on Man (1664), Julien Offray de la Mettrie’s Machine Man (1747), Charles Darwin’s The Expression of the Emotions in Man and Animals (1874); Sigmund Freud’s Beyond the Pleasure Principle (1920); Michel Foucault’s The Order of Things (1966); Elizabeth Anscombe’s “The First Person” (1974) and “Were You a Zygote” (1984); Peter Singer’s Animal Liberation (1975); Donna Haraway’s Crystals, Fabrics, and Fields (1976) and Primate Visions (1989); David Chalmers’ “Facing Up to the Problem of Consciousness” (1995); Bruno Latour’s Reassembling the Social (2005); Jane Bennett’s Vibrant Matter (2009); and Christine Korsgaard’s Fellow Creatures (2018). Possible literary texts include J. M. Coetzee’s Slow Man (2005), Sigrid Nunez’ The Friend (2018), a selection of georgic poetry, Blade Runner (1982) and Blade Runner 2049, Robert Bresson’s film Au Hazard Balthazar (1966), and paintings by Jean-Siméon Chardin, Anne Valleyer-Coster, J.M. Turner, John Constable, Piet Mondrian, Agnes Martin and Cindy Wright. 

English 3361: Narrative and Medicine 
Instructor: Antonio Ferraro 

Illness generates stories. Whether from patients, caregivers or loved one, stories of illness are everywhere, informing our sense of what it means to suffer, to adjust to altered and disabled bodies, and to seek comfort and relief. In this class we'll explore, through close examinations of novels, essays, films, poems and other media, the many ways illness narratives intervene in our shared and individual conceptions of illness. Further, by drawing on our different personal and academic experiences, we'll explore how improving our narrative competencies, or the different ways we respond to and create narratives, can inform our medical competencies, or the ways we give and receive health care.

GE: Literature 

English 3364: Special Topics in Popular Culture 
Instructor: Jared Gardner 
This course will study the long and varied tradition of true crime narratives, from early gallows confessions through ballads, novels, comics, memoirs, radio, podcasts and film. Beginning with tales of witches and violence that so captivated their seventeenth-century audiences, to Victorian serial murderers like Jack the Ripper, to modern celebrity crimes and criminals, we will ask why writers and readers so often turn to blood, violence and malfeasance as the stuff of art, entertainment and cultural criticism. 

GE: Cultures and Ideas 

English 3372 (10): Science Fiction and/or Fantasy—Children's Fantasy Novels 
Instructor: Jesse Schotter 
This class will survey some of the most important children's fantasy novelists of the 20th century, from E. Nesbit and C.S. Lewis and J.R.R. Tolkien up through Lloyd Alexander, Ursula K. LeGuin, J.K. Rowling, Diana Wynne Jones, and N.K. Jemisin.  We will examine how these two genres--fantasy and children's lit--grew up together, and will explore the varying influences on these writers, from myth and folklore to Christianity and Taoism and Existentialism to feminism and critical race theory. 

*This is an online section 
GE: Literature 

English 3372 (20): Science Fiction and/or Fantasy 
Instructor: Staff 

Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. 

GE: Literature 

English 3372 (40): Science Fiction and/or Fantasy 
Instructor: Brian McHale 
If you regularly read science fiction and watch sf films and consider yourself a knowledgeable fan, or if you only occasionally read or watch sf, or if you never read sf and seldom watch sf films—whichever of these categories you belong to, this course is for you! Its purpose is to give you tools for thinking, speaking and writing about sf. Our primary concern won't be sf's history, its marketing and readership, or even its ideas—though all of these things will come into the picture, of course. Our main focus, however, will be on how sf is made—its form. We'll explore questions such as, what distinguishes science fiction from other types of fiction, including fantasy? How are science fiction novels (and films) constructed? How do we get from sentences on a page (or shots in a film) to worlds in the imagination? Specific topics will include the future, the alien and world-building. What does it mean to imagine the future? When we try to do so, are we really just imagining versions of the present? What about aliens? Are they really just versions of ourselves, after all, ourselves in a funhouse mirror, or can we imagine something that is genuinely, radically not-us? What is involved in building a world? Why go to the trouble of building one, when there is a well-made and perfectly usable one all around us? Readings: classic sf short stories from The Big Book of Science Fiction, edited by Ann and Jeff Vandermeer (available in print and e-book); screenings of sf films. Assignments: 6 in-class quizzes, 6 brief response papers (2-3 pages each), one longer paper (5-8 pages) 

GE: Literature 

English 3372 (50): Science Fiction and/or Fantasy—Environmental Sci-Fi and Fantasy 
Instructor: Thomas Davis 
Science Fiction and fantasy often take us to places with weird environments, including future Earths, bizarre dreamscapes, and other planets.  In recent years, sci-fi and fantasy works have begun directly addressing the crises of climate change, the sixth mass extinction and the uncertain prospects for human life on an altered planet.  This class examines the ways environmental sci-fi/fantasy novels, short fiction and film narrate planetary change and what that means for human and nonhuman futures.  Students will read from read and view a diverse set of sci-fi/fantasy fiction, ranging from intergalactic epics, Afrofuturism, weird fiction and the recent subgenre cli-fi.  Students will also get a chance to build their own environmental sci-fi/fantasy worlds.  Texts and films may include: H.G. Wells The Time Machine; Ursula K. Le Guin The Dispossessed; Octavia Butler The Parable of the Sower; Jeff VanderMeer Borne; China Mieville Three Moments of an Explosion (selected stories); Louise Erdrich Future Home of the Living God; Alex DiFrancesco All City; Emmi Itäranta Memory of Water; Omar El Akkad American War; Mad Max; Snowpiercer. 

GE: Literature 

English 3378: Special Topics in Film and Literature—Film and Comics: Race, Class, Sexuality and Differently Abled 
Instructor: Frederick Aldama 
Have you ever wondered why you love watching superhero movies or reading comics? Why do we pay money to go see something that we know is clearly not real? This course examines the art of film and comics storytelling and, simultaneously, the emotion and cognitive responses that they trigger. We will focus on the contemporary period to see how filmmakers and comic book creators build their storyworlds as well as audience consumption. We will also explore the cross-pollination of devices used to give shape to filmic and comic book storytelling modes. We will acquire theoretical concepts and tools to understand better how our set of films and comics are built and how they might make (or not) new our perception, thought and feeling concerning issues of racism, ableism, misogyny, homophobia and the like. 

We will view and analyze: Patty Jenkins's Wonder Woman (2017); Jon Favreau's Iron Man (2008); Christopher Nolan's Batman Begins (2005), The Dark Knight (2008), The Dark Knight Rises (2012); M. Night Shyamalan's Unbreakable (2000); Guillermo del Toro's Pacific Rim (2013); Danny Boyle's 28 Days Later (2002); James Mangold's Logan (2017); Zack Snyder's Justice League (2017); Ryan Coogler's Black Panther (2018); Taika Waititi's Thor: Ragnarok (2017); Edgar Wright's Scott Pilgrim vs. the World (2010); Bob Persichetti et al.: Spider-Man: Into the Spider-Verse (2018); Jill Thompson's Wonder Woman: The True Amazon (2016); George Miller et al.: Mad Max: Fury Road (2015); Bryan Lee O'Malley's Scott Pilgrim vs. the World Vol. 1 (2004); Steve Niles's 28 Days Later: Aftermath; Travis Beacham's Pacific Rim: Tales from the Drift (2016); Ta-Nehisi Coates's Black Panther & the Crew (2017). 

GE: Cultures and Ideas 

English 3378: Special Topics in Film and Literature—Shakespeare's Tragedies on Film 
Instructor: Luke Wilson 

This course will study four or five tragedies by Shakespeare in conjunction with important film versions.  Possible plays: Hamlet; Othello; Titus Andronicus; King Lear; Romeo and Juliet; Coriolanus

GE: Cultures and Ideas 

English 3379: Methods for the Study of Writing, Rhetoric and Literacy 
Instructors 

Section 10 instructor: James Fredal 

Section 20 instructor: John Jones 
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences and create meaning, and how these practices are learned and taught. 

English 3398 (10): Methods for the Study of Literature 
Instructor: Jill Galvan 
This course is designed to strengthen skills in interpretive reading and writing. It will help students with English major courses and also with analyzing texts generally, beyond the classroom. Our focus will be on reading with an eye for fine detail and constructing logical, well-evidenced arguments. The syllabus will cover the major genres—novel, short story, poetry, performance (drama and film), and possibly memoir—and will range from the classic to the contemporary. A very tentative and partial author list includes Herman Melville, Robert Louis Stevenson, Charlotte Perkins Gilman, Kate Chopin, Raymond Carver, Octavia Butler, Justin Torres, Carmen Machado and Trevor Noah. In class, I will be providing guidance, terminology and a critical framework, but most meetings will be run as active discussions. Tentative assignments: two papers, 3-5 pages each; two papers, 5-7 pages each; a critical research exercise; regular reading quizzes; and engaged class participation. 

English 3398 (30): Methods for the Study of Literature 
Instructor: Susan Williams
What is literature? How does it work? How do we read and make sense of it? How do we talk and write about it? This course will focus on the close reading of a variety of different kinds of literature, considering especially matters of literary history, genre and form, as well as the interconnected roles of authors, texts and readers, and exploring all the many ways in which novels, poems and plays make meaning. This will not be “How to read literature like a professor,” but how to read literature like a really good reader, and perhaps also, how to read literature like a writer, from the inside out. Literary works will include Shakespeare’s play Hamlet, Dickens’ novel Great Expectations, the poems of Elizabeth Bishop and Anne Carson’s weird whatever-it-is The Autobiography of Red. We will also read a variety of critical essays on these works, representing different theoretical and methodological perspectives. Evaluation will be based on participation in discussion, short assignments and four essays.

English 3398 (70): Methods for the Study of Literature 
Instructor: Roxann Wheeler 
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by dept permission. 

English 3465 (30): Special Topics in Intermediate Fiction Writing—Writing Against Convention 
Instructor: Adam Luhta 

Literature is considered a storytelling medium, but what sets it apart from other forms of artistic expression is the capacity to render consciousness through voice. In this course, students will examine and hone their individual authorial voices through discussion of short stories, novel excerpts and flash fiction by a diverse set of classic and contemporary writers. Students will also produce and workshop 1-2 substantial pieces of writing. Readings will be drawn from the work of Lucia Berlin, E.M. Forster, Marlon James, Diane Williams, Toni Morrison, Vi Khi Nao, Flannery O'Connor, Kurt Vonnegut and others. 

English 3465 (20): Special Topics in Intermediate Fiction Writing—Writing Against Convention 
Instructor: Michelle Herman 
For students who have experience with the basic elements of writing fiction. This section's special topic will be characterization (and motivation, which goes hand in hand with it). We'll focus on in-depth practice in creating fully believable, three-dimensional characters.

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Alyssa Froehling 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3467S: Issues and Methods in Tutoring Writing 
Instructor: Beverly Moss 
English/CSTW 3467s focuses on theories and practices in tutoring writing.  The aim of this course is to prepare undergraduates to work with writers from diverse backgrounds and disciplines.  This class provides a unique opportunity for its members to learn about composition theory and pedagogy, tutoring strategies and writing center theories and practices in order to put these theories and practices to work in classroom and writing center settings.  Students will apprentice as writing consultants/tutors in the University Writing Center.  Therefore, in addition to our regularly scheduled class time, each person enrolled in this course will spend approximately one hour per week in the Writing Center. In addition to your observations, you will be expected to complete a semester-long research project. This course is particularly helpful to those who are planning careers as teachers or who are enrolling in the professional writing minor (3467 is an elective for the  writing minor). 

*Cross-listed in ArtsSci 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: Staff 
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3662: An Introduction to Literary Publishing 
Instructor: Kamal Kimball 
An introduction to the theory and practice of editing and publishing literature.


4000-level

 

English 4150: Cultures of Professional Writing 
Instructors 

Section 10 instructor: Jennifer Patton 

Section 20 instructor: Daniel Seward 

Section 30 instructor: Christiane Buuck 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

English 4189: Professional Writing Minor—Capstone Internship 
Instructor: Jennifer Patton 
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics. 

English 4515: Chaucer 
Instructor: Ethan Knapp 
The aim of this course will be to introduce students to the poetry of one of the greatest of English writers, Geoffrey Chaucer, starting with his early works and leading up to a reading of large sections of his most famous poem, The Canterbury Tales. Chaucer's poetry offers a window onto an usually exciting moment of political, cultural and philosophical transformations, and we will read these poems with close attention to the society and culture in which they were produced.  Students will also acquire a familiarity with Chaucer's Middle English. 

English 4520.01: Shakespeare 
Instructor: Jennifer Higginbotham 
This course will explore the formal, social and political engagements of Shakespeare's plays. It will pay particular attention to how his plays conform to and work against the genres of comedy, tragedy, history and romance, and to how they represent such issues as gender, sexuality, religion, race and political power.  In addition to some critical and historical essays on the early modern theater and culture, we will likely read some combination of the following plays: Richard III, A Midsummer Night's Dream, Much Ado About Nothing, Measure for Measure, Romeo and Juliet, Othello, King Lear, The Winter and Pericles. Requirements include two essays, a midterm exam, a final exam, regular attendance and active participation. 
Assigned texts: I will order a selection of modern editions of the plays on the syllabus. Any modern edition you purchase must have line numbers, glosses of difficult words and longer explanatory notes. Good editions of single plays are published by Cambridge, Oxford and Arden, as well as by Folger, Pelican, Norton, Bedford, Bantam and Signet. Reputable one-volume editions of all of Shakespeare's plays are published by Longman, Pelican, Riverside, Norton and Oxford. 

English 4520.02: Shakespeare—Q1 Hamlet: Shakespeare, Criticism and Performance (Synchronous Online)
Instructor: Sarah Neville 

Did you know there are three texts of Hamlet? This Special Topics course is designed to give students an opportunity to explore the relationship between literary texts, criticism and performance through a deep investigation into one of the most discussed – and controversial – texts in the English language. Students in this course will study the theatrical and critical history of the 1603 text of Shakespeare’s Hamlet, which famously has Hamlet uttering not, “To be or not to be, that is the question”, but “To be or not to be – ay, there’s the point.” In figuring out how this early version of Shakespeare’s play could have been displaced by the later but better-known version of 1604-5, students in 4520.02 will explore topics like Renaissance books in print, theories of textual transmission, performance criticism, theatre reviewing and Shakespeare’s use of popular and historical sources. Our weekly class work will be a mix of synchronous and asynchronous discussion, short writing assignments, and guided discovery. Approximately 65% of the class will be conducted synchronously during the assigned class time.

Complementing these traditional classroom activities, Lord Denney’s Players, the theatre company of the English department, is producing a documentary film about the three texts of Hamlet in November 2020, and students in 4520.02 will form the film’s production team. All work on the film will be completed remotely to conform with safe social distancing guidelines. As part of their class assessment, students will work to explain central textual and performance variants between the Hamlet texts as part of an “act” of the documentary. In consultation with the professor, student groups will direct their act’s initial concept and script development, conduct and film interviews, adapt relevant illustrative scenes, determine those scenes’ casting, costumes, lighting and sound design and explain how these choices fit into their act’s overall dramaturgy. The combination of the LDP documentary and students’ individual work in the class will serve as a joint “laboratory” to test some of the claims Shakespeare critics have made about the performability of Shakespeare’s 1603 Hamlet text, providing a lasting resource for other students and scholars of Shakespeare. All students in ENGL 4520.02 will take part in (and receive credit for) the making of the Hamlet film but they may choose whether or not they ultimately appear onscreen in the finished product.

English 4540: Nineteenth-Century British Poetry 
Instructor: Jacob Risinger 
Set down on a darkling plain, Romantic and Victorian poets raged against the dying of the light. In this course, we will explore poets who tried to make sense of the nineteenth century and its tumultuous changes. Poets ranging from Wordsworth to Oscar Wilde were some of the first writers to grapple with the modern world as we know it.  Their century was rocked by the invention of the train, the telegraph, the photograph and the bicycle. The industrial revolution gave rise to a broad but unpredictable social realignment and Darwin's evolutionary hypothesis disrupted religious convictions and comfortable visions of nature. Revolutionary political ideas prompted the reconsideration of tradition, custom and order. As the British Empire expanded to cover a quarter of the globe, both the Romantics and the Victorians confronted an increasing disjunction between local culture and a globalized world. Over the course of the semester, we will think about how these developments resulted in the formal and thematic transformation of British poetry. 

English 4543: 20th-Century British Fiction—Fiction and Politics at the End of the British World System 
Instructor: Thomas Davis 
This course examines a wide range of fiction produced from locations that made up the British world system: the British Isles, Africa, the Caribbean and Asia.  We will be concerned primarily with the way literary texts register historical and political tensions and, sometimes, get marshaled directly for political ends. Our readings will take us through the various ways literature engages questions of empire, racism, gender and sexuality, fascism, war, and immigration. To address the relationship of aesthetics and politics, we will consider the formal dimensions of texts—figural language, emplotment, characterization, perspective, generic fidelity and infidelity—as encryptions of the multiple historical antagonisms that led to Britain's slow descent from atop the world-system over the course of the twentieth century.  Texts may include: Virginia Woolf's Mrs. Dalloway; Christopher Isherwood's Goodbye to Berlin; Elizabeth Bowen's The Demon Lover and Other Stories; George Orwell's 1984; Samuel Selvon's The Lonely Londoners; J.G. Ballard's The Drowned World; Doris Lessing's The Grass is Singing; Ali Smith's Autumn. 

English 4550: Special Topics in Colonial and Early National Literature of the U.S.—Alexander Hamilton's World 
Instructor: Elizabeth Hewitt 
The popularity of Lin-Manuel Miranda's Hamilton has turned the "ten dollar founding father" into something of a household name. This class will use Hamilton's life—as immigrant, soldier, revolutionary, architect of American finance and husband—as a lens to view various stories told about the early United States. We will consider the interdisciplinary relationships between economic, political and imaginative writing in the eighteenth century (a relationship that is also crucial to Miranda’s musical). And we will study the partisan divides (especially over Federal authority, slavery and public finance) that shaped the first decade of the nation. We will read novels, essays, autobiographies, poetry and political treatises by authors including: Alexander Hamilton, Thomas Jefferson, Phillis Wheatley, Susanna Rowson, Olaudah Equiano, James Madison, Charles Brockden Brown, Judith Sargent Murray, Quobna Ottobah Cuguono and Royall Tyler. 

English 4555: Rhetoric and Legal Argumentation 
Instructor: James Fredal 
Examines legal argumentation as a specialized type of rhetorical discourse; considers the relationship between rhetoric and legal discourse from historical, theoretical and practical perspectives; covers key concepts in rhetorical theory and explores their relevance for analyzing and producing legal arguments; students apply theory in analysis and production of spoken and written legal arguments. 

English 4563: Contemporary Literature—Literature 1945 to the Present 
Instructor: Jessica Prinz 
We will read broadly in the area of 20th and 21st Century fiction, focusing on the theme of science. 
Although "science fiction" is a genre devoted to science and its  fusion with literature, we will be looking at other genres as well, as we explore some of the central concerns of the period. 
Among works that may be considered are: Ishiguro, Never Let Me Go; Zadie Smith, White Teeth; Egan, A Visit from the Goon Squad; Delillo, White Noise;  Calvino, If on a Winter's Night a Traveler; Eggers, The Circle; Lightman, Einstein's Dreams; Benedict, The Other Einstein.  No prior knowledge of contemporary science or literature is required. 

English 4565: Advanced Fiction Writing 
Instructor: Nick White 
This is the advanced creative writing workshop in fiction. Admission is limited to creative writing concentrators who have taken English 2265, and to other students who have successfully completed English 2265 with permission of the instructor by portfolio submission. 

English 4566: Advanced Poetry Writing 
Instructor: Marcus Jackson 
Each meeting, we will workshop your poems. In addition, we will be reading and discussing the aesthetic choices made in selections of published poetry (distributed via handouts and our Carmen page). Also, we will make efforts to become familiar with the poets and books that are guiding our current writing, thereby giving us more informed perspectives from which to critique weekly drafts. 

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Elissa Washuta 

This is the advanced creative writing workshop in creative nonfiction. Admission is limited to creative writing concentrators who have taken English 2268, and to other students who have successfully completed English 2268 with permission of the instructor by portfolio submission.

English 4569: Digital Media in English Studies: Digital Protest and Online Activism 
Instructor: John Jones 
Critical examination of the intersections between specific areas or problems in English studies and the emergent technologies used to acquire and create knowledge in the discipline. 

English 4572: English Grammar and Usage 
Instructor: Lauren Squires 
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4573.02: Rhetoric and Social Action 
Instructor: Staff 
Examination of persuasive strategies in social interaction, such as social movements, political protests, cultural trends, rituals and ceremonies and everyday practices. 

English 4575: Special Topics in Literary Forms and Themes 
Instructors: Angus Fletcher 
In this course, you will learn to write like your favorite author, in any genre or any medium, from poetry to comics, film to fiction, essays to television, memoir to mashup, ancient or modern. You will start by learning the secret to uncovering your favorite author's creative blueprint, identifying the formal elements that your author uses like nobody else. Maybe the element is a unique style, or a special recipe for character, or an innovative use of plot, or storyworld, or voice or atmosphere. Then you'll incorporate that blueprint into your own writing. So you will create your own original piece of writing that sounds just like your favorite author—while also sounding just like you. 

English 4577.02: Folklore II—Genres, Form, Meaning and Use 
Instructors: Merrill Kaplan

LEGEND has classically been defined as a genre of prose narrative, an objectively false story told by people who ignorantly believe it is true. Almost everything about this definition is wrong. This course explores legend, rumor, superstition and folk belief in places and times from 19th-century Scandinavia to the 21st-century Internet. We’ll get to know the structure and subject matter of legend, the relationship between legend, belief and personal experience, and the nature of legend as contested truth. We’ll learn about the history of the collection of legends and become acquainted with the work of major scholars. By the end of the course, students will understand some of the difficulties posed by attempts to define legend as a genre and have learned strategies for interpreting legend and rumor as meaningful expression. 

English 4578: Special Topics in Film—Disney(Plus) 
Instructors: Jared Gardner 
This course will study the history of Disney from its founding in 1923 as a small animation studio in a Hollywood dominated by major studios to its emergence in the twenty-first century as the world's most profitable global media conglomerate. Along with analysis of film, television and other media texts, the course will engage heavily with film history (including studio and industry history), media history and popular culture studies from 1920s-2020, considering not only Disney's own theatrical output but also the wide range of media that the company has acquired and developed, including Pixar, the Star Wars franchise and of course the Marvel Cinematic Universe. The launching of the new Disney+ streaming platform will also provide us with an occasion to consider the state (and future) of transmedia storytelling and media circulation in the new age of the horizontally integrated "studio." 

English 4578: Special Topics in Film—Musicals 
Instructors: David Brewer 
This course will investigate what is perhaps simultaneously the most beloved and the most mocked of all film genres: the musical.  We'll explore the enduring appeal of characters bursting into song and dance when their emotions swell.  And we'll consider why such an inherently ridiculous form should persist, despite all of the changes to both society and the film industry over the past century. Likely viewings will include 42nd Street, Singin' in the Rain, Oklahoma!, Gentlemen Prefer Blondes, West Side Story, The Blues Brothers, The Little Mermaid, Chicago, Hedwig and the Angry Inch, Moulin Rouge!, Sweeney Todd, Mamma Mia! and La La Land. Course requirements include a weekly viewing journal, a few short written exercises, an ethnographic field trip to a midnight screening of The Rocky Horror Picture Show, active participation in our discussions and a final project whose form can be negotiated. 

English 4582: Special Topics in African American Literature 
Instructor: Adélékè Adéẹ̀kọ́ 
Focuses on themes in African American Literature. Topic varies. Examples: Neo-slave narratives; the Harlem Renaissance; literature by African American women. 

English 4583: Special Topics in World Literature in English 
Instructor: Adélékè Adéẹ̀kọ́ 
Study of literatures written in English and produced outside of the U.S. and Britain; topics include colonial/postcolonial writing, regional literature, theoretical and historical approaches genres. 

English 4590.07H: Literature in English after 1945 
Instructor: Jessica Prinz 
This Honors Seminar will consider literature from 1945, and its relation to science. Although science fiction is a genre devoted to science and its fusion with literature, we will be looking at other genres as well, as we explore some of the central concerns of the period. 
Readings for the class will be taken from the following list: 
Ishiguro, Never Let Me Go;  Pynchon, The Crying of Lot 49;  Z. Smith, White Teeth; Egan, A Visit from the Goon Squad; DeLillo, White Noise; Eggers, The Circle; Calvino, If on a Winter's Night a Traveler; Lightman, Einstein's Dreams; Benedict, The Other Einstein. No prior knowledge of contemporary science or literature is required. 

English 4592 (10): Special Topics in Women in Literature and Culture 
Instructor: Sandra MacPherson 
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary. 

English 4592 (20): Special Topics in Women in Literature and Culture 
Instructor: Clare Simmons 
The British Census of 1851 revealed that there were at least half a million more women in Britain than there were men, leading to the conclusion that many women would never be wives.  If marriage could no longer be assumed to be the ultimate goal of women's lives, this raised the question of what women's roles in society should be.  Modern feminism owes much of its origins to debates over the so-called "Surplus Woman Question," so in this course we will read examples of nineteenth-century women's writing that challenge earlier notions of womanhood and that present a variety of answers as to  how women might find personal fulfillment.  Texts will include Charlotte Bronte's Jane Eyre, Dinah Mulock Craik's The Half-Caste, Florence Nightingale's Cassandra, Christina Rossetti's "Goblin Market," Charlotte Mary Yonge's The Clever Woman of the Family and Louisa May Alcott's Work, plus relevant criticism and contextual readings.  Course requirements are careful reading in advance; regular attendance and participation; reading response questions; two essays; and a teaching-related presentation.


5000-level

 

English 5191: Internship in English Studies—Promotional Media Internship 
Instructor: Scott DeWitt 
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship site requires students to work both independently and collaboratively. This internship opportunity is especially applicable to English majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them.  
Students with digital media skills are encouraged to enroll.  However, media skills are NOT a prerequisite; students will learn all media skills necessary for the class. (This internship does not fulfill the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.)

English 5194: Group Studies—Death 
Instructor: Hannibal Hamlin 

Humanity’s death rate remains steady at 100%. We all die. How we come to terms with death, or resist it, or deny it, varies among peoples and cultures. No surprise then that death has been so popular a topic throughout the history of the arts. Adam and Eve bring death into the world by eating the forbidden fruit. Gilgamesh mourns his beloved friend Enkidu. Priam and Troy mourn the death of Hector. David laments Saul and Jonathan. The pyramids, the Taj Mahal, the terra cotta army of Emperor Qin Shi Huang, the Treasury at Petra, and Ohio’s Serpent Mound are all tombs.

This course explores plays, poems, stories, novels and films about death. Aided by readings in sociology, philosophy and medical ethics, we will ask what death is, why and how we die, how we grieve, why we treat the dead as we do and why we imagine the dead returning to the living. Readings will include excerpts from Atul Gawande’s Being Mortal: Medicine and What Matters in the End, Thomas Lynch’s The Undertaking: Life Studies from the Dismal Trade and Mary Roach’s Stiff: The Curious Lives of Human Cadavers. Literary works will include excerpts from the Bible and Gilgamesh, Faulkner’s As I Lay Dying, George Saunders’ Lincoln in the Bardo, Alejandro Amenábar’s The Others, David Lowery’s A Ghost Story, stories by M.R. James and Raymond Carver and poems by John Donne, Thomas Gray, Walt Whitman, Emily Dickinson and Tony Harrison.

English 5710.01/.02: Introduction to Old English Language and Literature — The Language of Beowulf 
Instructor: Christopher Jones 
This course introduces students to Old English language—the form of early English in which Beowulf and many other works were composed. While learning to read actual Old English texts, we will also examine aspects of the cultural history of early medieval England. There will be a series of short quizzes and translations assignments, as well as a final project devised by the student in consultation with the instructor. No prior study of linguistics or the Middle Ages is required to enroll. 

English 5721.01/.02: Graduate Studies in Renaissance Drama—The Plays of Beaumont and Fletcher: Kings, Courts, Suspense and Pretty Tricks 
Instructor: Alan Farmer
Francis Beaumont and John Fletcher were two of the most popular and innovative playwrights in Renaissance England. Their plays were regularly performed at court, were best-sellers in print and were eventually monumentalized in a 1647 folio collection. The plays they wrote by themselves, collaboratively with each other and collaboratively with other playwrights permanently changed the genres and forms of English drama. Beaumont's wildly allusive The Knight of the Burning Pestle challenged audiences to follow its ironical, metatheatrical plots, while their collaboratively written tragicomedies Philaster, A King and No King and The Island Princess astonished and confused audiences with their complex plots and surprise endings.  In this course, we will read several well-known and lesser-known plays by Beaumont and Fletcher, as we consider how these plays engage with such important early modern topics as courts and kings, gender and sexuality, London and colonialism, revenge and tragedy. 

1000-level

 

English 1109: Intensive Writing and Reading 
Instructor: Christiane Buuck 
Provides intensive practice in integrating academic reading and writing. 

English 1110.01: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.

*Traditional and online sections available 
GE: Writing and Communication — Level 1 

English 1110.02: First-Year English Composition 
Instructor: Staff 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.

GE: Writing and Communication — Level 1 

English 1110.02 (60): First-Year English Composition 
Instructor: Matthew Cariello                                                                                                     Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.

GE: Writing and Communication — Level 1 

English 1110.02 (100): First-Year English Composition 
Instructor: Francis Donoghue 
This is a first-year writing course with a focus on literature. After a brief time doing ethnographic exercises, we'll move through some of the major genres of literature - fiction, drama, poetry. We'll also spend time during every class doing grammar exercises and discussing critical writing. Four papers and a final exam.

GE: Writing and Communication — Level 1 

English 1110.02 (120): First-Year English Composition 
Instructor: Matthew Cariello 
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.

GE: Writing and Communication — Level 1 

English 1110.03 (10, 30): First-Year English Composition 
Instructor: Mira Kafantaris 
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program.

GE: Writing and Communication — Level 1 

English 1110.03 (20): First-Year English Composition 
Instructor: Christiane Buuck 
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program.

GE: Writing and Communication — Level 1 

English 1193: Individual Studies 
Instructor: Martha Sims         
Intensive practice in the fundamentals of expository writing. 


2000-level

 

English 2201H: Selected Works of British Literature — Honors Survey of British Literature, Beowulf to 1800
Instructor: Leslie Lockett 
This course introduces students to some of the major British literary texts written from the early Middle Ages through the late eighteenth century, including Beowulf, Chaucer's Canterbury Tales, Marlowe's Doctor Faustus, Milton's Paradise Lost and Aphra Behn's Oroonoko. Our approach to the literature will emphasize close reading, form and genre and historical context. Students will develop their research skills by means of a researched essay or creative project. Other requirements include response papers and a final exam.

GE: Literature 
GE: Diversity (Global Studies) 

English 2202: Selected Works of British Literature — 1800 to Present 
Instructor: Jill Galvan 
This course will introduce students to some of the major British texts, authors and literary forms and trends of the last two centuries. In the process, you will be learning about diverse perspectives on important cultural developments over the past two centuries, including the French Revolution, the abolition of slavery, the Industrial Revolution, imperialism, debates over gender roles and sexuality, the rise of scientific values, the twentieth-century world wars and the political and cultural consequences of decolonization. We will study major literary modes such as the Romantic lyric, the Gothic novel, the dramatic monologue, World War I poetry, postcolonial narrative and the Bildungsroman (or “coming-of-age novel”). Our fiction and drama will include Mary Shelley’s Frankenstein, Charles Dickens’s A Christmas Carol, Oscar Wilde’s The Importance of Being Earnest and Kazuo Ishiguro’s Never Let Me Go. English 2202 will also familiarize students with college-level strategies for analyzing literature. Main course requirements include two exams and two short papers designed to build your skills in literary interpretation.

GE: Literature 
GE: Diversity (Global Studies) 

English 2202H: Selected Works of British Literature: 1800 to Present 
Instructor: Jacob Risinger 
A great grand tour of British Literature from the Napoleonic Wars to Brexit, with a special emphasis on the collision of history and literary form.

GE: Literature 
GE: Diversity (Global Studies) 

English 2220: Introduction to Shakespeare 
Instructor: Christopher Highley 
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.

GE: Literature 
GE: Diversity (Global Studies) 

English 2220H: Introduction to Shakespeare 
Instructor: Luke Wilson 
This course is designed for Honors students as an introduction to the dramatic work of Shakespeare through close study of a sampling of his plays. Our primary concern will be with Shakespeare’s text, but we will also spend some time discussing the conditions of theatrical performance as well as recent film adaptations. Of particular interest will be Shakespeare’s use of sources (he invented almost nothing out of whole cloth and yet managed somehow to be extraordinarily original), and his (kind of astonishing) ability to be at once deeply responsive to the historical moments in which he wrote and endlessly relevant to our own times and lives. Written assignments will encourage you to develop your knowledge of Shakespeare by way of different sets of skills: informal response; close textual and semantic analysis; engagement with secondary (scholarly) discussions of Shakespeare; group work on play performance; a review of a theatrical production; and the production of a substantial critical argument of your own. No prior knowledge of Shakespeare is required.

GE: Literature 
GE: Diversity (Global Studies) 

English 2260 (20): Introduction to Poetry                                                                         Instructor: Clare Simmons 
This course, which fulfills the General Education literature requirement, will provide an introduction to the types and forms of poetry in English, with a particular emphasis on the ways that poems represent the variety and diversity of human experience. Students will have the opportunity to read a wide selection of poems and to practice skills in close reading, analyzing, discussing and writing about literary works. The main texts will be a selection of classic poems available through Carmen; and The Penguin Anthology of Twentieth-Century American Poetry, edited by Rita Dove. Students will be responsible for regular attendance and participation in classroom discussion and group activities; a reading journal; two short papers; and mid-term and final exams.

GE: Literature 

English 2260 (30): Introduction to Poetry 
Instructor: Leslie Lockett 
This course introduces students to strategies for understanding and enjoying poetry in English, from Old English elegies through Lin-Manuel Miranda's lyrics to the musical Hamilton. We will learn about the sounds of poetry in the ear and the shapes of poetry on the page; we will discuss social and political uses of poetry; and we will delve into the techniques by which poets imbue their words with multiple layers of meaning.

GE: Literature 

English 2260 (30): Introduction to Poetry — Ohio Poets 
Instructor: Molly Farrell 
This course explores the flourishing of poetry by writers with a deep connection to Ohio. From James Wright and Paul Lawrence Dunbar to Rita Dove and Hanif Abdurraqib, we will investigate the cultural corners of the state through the work of its acclaimed poets. How do these poems teach us to understand, enjoy and appreciate poetry? And how does a better understanding of poetry help us to see this particular place in new ways? Beginning in the nineteenth century up to the present day, we will explore various trends in poetic form and gain a sophisticated understanding of poetic terms. Connections to Ohio will work as a lens with which to view larger developments in American poetry, while at the same time we will investigate the ways the state's particular geography and history foster literary experimentation and engagement.  Course requirements include readings, written responses, two exams and a final project. This course fulfills the GE requirement in literature.

GE: Literature 

English 2260H: Introduction to Poetry 
Instructor: Jill Galvan 
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.

GE: Literature 

English 2261 (10): Introduction to Fiction 
Instructors: Matthew Cariello 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.

GE: Literature

English 2261 (20): Introduction to Fiction 
Instructors: Antony Shuttleworth 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.

GE: Literature 

English 2261 (30): Introduction to Fiction                                                                               Instructors: Matthew Cariello 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.

GE: Literature 

English 2261 (40): Introduction to Fiction                                                                               Instructors: Staff 
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.

GE: Literature 

English 2261 (70): Introduction to Fiction — Game of Thrones 
Instructors: Elizabeth Renker 
This class celebrates the conclusion to a beloved HBO series. Even the most dedicated fans might not realize that "Game of Thrones" is also a skilled and complex work of literature tied to a long history of literary concepts and approaches. This class will train you in core analytical methods that will enable newcomers to the series as well as longstanding fans to understand "Game of Thrones" at a deeper level of richness and pleasure. You will also learn the core skills of literary interpretation without a lot of heavy reading assignments. We will focus only on the first two seasons of the HBO series, although all students are required to watch the entire series before our class begins. (We will not read or discuss the books by George R.R. Martin.) Requirements: I have designed this class to address student concerns about GE classes more generally. There will be few written assignments to be handed in; instead, the grade will be based on daily attendance; preparation of daily homework questions; short, quick daily quizzes about the homework; high-participation activities in class; and four short (250 word) written assignments over the course of the semester (from which students can choose among multiple deadlines best for their schedules. Textbooks: an HBO subscription; readings posted on Carmen.

GE: Literature 

English 2261 (80): Introduction to Fiction                                                                               Instructors: Zoe Brigley Thompson 
This introduction to fiction course will focus on authors from the United States who have a variety of backgrounds. That is, not every author studied will be white.

GE: Literature 

English 2261 (90): Introduction to Fiction — Thematic Approaches to Literature, Slavery and the Novel 1660-1808 
Instructors: Roxann Wheeler 
During this time period, concepts of slavery shifted from featuring European-born slaves in the Mediterranean to featuring African-born slaves in the Caribbean and Europe.  The course investigates the racial, gender and class dynamics of the storylines of literature during the height of slavery and abolition.

GE: Literature 

English 2261 (100): Introduction to Fiction
Instructors: Jessica Prinz
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included.

GE: Literature

English 2263: Introduction to Film
Instructor: Sean O'Sullivan
This course offers an introduction to the language and aesthetics of cinema. In the first part of the course, we will study the basic elements of film grammar, from shot construction to editing to mise-en-scene to sound. In the second part, we will examine how that grammar is used to create different kinds of narratives, including documentaries, and how certain values of storytelling style have been privileged over others. We will use each week?s film as both a case study in the strategic deployment of certain cinematic techniques, and as a specific set of images and sounds that combine to create a unique cinematic expression. Throughout the semester, we will focus on detailed analysis of films, analyzing closely the ways in which the multiple elements of moviemaking come together to make meanings.

GE: VPA 

English 2264: Introduction to Popular Culture Studies
Instructor: Staff 
Introduction to the analysis of popular culture texts.

GE: Cultures and Ideas. 
*This is a combined section class. Cross-listed in CompStd. 

English 2265 (10): Introductory Fiction Writing                                                                       Instructor: Sheldon Costa 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2265 (30): Introductory Fiction Writing 
Instructor: Margaret Sarsfield 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2265 (40): Introductory Fiction Writing 
Instructor: Krishna Mishra 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2265 (50): Introductory Fiction Writing 
Instructors: Kirsten Edwards 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre. 

English 2266 (10): Introductory Poetry Writing 
Instructors: Molly Ortiz 
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. Prereq: 1110. Repeatable to a maximum of 6 credit hrs. 

English 2266 (20): Introductory Poetry Writing 
Instructors: Robert Schumaker
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. Prereq: 1110. Repeatable to a maximum of 6 credit hrs. 

English 2267: Introduction to Creative Writing                                                                       Instructor: Margaret Brown 
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 

English 2268 (10): Introductory Creative Nonfiction Writing 
Instructor: Mia Santiago 
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction. 

English 2269: Digital Media Composing 
Instructor: Staff 
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production.

GE: VPA 

English 2270: Introduction to Folklore 
Instructor: Staff 
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course.

GE: Cultures and Ideas 
*This is a combined section class 

English 2276: Arts of Persuasion
Instructor: James Fredal 
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts.

GE: Cultures and Ideas 

English 2277: Introduction to Disability Studies 
Instructor: Staff 
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability.

GE: Cultures and Ideas 

English 2281: Introduction to African American Literature 
Instructor: Andrea Williams 
This course explores the richness of African American literary traditions from the 1700s to the present. The class offers a chronological survey of representative African American texts, while considering the context of how each work is written, published and received by readers. By comparing the readings over the course of the semester, we will be able to trace the themes and styles that African American texts often share, as well as the ways writers expand or revise these patterns to create innovative autobiographies, coming-of-age stories, plays, science fiction and drama.

GE: Literature 
GE: Diversity (Social Diversity in the U.S.) 
*This is a combined lecture class. Cross-listed in AfAmASt 

English 2290: Colonial and U.S. Literature to 1865 
Instructor: Elizabeth Hewitt 
In this course, we will consider the relationship between literature and nationalism: how is literature used to establish national identity? What happens when the laws and practices of the nation contradict the stories told about it? What happens to national stories when citizens disagree? Can people who are not afforded citizenship help write national myths? We will approach these and other questions by reading work from before the United States was a nation until its division during the Civil War. We will explore how essayists, politicians, novelists and poets addressed a broad array of historical, cultural and literary concerns, including settlement, revolution, slavery, diversity, religion, equality and others. 

English 2367.01: Language, Identity and Culture in the U.S. Experience 
Instructor: Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.

GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.01 (120): Language, Identity and Culture in the U.S. Experience 
Instructor: Eddie Singleton 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.

GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.02 (100): Literature in the U.S. Experience 
Instructor: Staff 
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.

GE: Literature 
GE: Writing and Communication (Level Two) 
GE: Diversity (Social Diversity in the U.S.) 

English 2367.03: Documentary in the U.S. Experience 
Instructor: Staff 
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries.

GE: Writing and Communication (Level Two) 

English 2367.06: Composing Disability in the US 
Instructor: Staff 
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 

English 2367.07S: Literacy Narratives of Black Columbus 
Instructor: Staff 
This service-learning course focuses on collecting and preserving literacy narratives of Columbus-area Black communities. Through engagement with community partners, students refine skills in research, analysis and composition; students synthesize information, create arguments about discursive/visual/cultural artifacts and reflect on the literacy and life-history narratives of Black Columbus. 

English 2367.08: The US Experience: Writing About Video Games 
Instructor: Staff 
In this course, we will play and think critically about video games through the lens of race and gender. We will consider issues of representation in games and also in films about/that include video game aesthetics. No gaming experience necessary! 

English 2463: Introduction to Video Games Analysis 
Instructor: Staff 
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.

GE: VPA 

English 2464: Introduction to Comic Studies 
Instructor: Jared Gardner 
This class introduces students to the history, forms and study of graphic storytelling.  We will approach comics as a medium  which expresses stories and ideas across a wide range of genres using a blend of text and images.  Beginning by learning the grammar of comics and the terminology for how comics texts achieve their effects, we will study the ways comics are made and the ways they are received readers and fans. The range of texts will include newspaper comic strips, comic books, graphic novels and memoirs, manga, web comics and experimental comics. Requirements will include one in-class group presentation, short blog assignments (including at least one involving research at the Billy Ireland Cartoon Library and Museum), a final paper and lots of lively discussion.

GE: VPA 


3000-level

 

English 3271 (10 and 30): Structure of the English Language 
Instructor: Clarissa Surek-Clark 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evolution in educational settings.

GE: Cultures and Ideas 

English 3271 (20): Structure of the English Language 
Instructor: Lauren Squires 
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings.

GE: Cultures and Ideas 

English 3304: Business and Professional Writing 
Instructor: Christiane Buuck 
The study of principles and practices of business and professional writing. 

English 3305 (10): Technical Writing 
Instructor: Jason Collins 
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3305 (20): Technical Writing 
Instructor: Staff 
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc. 

English 3361: Narrative and Medicine 
Instructor: Antonio Ferraro 
Illness generates stories. Whether from patients, caregivers or loved one, stories of illness are everywhere, informing our sense of what it means to suffer, to adjust to altered and disabled bodies and to seek comfort and relief. In this class we'll explore, through close examinations of novels, essays, films, poems and other media, the many ways illness narratives intervene in our shared and individual conceptions of illness. Further, by drawing on our different personal and academic experiences, we'll explore how improving our narrative competencies, or the different ways we respond to and create narratives, can inform our medical competencies, or the ways we give and receive health care.

GE: Literature 

English 3364 (10): Special Topics in Popular Culture — Vampires 
Instructor: Karen Winstead 
This course will examine the representation of vampires in popular culture, from their folkloric roots and their classic literary representations in the nineteenth-century- John Polidori's Vampyre, Sheridan Le Fanu's Carmilla and Bram Stoker's Dracula - to their recent incarnations in TV, film and in such novels as Let the Right One In and NOS4A2.  We will consider what made blood-suckers so mesmerizing and how their image has shifted over the centuries.  We will also consider how these figures have been used to explore a host of social issues, generational and class conflict, changing gender roles, sexual identity - as well as to articulate "forbidden" passions and fears.  Requirements will include a series of Carmen quizzes, three short essays and a final exam.

GE: Cultures and Ideas 

English 3372 (20): Science Fiction and/or Fantasy 
Instructor: Staff 
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy.

GE: Literature  

English 3372 (30): Science Fiction and/or Fantasy — Tolkien's Monsters 
Instructor: Merrill Kaplan 
Tolkien`s bestiary of wights, wargs, balrogs and nazguls is half the fun of his books. Add the races of elves, dwarves, hobbits, orcs and men and there is a lot to talk about. What is a monster and what do monsters mean? What are the relationships between Tolkien`s monsters and the elves, dragons and trolls of folklore and medieval epic? How have Tolkien`s ideas about race affected subsequent fantasy literature and games? In looking at monsters, we`ll examine the boundaries of the human and explore the violent language of dehumanization. We`ll hew to the books, not the movies and readings will include the Hobbit, the Lord of the Rings trilogy, Tolkien`s essay "The Monsters and the Critics," modern theoretical works on monstrosity and about race, and comparative texts from folklore and medieval literature.

GE: Literature 

English 3372 (10 and 40): Science Fiction and/or Fantasy — How Magic Works 
Instructor: David Brewer 
The most fundamental distinguishing mark of fantasy is that it features stories in which magic works. The magic may be front and center (Harry Potter) or kept largely in the background (Game of Thrones); it may be largely an instrument of evil or a morally neutral tool. But regardless of the form it takes, in the vast majority of fantasy, magic is real, which means that to the extent that we buy into these stories and the worlds in which they're set, we are temporarily accepting the existence of magic (or at least suspending our disbelief in its existence). This course will investigate how that process works, and what it might be able to tell us about literature more generally. We'll also consider how the open embrace of magic has contributed to the (traditionally low, but recently rising) cultural status of fantasy. Course requirements include a weekly reading and viewing journal, a recommendation to your colleagues of a work of fantasy beyond what we will be reading together, a short essay, active participation in our discussions and a contribution to a collectively devised new magic system.

GE: Literature 

English 3378: Special Topics in Film and Literature — Shakespeare and Film 
Instructor: Alan Farmer 
In this course, we will study some of the most innovative and influential films ever made of Shakespeare's plays.  We will both read specific plays (probably Richard III, A Midsummer Night's Dream, Much Ado About Nothing, Romeo and Juliet, Hamlet, Titus Andronicus and Macbeth) and view films that cut across dramatic genres, time periods, countries and cinematic styles, by such directors as Max Reinhardt (Austria and Germany), Laurence Olivier (England), Akira Kurosawa (Japan), Baz Luhrmann (Australia), Michael Almereyda (U.S.), Al Pacino (U.S.) and Julie Taymor (U.S.). We will focus on how directors and actors have chosen to adapt Shakespeare for performance, but also consider how these films have shaped, and continue to shape, the cultural meaning of "Shakespeare: for modern audiences.  Requirements will include two essays, several quizzes, a midterm, a final exam, regular attendance and active participation.

GE: Cultures and Ideas 

English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: James Fredal 
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning and how these practices are learned and taught.  

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy 
Instructor: Christa Teston 
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning and how these practices are learned and taught.  

English 3398 (20): Methods for the Study of Literature 
Instructor: Susan Williams 
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by department permission. 

English 3398 (30): Methods for the Study of Literature — The Text, The Critic and the World
Instructor: Thomas Davis 
This course offers a foundation for those seeking to develop the skills and practices to succeed in the English major. We will think carefully about how our understanding and analysis of texts relates to the world as well as the practical ends of the kinds of work we do; to that end, we will experiment with different methods and different forms of writing (close reading exercises, listicles, public-facing criticism, expository essays and reseached essays). Students will engage with a wide range of genres, forms and media, including poetry, climate fiction, visual media and possibly zines and a video game. We will also consider the value—economic, intellectual, cultural—of undertaking humanistic work in our contemporary moment of devalued labor, climate breakdown and “post-truth” politics.   

English 3398 (60): Methods for the Study of Literature 
Instructor: Sarah Neville 
This class is designed to support students in developing the writing and research skills they need to be successful English majors. Classes and short assignments will cover issues like:

  • What does secondary criticism add to literature?
  • How do I read actively? What kinds of tools do I need?
  • How do I stake a claim? Do I need a flag?
  • What’s the difference between a long paper and a short one?
  • How can I distinguish between what they say about a text and what I say?

In addition, over the course of the term students will learn the types, tools and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. Along the way we’ll read a novel by Robertson Davies, short stories by Dorothy Parker, Lorrie Moore, Donald Barthelme, and George Saunders, plays by Djanet Sears and William Shakespeare, and poems by Billy-Ray Belcourt. Students will complete in-class exercises and multiple short writing assignments that ultimately build towards a longer research paper.

English 3465 (10): Special Topics in Intermediate Fiction Writing — Writing Against Convention
Instructor: Scott Broker 
In this intermediate fiction course, we will focus on reading and writing work that challenges traditional modes of narrative realism. From genre blending to structural innovation, unconventional subject matter to non-standard logic, we will pursue and embrace that which is often seen as strange, taboo, uncanny or queer, trying to understand how these stories work in relation to the normative conventions of fiction. We will begin by analyzing a wide range of texts to situate ourselves within the history of unconventional writing. From these stories, we will pull tricks and tools that will help in the development of our own unique voices. The reading list is diverse and challenging, and I ask and expect you to read with an open mind. Some possible authors include: Diane Cook, Mariana Enriquez, Samanta Schweblin, Deb Olin Unferth, Miranda July, Ben Marcus, Jamaica Kincaid, Lesley Nneka Arimah, Carmen Maria Machado, Kelly Link, Karen Russell, Nana Kwame Adjei-Brenyah, Joy Williams, Ottessa Moshfegh, Helen Oyeyemi, Catherine Lacey, Yukiko Motoya, Rita Bullwinkel and Aimee Bender.

English 3465 (30): Special Topics in Intermediate Fiction Writing — Flash and Other Short Forms of Fiction
Instructor: Meagan McAlister 
This intermediate fiction class will explore flash fiction (generally considered to be fiction 250-1000 words in length) as well as other forms of short fiction. There is much discussion about what exactly flash is and what parameters define it—whether it be length, the presence of narrative vs lyrical language, experimental form, emotional density of content, etc. We’ll read and write widely to interrogate what flash fiction is and how we’ll go about writing it

Though this class is specifically focused on flash fiction, we will discuss and dabble in other short forms as well – sudden fiction (2000 words), prose poetry, smoke-long stories, palm-of-the-hand stories, micro fiction, nanofiction, hint fiction (25 words), 6-word stories, flash nonfiction, stories told in series and more. We’ll investigate the boundaries of genre—fiction, nonfiction and poetry—in these compressed forms, which makes this a great class for writers of all genres who are looking to experiment with what can be done in a small space.

English 3466: Special Topics in Intermediate Poetry Writing 
Instructor: Margaret Colvett 
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing 
Instructor: David Grandouiller 
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. 

English 3662 (10): An Introduction to Literary Publishing 
Instructor: Kaiya Gordon 
An introduction to the theory and practice of editing and publishing literature. 

English 3662 (20): An Introduction to Literary Publishing 
Instructor: Daniel Barnum-Swett 
An introduction to the theory and practice of editing and publishing literature. 


4000-level

 

English 4150: Cultures of Professional Writing 
Instructor: Jennifer Patton 
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.                       

English 4189 (10): Professional Writing Minor—Capstone Internship 
Instructor: Jennifer Patton 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.                                                                  

English 4189 (20): Professional Writing Minor—Capstone Internship 
Instructor: Lindsay Martin 
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.                                                                  

English 4321: Environmental Literature, Cultures and Media
Instructor: Thomas Davis 
In Fall of 2016 the Working Group on the Anthropocene declared that there is sufficient evidence to demonstrate that humans have exited the Holocene, the geological epoch of the last 11,700 years that was characterized by climatic stability and incredibly swift human development. The Anthropocene declares that human activity has forced the Earth system for the first time beyond natural variability. Energy extraction, large scale agriculture, atomic testing, urban growth, deforestation and mass consumption among other factors have altered the cryosphere, the biosphere, and the atmosphere. The rapid rate of biodiversity loss has led many to claim we are living in the midst of the Sixth Extinction. What will constitute a livable future on such a changing planet? What cultural resources do we have to begin imagining other ways of relating to humans and to nonhuman nature? What cultural resources do we need to create?
We will read widely in contemporary literature, Environmental and Energy Humanities scholarship, view documentaries and visual art, and collaborate with the Museum of Biological Diversity. Students will engage in image curation, collectively develop a Lexicon for the Anthropocene, and pursue other projects. Authors may include Jeff VanDerMeer, Octavia Butler, Anna Tsing, Eileen Crist, Ross Gay, Layli Long Soldier, Elizabeth Kolbert and Naomi Klein, as well as writings from Extinction Rebellion and the Degrowth Movement.                                                                                                      

English 4400: Literary Locations—Venice
Instructor: Alan Farmer 
This Literary Locations program offers students the opportunity to study the history and representation of Venice in English and European literature from the sixteenth to the twentieth century, and to spend almost two weeks (May 1-13, 2020) exploring the historical and cultural sites of Venice and Padua. A city of labyrinthine canals and alleys, known for its vast wealth and its mix of Eastern and Western art and architecture, but also for its courtesans, con men, casinos and Carnival, Venice has for centuries inspired tales of cultural conflict, sexual intrigue, magic and mystery, decay and death. We will see the Basilica of St. Mark near which the main character in Ben Jonson's Volpone impersonates a mountebank, the Ghetto where Shakespeare's Shylock lives and prays in The Merchant of Venice and the canals and palazzi that both fascinated and disturbed writers like John Ruskin and Henry James. We will visit the prison that held Casanova in the Doge's Palace, the beaches where Thomas Mann's Aschenbach roams in Death in Venice and the insane asylum on San Servolo where Jeanette Winterson's The Passion ends. The city's impressive churches and museums will offer students the chance to see masterpieces by the Venetian artists Tintoretto, Titian, Carpaccio, Giorgione, Veronese, Gentile Bellini and Giovanni Bellini. The course will also include a visit to Padua, home to one of the oldest universities in Europe and to a dazzling series of frescoes by Giotto in the Scrovegni Chapel. Cost of program: TBA. Application Deadline: November 15, 2019. Application information available from the OIA website.

English 4513: Introduction to Medieval Literature 
Instructor: Christopher Jones 
English 4513 guides students through representative works of literature produced across Europe during the Middle Ages (roughly 500-1500 A.D.). The course approaches medieval writings both as objects of study in their own right and as important backgrounds for understanding subsequent developments in European and American literature. The syllabus is not limited to any particular genre or theme but will visit major works of many different kinds, including early Christian epic (Prudentius's Psychomachia) and philosophy (Boethius's Consolation of Philosophy), mythography (Snorri's prose Edda), heroic sagas (tales of the Irish warrior CuChulainn and the Germanic champion Sigurd/Siegfried) and Arthurian legends (the romances of Chretien de Troyes), as well as works illustrating the emergence of allegory and (auto)biography as important modes of expression. The culmination of the class will be a reading of selections from the medieval work that subsumes many genres and trends of the period as a whole, namely Dante's Divine Comedy. Requirements include reading-comprehension quizzes or informal writing assignments, one short essay, one longer research paper and a cumulative final exam. Regular attendance and participation are also required. This class satisfies the pre-1800 requirement for the English Major.

English 4520.01 (10): Shakespeare 
Instructor: Hannibal Hamlin 
As Robert Bridges wrote, "The remarkable thing about Shakespeare is that he is really very good -- in spite of all the people who say he is very good." Shakespeare was one of the greatest playwrights who has ever lived and one of the greatest creative artists. As an artist, Shakespeare's medium was language - words, sentences, metaphors, puns and allusions. The Oxford English Dictionary credits Shakespeare with introducing more words into the English language than any other person ever, including "dwindle," "bedroom," "bloodstained," "anchovy," "skim milk" and "foul-mouthed." He also invented dozens of phrases we now use every day, like "full circle," "foregone conclusion," "wild-goose chase" and "with bated breath." This course will explore Shakespeare's plays from many different perspectives, but we will pay particular attention to their language, beginning with a cluster of particularly rich poetic plays written in the mid-1590s and then turning to several of the greatest Jacobean tragedies. Plays will include A Midsummer Night's Dream, Romeo and Juliet, Richard II, Othello, King Lear and Macbeth. We'll also read some contextual material and critical essays which will be available via Carmen. Assignments will include two critical papers, a midterm test and a final exam. 

English 4520.01 (20): Shakespeare 
Instructor: Luke Wilson 
This course is designed as an introduction to some of the more important critical problems and issues in Shakespeare studies through close study of plays in each of the dramatic genres in which Shakespeare wrote.  Our primary concern will be with Shakespeare's text, but we will also spend some time discussing theatrical performances as well as film adaptations.  Written assignments will encourage you to develop your knowledge of Shakespeare by way of different sets of skills: informal response; close textual and semantic analysis; engagement with secondary (scholarly) discussions of Shakespeare; group work on play performance; a review of a theatrical production; and the production of substantial critical argument of your own.

English 4520.02: Special Topics in Shakespeare — Shakespeare's Sense of Humor 
Instructor: Sarah Neville 
This upper level special topics course examines humor in the plays of Shakespeare by considering not only the genre of comedy, but also humorous moments in his histories and tragedies. We will investigate questions like:

  • How did Shakespeare create moments that are funny?
  • Why did Shakespeare’s jokes sometimes use racist or sexist tropes?
  • What sorts of linguistic play is at work in a pun?
  • How does stage action reinforce or undermine dialogue?
  • When does humor mask aggression?
  • How can speeches signal slapstick or physical effect?
  • Why is farce considered a lower form of drama than romance?
  • What is the effect of putting a child or dog onstage?

Writing assignments will include a research paper, a theatre review and short reflections.

English 4533: The Early British Novel — Origins to 1830 
Instructor: Sandra MacPherson 
Shipwreck! Attempted rape — of women and men! Murder! Demonic Possession! Impotence! If you think contemporary life is weird and twisty, wait until you meet the past. Want to know how we ended up in a world with Twilight and Fifty Shades of Grey? Then this is the course for you! Students will be introduced to early experiments in prose narrative that made possible their favorite thriller, romance, comedy or adventure tale. Without Samuel Richardson, there would be no Jane Austen or Ian McEwan—without Pamela (1739), no Sense and Sensibility, or Atonement. Without Henry Fielding, there would be no Charles Dickens or Mark Twain—without Joseph Andrews (1742), no Great Expectations, or Huckleberry Finn. Without Daniel Defoe, no Robert Louis Stevenson or Cormac McCarthy: no Robinson Crusoe (1719), no Treasure Island or The Road. Without the gothic fictions of Horace Walpole and Matthew Lewis and Anne Radcliffe, no Edgar Allen Poe, no Stephen King, no Nightmare on Elm Street. You get the picture. In order to bring into view the black hole that is fiction before Austen, we will move chronologically from the late seventeenth to the early nineteenth century, reading, in addition to Robinson Crusoe, Pamela and Joseph Andrews, we will read Aphra Behn’s Oroonoko (1688), Eliza Haywood’s Fantomina (1725), Laurence Sterne’s Sentimental Journey (1768), Matthew Lewis’s The Monk (1796), The Woman of Colour (1808) by Anonymous, and occasional secondary sources on the history and theory of the novel. We will conclude with an example of a contemporary novel indebted to this history, Jennifer Egan’s The Keep (2006). The course will satisfy the pre-1800 requirement. And, among other things, might help to explain where blogging comes from.

English 4552: Special Topics in American Poetry Through 1915 — Reconstruction and the Gilded Age in America 
Instructor: Elizabeth Renker 
The occasion for our class is the current 150-year commemorations of the post-Civil War periods often called "Reconstruction" and "The Gilded Age." Activism by and on behalf of the civil rights of millions of newly freed slaves provoked massive and routine terrorist violence against them in the former rebel states.  Settlers pushed into "the West," and indigenous peoples lost their lands and their lives.  The rise of big business and robber barons, conflict between labor and capital, wealth inequality and massive economic shifts arising from large-scale industrialization, immigration and other massive social changes upended daily life. Mark Twain and Charles Dudley Warner's 1873 novel of social critique, The Gilded Age: A Tale of Today, sarcastically gave this period its name. Our class will explore these complex social conflicts by reading short selections from the public conversations of the time; scholarly essays about our key historical topics; and literary works addressing these social changes.  Most of our literary texts will be short poems, an extremely popular genre at the time and one that addressed all the crucial issues of the day. (Focusing on short poems also helps us  to cover complex material while restricting reading to a number of pages manageable for students.) Authors will include Frances E.W. Harper, Sarah Piatt, Walt Whitman, Paul Laurence Dunbar, Bret Harte, E. Pauline Johnson, William Dean Howells, Emma Lazarus and anonymous and lesser-known poets. Textbooks: a paperback edition of the poems of Sarah Piatt; primary texts available through Ohio State library databases. Requirements: daily attendance, daily quizzes, daily participation in discussion; two brief (3-page) primary-source research assignments; and a menu of options for graded assignments from which students may choose, including a midterm and final exam; a midterm and final 7-page paper; or a single 15-page sustained research paper based in primary sources, an option especially useful for students working toward a writing sample for graduate school. 

English 4553: Twentieth-Century U.S. Fiction 
Instructor: Francis Donoghue 
This will be a very unconventional approach to this very popular course in the English department's curriculum. We will first read each of the main texts - Edith Wharton's The House of Mirth, F. Scott Fitzgerald's The Great Gatsby, Walter Tevis' The Hustler and Patricia Highsmith's The Talented Mr. Ripley, conventionally: analyzing the novels' plots, characters, central themes - just as you would expect from any upper level English course. However, once we've covered each novel we will then consider it as if it were a case study in a graduate level business course. That is, we will ask: "Did major characters make optimal decisions, and if they didn't, what else might they have done?" We will, in other words, first talk about the novels in a way typical of English studies, and then talk about them in a way that engages the analytical tools and rhetoric of a very different academic discipline. We may inhabit independent departments, but we need to remind ourselves that we are also part of the same university. Requirements: there will be one short paper, a final paper and a comprehensive final exam. Instead of a midterm, there will be intensive small group work and in-class presentations. 

English 4554: English Studies and Global Human Rights 
Instructor: Sona Hill 
Covers key human rights concepts and the role that humanities-based methods of analysis can play in the study of human rights. Examines how human rights are described in legal texts, cultural narratives, public discourses and artistic representations. Also considers conflicting and contested representations, how they work and how they are used in particular contexts.  
Prereq: 2367.

GE: Diversity global studies. 

English 4565: Advanced Fiction Writing 
Instructor: Lee Martin 
This is a creative writing workshop that focuses on short literary fiction. Each student will present two pieces or original fiction for workshop discussion and significantly revise one of those pieces to submit at the end of the semester. There may be additional readings and/or writing exercises, but the bulk of our work will involve the discussion of our own fiction.

English 4566: Advanced Poetry Writing 
Instructor: Kathy Grandinetti 
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.  

English 4568: Advanced Creative Nonfiction Writing 
Instructor: Elissa Washuta 
Advanced workshop in the writing of creative nonfiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

English 4569: Digital Media and English Studies—Digital Protest and Online Activism 
Instructor: Christa Teston 
Because of their networked nature and participatory potential, digital media can be powerful actors in affecting social change. We tag, tweet, retweet, reblog, reshare, swipe left, swipe right, add filters, link, like, follow, friend and more. Connections are made. Alliances are forged. Technology, power and values are wonderfully and frightfully connected. In this class, we will investigate and experiment with digital media's affordances and constraints - particularly for the ways they do or do not engender social concern, garner attention, mobilize human and monetary resources and spark social justice. This course, then, is critical and creative. We will both think about and tinker with digital media. Class discussions will provide a rich and safe environment for you to explore and experiment with the consequences of humans' relationships with digital media, while studio days will afford hands-on guidance in leveraging digital media for the purpose of protest and activism. I also anticipate that events in the world will go on happening as they did before this class ever existed. So while the course has overarching learning objectives, how those objectives are achieved may be modified in response to uprisings, disasters, attacks and other events of social consequence yet to occur. 

English 4572: English Grammar and Usage 
Instructor: Daniel Seward 
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4578 (20): Special Topics in Film—From Exploitation Films to the Exploit
Instructor: Jian Chen 
This course explores the cheap, low-culture sensation of exploitation films. As a class of films that became visible the 1920s in the U.S., exploitation films featured all that was considered excessive and prohibited under the Hollywood Hayes Production Code, including interracial relationships, sex, violence, nonheterosexual sexualities, single parent families, criminality, gore, the superhuman, and the supernatural. By the 1960s and 1970s, exploitation films became defined through specific genres targeting niche audiences, such as Blaxploitation, horror, sexploitation, martial arts, spaghetti westerns, gangster and prison films. Hollywood’s incorporation of exploitation’s smaller scale, niche production and iconography and the growing international cinematic market contributed to this shift. Beginning in the last decade of the twentieth century, electronic networks and global Hollywood have helped to further absorb, disperse and reassemble exploitation films for hybrid transnational circulation. This course will track the development of the exploitation phenomenon alongside and within classical Hollywood cinema and then as a general feature of global postindustrial Hollywood and media. Course requirements may include an in-class presentation; midterm; and final project. Course materials may include films by Jack Hill, Ji-woon Kim, Robert Rodriguez, Jordan Peele, and Doris Wishman and critical discussions by Ed Guerrero, Carol Clover, Eric Schaefer and José Capino.

English 4578 (30): Special Topics in Film—Television, Narrative, Seriality
Instructor: Sean O'Sullivan 
This course will consider central questions of televisual art and narrative, focusing on the first seasons of three twentty-first-century series: The Wire, Mad Men and Orange Is the New Black.  What are the basic narrative practices and structures of television—and serial television in particular?  How are storyworlds created?  What are the strategies and effects of devices such as the episode and the season?  How does character operate within television narrative?  How does televisual storytelling organize space and time?  What are the consequences of genre conventions and audience responses?  A recurring subject for the class will be the tension between the episodic and the serial—between individual aesthetic experiences and sprawling fictional universes.  Throughout, we will examine the vital intersections of an array of fields and practices: film studies, narratology, literature, media studies, visual culture and the segmented organization of experience.  

English 4580: Special Topics in LGBTQ Literatures and Cultures 
Instructor: Martin Ponce 
This course examines twentieth and twenty-first-century U.S. literary texts and films that explore "queer" pasts and futures. Which historical figures have LGBTQ writers and filmmakers - particularly, artists of color - invoked, invented and reimagined? Whom have they claimed as their predecessors, ancestors or antagonists? What historical moments and cultural contexts have they perceived as worthy of investigation and representation? Alternatively, what kinds of "queer" worlds, environments and inhabitants have writers and filmmakers postulated in utopian and dystopian futures? 

English 4583: Special Topics in World Literature in English 
Instructor: Adeleke Adeeko 
This discussion and lecture class will study selected Anglophone fiction, poetry, film, music and video produced by artists who came onto their own as culture leaders in the 21st century and among whom a small, forceful segment has termed the group's outlook on the world as Afropolitan. Unlike their predecessors, the Afropolitan group references and claims wherever work or pleasure takes them as theirs. Their stories, films and poems traverse Lagos, Accra, Harare, London, Kampala, Addis Ababa, Detroit, Johannesburg, Busan, Brussels and Nairobi. In the texts, occupying many time zones, sometimes simultaneously, is real and not magical. Fluency in several registers of English is simply assumed by the characters.  
Why then, we shall be asking, does the need to locate a "home" somewhere in Africa haunt all the texts, although it is clear that the satisfaction of arriving at such a place is almost always fleeting?  
Grading and Evaluation: Punctual and regular attendance; 2 oral presentations; 3 analytical papers 
Tentative Reading List:  J. P. Clark, America, their America (1962); Dinaw Mengestu, The Beautiful Things that Heaven Bears (2007);  Teju Cole, Open City (2011);  NoViolet Bulawayo, We Need New Names (2013); Taiye Selasi, Ghana Must Go (2013); Chimamanda Ngozi Adichie, Americanah (2014); Nicole Armateifio, "An African City" (2014); Nnedi Okorafor, Lagoon (2014); Ryan Coogler, "Black Panther" (2018) 

English 4587: Studies in Asian American Literature and Culture 
Instructor: Pranav Jani 
From the stereotype of the "model minority" to the caricature of Apu on "The Simpsons," South Asians continue to be regarded as strange, exotic Others in the US.  This course, focused on the voices of South Asian migrants themselves, gives an inside look on "desi" literature and culture that shatters simple myths and narratives. Through novels, short stories, poetry, music videos and film by and about South Asians from the US, UK, Kenya and elsewhere, students will learn about complex histories of migration and empire that have shaped this diaspora.   
Requirements: intensive, class participation, 3 papers, oral presentation, online discussion. 

English 4590.02H: The Renaissance—Mixed Media Before the Modern Age
Instructor: Hannibal Hamlin 
Mixing media was a thing long before the digital age. Renaissance writers, artists and musicians didn't need cameras, video, recording and the web to produce exciting works of art that delighted both the eye and the ear, that blended words and music, poetry and images, print and pictures, and performances that added to all this dance, costume, spectacle, stage machinery, and even the court or cityscape itself. This course will explore the inventive mixed media of the Renaissance, including songs of all sorts (ballads, ayres, street cries, hymns), emblems (a riddling blend of poetry, symbolic images, cryptic mottoes and quotations), proto-graphic-novel-type combinations of art and text, the lavish performance-art extravaganzas of the court masque and the too-often-neglected multiple media of popular plays. Especially in his late plays, Shakespeare included dancing, singing, instrumental music, visual images and arresting stage mechanics. Works will include songs by John Dowland, Thomas Campion and Henry Lawes, emblems by Geoffrey Whitney, Francis Quarles and George Wither, the remarkable cut-and-paste illustrated Bibles of the Ferrar women of Little Gidding, the court masques of Ben Jonson (poet), Alfonso Ferrabosco (composer) and Inigo Jones (designer and architect), and Shakespeare's The Winter's Tale. We'll consider what happens when different media are combined into a single synaesthetic experience, and we may also think about the challenges of preserving, recapturing, studying and appreciating these works in the twenty-first century. Students with an interest in music, painting, design and other arts are most welcome, but no particular expertise in non-literary media is required. 

English 4591.01H: Special Topics in the Study of Creative Writing—Retellings and Responses
Instructor: Michelle Herman 
In this course, we'll look at retellings and reimaginings of fairy tales and bible stories, beloved children's stories, Shakespeare's plays, Chekhov's stories and other works of literature - along with fiction about real people that "retells" their lives--which we will read alongside the material that inspired them. And then you will make your own short retelling in the genre of your choice. Final projects will be longer retellings of a work you choose yourself - one we have not looked at in the course. 
For more information, contact Professor Michelle Herman at herman.2@osu.edu or stop in to see her in 468 Denney Hall any Wednesday this autumn between 10:30 a.m. and 12:30 p.m. (or email her for an appointment at a more convenient time). If you are an honors student who has taken English 2265, 2266, 2267, or 2268, you will not need Professor Herman's permission to register for the course. All others are invited - but please be prepared to show/send Professor Herman a sample of work you have produced in your discipline. Honors standing is not necessary.

English 4591.02H: Special Topics in the Study of Rhetoric—Communicating about/with Illness and Disability
Instructor: Margaret Price 
We spend each day in a flood of communication about illness and disability (and related ideas, including “health,” “wellness,” and “self-care”). In the United States, we spend almost $10,000 per person per year on health care, while also being bombarded with information about the “Campus Mental Health Crisis.” Buzzfeed videos show us the latest stair-climbing wheelchair; Twitter debates Serena Williams’s choice of athletic attire; and Facebook is filled with requests to donate to GoFundMe for a person whose life-saving surgery has left them bankrupt. We, as writers and readers, are both the authors and the audience of all this information. The purpose of this course is to offer you a chance to think through and discuss these complicated discourses—what they say, how they circulate, what cultural stories they unearth and ultimately what they mean for you and your own understanding of health and illness.

English 4592: Special Topics in Women in Literature and Culture — The Marriage Plot, Then and Now 
Instructor: Robyn Warhol 
Girl meets boy, girl loses boy, girl marries boy in the end. . . 
But does she always have to?
This course traces the convention of the marriage plot from its literary roots in Shakespeare’s comedies, through its flowering in Jane Austen and Charlotte Brontë, to its dominance in mainstream U.S. popular culture throughout the twentieth century and today. Looking at Hollywood films, T.V. shows, popular novels and literary fiction, we will identify the 21st-century strongholds of the marriage plot and explore variations, subversions and queerings of the form. Readings will include Stephanie Coontz’s 2006 Marriage: A History, or, How Love Conquered Marriage;Shakespeare’s Much Ado about Nothing (1598); Austen’s Persuasion (1818); Brontë’s Jane Eyre(1847); Truman Capote’s Breakfast at Tiffany’s (1958); and Alice Walker’s The Color Purple (1983), as well as selected examples from U.S. popular culture. 

English 4592 (20 and 30): Special Topics in Women in Literature and Culture—Womanhood in Black and White 
Instructor: Koritha Mitchell 
What is womanhood in the United States? How does being white shape one's womanhood? How does not being considered white affect one's experience of womanhood? How does being cis gender determine experience? This class will explore questions like these while examining how American authors have addressed them creatively. Likely authors include Kate Chopin, Frances E. W. Harper, Jhumpa Lahiri, Julie Otsuka, Toni Morrison, and Jaqueline Woodson. 

English 4595: Literature and Law 
Instructor: Clare Simmons 
"Literature and Law" is a course in the representation of law in literature and the literary analysis of legal discourse; it is not a course in the study of law, but should be of interest to anyone who wants to engage with the role of law in culture; the legal and literary representation of human rights; and how law uses language. Literature and Law can be applied towards the English major and Human Rights minor; many students from other departments also take it to fulfill upper-level course requirements, so the course provides an excellent opportunity to meet students from a wide variety of fields who are interested in law and perhaps thinking about Law School. We will read both some legal materials and some literature that represents law in action. The special topic of this course is "The Outsider in the Court Room," so we will read some actual cases and also a variety of fictional representations of law in action, and consider how the rights of outsiders are protected, or sometimes forgotten, by the law. We will also practice some court-room procedures of our own in mock=trials. Readings will include a 2000-year-old murder trial; some medieval animal trials; Shakespeare's The Merchant of Venice; the Amistad trial; Wilkie Collins's novel The Law and the Lady; Reginald Rose's Twelve Angry Men; and a collection of famous trials available online. Students will be responsible for regular attendance and participation, including in group mock-trials; three short case briefs; a longer research paper; and reading questions. 

English 4998H: Honors Undergraduate Research in English  
Instructor: Staff 
Undergraduate research in variable topics; independent study.  
Prereq: Honors standing, and permission of instructor. Repeatable to a maximum of 9 cr hrs or 3 completions. This course is graded S/U. 


5000-level

 

English 5189s/CompStd 5189s: Ohio Field School                                                         Instructor: Jasper Waugh-Quasebarth and Katherine Borland 
The Ohio Field Schools Course provides an introduction to ethnographic field methods (participant-observation, writing field notes, photographic documentation, audio-interviewing), archiving and the public exhibition of research for both undergraduates and graduate students. Students will contribute to a team-based, immersive research project designed to document the ways that diverse communities express and preserve a sense of place in the face of economic, environmental and cultural change. This year’s projects involve working with grassroots organizations on succession planning.The semester-long, experientially-based course will consist of three parts: 

  • Introduction to fieldwork (on Ohio State campus in Columbus) 
  • A one-week field experience in Perry County during spring break (where students will reside together on-site)  
  • Accessioning, digital gallery preparation and reflection (on Ohio State campus in Columbus) 

Thus, throughout the semester, students will practice all of the skills necessary to construct a permanent record of local expressive culture that will be accessible to future researchers and community members. Participation in all parts of the course is required.

*Advanced undergraduate students are encouraged to enroll in 5000-level courses.* 

English 5664: Studies in Graphic Narrative: Comics, History and Time 
Instructor: James Phelan 
The focus of this course will be graphic medicine: fiction and nonfiction narrative about illness and disability.  We'll read the Graphic Medicine Manifesto, some other  work on comics theory, and some other work in narrative theory.  But the main focus will be on the practice of graphic artists, including Alison Bechdel, Ian Williams, Ellen Forney, and many others.  Students will do agenda settings, two analytic papers, and will try their hands at graphic storytelling.  By the end of the course, students should have a great appreciation for the power of graphic narrative and its efficacy (and limits) in medical situations.

*Advanced undergraduate students are encouraged to enroll in 5000-level courses.* 

English 5720.01: Graduate Studies in Shakespeare 
Instructor: Jennifer Higginbotham 
This course is designed for teachers pursuing an MA in English who want to achieve an advanced knowledge of Shakespeare. Emphasis will be on understanding Shakespeare’s work in historical context and exploring the most up-to-date research on his theatrical practices, the early history of his plays in print, and scholarly methods for understanding his work. Readings will include representative works from his comedies, tragedies and histories as well as examples of literary criticism that have impacted how we read, watch and think about Shakespeare.

*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

1000-level


English 1109: Intensive Writing and Reading
Instructor: Staff
Provides intensive practice in integrating academic reading and writing.

English 1110.01: First-Year English Composition
Instructor: Cathy Ryan
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition
Instructor: Sydney Varajon
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition
Instructor: Mira Kafantaris
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Cathy Ryan
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Francis Donoghue
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition — Meanings Behind Movie Posters
Instructor: Christiane Buuck
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, 1193. This course is available for EM credit only through the AP program.
GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Martha Sims
Intensive practice in the fundamentals of expository writing.


2000-level

 

English 2201: Selected Works of British Literature — Medieval through 1800
Instructor: Karen Winstead and Staff
This survey will introduce students to the vibrant minds and culture that produced the masterpieces of our British literary heritage. Students will sample the writings of poets, playwrights, essayists and novelists including Chaucer, Shakespeare, Milton and Johnson. Students will get to know the worlds they inhabited, the issues they cared about and how they may have thought about themselves as artists and human beings. While exploring the past, students will find surprising precedents for popular genres of our own day, including horror, romance and graphic narrative.
English 2201 is a foundational course for English majors but it is also a rewarding experience for anyone seeking an appreciation of our literary heritage. Lectures will sketch out the contours of literary history and weekly recitations will provide opportunities for group close reading and discussion. Requirements include a final exam, a journal of responses to the readings and weekly online quizzes on the lectures.
GE: Literature
GE: Diversity (Global Studies)

English 2201H: Selected Works of British Literature — Medieval through 1800
Instructor: Leslie Lockett
This course introduces students to some of the major British literary texts written from the early Middle Ages through the late eighteenth century, including Beowulf, Chaucer's Canterbury Tales, Milton's Paradise Lost and Aphra Behn's Oroonoko. Our approach to the literature will emphasize close reading, form and genre, and historical context. Students will develop their research skills by means of a researched essay or creative project. Other requirements include three response papers and a final exam.
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructors: Hannibal Hamlin
For four centuries now, William Shakespeare has been widely regarded as the greatest writer in the English language. He's certainly the most influential. More has been written about Shakespeare than any other writer in the history of the world, no joke. His plays have been adapted into countless other plays, novels, poems, music, paintings, films, TV shows and comics, and not only in English but in German, Russian, Spanish, Japanese, Hindi and Yoruba. We will read a sampling of Shakespeare's plays in a variety of genres and over the course of his career. We'll think about how his plays work as theater; how he adapts and transforms the source material on which so many of his plays depend; how Shakespeare can be such an "original" when he borrows so much from other writers; how he can create such deep and realistic characters; and how it is that Shakespeare can accomplish all of the above (and more) through language. What we'll discover is that, as one critic put it, the remarkable thing about Shakespeare is that he is really very good - in spite of all the people who say he is very good. Plays will include Henry IV Part 1A Midsummer Night's DreamHamletMacbeth and Cymbeline, and we'll also read some non-dramatic poems.
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructors: Luke Wilson
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructors: Staff
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature
GE: Diversity (Global Studies)

English 2220H: Introduction to Shakespeare
Instructor: Sarah Neville
This class for honors students will approach a selection of Shakespeare's most and least-known plays through several methods, examining these works not only as historical artifacts rooted in the time and place of their creation, but also as spectacles that are best illuminated by live performance. In order to better enable us to consider the ways that staged properties and special effects are crucial parts of Shakespeare's stagecraft, this section of "Introduction to Shakespeare" is especially interested in the practical means through which Shakespeare's plays (and the earliest printed books they appeared in) resonate with both historical and contemporary audiences and readers. Through in-class exercises, field trips, and assignments in costuming, casting, producing and directing, we will seek to answer questions like:

  • How was the English stage of 1592 different from a typical American stage of 2019?
  • How does a production pretend to cut someone's hands off?
  • How can two unrelated actors simulate playing twins?
  • What did Elizabethans think a medieval battle looked like?
  • How does a dead character returning as a ghost look differently from the way he did when he was alive?
  • What happens when a boy actor plays a female role? or a female actor plays a male one?
  • Who censored Shakespeare's plays, and why?

Class progress will be evaluated by research-based writing assignments, quizzes, a creative group project and a final exam.
GE: Literature
GE: Diversity (Global Studies)

English 2260: Introduction to Poetry
Instructor: Jennifer Higginbotham
This is a class about how to read a poem. We'll be doing the literary equivalent of taking apart an engine to see how it works, breaking down poetry into its various components, including word choice, sentence structure, figures of speech, meter, rhyme, structure and genre. Sheila Wolosky's The Art of Poetry will be our guiding text along with a variety of poems from the English tradition, from the sixteenth century to the present day.
GE: Literature

English 2260: Introduction to Poetry
Instructor: Staff
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature

English 2261: Introduction to Fiction
Instructors: Sandra MacPherson
Examination of the elements of fiction — plot, character, setting, narrative, perspective, theme, etc. — and their various interrelations. Comparisons with nonfictional narrative may be included.
GE: Literature

English 2261: Introduction to Fiction — "Game of Thrones" as Literature
Instructors: Elizabeth Renker
This new class celebrates the conclusion to a beloved HBO series.  Even the most dedicated fans might not realize that Game of Thrones is also a skilled and complex work of literature tied to a long history of literary concepts and approaches. This class will train you in core analytical methods that will enable newcomers to the series as well as longstanding fans to understand Game of Thrones at a deeper level of richness and pleasure. This is a second-session autumn semester class that will proceed at a double-time pace. We will thus focus only on the first two seasons of the HBO series, although all students are required to watch the entire series before our class begins. (We will not read or discuss the books by George R.R. Martin.) Class sessions on TWTh will run as a mixture of short lecture and discussion; come to class every day prepared and ready to apply the terms and skills we are learning. Fri. classes will be conducted online in the form of a short (250-500 word) written exercise applying what we have learned that week. Textbooks: an HBO subscription; readings posted on Carmen. Requirements: daily attendance; active participation in discussion; daily in-class brief quizzes; short (250-500 word) weekly written exercises on Fridays.
GE: Literature

English 2261: Introduction to Fiction
Instructors: David Brewer
This course will examine the central building blocks of fiction—plot, character, narration/point of view and setting—and how they contribute to our reading experience. Our emphasis throughout will be on how fiction works and why we should care about its workings. Likely readings will include The Secret HistoryGone GirlIn Cold BloodAlice's Adventures in Wonderland and stories by Arthur Conan Doyle, Donald Ray Pollock, Shirley Jackson, James Thurber, Viet Thahn Nguyen, H. P. Lovecraft and Claire Voye Watkins. Assignments will include a weekly reading journal, four short written exercises, a final project and active participation in our discussions.
GE: Literature

English 2261: Introduction to Fiction
Instructors: Staff
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.
GE: Literature

English 2261H: Introduction to Fiction
Instructors: Jessica Prinz
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.
GE: Literature

English 2263 (10): Introduction to Film
Instructor: Frederick Luis Aldama and Staff
This course will offer methods and approaches for understanding the devices used (mise-en-scene, lensing, sound, editing, casting and so on) by film directors to give shape to their various distillations and reconstructions of the building blocks of reality. We will be attuned to how films trigger our perception, thought and feeling systems. We will explore the sociopolitical contexts of making, distributing and consuming film. We will explore how a film director gives shape through visual and auditory means to a filmic blueprint that triggers real emotions and thoughts about the world. We will view and analyze: Wes Andersen's The Grand Budapest Hotel (2014); Darren Aronofsky's Black Swan (2010); Ryan Coogler's Black Panther (2017); Francis Ford Coppola's Apocalypse Now (1979); Cary Joji Fukunaga's Sin Nombre (2009); Barry Jenkins's Moonlight (2016); Richard Kelly's Donnie Darko (2001); Stanley Kubrick's 2001: A Space Odyssey (1968)  and The Shining (1980); Spike Lee's Do the Right Thing (1989); Terence Malick's Badlands (1973); Fernando Meirelles's City of God (2002); George Miller's Mad Max: Fury Road (2015); Christopher Nolan's Memento (2000) and The Dark Knight (2008); Jordan Peele's Get Out (2017); Jason Reitman's Juno (2007); Quentin Tarantino's Pulp Fiction (1994); Guillermo del Toro's The Shape of Water (2017); Orson Wells's Touch of Evil(1968); Joe Wright's Atonement (2007).
GE: VPA

English 2264: Introduction to Popular Culture Studies
Instructor: Jared Gardner
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas.
*This is a combined section class. Cross-listed in CompStd.

English 2264: Introduction to Popular Culture Studies
Instructor: Staff
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas.
*This is a combined section class. Cross-listed in CompStd.

English 2265 (10): Introductory Fiction Writing
Instructors: Kirsten Edwards
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (20): Introductory Fiction Writing
Instructors: Meagan McAlister
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (30): Introductory Fiction Writing
Instructors: Krishna Mishra
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (40): Introductory Fiction Writing
Instructors: Sheldon Costa
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2266: Introductory Poetry Writing
Instructors: Kaiya Gordon
In this introductory level poetry workshop, you will learn how to be a more adept poetry reader, writer and community member. By the end of the class, you will have developed tools and techniques for your craft, be fluent in the landscape of contemporary poetry and have participated in the workshopping of poems by yourself and your classmates. Authors taught will include Claudia Rankine, Franny Choi and Columbus's own Ruth Awad, as well as a variety of other writers exploring the edges of genre and poetic appplication.
Prereq: 1110. Repeatable to a maximum of 6 cr hrs.

English 2266: Introductory Poetry Writing
Instructors: Margaret Colvett
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. Prereq: 1110. Repeatable to a maximum of 6 cr hrs.

English 2267: Introduction to Creative Writing
Instructor: Kamal Kimball
"Don't tell me the moon is shining; show me the glint of light on broken glass." --Anton Chekhov          
The goal of this course is to introduce you to writing as an artistic practice. Students will learn how to capture moments from life, details like Chekhov's glint of light on broken glass, and turn them into unique expressions that are all your own. The art and craft of writing is a process of turning inward and a method of looking outward. In this course, student will do both. The course will focus on prompted creative writing assignments which will allow you to turn inward and explore new writing strategies, helping you to strengthen your voice. Everyone has a story to tell and this course will help you become a stronger writer, regardless of starting experience level. Students will also turn outward via peer workshops, readings and informative class discussions. Students will have the opportunity to share their writing in a supportive environment for thoughtful feedback from a group of engaged peers. This course will include meaningful engagement with contemporary 20th century writing.

English 2267: Introduction to Creative Writing
Instructor: Molly Oritz
The purpose of this class is to introduce you to writing as an artistic practice. We will begin by approaching each genre (creative nonfiction, poetry and fiction) as readers, analyzing a wide range of styles and forms to better situate ourselves within the current state of contemporary literature. From these texts, we will uncover tricks and tools that will help in the development of your own unique voice. In addition to poems, essays and short stories, we will be reading several craft pieces, or instructional texts on the art of writing. Our reading list is diverse and challenging, and I ask and expect you to read with an open mind. Some possible authors include: Danez Smith, Layli Long Soldier, Solmaz Sharif, Ocean Vuong, Kaveh Akbar, Tracy K. Smith, Leslie Jamison, Lia Purpura, Hanif Willis-Abdurraqib, Alexander Chee, Eula Biss, Diane Cook, Miranda July, Jhumpa Lahiri, and Carmen Maria Machado. The rest of our time together will be a workshop. This means that you will read your peers’ writing closely, offering sincere and engaged feedback in the form of both written responses and in-class discussion. You will also share your own writing with the class and get the chance to see your work from the perspective of a committed, generous, detail-oriented readership. Each student will workshop one poem, one short essay, and one short story over the course of the term. Through this, you will expand your range of writing skills—pushing yourself to be curious, fearless and voracious—as a way of getting closer to understanding both who you already are as a writer, and who you might want to become. 

English 2268 (10): Introductory Creative Nonfiction Writing
Instructor: Sophie Newman
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2268 (20): Introductory Creative Nonfiction Writing
Instructor: David Grandouiller
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2269: Digital Media Composing
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production.
GE: VPA

English 2275: Thematic Approaches to Literature—Slavery and the Novel, 1660-1990
Instructor: Roxann Wheeler
During this time period, concepts of slavery shifted from featuring European-born slaves in the Mediterranean to featuring African-born slaves in the Caribbean and Europe. The course investigates the racial, gender and class dynamics of the storylines of literature during the height of slavery and abolition. We will read a small selection of the neo-slave narratives written in the nineteenth and twentieth centuries that reflect critically on the earlier period.
GE: Literature

English 2276: Arts of Persuasion
Instructor: Staff
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts.
GE: Cultures and Ideas

English 2277: Introduction to Disability Studies
Instructor: Staff
This course investigates the ways that disability is composed.
GE: Cultures and Ideas

English 2280H: The English Bible —The Bible as Literature
Instructor: Hannibal Hamlin
The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise LostPilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myselfto Morrison’s Song of Solomon. We will read a selection of biblical books in order to gain some appreciation of the Bible’s wide range of literary genres, forms, styles and topics. Our discussion will include the nature of biblical narrative and characterization, the function of prophecy and its relation to history, the peculiar nature of biblical poetry, so-called Wisdom literature, anomalous books like Job and The Song of Songs (including the historical process of canonization that made them “biblical” and the kinds of interpretation that have been used to make them less strange), the relationship between (in traditional Christian terms) the Old and New Testaments (including typology, the symbolic linking of characters, events, themes and images in the books before and after the Incarnation) and the unity (or lack thereof) of the Bible as a whole. As occasion warrants, we will also look at some of the diverse ways the Bible has been read and interpreted—the stranger the better—by poets and writers, artists and film-makers over the past millennia.

*Do note: this is NOT a course in religion, but rather an English course on the Bible as a literary work. Any and all faiths, or none, are welcome, and none will be privileged. 
*Text: The English Bible: King James Version (2 vols.), ed. Herbert Marks (1) and Gerald Hammond and Austin Busch (2), Norton Critical Edition
*Course requirements: Evaluation will be based on active participation in class discussion and activities, regular reading quizzes, two short essays, a mid-term test and a final exam.
GE: Literature

English 2281: Introduction to African-American Literature
Instructor: Koritha Mitchell
A study of representative literary works by African-American writers from 1760 to the present.
GE: Literature
GE: Diversity (Social Diversity in the U.S.)
*This is a combined lecture class. Cross-listed in AfAmASt

English 2282: Introduction to Queer Studies — Queer and Trans Cultures and Movements
Instructors: Staff
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class and nationality.
GE: Cultures and Ideas
GE: Diversity (Social Diversity in the U.S.)
*This is a combined section class. Cross-listed in WGSS.

English 2367.01: Language, Identity and Culture in the U.S. Experience
Instructors: Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02H: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries.
GE: Writing and Communication (Level Two)

English 2367.05: The U.S. Folk Experience
Instructor: Martha Sims
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2367.05H: The U.S. Folk Experience
Instructor: Amy Shuman
This course teaches students to listen, observe and write about what they learn using three different writing styles. We will spend time designing a project and deciding on a cultural site for students' listening and observing. The cultural site could be an artistic practice involving food, dance, music, etc. or a          
social/cultural practice involving a group students belong to. Students will have the opportunity to use three writing styles to describe the same cultural event or practice: an objective, third person paper; a confessional first person paper and a third paper in which students select the style most appropriate for their subject matter. We will work on revising and editing, and students will revise each of their papers and comment on other students' papers. For the final paper, students will be asked to write a paragraph explaining their stylistic choice.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2367.06: Composing Disability in the U.S.
Instructor: Kelsey Busby
Our course will explore how texts portray the future; specifically, we will focus on representations of the future that exclude marginalized communities, including people with disabilities. Additionally, our course will focus on providing a foundation for theoretical approaches in disability studies and futurity studies. We will read texts written by disabled and non-disabled writers. We will explore how futurity often adopts a medical model of disability, one which argues that an ideal future is one where disabilities have been cured. Through discussions of these representations, we will not only be able to analyze and think critically about fictional and non-fictional accounts of disability, but we will also understand responses to disability in contemporary culture. We will also learn how to recognize and respond to ableist language and the exclusion of disabled voices and identities. We will bring our conversations about disability and futurity in line with utopianism. In order to speculate about the future — about utopia — one would have to imagine having power to enact this change. 

Students will be asked to address topics within disability studies, utopian studies and futurity studies through acknowledging these topics’ veracity in specific contemporary examples and fields. Ultimately, this class seeks to articulate a disabled future: one where utopianism and critical futurity can be ideological tools motivating activist intervention and social dreaming. This course will emphasize interdisciplinary interactions through discussions, texts and writing projects and will ask students to challenge their growing skills in composition and analysis through multimodal assignments.

*2367.06 can be taken for credit towards the undergraduate disability studies minor. Please see the main disabilities studies page for more information.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2367.07S: Literacy Narratives of Black Columbus (Service Learning)
Instructor: Beverly Moss
English 2367.07S satisfies the University’s GE requirement for social diversity and the U.S. experience and second-level writing. The primary goals of this course are to sharpen your expository writing, critical thinking and analytical skills through a service-learning framework. The “S” in the course number means that this second-level writing class has been designated as a service learning writing course. You will read about the importance of undertaking life history and literacy narrative projects, with a particular focus on preserving the literacy history of Columbus-area Black communities. Collecting and analyzing literacy narratives (or literacy stories) is an important research strategy that can be used to document the history and current activities of any community. It is especially important in Black communities where their/our literacy practices have often been under-reported or negatively characterized.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2463: Introduction to Video Games Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.
GE: VPA


3000-level

 

English 3150: Career Preparation for Humanities Majors
Instructor: Jennifer Patton
This general elective course helps English majors and students from other Humanities disciplines to explore and prepare for careers after graduation. Students will analyze texts to gain a practical and theoretical understanding of the world of work. They will learn to identify their own strengths and preferences to guide their job activity and career choices.

English 3271: Structure of the English Language
Instructor: Staff
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings.
GE: Cultures and Ideas

English 3304: Business and Professional Writing
Instructor: Christa Teston
In this course students will learn principles and practices associated with writing well in business and professional contexts. Students will receive feedback on prose writing and receive several opportunities to refine their style, organization and collaborative writing strategies. Most in-class time will involve workshopping course deliverables and writing collaboratively.

English 3304: Business and Professional Writing
Instructor: John Jones
The study of principles and practices of business and professional writing.

English 3304: Business and Professional Writing
Instructor: Yanar Hashlamon
This course examines the writing practices and contemporary issues workers face in professional environments. Students will produce documents in different modes, including text, image and video, focusing on accessible and ethical communication practices. This is a community-oriented class, encouraging intersectional class consciousness towards the Columbus area and its populations both represented and absent from our classroom. Students will be given time in-class to complete assignments and write collaboratively.  

English 3304: Business and Professional Writing
Instructor: Jason Collins
The study of principles and practices of business and professional writing.

English 3305: Technical Writing
Instructor: Susan Lang
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3305: Technical Writing
Instructor: Staff
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3361: Narrative and Medicine
Instructor: Jim Phelan
This course explores the idea that narrative competence increases medical competence. In other words, it investigates the hypothesis that medical practitioners who become aware of the importance of stories and storytelling and knowledgeable about how stories work will become more effective caregivers. As we test that hypothesis, we will address the following questions: How does narrative give us greater insight into illness, medical treatment, doctor-patient relationships and other aspects of health and medicine? How do illness and other experiences within the realm of medicine influence ways of telling stories? How do doctors' perspectives and patients' perspectives differ, and what, if anything, should be done to close those differences? In order to increase our own narrative competence, we will look at narrative in different media--drama, print (fiction and nonfiction), comics and film--and consider core concepts of narrative (plot, character, space, time, perspective, dialogue, ethics and aesthetics). We will also consider a range of medical conditions and issues from mortality to ethics, from cancer (illness and treatment) to kidney transplants. Since the course is populated by students majoring in a great variety of disciplines, we will also consider how our different disciplinary perspectives relate to each other: to what extent do they overlap, complement or occasionally conflict with each other as we think about the nexus between narrative and medicine?
GE: Literature

English 3364: Special Topics in Popular Culture — Insurgent Youth: Punk, Riot Grrrl and Black Metal
Instructor: Thomas Davis
How do cultural worlds respond to moments of political distress? How can music, art and lifestyles model other ways of living and thinking? This class pursues these two questions by investigating three distinct subcultures: punk, riot grrrl and black metal. We will listen to a wide range of music, placing it in its historical context and tracing its lasting influences. Readings and viewings will range across documentary films, memoirs, cultural theory, zines and other literary and visual texts. Our class will also host visits from music journalists, scholars and participants in these three subcultures.
GE: Cultures and Ideas

English 3372 (10): Science Fiction and/or Fantasy
Instructor: Jian Chen
Examining science fiction and/or fantasy.
GE: Literature

English 3372 (20): Science Fiction and/or Fantasy: Feminism and Science Fiction
Instructor: Beth Hewitt
Since Mary Shelley birthed Frankenstein’s monster, science fiction has been devoted to issues that are crucial to the history of feminism: alterity and equity. The imagination of other worlds, other places, other species, other laws has the unique ability to make the familiarities of sexism strange. In this class, we will read some of the canonical texts of science fiction focused on issues involving sexuality, gender, reproduction and corporeality, including Mary Shelley, Ursula LeGuin, Margaret Atwood, James Tiptree, Jr., Samuel Delany, Judith Merril and Octavia Butler.
GE: Literature

English 3372 (50): Science Fiction and/or Fantasy
Instructor: Katelyn Hartke
Examining science fiction and/or fantasy. Octavia Butler.
GE: Literature

English 3378: Special Topics in Film and Literature — Film and Comics: Race, Class, Sexuality and Differently Abled
Instructor: Frederick Aldama
Have you ever wondered why you love watching superhero movies or reading comics? Why do we pay money to go see something that we know is clearly not real? This course examines the art of film and comics storytelling and, simultaneously, the emotion and cognitive responses that they trigger. We will focus on the contemporary period to see how filmmakers and comic book creators build their storyworlds as well as audience consumption. We will also explore the crosspollination of devices used to give shape to filmic and comic book storytelling modes. We will acquire theoretical concepts and tools to understand better how our set of films and comics are built and how they might make (or not) new our perception, thought and feeling concerning issues of racism, ableism, misogyny, homophobia and the like.

We will view and analyze: Patty Jenkins's Wonder Woman (2017); Jon Favreau's Iron Man (2008); George Miller's Mad Max: Fury Road (2015); Christopher Nolan's Batman Begins (2005), The Dark Knight (2008), The Dark Knight Rises (2012); M. Night Shyamalan's Unbreakable (2000); Guillermo del Toro's Pacific Rim (2013); Danny Boyle's 28 Days Later (2002); James Mangold's Logan (2017); Zack Snyder's Justice League (2017); Ryan Coogler's Black Panther (2018); Taika Waititi's Thor: Ragnarok (2017); Edgar Wright's Scott Pilgrim vs. the World (2010); Bob Persichetti et al.: Spider-Man: Into the Spider-Verse (2018); Jill Thompson's Wonder Woman: The True Amazon (2016); George Miller et al.: Mad Max: Fury Road (2015); Bryan Lee O'Malley Scott Pilgrim vs. the World Vol. 1 (2004); Steve Niles's 28 Days Later: Aftermath; Travis Beacham's Pacific Rim: Tales from the Drift (2016); Ta-Nehisi Coates' Black Panther & the Crew (2017).
GE: Cultures and Ideas

English 3379: Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Susan Lang
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences and create meaning, and how these practices are learned and taught.

English3379: Methods for the Study of Writing, Rhetoric and Literacy
Instructor: John Jones
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences and create meaning, and how these practices are learned and taught.

English 3398 (10): Methods for the Study of Literature
Instructor: Jacob Risinger
In this gateway course, we will take our cue from one of George Orwell’s famous lines: “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.” Over the course of the semester, our weekly readings, discussions and informal exercises will work to annihilate old patterns of complacent reading—leaving in their place the analytical skills and rhetorical strategies you need to establish your own critical/original perspective on literary texts. We will attend to the practical work of conducting literary research and writing solid, well-argued essays—but we will also practice using literary theory and various methods of criticism to identify new levels of meaning, even in familiar or (seemingly) straightforward texts. The hard work of writing and analysis will be supplemented by an array of engaging texts. Along the way, we’ll read poetry by W.B. Yeats, Elizabeth Bishop and Claudia Rankine; Shakespeare’s The Winter’s Tale; Mary Shelley’s Frankenstein; and Jesmyn Ward’s novel Salvage the Bones (recipient of the 2011 National Book Award). Requirements will include attendance, active participation, informal writing exercises and five essays.

English 3398 (20): Methods for the Study of Literature
Instructor: Jill Galvan
This course is designed to strengthen skills in interpretive reading and writing. It will help students with their English major courses, as well as cultivate their fluency in analyzing texts of all kinds, beyond the classroom. Our focus will be on reading with an eye for fine detail and on constructing logical, well-evidenced arguments. The syllabus will cover the major genres--novel, short story, poetry, drama and possibly film--and will range from the classic to the contemporary. A very tentative list for the short stories and novels includes works by Herman Melville, Robert Louis Stevenson, Charlotte Perkins Gilman, Kate Chopin, Raymond Carver, Octavia Butler, Jhumpa Lahiri, Alison Bechdel, Justin Torres and Carmen Machado. In class, I will be providing guidance, terminology and a critical framework, but most meetings will be run as active discussions. Tentative assignments: two papers, 3-5 pages each; two papers, 5-7 pages each; a critical research exercise; regular reading quizzes and engaged class participation.

English 3398 (30): Methods for the Study of Literature
Instructor: Susan Williams
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. We will use a textbook, Steven Lynn's Texts and Contexts, to study a range of critical approaches to literary study and apply them to poems and short stories. We will also study Celeste Ng's Little Fires Everywhere as a re-reading of Nathaniel Hawthorne's Scarlet Letter, considering how authors build on each other as they practice their craft.

English 3398: Methods for the Study of Literature
Instructor: Francis Donoghue
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing.

English 3398: Methods for the Study of Literature
Instructor: Christopher Jones
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing.

English 3398: Methods for the Study of Literature
Instructor: Sarah Neville
This class is designed to support students in developing the skills they need to be successful English majors. Over the course of the term students will learn the types, tools and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. Along the way we will read a novel by Robertson Davies, short stories by Dorothy Parker, Lorrie Moore, Donald Barthelme and George Saunders, a play by Djanet Sears and poems by Billy-Ray Belcourt. Students will complete in-class exercises and multiple short writing assignments that ultimately build toward a longer research paper.

English 3405 (10): Special Topics in Professional Communication — Technical Editing
Instructor: Jonathan Buehl
An introduction to the skills and processes used when editing technical documents. No background in technical content areas or technical writing is required to do well in this class.

English 3465 (20): Special Topics in Intermediate Fiction Writing
Instructor: Christopher Santantasio
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are 

English 3465 (30): Special Topics in Intermediate Fiction Writing — Writing Against Convention
Instructor: Scott Broker
In this intermediate fiction course, we will be focusing our attention on reading and writing work that challenges traditional modes of narrative realism. From genre blending to structural innovation, unconventional subject matter to non-standard logic, we will pursue and embrace that which is often seen as strange, taboo, uncanny or queer, working to understand how these stories work in relation to the conventions of fiction. We will begin by analyzing a wide range of texts to situate ourselves within the history of unconventional writing. From these stories, we will pull tricks and tools that will help in the development of our own unique voices. The reading list is diverse and challenging, and I ask and expect you to read with an open mind. Some possible authors include: Diane Cook, Mariana Enriquez, Samanta Schweblin, Deb Olin Unferth, Miranda July, Ben Marcus, Jamaica Kincaid, Lesley Nneka Arimah, Carmen Maria Machado, Kelly Link, Karen Russell, Nana Kwame Adjei-Brenyah, Joy Williams, Ottessa Moshfegh, Helen Oyeyemi, Catherine Lacey, Yukiko Motoya, Rita Bullwinkel and Aimee Bender. The rest of our time together will be a workshop. As you have already done in your introductory fiction course, you will read your peers’ writing closely, offering sincere and engaged feedback in the form of both written responses and in-class discussion. You will also share your own writing with the class and get the chance to see your work from the perspective of a committed, generous, detail-oriented readership. Each student will workshop at least two stories over the course of the term, and will turn in a significant revision of one of those stories at the end of the semester.

English 3466: Special Topics in Intermediate Poetry Writing
Instructor: Margaret Brown
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3467S: Issues and Methods in Tutoring Writing
Instructor: Beverly Moss
This course trains students to be effective tutors in the Ohio State Writing Center or within the Writing Associates Program, which includes learning and applying strategies for working with writers of all levels and writing at all stages of completion and comprehension. Through observation-work, students will learn about the day-to-day activities of a University Writing Center, and how tutors conduct themselves during their sessions with clients. Additionally, we will discuss different strategies that will help tutors as they work with English Language Learners. Students will also be trained in face-to-face and online tutoring methods, as well as individual and group tutoring methods. Ultimately, this course should help students to feel more confident in their roles as writing consultants, and will shed insight into consulting strategies. This course is discussion-based and aims to engage students' areas of interest and expertise to the formal study of writing, literacy and writing centers. This course will offer training in research methods and data analysis and will use the Writing Center as a research space, with a hands-on practical learning component that includes observation, supervised tutoring and ultimately concludes with employment opportunities at the Ohio State Writing Center or within the Writing Associates Program.

English 3468: Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Josie Kochendorfer
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3662: An Introduction to Literary Publishing
Instructor: Robert Schumaker
An introduction to the theory and practice of editing and publishing literature.


4000-level

 

English 4150: Cultures of Professional Writing
Instructors: Christiane Buuck
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4150: Cultures of Professional Writing
Instructors: Jennifer Patton
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4150: Cultures of Professional Writing
Instructors: Staff
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4189: Professional Writing Minor — Capstone Internship
Instructor: Jennifer Patton
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics.

English 4189: Professional Writing Minor — Capstone Internship
Instructor: Staff
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics.

English 4520.01: Shakespeare
Instructor: Luke Wilson
Critical examination of the works, life, theater and contexts of Shakespeare.

English 4520.01: Shakespeare
Instructor: Alan Farmer
This course will explore the formal, social and political engagements of Shakespeare's plays. It will pay particular attention to how his plays conform to and work against the genres of comedy, tragedy, history and romance, and to how they represent such issues as gender, sexuality, religion, race and political power. In addition to some critical and historical essays on the early modern theater and culture, we will likely read some combination of the following plays: Richard IIIA Midsummer Night's DreamMuch Ado About NothingMeasure for MeasureRomeo and JulietOthelloKing LearThe Winter's Tale and Pericles. Requirements include two essays, a midterm exam, a final exam, regular attendance and active participation.
I will order a selection of modern editions of the plays on the syllabus. Any modern edition you purchase must have line numbers, glosses of difficult words, and longer explanatory notes. Good editions of single plays are published by Cambridge, Oxford and Arden, as well as by Folger, Pelican, Norton, Bedford, Bantam and Signet. Reputable one-volume editions of all of Shakespeare's plays are published by Longman, Pelican, Riverside, Norton and Oxford.

English 4523: Special Topics in Renaissance Literature and Culture
Instructor: Chris Highley
Following the breakdown of political consensus and the growth of religious unrest, seventeenth-century England eventually descended into a civil war that split the nation and pitted King Charles I against many of his subjects. In 1649, the defeated king was executed, opening the way for England's only experiment with republican government. This class explores 17th century literature in the context of these tumultuous political and religious events. We will read texts by monarchs and defenders of monarchy and religious hierarchy alongside radical attacks on bishops and kings by the likes of John Milton and Oliver Cromwell. We will also study: the verse written amid civil strife by Robert Herrick and Andrew Marvell; one of the last plays to be staged before the closing of the public playhouses in 1642; a fantastic court masque; and the extraordinary tracts in which both men and women preached political and religious transformation. The course will conclude with John Milton's reflections in Paradise Lost on the defeat of the republican's “Good Old Cause” and the restoration of the king.

English 4535: Special Topics in Restoration and Eighteenth Century British Literature and Culture—Literature of Slavery and Freedom during the Enlightenment
Instructor: Roxann Wheeler
This course will feature the ways that slavery and colonization shaped English literature, particularly the novel, 1660-1800. We will explore the literature of captivity and enslavement of Britons, native Americans and Africans, as well as study the radical claim that English wives were like slaves. We will pay particular attention to the fictional impersonation of non-English characters who were critical of Britons in literature written by Britons. A cultural study of literature, we will study theories of race, racism and slavery in Britain and the Caribbean. Likely texts:

  • Aphra Behn, Oroonoko; or The Royal Slave (1688)
  • Daniel Defoe, Robinson Crusoe (1719)
  • Jonathan Swift, Gulliver's Travels (1726)
  • The Inkle and Yarico stories in poetry, fiction and comic opera
  • Anonymous, The Female Americanor the Memoirs of Unca Eliza Winkfield (1767)
  • Olaudah Equiano, The Interesting Life of Olaudah Equiano, or Gustavus Vassa, The African(1789)
  • Mary Wollstonecraft, Vindication of the Rights of Woman (1792)
  • Anonymous, The Woman of Colour (1808)

English 4540: Nineteenth-Century British Poetry
Instructor: Jill Galvan
This course covers British poetry written in the nineteenth century, encompassing the Romantic and Victorian periods.  I’ll begin with some brief discussions of poetic elements and critical reading strategies, for those new to in-depth poetry analysis (or needing a refresher). **You do not need to consider yourself fantastic at analyzing poetry to take this course! Part of my goal will be to help everyone become more confident approaching the genre by the end. Authors will range from Charlotte Smith and William Wordsworth to Augusta Webster and Oscar Wilde. We will focus on formal and thematic concerns; at the same time, we will consider important cultural/historical contexts—for example, the French Revolution, abolitionism, ideas of the sublime, the “woman question” and gender debates, momentous scientific discoveries, challenges to religious faith and burgeoning modern views of art. We will also discuss important literary modes and movements (including the Gothic, the Pre-Raphaelite Brotherhood and Aestheticism). I will be lecturing but will also incorporate lots of discussion. Tentative course requirements: regular and enthusiastic class participation, four brief analytical responses (1-2 pp. each), one longer critical essay (5-7 pp.), a midterm exam and a final exam.

English 4551: Special Topics in 19th-Century U.S. Literature — Writing for Freedom: Literature, Reform and Activism in the Nineteenth Century
Instructor: Andrea Williams
Throughout the nineteenth century - as in the present - activists used the written and spoken word to rally for a number of causes: women's rights, racial equality, environmentalism, child welfare, animal rights and prison reform. This class examines how reformers shape storylines, ideals and character types (such as orphaned or innocent children) to appeal to supportive and resistant audiences. While focused on nineteenth-century literature and contexts, the course invites students to compare how early models of protest relate to contemporary social justice movements.

English 4559: Introduction to Narrative and Narrative Theory
Instructor: Amy Shuman
"Narrative" is a current buzz-word and a catch-all term; everything is narrative nowadays!  However, it is also one of the principle means of organizing experience in everyday life and conversation, popular culture and literary works. This course introduces students to the basic concepts and tools of "classical" narrative theory and analysis, in four general areas: the underlying structure of story; the reordering of story-events in the plot; the production of a story-world (narrative time and space); and the representation of selves (narrators, speakers, perceivers, minds). We will study a selection of classic essays in narrative theory, and we will read and analyze a variety of mainly literary narrative- fairy-tales, short-stories, novels, one graphic narrative and at least one film. We will also survey some of the developments in "post-classical" narrative theory, including rhetorical narrative theory, feminist and queer narratology and cognitive narrative theory.

English 4563: Contemporary Literature
Instructor: Jessica Prinz
We will read broadly in the area of twentieth- and twenty-first-century fiction, focusing on the theme of science. Although science fiction is a genre devoted to science and its fusion with literature, we will  be looking at other genres as well, as we explore some of the central concerns and themes of the period (1945 to the present).  Among works that may be considered: Pynchon, The Crying of Lot 49; Ishiguro, Never Let Me Go; Egan, A Visit from the Goon Squad; Calvino, If on a Winter's Night a Traveler; Eggers, The Circle. Some writing and exams will be required.

English 4564.02: Major Author in 18th- and 19th- Century British Literature — Lord Byron and His Circle
Instructor: Jacob Risinger
Lord Byron - the best-selling poet of his age - single-handedly upended the taste, expectations and literary conventions of nineteenth-century Britain. Once described as "mad, bad and dangerous to know," the scandals that followed in his wake shaped his poetry and his ironic perspective on life, love, politics and art.  By any standard, his life was ridiculously eventful: he published his first book of poetry at age seventeen but subsequently recalled and burned every copy. Two years of travel in the Mediterranean exposed Byron to the shifting dynamics of British imperial culture - but also gave him the freedom to explore his emergent sexuality. On his return to England, the publication of Childe Harold's Pilgrimage made him famous overnight. After the very public scandal of a failed marriage, Byron left England in 1816 - never to return. Exiled in Europe, he helped introduce vampires to the English-speaking world, and his famous ghost story challenge led Mary Shelley to write Frankenstein. Byron spent the next eight years in Italy, working away on his unfinished satirical masterpiece, Don Juan. Hilarious and scathing in equal parts, it led Percy Shelley to claim, "Nothing has ever been written like it in English." At age 36, Byron died while fighting in the Greek War of Independence. Over the course of the semester, we will explore "Byromania" as it emerges in Byron's major works, shorter lyrics, and "metaphysical dramas."  We will also take stock of major work by Byron's close contemporaries, including Percy Shelley, Mary Shelley and John Polidori. Our readings and discussions will lead to important questions about the nature and status of celebrity, irony, sexuality, poetry, authorship and empire in nineteenth-century Britain. We will also touch on Byron's various afterlives - in literature, in music and in film.

English 4564.04: Major Author in 20th- Century British Literature — Virginia Woolf and the Bloomsbury Group
Instructor: Thomas Davis
The course will focus on Virginia Woolf's major novels alongside the writings of other major figures in the Bloomsbury Group. Alongside major novels by Woolf (Jacob's RoomMrs. DallowayTo the Lighthouse, and The Years among others), we'll read fiction by E.M. Forster and Leonard Woolf, art criticism by Clive Bell and Roger Fry, treatises by J.M. Keynes and Leonard Woolf, and many of Woolf's essays.
We will pay close attention to the way the Bloomsbury Group's aesthetic innovations relate to the eruption of two world wars, shifts in gender and sexuality, the slow wane of the British empire, changing notions of nature and the natural world and the various political projects (the League of Nations, feminist ideas of the state, working class politics) that drew the interest of Woolf and her cohort. We will also consider the contemporary afterlives of Woolf by reading a 21st century novel by either Zadie Smith or Ali Smith.

English 4565: Advanced Fiction Writing
Instructor: Nick White
This is the advanced creative writing workshop in fiction. Admission is limited to creative writing concentrators who have taken English 2265, and to other students who have successfully completed English 2265 with permission of the instructor by portfolio submission.

English 4566: Advanced Poetry Writing
Instructor: Marcus Jackson
Each meeting, we will workshop your poems. In addition, we will be reading and discussing the aesthetic choices made in selections of published poetry (distributed via handouts and our Carmen page). Also, we will make efforts to become familiar with the poets and books that are guiding our current writing, thereby giving us more informed perspectives from which to critique weekly drafts.

English 4568: Advanced Creative Nonfiction Writing
Instructor: Lee Martin
This is an advanced workshop that will focus on the production and analysis of the students’ creative nonfiction. We will examine the artistic choices writers make with forms such as memoir, the personal essay, nature writing, literary journalism, etc. Our focus will be on the exploration of a subject from the multi-layered perspective of the writer. Our primary focus will be the reading and discussion of student-written work. Each student will present two pieces of creative nonfiction for workshop discussion. At the end of the quarter, each student will turn in a significantly revised version of one of these pieces. Students will also prepare analytical letters of response to their classmates’ work.

English 4569: Digital Media in English Studies: Digital Protest and Online Activism
Instructor: John Jones
Have you ever wondered what your voice-activated speakers are saying about you after you’ve left the room? Did you know that your Fitbit was a published author? In this course, students will explore how digital culture enables physical objects to argue, both in the production of new genres of written text and in their interactions with people and the environment. We will explore the rhetorical possibilities of emerging interfaces such as voice control, paying particular attention to the new forms of digital creativity they are enabling as well as to how the data they produce are impacting privacy and security. In order to do so, we will not only analyze these objects but become makers ourselves, using tinkering as a way of thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing these relations can support. 

English 4573.01: Rhetorical Theory and Criticism
Instructor: James Fredal
It has always been a basic premise of rhetoric that all texts have an impact on their audience. That impact can be intellectual, emotional, aesthetic, attitudinal, relational, ethical and sometimes even physical. HOW texts work, how producers achieve the effects they want and why audiences respond to texts in the way they do: these are the  basic questions of rhetorical theory and analysis. English 4573.01 will be an introduction to rhetorical criticism and analysis, and to the broad range of terms of concepts from a long history of rhetorical theory that are relevant and useful to rhetorical criticism. That is to say, we will learn how to read and analyze texts at a more sophisticated level to understand how they work. In addition to reading and talking about a broad range of rhetorical techniques, we will look at a wide range of texts, from speeches and cartoons to Twitter feeds and Reddit threads, Youtube channels and Instagram accounts.  Students will write frequent short analysis papers, a few longer issue papers and a final project.

English 4575: Special Topics in Literary Forms and Themes
Instructors: Angus Fletcher
In this course, you will learn to write like your favorite author, in any genre or any medium, from poetry to comics, film to fiction, essays to television, memoir to mashup, ancient or modern. You will start by learning the secret to uncovering your favorite author's creative blueprint, identifying the formal elements that your author uses like nobody else. Maybe the element is a unique style, or a special recipe for character, or an innovative use of plot, or storyworld, or voice, or atmosphere. Then you'll incorporate that blueprint into your own writing. So you will create your own original piece of writing that sounds just like your favorite author--while also sounding just like you.

English 4578: Special Topics in Film
Instructors: Sandra MacPherson
Examination of particular topics, themes, genres or movements in cinema; topics may include particular directors (Orson Welles), periods (The Sixties), genres (horror).

English 4578: Special Topics in Film — Film and American Society After World War II
Instructors: Ryan Friedman
This course examines the history of the American cinema in the years immediately following the Second World War, covering the period from 1945 to 1960. We will view and discuss significant Hollywood films from a variety of genres (e.g., comedy, musical, film noir, western, melodrama, social problem film), contextualizing them by reading articles and excerpts published in a variety of venues (e.g., popular magazines, film-trade publications, books of sociology and psychology) during the era in which these films were produced and exhibited. These textual primary sources will serve to illustrate historical discourses describing, reinforcing and/or critiquing what were conceived of as significant social issues and shifts - from the "veterans problem," to the "housing crisis," to "juvenile delinquency," to sexism and residential segregation. In our discussions, we will be interested in how the assigned films reflected, responded to and inflected the print debates happening around these issues and shifts - even and perhaps especially when the films are not overtly working in the "social problem" genre. We will also approach the films in the context of the upheavals happening in the American film industry during this period, as a result of the Paramount decree, the HUAC hearings, suburbanization and declining movie theater attendance. In particular, we will examine the ways in which the rise of television as a competing medium of mass entertainment shaped the stories that Hollywood movies told and the visual devices they used to dramatize these stories.

English 4581: Special Topics in U.S. Ethnic Literatures
Instructor: Martin Ponce
This course examines 20th and 21st-century U.S. ethnic literatures - particularly, experimental or innovative literatures - through the frames of U.S. empire, racialization and sexuality. In what ways did the practices of U.S. imperialism - including chattel slavery, westward expansion, overseas war and colonization, economic and cultural neocolonialism - produce racialized, colonized and gendered-sexual subjects? How have African American, American Indian, Arab American, Asian American and Latinx writers critically and creatively engaged with such practices of racial and sexual subordination and territorial domination? What sorts of literary experiments have they invented and used to claim cultures and communities of survival, renewal and transformation?

English 4582: Special Topics in African American Literature — Gender, Sexuality and Citizenship
Instructor: Koritha Mitchell
When a politician wants to be taken seriously, he immediately trots out a wife and kids. Why do Americans insist that heterosexuality yields morality and stability? Why doesn't heterosexuality work that magic for Black people? This course will explore these questions through mostly canonical works of African American literature. Likely authors include Harriet Jacobs, Zora Neale Hurston, Langston Hughes, James Baldwin and Toni Morrison. Engaged class participation absolutely required. Expect frequent pop quizzes.

English 4586: Studies in American Indian Literature and Culture
Instructor: Elissa Washuta
Focused study of a topic in American Indian literary and cultural studies.

English 4590.04H: Romanticism
Instructor: Clare Simmons
The loose theme for this Honors Seminar on British literature of the Romantic period (roughly from the time of the French Revolution to the Victorian period) will be "Romanticism and the Visual." We will consider Romantic-era aesthetic theory (such as the role of imagination, the sublime and the picturesque) and the importance of the contemplation of the natural world. In combination with literary works, we will also view examples of Romantic visual art such as painting and architecture. Readings will include poetry by William Blake, William and Dorothy Wordsworth, S.T. Coleridge, P.B. Shelley, John Keats, Mary Robinson, Felicia Hemans and Robert Burns; non-fiction prose by Edmund Burke, William Gilpin, Mary Wollstonecraft and Thomas De Quincey; and the novels Frankenstein(Mary Shelley), The Bride of Lammermoor (Sir Walter Scott) and Northanger Abbey (Jane Austen). Course Requirements: Regular attendance and participation; oral presentation; reading questions; short essay; final research paper project.

English 4590.08H: U.S. and Colonial Literature — Popular Literature and New Media
Instructor: Jared Gardner
This course will explore the development of popular culture across media in the American 19th century, looking at novels, newspapers, story papers, illustrated magazines, dime novels and more, up to the rise of film and comics at century’s end. We will study the technological and cultural changes in print and other forms of communication and expression that shaped new possibilities during this period, and we will explore archives online and in special collections on campus to make new discoveries in the still largely untold story of the birth of a modern American popular culture.

English 4592: Special Topics in Women in Literature and Culture—Sonnets
Instructor: Jennifer Higginbotham
Women played an influential role in the development of the sonnet. When the Italian poet Petrarch invented the form in the fourteenth century, he started a literary vogue that continues today, and women have been at the forefront of its innovation in the English tradition almost from the start. Initially present only as love objects, women quickly adapted the form to their own poetic voices. The Protestant exile Anne Lock published the first original sonnet sequence in English in 1560, re-purposing the secular love lyric to express religious desire, while women like Elizabeth Carey, Lady Spencer participated in the translation of Petrarch's original Canzoniere in the 1590s. After we dive into the mechanics of what makes a sonnet "a sonnet," we'll apply our knowledge to trace the history of women's sonnets from the sixteenth century to today. Poets may include Lock, Carey, Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, Christina Rossetti, Emma Lazarus, Edna St. Vincent Millay, Gwendolyn Brooks, Marilyn Hacker, Marilyn Nelson, Patience Agbabi, Wendy Cope and Jackie Kay. In addition to gaining mastery of poetic form, students will engage with feminist and queer theory to explore what sonnets help us understand about gender and sexuality, and what gender and sexuality can help us understand about sonnets.

English 4592: Special Topics in Women in Literature and Culture — Gender and Empire
Instructor: Molly Farrell
The colonization of the New World has usually been told as a "boy story," with pirates or explorers, shipwrecks or frontiers, as its characters and settings. This class asks what would happen if we put girls and women, homes and domestic spaces, at the center of that story instead. Reading literature from and about early America, we will look at the ways sex, gender and families are inextricably bound up with appetites for expanding an Empire. Beginning by asking why Toni Morrison set her new novel A Mercy among women in colonial America, we will read a novel about Americans caught in the Haitian revolution written by Aaron Burr's secret lover; ask why the first best-selling American novel, The Coquette, was about a sex scandal; and examine the persistent problems of gender and marriage in the work of Nathaniel Hawthorne.

English 4595: Literature and Law
Instructor: Susan Williams
This course will consider how literary texts are controlled by, represent and respond to legal issues and decisions. Our main focus will be historical, but we will also examine how historical contexts inform current debates about sex offender registries; sampling and copyright in Hip-Hop; and economic justice and wealth management, among others. Primary texts will include writings by Louisa May Alcott, Charles Chesnutt, Emily Dickinson, Nathaniel Hawthorne, Edgar Allan Poe and Mark Twain. Topics will include copyright and literary production; sentencing laws, incarceration and the "civil dead"; and family law and inheritance.


5000-level

 

English 5191: Internship in English Studies
Instructor: Katherine Stanutz
Students may receive credit for internships across a wide variety of career fields including, but not limited to, the arts and nonprofit administration; creative, business and technical writing; communications, marketing and public relations; consulting; education; human resources; law and politics; media production; publishing; sales; social services and counseling; and technology services.
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

English 5710.01/.02: Introduction to Old English Language and Literature — The Language of Beowulf
Instructor: Leslie Lockett
This course teaches students to read and declaim Old English, the spoken language of the English people in the early Middle Ages (up to ca. 1150), and the original language of evocative poems including Beowulf and The Wanderer. In the first half of the semester, we will learn declensions, conjugations and vocabulary; in the second half, we will translate works of Old English prose and poetry. Students are graded on their preparation for each class meeting, eight quizzes, three written translation assignments and a final exam. No prior knowledge of Old English or other languages is required.
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

1000-level

 

English 1109: Intensive Writing and Reading
Instructor: Christiane Buuck
Provides intensive practice in integrating academic reading and writing.

English 1110.01 (60): First-Year English Composition — Media Around the World
Instructor: Michael Grifka
What’s the difference between how a country is viewed by others, and how it views itself? Is there such a thing as a national culture? In this course, we will explore media from all over the world, using it to understand how culture is expressed through film, literature, comics and more. Students will have the opportunity to focus on a country of their choice, and conduct research on that country’s media landscape, as over the course of the semester we build our understandings of how media represents, and even changes, the way a place’s culture is viewed. Students will write analytical and research papers responding to the diverse media available in the world today. Each student will also share their research with their classmates on a regular basis, so that each person gains a familiarity with a number of different places and cultures. Together, we will investigate the questions: how do creators try to address their own cultures differently than other peoples? How can you tell what a place is really like? And how can we avoid stereotypes, bias and racism when consuming media?
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (80, 170, 280, 480): First-Year English Composition
Instructor: Cathy Ryan
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (190, 370, 470): First-Year English Composition
Instructor: Sonya Parrish
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (270): First-Year English Composition
Instructor: Gavin Johnson
In this section of first year writing, we will explore the intersections of digital literacy and activism. As technology continues to redefine our lives, cultures and politics, how might we, as writers, use technology to better advocate for ourselves and our communities?
This course is part of the Digital Flagship. iPad section.
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01H: Honors First-Year English Composition
Instructor: Staff
GE: Writing and Communication—Level 1

English 1110.02 (60): First-Year English Composition
Instructor: Francis Donoghue
This is a regular section of 1110 with a built-in theme. Students will cover the usual terrain of English grammar and usage, if in an unorthodox way, using Geraldine Woods’ English Grammar for Dummies (3rd edition). Students will do exercises based on the topics she covers (these will not be graded). Students will then proceed to read a series of short stories, concentrating on analyzing the content of the stories and also on the writing process. Students will expand the degree of difficulty in the second half of the course, when we analyze three novels. We’ll begin the course with a series of warm-up ethnographic exercises. Ethnography will be explained before we get started. Three graded papers.
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.
GE: Writing and Communication—Level 1

English 1110.03 (20): First-Year English Composition — Meanings Behind Movie Posters
Instructor: Christiane Buuck
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program.
GE: Writing and Communication—Level 1

English 1110.03 (10, 30): First-Year English Composition — Belief and the Supernatural
Instructor: Martha Sims
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program.
GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Martha Sims        
Intensive practice in the fundamentals of expository writing.


2000-level

 

English 2202: Selected Works of British Literature — 1800 to Present
Instructor: Jill Galvan and Staff
This course will introduce students to some of the major British texts, authors and literary forms and trends of the last two centuries. In the process, you will be learning about diverse perspectives on important cultural developments over the past two centuries, including the French Revolution, the abolition of slavery, the Industrial Revolution, imperialism, debates over gender roles and sexuality, the rise of scientific values, the twentieth-century world wars, and the political and cultural consequences of decolonization. We will study major literary modes such as the Romantic lyric, the Gothic novel, the dramatic monologue, World War I poetry, postcolonial narrative, and the Bildungsroman (or “coming-of-age novel”). Our fiction and drama will include Mary Shelley’s Frankenstein, Charles Dickens’s A Christmas Carol, Oscar Wilde’s The Importance of Being Earnest, and Kazuo Ishiguro’s Never Let Me Go. English 2202 will also familiarize students with college-level strategies for analyzing literature. Main course requirements include two exams and two short papers designed to build your skills in literary interpretation.
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructor: Staff
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature
GE: Diversity (Global Studies)

English 2220H: Introduction to Shakespeare — Genre, Gender and Kingship
Instructor: Luke Wilson
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature
GE: Diversity (Global Studies)

English 2260 (10): Introduction to Poetry
Instructor: Staff
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature

English 2260 (20): Introduction to Poetry
Instructor: Sebastian Knowles
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature

English 2260 (30): Introduction to Poetry
Instructor: Staff
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature

English 2260H: Introduction to Poetry
Instructor: David Brewer
This course will explore the pleasures and insights of poetry:  reading it, reciting it, listening to it and even writing a bit of it. Toward that end, students will examine a wide range of verse (most, but hardly all of it from the past century) and think about how it works, both on its own terms and on us. Above all, students will be investigating how understanding and enjoyment can reinforce one another, rather than work at cross purposes, at least when it comes to poetry. Likely assignments include a weekly reading journal, several short written exercises, a final project (which could take the form of writing your own verse) and active participation in discussions.
GE: Literature

English 2261 (10): Introduction to Fiction
Instructor: Sandra MacPherson
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included.
GE: Literature

English 2261 (70): Introduction to Fiction
Instructor: Francis Donoghue
This course will introduce students to the systematic study of fiction. Everyone is familiar with the genre, but we will take the approach that studying it in an organized way at the college level is new to most students. We will examine a mix of short stories and novels, and will ask both formal and historical questions. We will spend the bulk of our time analyzing plots and characters, but always keeping bigger questions in mind: what is each author’s outlook on human behavior and society? How does each author represent that outlook in prose? Because we’re progressing chronologically, beginning with texts written in the nineteenth-century and proceeding to texts written in the twenty-first century, students will, by the end of the course, have developed a clear sense of how fiction has changed over the last century and a half. A final goal of the course will be to help students develop the critical thinking skills necessary to analyze fiction both in conversation and in writing. This is almost entirely a matter of practice, of gradually mastering a vocabulary long used in literary studies for talking and writing about literature. My hope is that this course will enrich your reading experiences long after it’s over.
GE: Literature

English 2261 (40): Introduction to Fiction
Instructor: Koritha Mitchell
This introduction to fiction course will focus on authors from the United States who have a variety of backgrounds. That is, not every author studied will be white.
GE: Literature

English 2261: Introduction to Fiction
Instructor: Staff
Examination of the elements of fiction — plot, character, setting, narrative, perspective, theme, etc. — and their various interrelations. Comparisons with nonfictional narrative may be included.
GE: Literature

English 2263: Introduction to Film
Instructor: Frederick Luis Aldama
This course will offer methods and approaches for understanding the devices used (mise-en-scène, lensing, sound, editing, casting and so on) by film directors to give shape to their various distillations and reconstructions of the building blocks of reality. We will also explore the sociopolitical contexts of making and distributing film. And, we will be attuned to how films trigger our perception, thought and feeling systems when consuming films. To this end, we will explore how a film director gives shape through visual and auditory means to a filmic blueprint that triggers real emotions and thoughts about the world—all while we the audience know it to be a distillation and reconstruction of the real world. Films we will likely study include: Francis Ford Coppola’s Apocalypse Now (1979) Alfonso Cuarón’s Y tu mama también (2001) Alfonso Cuarón’s Children of Men (2006) Cary Joji Fukunaga’s Sin Nombre (2009) González Iñarítu’s Amores Perros (2000) Spike Lee’s Do the Right Thing (1989) Terence Malick’s Badlands (1973) Mira Nair's Salaam Bombay! (1988) Christopher Nolan’s The Dark Knight (2008) Robert Rodriguez’s Sin City (2005) M. Night Shyamalan's Unbreakable (2000) Quentin Tarantino’s Pulp Fiction (1994) Guillermo del Toro’s Pan’s Labyrinth (2006) and Barry Jenkins’ Moonlight (2016).
GE: VPA

English 2264: Introduction to Popular Culture Studies
Instructor: Staff
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas.
*This is a combined section class. Cross-listed in CompStd.

English 2265 (10): Introductory Fiction Writing
Instructor: Alaina Belisle
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (30): Introductory Fiction Writing
Instructor: Christopher Rinaldo Santantasio
Flash fiction is a work of extreme brevity that hints at a broader narrative. Students will read, discuss and construct a series of very short works of prose employing compression, imagery and carefully chosen details.

English 2265 (40): Introductory Fiction Writing
Instructor: Emily Greenberg
In this beginner-level workshop, students will explore the craft of writing fiction by discussing the work of published authors, providing feedback on the work of classmates, and composing and refining their own short stories. In the first part of the course, students will become familiar with the fundamentals of storytelling by analyzing short stories by masters of literary and popular fiction, including George Saunders, A.M. Homes, Carmen Maria Machado, Stephanie Vaughn, Tobias Wolff, Denis Johnson and many more. Students will examine how authors shape storytelling elements to create desired effects in their readers, and will consider how these strategies may be used in their own writing. In the second part of the course, students will begin working on their own short pieces, which will be workshopped in class as a group. At the end of the course, students will turn in a revised short story, as well as an artist statement describing their  goals as a writer. The aim of this workshop is to cultivate a supportive community of writers invested in helping their classmates develop their craft and achieve their aesthetic goals.

English 2265 (20): Introductory Fiction Writing
Instructor: Molly Rideout
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2266: Introductory Poetry Writing
Instructors: Margaret Brown
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets. Prereq: 1110. Repeatable to a maximum of 6 cr hrs.

English 2267: Introduction to Creative Writing
Instructor: Julie Garbuz
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.

English 2268 (10): Introductory Creative Nonfiction Writing
Instructor: Jacob Scheier-Schwartz
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2268 (20): Introductory Creative Nonfiction Writing
Instructor: Amanda Ingram
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2269: Digital Media Composing
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production.
GE: VPA

English 2270: Introduction to Folklore
Instructor: Staff
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course.
GE: Cultures and Ideas
*This is a combined section class

English 2276: Arts of Persuasion
Instructor: Staff
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts.
GE: Cultures and Ideas

English 2277: Introduction to Disability Studies
Instructor: Sona Hill
This course investigates the ways that disability is composed in contemporary life. We’ll think about disabled people in terms of identity and culture, but we’ll also think about the way disability itself functions to shape our ideas about ourselves, and others. What does it mean when you taste food and say, “That’s crazy good”? What does it mean when you break your ankle and spend a few months using crutches?  Our purpose is not to say, “This way of speaking or behaving is good, and that other way of speaking or behaving is bad.” Rather, our purpose is to ask, over and over again: How does disability make meaning in contemporary life?  We will explore various models of disability, paying attention to the ways that each model intersects with race, gender, class and sexuality. We’ll theorize concepts such as normal, passing, inspiration and access, and consider how these concepts both emerge and are contested through individual authors’ and artists’ composing practices.
GE: Cultures and Ideas

English 2280: The English Bible — The Bible as Literature
Instructor: Hannibal Hamlin
The Bible contains some of the weirdest and most wonderful literature you will ever read, and there is certainly no book that has had a greater influence on English and American literature from Beowulf to Paradise LostPilgrim’s Progress to The Chronicles of Narnia, Whitman’s Song of Myself to Morrison’s Song of Solomon. We will read a selection of biblical books in order to gain some appreciation of the Bible’s wide range of literary genres, forms, styles and topics. Our discussion will include the nature of biblical narrative and characterization, the function of prophecy and its relation to history, the peculiar nature of biblical poetry, so-called Wisdom literature, anomalous books like Job and The Song of Songs (including the historical process of canonization that made them “biblical” and the kinds of interpretation that have been used to make them less strange), the relationship between (in traditional Christian terms) the Old and New Testaments (including typology, the symbolic linking of characters, events, themes and images in the books before and after the Incarnation) and the unity (or lack thereof) of the Bible as a whole. As occasion warrants, we will also look at some of the diverse ways the Bible has been read and interpreted––the stranger the better––by poets and writers, artists and film-makers over the past millennia.

Do note: this is NOT a course in religion, but rather an English course on the Bible as a literary work. Any and all faiths, or none, are welcome, and none will be privileged. 

Text: The English Bible: King James Version (2 vols.), ed. Herbert Marks (1) and Gerald Hammond and Austin Busch (2), Norton Critical Edition
Course requirements: Evaluation will be based on active participation in class discussion and activities, regular reading quizzes, two short essays, a mid-term test, and a final exam.
GE: Literature

English 2281: Introduction to African-American Literature
Instructor: Staff
This course introduces students to the major periods and authors of the African American literary tradition from the colonial period to our contemporary moment. In this survey, we will read texts in a wide range of genres (poetry, autobiographies, novels, short stories, nonfiction essays) that engage with an equally broad array of topics and issues, including slavery and freedom, orality and literacy, music and literature, gender and sexuality, political protest and artistic innovation and the persistence of structural racism and racial violence into the present. We will examine literature from the period of chattel slavery in the Americas, through Reconstruction, Jim Crow segregation, the Harlem Renaissance, the Cold War, the Civil Rights Movement, the Black Arts Movement, postmodernism and the contemporary.
GE: Literature
GE: Diversity (Social Diversity in the U.S.)
*This is a combined lecture class. Cross-listed in AfAmASt

English 2282: Introduction to Queer Studies — Queer and Trans Cultures and Movements
Instructors: Jian Chen
This seminar explores queer and transgender cultural strategies for movement building from their moments of emergence in the 1960s through their continual re-imagining in response to changing conditions and state and social efforts to target, police and assimilate lesbian, gay, bisexual and transgender (LGBT) people by the twenty-first century. As a derogatory term turned back against those using it, queer has been claimed as a perversely “negative” descriptive that rejects common-sense heterosexual (and sometimes gender) conventions, while creating different ways of desiring, relating and being in the world. The second half of the course will focus on the embodied struggles and cultural and political strategies of transgender communities. The course will engage with the histories and experiences of communities of color and the analysis of race, racism, colonization and empire as vital to understanding sexuality and gender in the U.S.
GE: Cultures and Ideas
GE: Diversity (Social Diversity in the U.S.)
*This is a combined section class. Cross-listed in WGSS.

English 2290: Colonial and U.S. Literature to 1865
Instructors: Molly Farrell, Staff
Where does American literature begin? Why do points of origin matter for national literatures? This class explores the shifting canon of early U.S. literature and the colonial literatures from which it emerged. We will read narratives of initial cross-cultural encounters; oral traditions and writings by Native Americans; documents circulated by political leaders; appeals resisting slavery and injustice; sermons, novels, short stories and essays; and some of the most affecting and generative poetry ever written, among other texts. Students will learn to recognize and analyze the distinctive genres of writing that developed across this historical period. In addition, students will gain a sophisticated understanding of the ways that early American studies connects us to powerful contemporary cultural questions. Assignments may consist of required readings, class attendance and participation, quizzes, short analytical papers and exams.

English 2367.01: Language, Identity and Culture in the U.S. Experience
Instructor: Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02 (100): Literature in the U.S. Experience
Instructor: Pranav Jani
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02 (110): Literature in the U.S. Experience
Instructor: Jessica Prinz
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries.
GE: Writing and Communication (Level Two)

English 2367.05 (10): The U.S. Folk Experience
Instructor: Martha Sims
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2367.05: The U.S. Folk Experience
Instructor: Staff
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills.
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2367.06: Composing Disability in the US
Instructor: Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.

English 2367.07S: Literacy Narratives of Black Columbus
Instructor: Staff
This service-learning course focuses on collecting and preserving literacy narratives of Columbus-area Black communities. Through engagement with community partners, students refine skills in research, analysis and composition; students synthesize information, create arguments about discursive/visual/cultural artifacts and reflect on the literacy and life-history narratives of Black Columbus.

English 2367.08: The US Experience: Writing About Video Games
Instructor: Carlos Kelly
In this course, we will play and think critically about video games through the lens of race and gender. We will consider issues of representation in games and also in films about/that include video game aesthetics. No gaming experience necessary!

English 2463: Introduction to Video Games Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.
GE: VPA


3000-level

 

English 3271 (20): Structure of the English Language
Instructor: Gabriella Modan
This course is an introduction to English linguistics. We will learn about the basic characteristics of language: the sounds of English and how they're put together, word formation processes, and rules for combining words into utterances/sentences.  While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education.  Finally, we'll explore how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings.
GE: Cultures and Ideas

English 3271: Structure of the English Language
Instructor: Staff
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings.
GE: Cultures and Ideas

English 3304 (10): Business and Professional Writing
Instructor: Christiane Buuck
The study of principles and practices of business and professional writing.

English 3304 (40): Business and Professional Writing
Instructor: Yanar Hashlamon
The study of principles and practices of business and professional writing.

English 3304: Business and Professional Writing
Instructor: Staff
The study of principles and practices of business and professional writing.

English 3305: Technical Writing
Instructor: Staff
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3364 (10): Special Topics in Popular Culture — Janeites: Austen Fiction, Films and Fans
Instructor: Robyn Warhol
Janeites: They have outfits. They re-enact Regency balls at annual conventions. They are Jane Austen fanatics. There are at least 62 film and TV adaptations of works by Austen, 28 of them made in the last decade. There’s fan fiction.  There are Jane Austen action figures and “Mrs. Darcy” t-shirts. And now there’s even an online role-play game, “Ever, Jane.” There are children’s versions of Austen novels. Jane Austen cookbooks.  Advice books and board games about “WWJD?” (“What would Jane do?”) And of course, lots of literary criticism. In this class we will be reading some criticism as well as four Austen novels and watching film adaptations including Clueless and the Bollywood-style Bride and Prejudice. We will look at the proliferation of all these contemporary avatars of Jane and more, to ask what it means, especially for women now. Assignments include short informal written responses to questions about the texts, group oral presentations, a midterm and a final.
GE: Cultures and Ideas

English 3364 (40): Special Topics in Popular Culture — Bad Words
Instructor: Lauren Squires
This class will explore "bad words" - swearing and other forms of language considered culturally "taboo." What counts as "bad" is not absolute, but is determined by social and cultural norms, situational expectations and individual preferences, habits and personalities. Indeed, some of the language considered offensive in American society even two decades ago is now considered utterly mundane - and vice versa. The goal of this class is to use taboo language as an inherently interesting lens through which to learn about human beings and the language they use. We will approach "bad words" from the viewpoint of multiple disciplines that concern themselves with the study of language, including linguistics, anthropology, psychology, literature, rhetoric and the law.
GE: Cultures and Ideas

English 3372 (10): Science Fiction and/or Fantasy
Instructor: Kristin Ferebee
What does it mean to be alive? Who gets to be considered alive, and under what conditions? What is the meaning of life? (Just kidding— we all know it’s 42.) The answers to these questions once seemed relatively simple. Now, however, as different sciences, religions and ways of life collide in our increasingly globalized world, we find ourselves confronted by complicated and perplexing questions about how we define and value different forms of life. Science fiction— once a genre considered “just for fun” or more “trivial” than real literature— has come to be an important zone where authors and readers grapple with these questions. In this course, we will read and view some of the ways in which science fiction has imagined alternative forms of life. Students will work with examples of film, TV, literature and comics to explore their preconceptions about boundaries between the “natural” and the “unnatural,” the “human” and the “nonhuman,” the “dead” and the “alive.” Drawing on critical texts from the fields of queer theory, disability theory, and the environmental humanities, we will learn to explore science fiction’s challenges to our set modes of thinking, and understand how these challenges emerge from and relate to the pressing issues of bodily existence and environmental survival that are facing our world today. This course will fulfill GE requirements by asking students to examine and confront many different perspectives on what constitutes meaningful life, including feminist, queer, disability and non-Western perspectives. The material for the course will appeal to students who are interested in a wide range of science fiction literature and/or pop culture, as well as students who are interested in thinking about and discussing the major ethical issues of our age — particularly students who are studying within the medical or environmental sciences.

English 3372 (30): Science Fiction and/or Fantasy—Climate Fiction
Instructor: Thomas Davis
Climate Fiction: Climate Change Fiction, or "Cli-Fi," has become a cultural phenomenon in the past few years. The number of cli-fi novels and films has spiked and the New York Times, the Atlantic, ABC News and other outlets have asked how it might help us address the multiple problems of climate change. This course takes up a wide range of cli-fi to examine how writers imagine planetary futures. We will also consider the relationship between cli-fi and climate science. Possible authors: J.G. Ballard, Ursula K. Le Guin, Octavia Butler, Jenni Fagan, Alice Robinson, Nathaniel Rich, Steven Amsterdam, China Mieville and others.
GE: Literature

English 3372 (40): Science Fiction and/or Fantasy — Magic
Instructor: David Brewer
This course will investigate how magic works in fantasy. Students will consider the place of magic in the creation of fantastical worlds, how readers and viewers are encouraged to buy into those worlds and how the inclusion of magic has contributed to the cultural status of fantasy. Likely readings will include work by Rachel Aaron (The Spirit Thief), Susanna Clarke (Jonathan Strange and Mr. Norrell), Benedict Jacka (one of the Alex Varus novels), Ursula Le Guin (one of the Earthsea novels), J. K. Rowling (one of the Harry Potter novels), and Brandon Sanderson (one of the Mistborn novels). Students will also examine several films and television shows and consider what difference it makes to see and hear magic. Likely assignments will include a weekly journal, a few short written exercises, an online presentation, a final project in which you sketch out your own magical world and active participation in our discussions.
GE: Literature

English 3378: Special Topics in Film and Literature — Monsters Without and Within
Instructor: Karen Winstead
Storytellers have long used monsters not only to frighten us but also to jolt us into thinking more deeply about ourselves and our world. No film can be totally faithful to a written source; filmmakers perforce use different methods than do writers to tell their stories, to thrill and provoke. However, this course focuses on films that aggressively transform their literary sources, reinterpreting characters and retooling plots to create monsters that offer different visions of what we have to fear and of how we can (or cannot) overcome the monsters without and within. We will move from dragons and humanoids to vampires, zombies, ghosts and psychopaths.  Our sampling of classics old and new will include Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, I Am Legend, and The Shining.  Requirements will include weekly online quizzes, a couple short papers, and a final exam.
GE: Cultures and Ideas

English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Kay Halasek
As an introduction to the interrelated fields of Writing, Rhetoric and Literacy, this course familiarizes students with key concepts and research and scholarly methods that underlie work in these interrelated fields, including rhetorical analysis, qualitative studies, and historical and archival research. Together, these fields examine and analyze phenomena, texts and other artifacts in educational contexts, popular culture, and social and political movements. By the end of this course, students should be able to (1) demonstrate an understanding of and ability to employ the research and scholarly methods applicable in the fields of writing, rhetoric and literacy, (2) research, evaluate and apply rhetorical principles in analyzing and interpreting phenomena, texts and other artifacts; (3) demonstrate an understanding of and an ability to apply the central concepts informing writing and literacy studies; and (4) carry out course projects based on the research and scholarly methods in these related fields.

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy
Instructor: James Fredal
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning, and how these practices are learned and taught.

English 3398 (30): Methods for the Study of Literature
Instructor: Jacob Risinger
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing.

English 3398: Methods for the Study of Literature
Instructor: Sarah Neville
This class is designed to support students in developing the skills they need to be successful English majors. Classes and short assignments will cover issues like: What does secondary criticism add to literature? How do I read actively? What kinds of tools do I need? How do I stake a claim? Do I need a flag? What’s the difference between a long paper and a short one? How can I distinguish between what they say about a text and what I say? In addition, over the course of the term students will learn the types, tools and methods of literary criticism that English scholars employ as they construct projects in both print and digital media. Along the way we’ll read a novel by Robertson Davies, short stories by Dorothy Parker, Lorrie Moore, Donald Barthelme, and George Saunders, a play by Djanet Sears, and poems by Billy-Ray Belcourt. Students will complete in-class exercises and multiple short writing assignments that ultimately build towards a longer research paper.

English 3398 (20): Methods for the Study of Literature
Instructor: Jennifer Higginbotham
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of creative writing.

English 3398: Methods for the Study of Literature
Instructor: James Fredal
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of creative writing.

English 3398 (60): Methods for the Study of Literature
Instructor: Andrea Williams
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing.

English 3398 (70): Methods for the Study of Literature — In-Between Texts
Instructor: Sebastian Knowles
Literature often celebrates the space between worlds, whether an immigrant coming to a new land, a soldier navigating no-man's land, a woman negotiating the barriers of gender and class.  We will read W. G. Sebald's The Emigrants, Virginia Woolf's Orlando, William Faulkner's As I Lay Dying, Manuel Puig's The Kiss of the Spiderwoman, Ian McEwan's Nutshell, and T. S. Eliot's Four Quartets, and see if they have anything in common.

English 3405: Special Topics in Professional Communication — Organizational Writing for the Web
Instructor: Dan Seward
When people think about writing for the web, social media immediately comes to mind. However, a substantial portion of web-based writing appears on organizational websites. These sites represent a wide range of organizations, from community non-profits to large corporations, from government agencies to local start-ups. And these sites serve many purposes: promoting events, fostering communal interaction, hosting public resources, facilitating services and, most importantly, representing the organizations themselves. In this class, we will examine the online face of modern organizations, first, by writing professional reports analyzing and assessing a range of organizational sites and then, by developing our own organizational sites using free and commonly available site creation tools.

No experience with website development or visual design is necessary—both will be taught as core outcomes of the course, along with the fundamentals of accessibility, interactivity and collaborative composition. Regardless class members’ backgrounds and interests, they will have opportunities to expand their repertoire of professional genres while also refining their abilities to produce engaging and substantive verbal and visual texts. All students will complete the class with multiple contributions for their writing portfolios, including a professional report analyzing an active website, a website redesign proposal and, depending upon students’ own professional (or civic) aims and interests, a variety of web-ready pieces reflecting the communication needs (instructional, promotional, technical, communal, representational, etc.) of organizations falling within students’ desired career paths or civic spheres.

English 3465 (10): Special Topics in Intermediate Fiction Writing
Instructor: Kirsten Edwards
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3465 (20): Special Topics in Intermediate Fiction Writing
Instructor: Elizabeth Coulter Blackford
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3465 (30): Special Topics in Intermediate Fiction Writing
Instructor: Neil Grayson
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3466: Special Topics in Intermediate Poetry Writing
Instructor: Emmalee Hagarman
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3467S: Issues and Methods in Tutoring Writing
Instructor: Genie Giaimo
This course trains students to be effective tutors in the Ohio State Writing Center or within the Writing Associates Program, which includes learning and applying strategies for working with writers of all levels and writing at all stages of completion and comprehension. Through observation-work, students will learn about the day-to-day activities of a University Writing Center, and how tutors conduct themselves during their sessions with clients. Additionally, we will discuss different strategies that will help tutors as they work with English Language Learners. Students will also be trained in face-to-face and online tutoring methods, as well as individual and group tutoring methods.  Ultimately, this course should help students to feel more confident in their roles as writing consultants, and will shed insight into consulting strategies. This course is discussion-based and aims to engage students' areas of interest and expertise to the formal study of writing, literacy and writing centers. This course will offer training in research methods and data analysis and will use the Writing Center as a research space, with a hands-on practical learning component that includes observation, supervised tutoring and, ultimately concludes with employment opportunities at the Ohio State Writing Center or within the Writing Associates Program.

English 3468: Special Topics in Intermediate Creative Nonfiction Writing — Reimagining the Essay
Instructor: Elizabeth Smith
As writers, we are using memory and imagination to create new worlds from the raw materials of the senses. Together we will explore the act of writing, the act of remembering and how the senses affect memory, the imagination and the texture of language. We will pay particular attention to setting, place and the exploration of relationships with the physical world: how those relationships are reflected in our own physicality and how they reflect the interiority of characters—motivation, ideas, feelings and thoughts. We will examine connections between outside and inside. For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored. Prereq: Grade of C or above in 2265. Repeatable to a maximum of 6 cr hrs. 

English 3662: An Introduction to Literary Publishing
Instructor: Kelsey Hagarman
An introduction to the theory and practice of editing and publishing literature.


4000-level

 

English 4150: Cultures of Professional Writing
Instructors: Staff
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4189: Professional Writing Minor — Capstone Internship
Instructor: Staff
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics.

English 4321: Environmental Literatures, Cultures and Media — Environmental Humanities
Instructor: Thomas Davis
This course will introduce students to the vibrant, interdisciplinary field of the Environmental Humanities. We will think together about the affordances of humanistic inquiry for addressing topics such as climate change, energy futures, resource extraction, environmental justice, toxicity, settler colonialism and ecotourism, among others. 

English 4400: Literary Locations — Literary Rome
Instructor: Sean O’Sullivan
Study of sites of literary importance, and texts connected with them in Rome. Concludes with 10-day visit to location. Taught in conjunction with English 5797.

English 4515: Chaucer
Instructor: Ethan Knapp
The aim of this course will be to introduce students to the poetry of Geoffrey Chaucer, starting with his early works and leading up to a reading of large sections of his most famous poem, The Canterbury Tales.  Chaucer's poetry offers a window onto an unusually exciting moment of political, cultural and philosophical transformations, and we will consequently read these poems with close attention to the society and culture that produced them, the turbulent end of the fourteenth century.  Students should also acquire a familiarity with Chaucer's Middle English and with the literary culture of the time.

English 4520.01: Shakespeare
Instructor: Luke Wilson
In this upper-level course in Shakespeare, we'll explore why Shakespeare remains a central figure in our culture. There's a Calvin and Hobbes comic in which Calvin is forced by his mother to eat a pile of food as it recites "To be or not to be." Is Shakespeare still good eating? Or is he a meal we're all compelled to consume whether we like it or not? I'd say he's not yet past his use-by date, and in this course we'll see why he still hits the spot, reading plays in the major dramatic genres in which he wrote - comedy, history, tragedy and what later came to be called romance - as well as some of his poems; we'll also do some ancillary critical reading. Requirements will include frequent brief informal response papers; one or two substantial essays; and a final exam. Text: The Norton Shakespeare, ed. Stephen Greenblatt, et al. 3rd ed., in two volumes.

English 4521: Renaissance Drama — The Infamous Christopher Marlowe
Instructor: Alan Farmer
Although Shakespeare is undeniably now the most famous playwright from early modern England, that was not always the case. In the early 1590s, when Shakespeare’s career was just beginning, Christopher Marlowe was undeniably London’s most influential and notorious playwright. A spy and supposed atheist, he was ultimately killed, and perhaps assassinated, in a barroom brawl in May 1593. Before then, Marlowe wrote plays that transformed the early modern theater in exciting, unsettling and troubling ways. His plays are filled with disturbing villains, daring women, violent spectacles, cruel humor, and subversive political and sexual philosophies. In this course, we will read seven plays by Marlowe and consider how they offer radical explorations of such early modern—and contemporary—topics as religion, sexuality, politics, feminism, science and power. Requirements include a couple of essays, quizzes, an exam, and active participation.

English 4522: Renaissance Poetry
Instructor: Sarah Neville
Dragons. Knights. Swordfights. Magicians. Princesses. Satyrs. Tournaments of Champions. King Arthur. Giants. Enchantresses. Secret meanings. Symbolism. Righteous English patriotism. A desperate plea for patronage. And that’s just the first book. Edmund Spenser’s The Faerie Queene is a rollicking adventure story, a powerful national epic, a searching philosophical meditation and guide for moral conduct, a profound exploration of renaissance theology, a pointed critique of traditional attitudes toward gender and class, a wildly imaginative work of fantasy, and a deeply beautiful poem unto itself – this is unquestionably one of the most fascinating and complex works in all of English literature. In this course we will read the whole poem – all six books and change – paying special attention to historical questions about gender, class, politics, science and religion. Reading all of The Faerie Queene is a major accomplishment that few people ever attempt – Publishers’ Weekly named it one of the Top Ten Most Difficult Books – making it the Everest climb on an English major’s bucket list and offering lifelong bragging rights. Are you brave enough to take the challenge? Students will be evaluated by reading quizzes, short essays, and a final creative project.

English 4540: Nineteenth-Century British Poetry
Instructor: Jacob Risinger
In this course, we will consider how Romantic and Victorian poets tried to make sense of the nineteenth century and its tumultuous changes. These poets were some of the first writers to grapple with the modern world as we know it. Their century was rocked by the invention of the train, the telegraph, the photograph, and the bicycle. The industrial revolution gave rise to a broad but unpredictable social realignment, and Darwin’s evolutionary hypothesis disrupted religious convictions and comfortable visions of nature. Revolutionary political ideas prompted the reconsideration of tradition, custom and order. As the British Empire expanded to cover a quarter of the globe, both the Romantics and the Victorians confronted an increasing disjunction between local culture and a globalized world. Over the course of the semester, we will think about how these developments resulted in the formal and thematic transformation of British poetry. Poets we will discuss range from William Wordsworth and John Keats to Christina Rossetti and Oscar Wilde.

English 4542: The Nineteenth-Century British Novel
Instructor: Amanpal Garcha
In this course, we will study how the novels of the 1800s, in their ways of representing characters and events, reveal some of the major conflicts in nineteenth-century English society. The five works of fiction we will read – Jane Austen's Pride and Prejudice, Emily Brontë’s Wuthering Heights, Charles Dickens's Oliver Twist, Bram Stoker’s Dracula and Anthony Trollope's The Fixed Period – try to embrace seemingly irreconcilable ideas: of a Romantic emphasis on individual passion and freedom and a more modern emphasis on social conformity; of the aristocracy's age-old cultural power and the new middle class's increasing influence; of traditional concepts of truth and new ideas from science, including Darwin's theory of evolution; of male power and women's changing roles; and of ancient community ideals and the expansion of governmental and capitalistic institutions. Requirements include regular class attendance and participation, the completion of periodic reading quizzes and a few short papers.

English 4547: Twentieth-Century Poetry
Instructor: Brian McHale
Readers encounter poems in various material situations – on the page of an anthology or a journal or magazine, on a website, in a book – and where we encounter them makes a difference to how we appreciate and make sense of them.  This semester we will explore one particular situation: our encounter with poems published in a collection of other poems by the same poet.  We will read about a dozen such books, cover to cover, thinking about the way the individual poems interact with each other and how they “add up” to a whole that is larger and different than the sum of the parts.

English 4550: Special Topics in Colonial and Early National Literature of the U.S.
Instructor: Beth Hewitt
The popularity of Lin-Manuel Miranda’s Hamilton has turned the “ten dollar founding father” into something of a household name. This class will use Hamilton’s life—as immigrant, as soldier, as revolutionary, as architect of American finance, as husband—as a lens to view the story of the early United States. We will read some of Hamilton’s own work, but also a range of other political, imaginative and economic writing including novels, pastoral poems, captivity narratives, and plays by authors including Charles Brockden Brown, Olaudah Equiano, Ben Franklin, Philip Freneau, Thomas Jefferson, Judith Sargent Murray, Tom Paine, Susanna Rowson – and, of course, Lin-Manuel Miranda.

English 4563: Contemporary Literature
Instructor: Jessica Prinz
This semester, English 4563 will be a comparative course in literature and science in the postmodern era , including such readings as Einstein’s Dreams (Alan Lightman), The Crying of Lot 49 (Thomas Pynchon), “If on a Winter’s Night a Traveler” (Italo Calvino), David Eggers The Circle (among others, including one or two works of science fiction, like Ishiguro’s novel, Never Let Me Go). Course requirements include two papers, two exams, and participation in discussions.

English 4565: Advanced Fiction Writing
Instructor: Michelle Herman
This is the advanced creative writing workshop in fiction. Admission is limited to creative writing concentrators who have taken English 2265, and to other students who have successfully completed English 2265 with permission of the instructor (by portfolio submission--please send your best complete short story to Professor Herman).

English 4566: Advanced Poetry Writing
Instructor: Marcus Jackson
This is the advanced course in Creative Writing-Poetry designed primarily for undergraduates who have taken the series of workshops at the beginning and intermediate levels. This is a workshop course in which you create the texts we consider. We will also look at “model” poets for prompts and inspiration. Get ready to surprise yourselves!

English 4567S: Rhetoric and Community Service
Instructor: Beverly Moss
In this undergraduate service learning seminar, you will experience firsthand through in-class workshops and conversations coupled with writing for a community partner how rhetoric (and writing) can affect (both positively and negatively) social change. You’ll receive assistance from me and your classmates regarding your writing for a nonprofit organization with whom I’ll pair you during the first few course meetings. Your community partnership affords you exposure to the complexity of organizational communication and nonprofit labor—exposure you may not otherwise have were you confined only to the classroom.

English 4568: Advanced Creative Nonfiction Writing
Instructor: Lee Martin
This is an advanced workshop in which students will write and critique original creative nonfiction. Each student will produce two essays and will significantly revise one of them to present at the end of the semester. Admission is by portfolio submission to the instructor.

English 4569: Digital Media in English Studies — Digital Protest and Online Activism
Instructor: Christa Teston
Because of their networked nature and participatory potential, digital media can be powerful actors in affecting social change. We tag, tweet, retweet, reblog, reshare, swipe left, swipe right, add filters, link, like, follow, friend and more. Connections are made. Alliances are forged. Technology, power and values are wonderfully and frightfully connected. In this class, we will investigate and experiment with digital media’s affordances and constraints—particularly for the ways they do or do not engender social concern, garner attention, mobilize human and monetary resources, and spark social justice. This course, then, is critical and creative. We will both think about and tinker with digital media. Class discussions will provide a rich and safe environment for you to explore and experiment with the consequences of humans’ relationships with digital media, while studio days will afford hands-on guidance in leveraging digital media for the purpose of protest and activism. I also anticipate that events in the world will go on happening as they did before this class ever existed. So while the course has overarching learning objectives (listed below), how those objectives are achieved may be modified in response to uprisings, disasters, attacks and other events of social consequence yet to occur.

English 4573.02: Rhetoric and Social Action — Health and Illness Activism
Instructor: Margaret Price
This course investigates sites of social action including public speech, demonstrations, social-media communications, and art/activism (“artivism”) that relate to questions of health and illness. We’ll study the rhetorical and discursive work that circulates around contemporary social-action movements such as The Ice Bucket Challenge, Breaking Out, Disability Justice, and The Icarus Project. We’ll engage questions such as these: Why did the Ice Bucket Challenge take off so vigorously (with more than 17 million participants worldwide), and who actually benefited from all that money and visibility? What are the implications of more “covert” movements such as Project Semicolon—again, who benefits, and how is “benefit” being defined? What are the implications when health/illness activism moves globally—for example, when people based in the U.S. text a number to donate money for disaster-relief support, medical supplies, or clean water?

English 4578 (20): Special Topics in Film — Hollywood in the Seventies
Instructors: Jared Gardner
This course will explore one of the most interesting periods in American film industry, from the New Hollywood maverick directors who reigned supreme at the start of the decade to the rise of the blockbuster at decade's end. We will explore dominant themes during this period—such as paranoia and conspiracy—alongside the emergence of underground and fringe cinema.

English 4578 (30): Special Topics in Film — Film and American Society after World War II
Instructors: Ryan Friedman
This course examines the history of the American cinema in the years immediately following the Second World War, focusing on the ways in which Hollywood movies reflected, responded to, and inflected the major social issues of the period. We will view and discuss classic films from a variety of genres, contextualizing them by reading both primary sources (like government documents and period magazine articles) and the work of contemporary film historians. Most weeks will pair a specific film with a significant social development from the period (for instance, Mr. Blandings Builds His Dream House with economic “reconversion,” The Best Years of Our Lives with the so-called “veterans problem,” and Blackboard Jungle with the emergence of “juvenile delinquency”). We will also examine the development of film technology and style during the 1940s and 50s, thinking about phenomena like the rise of Technicolor and widescreen formats and the emergence of film noir.

English 4580: Special Topics in LGBTQ Literatures and Cultures — The Speculative Closet: Queering Horror, Fantasy and Sci-Fi
Instructor: Nick White
In this course, we will explore how queer writers approach supernatural and futuristic elements in narrative fiction. We will read novels by the likes of Octavia Butler, Jewelle Gómez, Rainbow Rowell, Emma Donoghue, Michael Cunningham, Perry Moore, Poppy Z. Brite and others. There will be quizzes, daily writings, a presentation and one final project.

English 4582: Special Topics in African American Literature — Rethinking the Romance Plot: Love, Marriage and Singleness in African American Culture
Instructor: Andrea Williams
From romance narratives, we’ve grown accustomed to women’s stories that end with marriage as the “happily ever after.” But what else might constitute a fitting story, particularly for single women? This class traces the enduring, but changing, appeal of the romance plot by examining how African American culture represents the lives, loves and adventures of single Black women. Studying literature, film, television and music, we will pursue questions such as these: Why might an artist choose to focus on an unmarried protagonist or narrator? How can we account for the popular success of “chick lit” or its African American parallel, “sista girl” fiction?  How do matters of class, privilege and citizenship relate to who has the chance to marry or not? Course materials may include texts by Nella Larsen, Toni Morrison, Terry McMillan, and others, as well as pop culture productions by Shonda Rhimes and Beyoncé. Assignments may include quizzes, reading journal, response paper (3-5 pages) and final essay (7-10 pages).

English 4583: Special Topics in World Literature in English
Instructor: Pranav Jani
Study of literatures written in English and produced outside of the U.S. and Britain; topics include colonial/postcolonial writing, regional literature, theoretical and historical approaches, genres.

English 4587: Special Topics in Asian American Literature and Culture: Empire, Diaspora, Sexuality
Instructor: Martin Ponce
This course examines Asian American literature through three frameworks that have become indispensable to studying this body of work: empire, diaspora and sexuality. We will use these concepts to explore some of the main themes, issues and problems that Asian American studies has grappled with since its emergence as an academic interdiscipline in the late 1960s. Through readings of key literary and scholarly texts and viewings of documentary films and other visual artifacts, we will consider a variety of topics that extend from the 19th century to the present: Chinese immigration and exclusion, U.S. colonialism in the Philippines and Filipino immigration, South Asian labor migrations, Japanese American internment and redress, U.S. and Asian settler colonialism in Hawai’i, the complex aftermaths of the Korean and Viet Nam/American wars, the Asian American movement and the activist roots of Asian American Studies, the “model minority” myth, the transformations of post-1965 Asian America, and the reconfigurations of race and religion after 9/11/2001. Throughout the course, we will remain attentive to the ways that race and ethnicity intersect with class, gender, sexuality, dis/ability, location and other social differences to produce the heterogeneous imaginary known as “Asian America.” Possible authors include Carlos Bulosan, Jessica Hagedorn, Mohsin Hamid, Maxine Hong Kingston, Jhumpa Lahiri, Chang-rae Lee, Viet Thanh Nguyen, Julie Otsuka, Aimee Phan.

English 4590.02H: The Renaissance
Instructor: Jennifer Higginbotham
This class is about the pleasure of poetry and the poetry of pleasure in Renaissance England. What made poems sound good to Shakespeare and his contemporaries, and what makes those same poems sound good or not to us? Students will master knowledge of the key Renaissance poetic forms and genres, including the sonnet sequence, metrical patterns such as iambic pentameter, blank verse, ballad, narrative and lyric. We will be doing the equivalent of taking apart an engine to figure out how it works. Readings will include the master stylists of the age, such as Katherine Philips and John Milton, but we’ll also examine some poetry that is so bad it’s good. Non-honors students are welcome, and no previous work in the Renaissance is required.

English 4591.01H: Honors Special Topics in Creative Writing
Instructor: Elissa Washuta
In conversations about nonfiction and its basis in verifiable facts, how do we handle the unverifiable—the supernatural, the eerie, the awesome, the magical? What do we do with that which can’t be fact-checked, which fills us with wonder and doubt? In this course, we will read literary nonfiction devoted to supernatural occurrences and displays of illusion, ranging from the magician’s secrets to unexplainable phenomena. We’ll employ intuitive techniques and introspective tools like tarot to create new essays, we’ll learn about incorporating research into our first-person accounts, and we’ll consider issues of appropriation, commodification and overexposure of sacred practices. Students will be expected to read, write and workshop.

English 4592 (10): Special Topics in Women in Literature and Culture
Instructor: Roxann Wheeler
This course teaches students several ways to analyze literature written by and about women through the principles of feminist theory. We will explore the fictional strategies that the first commercially successful women writers employed, including the formal features of narration, structure, plot and character that they inherited and shaped, the generic features of several early forms of the novel, and the content. This period of 1660-1808 is remarkable in literary history because the modern novel was a new commercial genre; women writers dominated this market and shaped key conventions still recognizable today such as romantic comedy in novel and film as well as problem novels that explore social ills that call for economic, social and even political reform. Four of our writers wrote novels that explored the nexus of slavery, capitalism and racism. Recent events in our lives, such as the renewed interest in safe spaces and hate speech, Black Lives Matter, and the #MeToo movement, attention to unequal pay for equal work, and what liberty means for women are issues that compelled a number of women writers of the long eighteenth century, albeit in a very different context than today.

English 4592 (20): Special Topics in Women in Literature and Culture
Instructor: Sandra MacPherson
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women.

English 4998: Undergraduate Research — Thesis
Instructor: Staff
A program of reading arranged for each student, with individual conferences, reports and a paper and/or thesis.

English 4998H: Honors Research
Instructor: Staff
A program of reading arranged for each student with individual conferences, reports and an honors thesis. Open only to candidates for distinction in English.


5000-level

 

English 5189s/CompStd 5189s: Ohio Field School
Instructor: Cassie Patterson
The Ohio Field Schools course provides an introduction to ethnographic field methods (participant-observation, writing field notes, photographic documentation, audio-interviewing), archiving and the public exhibition of research for both undergraduates and graduate students. Students will contribute to a team-based, immersive research project designed to document the ways that diverse communities express and preserve a sense of place in the face of economic, environmental and cultural change. This semester-long, experientially-based course will consist of three parts:

  1. Introduction to fieldwork (on Ohio State campus in Columbus)
  2. A one-week field experience in Scioto County during spring break (where students will reside together on-site)
  3. Accessioning, digital gallery preparation and reflection (on Ohio State campus in Columbus.

Thus, throughout the semester, students will practice all of the skills necessary to construct a permanent record of local expressive culture that will be accessible to future researchers and community members. Participation in all parts of the course is required.
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

English 5191: Promotional Media Internship
Instructor: Scott DeWitt
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship site requires students to work both independently and collaboratively. This internship opportunity is especially applicable to English majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them. Students with digital media skills are encouraged to enroll.  However, media skills are NOT a pre-requisite; students will learn all media skills necessary for the class. (This internship does not fulfill the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.)
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

English 5664: Studies in Graphic Narrative: Comics, History and Time
Instructor: Jared Gardner
This course will examine the ways in which graphic narrative considers new ways of narrating history and representing time. We will look at a wide range of texts, both fiction and non-fiction, including works by Chris Ware, Jason Lutes, Joe Sacco, Rutu Modan, Emil Ferris, and Kyle Baker.
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

English 5723.01/02: Graduate Studies in Renaissance Literature and Culture
Instructor: Staff
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

English 5804: Analyzing Language in Social Media
Instructor: Lauren Squires, Marie-Catherine de Marneffe
This course will approach the study of language and interaction in social media from both theoretical and practical angles. From the theoretical side, we will explore why social media are of interest for linguistic and other social science researchers, focusing on previous research findings about communicative behavior in social media. From the practical side, we will teach students to perform analysis of social media behavior, covering all steps in the research process from data collection/selection to quantitative and qualitative analysis and reporting. Students in the course will learn to think more critically about these daily media practices and their role in society, and they will also gain hands-on skills they can take to their future endeavors. No previous experience in linguistics or programming is required, though some background in the study of language will be helpful.
*Advanced undergraduate students are encouraged to enroll in 5000-level courses.*

1000-level

 

English 1109: Intensive Writing and Reading
Instructor: Staff
Provides intensive practice in integrating academic reading and writing.

English 1110.01 (01, 02, 58): First-Year English Composition
Instructor: Angela Romines
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (03, 04, 26): First-Year English Composition
Instructor: Lauren Cook
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (13, 39, 48): First-Year English Composition
Instructor: Sonya Parrish
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (37): First-Year English Composition
Instructor: Katelyn Hartke
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (49): First-Year English Composition
Instructor: Madeline Price
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (68): First-Year English Composition
Instructor: Chad Iwertz
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01 (76): First-Year English Composition
Instructor: Francis Donoghue
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition — The Fantastical Other
Instructor: Michael Grifka
Vampires, shapeshifters, aliens, witches: fiction is rich with depictions of the not-quite-human. Why have writers throughout the ages been fascinated by supernatural beings? How do their differences from us underline their similarities? In novels, comics, video games, and films, we will investigate the question of how supernatural beings reveal our anxieties about the Other, that mysterious category that tells us so much about our own nature. Through the course, we will explore stories of supernatural difference as an entry point to exploring the construction of humanity in fiction, and the stakes of departing from “acceptable” limits. Students will use our readings as a springboard to develop their analytical writing and thinking skills, and will have the opportunity to develop their own research questions in line with the concerns of the class. As we go through the semester, we will investigate the crucial questions: why are we fascinated by the supernatural other? When do they become monstrous, and why? And what happens when we desire to be them?
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers.
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts.
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition
Instructor: Staff
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program.
GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Staff
Intensive practice in the fundamentals of expository writing.


2000-level

 

English 2201 (10): Selected Works of British Literature — Medieval through 1800
Instructor: Karen Winstead
This survey will introduce students to the vibrant minds and culture that produced the masterpieces of British literary heritage. Students will sample the writings of poets, playwrights, essayists and novelists including Chaucer, Shakespeare, Milton and Johnson. Readers will get to know the worlds they inhabited, the issues they cared about and how they may have thought about themselves as artists and human beings. While exploring the past, students will find surprising precedents for popular genres of contemporary times, including horror, romance and graphic narrative. English 2201 is a foundational course for English majors but it is also a rewarding experience for anyone seeking an appreciation of English literary heritage. Lectures will sketch out the contours of literary history, and weekly recitations will provide opportunities for group close reading and discussion. Requirements include a final exam, a journal of responses to the readings and weekly online quizzes on the lectures.
GE: Literature; Diversity (Global Studies)

English 2201: Selected Works of British Literature — Medieval through 1800
Instructor: Staff
An introductory critical study of the works of major British writers from 800 to 1800.
GE: Literature; Diversity (Global Studies)

English 2220 (10): Introduction to Shakespeare
Instructor: Jennifer Higginbotham
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature; Diversity (Global Studies)

English 2220 (20): Introduction to Shakespeare
Instructor: Luke Wilson
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature; Diversity (Global Studies)

English 2220 (30): Introduction to Shakespeare
Instructor: Hannibal Hamlin
For four centuries now, William Shakespeare has been widely regarded as the greatest writer in the English language. We come not to praise Shakespeare, however, but to study him, reading a sampling of his plays, in a variety of genres and over the course of his career. Though literary reviewing of the Siskel and Ebert variety is not our business (thumbs up? thumbs down?), we will want to ask and discuss why Shakespeare has been so highly praised by so many, for so long-what is it that gives his literary work its power and appeal? We will also ask how his plays work as theater; how he adapts and transforms the source material on which so many of his plays depend; how Shakespeare can be such an "original" when he borrows so much from other writers; how he can create such deep and realistic characters; and how it is that Shakespeare can accomplish all of the above (and more) through language. In order to explore these and other questions, we will need to consider a variety of approaches to Shakespeare's plays. Of course, first and foremost, we will be reading some wonderful literature. Plays will include Henry IV Part 1A Midsummer Night’s DreamHamletAntony and Cleopatra, and Cymbeline, and we’ll also read some poems. Assignments will include two short critical papers, a midterm test, and a final exam.
GE: Literature; Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructor: Staff
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience.
GE: Literature; Diversity (Global Studies)

English 2220H (10): Introduction to Shakespeare
Instructor: Alan Farmer
In this course students will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. Looking at the plays as works to be both performed and read, the class will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. In addition to some critical and historical essays on the early modern theater and culture, students will read some combination of the following plays: Henry VTwo Gentlemen of VeronaTwelfth NightMeasure for MeasureMacbethJulius CaesarCoriolanus and the Tempest. Requirements include a midterm exam, final exam, two essays (one shorter, one longer), regular attendance and active participation.
GE: Literature; Diversity (Global Studies)

English 2260 (20): Introduction to Poetry
Instructor: Jacob Risinger
How can poems written hundreds of years ago still resonate with our experiences of love, grief, anxiety, ecstasy and apprehension?  This course will serve as an introduction and grand tour of classic and contemporary British and American poetry.  It will also be a course where we think about how poetry intersects with ordinary human life.  Over the course of the semester, we will consider the major themes, forms, contexts and innovations that have shaped the evolution of poetry.  How has love poetry changed over the four centuries that separate Shakespeare from Seamus Heaney?  Why do poets like William Wordsworth, Langston Hughes, and Bob Dylan turn to the ballad as a form of social and aesthetic critique?  What poetic devices do metaphysical poets like John Donne and pop artists like Katy Perry share in common? We will read a great deal of poetry, from Shakespeare to current US Poet Laureate Tracy Smith.   No prior familiarity with poetry is necessary.   
GE: Literature

English 2260: Introduction to Poetry
Instructor: Staff
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems.
GE: Literature

English 2261 (10): Introduction to Fiction
Instructor: Jessica Prinz
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included.
GE: Literature

English 2261: Introduction to Fiction
Instructor: Staff
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included.
GE: Literature

English 2261H (10): Introduction to Fiction
Instructor: Francis Donoghue
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included.
GE: Literature

English 2263 (10): Introduction to Film
Instructor: Sean O’Sullivan
Introduction to methods of reading film texts by analyzing cinema as technique, as system and as cultural product.
GE: Visual and Performing Art

English 2263: Introduction to Film
Instructor: Staff
Introduction to methods of reading film texts by analyzing cinema as technique, as system and as cultural product.
GE: Visual and Performing Art

English 2264 (10): Introduction to Pop Culture Studies
Instructor: Alexandra Sterne
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas
Cross-listed in Comparative Studies

English 2264 (20): Introduction to Pop Culture Studies
Instructor: Frank DiPiero
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas
Cross-listed in Comparative Studies

English 2264 (30): Introduction to Pop Culture Studies
Instructor: Pritha Prasad
Introduction to the analysis of popular culture texts.
GE: Cultures and Ideas
Cross-listed in Comparative Studies

English 2265 (10): Introductory Fiction Writing
Instructor: Molly Rideout
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (20): Introductory Fiction Writing
Instructor: Alaina Belisle
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (30): Introductory Fiction Writing
Instructor: Elizabeth Blackford
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2265 (40): Introductory Fiction Writing
Instructor: Neil Grayson
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2266 (10): Introductory Poetry Writing
Instructor: Emmalee Hagarman
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.

English 2267 (10): Introduction to Creative Writing
Instructor: Kelsey Hagarman
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres.

English 2268 (10): Introductory Creative Nonfiction Writing
Instructor: Caroline Angell
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2268 (20): Introductory Creative Nonfiction Writing
Instructor: Julia Garbuz
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2269 (10): Digital Media Composing
Instructor: Gavin Johnson
Mobile devices--such as smart phones, computer tablets, and wearable devices--are ubiquitous, rhetorical technologies that we use daily to compose. From text messages to viral videos, we use mobile composing practices to complete everyday tasks while expressing ourselves and engaging our communities. In this course, students will consider the intersections of technologies, composing practices, and identity while producing original material using mobile devices. Our examination of identity will include topics like race, gender, age, sexuality and disability. Our goal is to not only discuss the possibilities available when composing with mobile technologies but also provide students with a new way to think critically about themselves, their communities, and their mobile devices. You do not need previous experience with video, audio or image editing technologies in order to complete class projects; you will receive necessary instruction and practice during the course of the semester.
GE: Visual and Performing Arts

English 2269 (40): Digital Media Composing
Instructor: Laura Allen
Mobile devices--such as smart phones, computer tablets, and wearable devices--are ubiquitous, rhetorical technologies that we use daily to compose. From text messages to viral videos, we use mobile composing practices to complete everyday tasks while expressing ourselves and engaging our communities. In this course, students will consider the intersections of technologies, composing practices, and identity while producing original material using mobile devices. Our examination of identity will include topics like race, gender, age, sexuality and disability. Our goal is to not only discuss the possibilities available when composing with mobile technologies but also provide students with a new way to think critically about themselves, their communities, and their mobile devices. You do not need previous experience with video, audio or image editing technologies in order to complete class projects; you will receive necessary instruction and practice during the course of the semester.
GE: Visual and Performing Arts

English 2270: Introduction to Folklore
Instructor: Staff
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief and art. Folklore minor course.
GE: Cultures and Ideas
Cross-listed with Comparative Studies 2350

English 2276: Arts of Persuasion
Instructor: Staff
Introduces students to the study and practice of rhetoric and how arguments are shaped by technology, media and cultural contexts.
GE: Cultures and Ideas

English 2277: Introduction to Disability Studies
Instructor: Staff
Foundational concepts and issues in disability studies; introduction to the sociopolitical models of disability.
GE: Cultures and Ideas

English 2280 (10): The English Bible
Instructor: James Fredal
In 2280, students will read the Bible pretty much straight through. Not the whole thing, but much of it, to understand what it says, what it doesn’t say, and what it means. The class will talk about the different kinds of Bible literature--myths, tales, laws, poetry, parables, proverbs and the like--and talk about the cultural context in which this literature was written. Students will look at techniques for understanding why the Bible looks the way it does, and some traditional methods of biblical interpretation. If you’ve ever wondered what is in the Bible, or you’ve read the Bible from a religious point of view and want a non-doctrinal perspective, this class will be for you. Students will have an opportunity to read, talk about, ask about and learn about the Bible as an amazing an influential work of literature.  
GE: Literature

English 2281 (10): Introduction to African-American Literature
Instructor: Koritha Mitchell
This course will not only introduce students to major figures in African American literature; it will also place these figures in the context of African American history and culture. We will work from the premise that this literary tradition has never existed solely to respond to so-called "dominant" culture and "mainstream" literature. In addition to well-known writers, such as Frederick Douglass, W.E.B. Du Bois, Langston Hughes and Zora Neale Hurston, this course will explore the work of equally important but less widely known authors, such as Harriet Jacobs, Ida B. Wells, Charles Chesnutt and Audre Lorde. All students must invest in both volumes of the Norton Anthology of African American Literature.
GE: Literature; Diversity (Social Diversity in the U.S.)
Cross-listed with African American Studies

English 2282 (10): Introduction to Queer Studies
Instructor: Lesia Pagulich
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class and nationality.
GE: Cultures and Ideas; Diversity (Social Diversity in the U.S.)
Cross-listed in Women's, Gender and Sexuality Studies

English 2282 (20): Introduction to Queer Studies
Instructor: Zachary Harvat
Introduces and problematizes foundational concepts of the interdisciplinary field of queer studies, highlighting the intersections of sexuality with race, class and nationality.
GE: Cultures and Ideas; Diversity (Social Diversity in the U.S.)
Cross-listed in Women's, Gender and Sexuality Studies

English 2291 (10): U.S. Literature 1865 to Present
Instructor: Brian McHale
This course provides a broad survey of American literature over a century and a half, from the aftermath of the Civil War to the new millennium. Examining a wide range of fiction, nonfiction, poetry and drama, the course studies literary engagements with such historical and cultural phenomena as post-Civil War Reconstruction; the expanding social, economic and cultural networks of the late-nineteenth and early twentieth centuries; immigration and internal migration; race and regional identity; the two World Wars and other armed conflicts of the twentieth-century; and the increasingly rapid pace of social and technological changes over the last half-century. Our investigation of literary responses and influences will include attention to such literary genres, trends and movements as the short story, the emergence of new forms of poetry, realism and its variants, modernism and postmodernism.
GE: Literature

English 2367.01: Language, Identity and Culture in the U.S. Experience
Instructor: Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.
GE: Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2

English 2367.01H (40): Language, Identity and Culture in the U.S. Experience
Instructor: Pranav Jani
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.
GE: Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2

English 2367.02: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature; Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2

English 2367.02H: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature; Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2

English 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries.
GE: Writing and Communication—Level 2

English 2367.05: The U.S. Folk Experience
Instructor: Staff
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills.
GE: Diversity (Social Diversity in the U.S.); Writing and Communication—Level 2

English 2463: Introduction to Video Game Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.
GE: Visual and Performing Arts


3000-level

 

English 3150 (10): Career Preparation for English and Related Majors
Instructor: Jennifer Patton
This general elective course helps English majors and students from other Humanities disciplines to explore and prepare for careers after graduation. Students will analyze texts to gain a practical and theoretical understanding of the world of work. They will learn to identify their own strengths and preferences to guide their job activity and career choices.

English 3271: Structure of the English Language
Instructor: Staff
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings.

English 3304 (50): Business and Professional Writing
Instructor: John Jones
The study of principles and practices of business and professional writing.

English 3304 : Business and Professional Writing
Instructor: Staff
The study of principles and practices of business and professional writing.

English 3305 (10): Technical Writing
Instructor: Samuel Head
The study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3305: Technical Writing
Instructor: Staff
The study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3331 (10): Thinking Theoretically
Instructor: Sandra MacPherson
Study of fundamental texts and practices informing contemporary understandings of theory in the humanities and social sciences.
GE: Literature

English 3361 (10): Narrative and Medicine
Instructor: James Phelan
Study of fictional and nonfictional narratives offering diverse perspectives on such medical issues as illness, aging, health and healing, treatment and doctor-patient relationships.
GE: Literature

English 3364: Special Topics in Pop Culture
Instructor: Staff
Focused study in reading popular culture texts, organized around a single theme, period or medium.
GE: Cultures and Ideas

English 3364 (30): Special Topics in Pop Culture — True Crime
Instructor: Elizabeth Hewitt
This course will study the long and varied tradition of true crime narratives. Beginning with the stories of witches, murderers and sexual vandals that so captivated their 17th century audiences, to Victorian serial murderers like Jack the Ripper, to modern celebrity crimes and criminals, students will consider why writers and readers so often turn to blood, violence and malfeasance as the stuff of entertainment. We will read in a wide variety of genres (confession narratives, novels, exposes, genre fiction) and in a wide variety of media (books, comics, television, film) as we traverse the long history of this literary and cultural form. Authors will include: Edgar Allen Poe, Alan Moore, Truman Capote, Vincent Bugliosi, Janet Malcolm and James Ellroy.
GE: Cultures and Ideas

English 3372 (10): Science Fiction and/or Fantasy — FutureNow
Instructor: Jared Gardner
We often think about science fictions as speculations about the distant future, but the genre is always thinking about the present. In this class we will be focusing on speculative fictions set in a not-so-distant future which ask us to consider how the decisions we make today can shape our future worlds.
GE: Literature

English 3372: Science Fiction and/or Fantasy
Instructor: Staff
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy.
GE: Literature

English 3378 (10): Special Topics in Film and Literature
Instructor: Frederick Aldama
Have you ever wondered why you love watching superhero movies or reading comics? Why do we pay money to go see something that we know is clearly not real? This course examines the art of film and comics storytelling and, simultaneously, the emotion and cognitive responses that they trigger. We will focus on the contemporary period to see how filmmakers and comic book creators build their storyworlds as well as audience consumption. We will also explore the crosspollination of devices used to give shape to filmic and comic book storytelling modes. We will acquire theoretical concepts and tools to understand better how our set of films and comics are built and how they might make (or not) new our perception, thought and feeling concerning issues of racism, ableism, misogyny, homophobia and the like.
GE: Cultures and Ideas

English 3379 (10): Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Susan Lang
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning and how these practices are learned and taught.

English 3379 (20): Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Jonathan Buehl
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning and how these practices are learned and taught.

English 3398 (10): Methods for the Study of Literature
Instructor: Koritha Mitchell
This class will introduce students to a variety of "methods" for literary studies. It builds on the critical thinking and writing skills that students already possess by offering opportunities to put forth clear, thesis-driven arguments. We will cover several theoretical approaches to literature. In many cases, we will examine Fitzgerald's The Great Gatsby through different lenses in order to get a feel for how these approaches illuminate the richness of a single text. To further test the theories introduced, we will read other literary forms, including drama and poetry.

English 3398 (20): Methods for the Study of Literature
Instructor: Jacob Risinger
In this gateway course, we’ll take our cue from one of George Orwell’s famous lines: “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.”  Over the course of the semester, our weekly readings, discussions and informal exercises will work to annihilate old patterns of complacent reading—leaving in their place the analytical skills and rhetorical strategies you need to establish your own critical/original perspective on literary texts.   We’ll attend to the practical work of conducting literary research and writing solid, well-argued essays—but we’ll also practice using literary theory and various methods of criticism to identify new levels of meaning, even in familiar or (seemingly) straightforward texts.  The hard work of writing and analysis will be supplemented by an array of engaging texts.  We’ll start with The Winter’s Tale—one of Shakespeare’s “problem plays”—and end with Tom Stoppard’s recent play The Hard Problem.  Along the way, we’ll read poetry by Yeats, Elizabeth Bishop and Claudia Rankine; short stories by James Baldwin, Raymond Carver and Nathaniel Hawthorne; and Jesmyn Ward’s novel Salvage the Bones (recipient of the 2011 National Book Award).  Requirements will include attendance, active participation, informal writing exercises and five essays.

English 3398 (30): Methods for the Study of Literature
Instructor: Antony Shuttleworth
This course is designed as the gateway to the English major. The course emphasizes the skills required to make the transition from a "reader" to a "critic" of literary texts: close reading; an introduction to literary theory and methods of criticism; library research; methods of writing papers with a clear argument, effectively selected evidence and virtually no errors of grammar, punctuation, usage and style—the requirements for excellence in upper division courses. The basis for analysis and discussion will be the different ways in which human evil has been represented in literature, examined mainly in poems and short stories. 

English 3398 (60): Methods for the Study of Literature
Instructor: Sandra MacPherson
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by department permission.

English 3398 (70): Methods for the Study of Literature
Instructor: Sean O’Sullivan
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by department permission.

English 3398 (80): Methods for the Study of Literature
Instructor: Ethan Knapp
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by department permission.

English 3405 (10): Special Topics in Professional Communication
Instructor: Susan Lang
Study of principles and practices in technical communication, technical editing, managerial communication, international business communication, visual rhetoric, writing for the web and scientific writing.

English 3405: Special Topics in Professional Communication
Instructor: Staff
Study of principles and practices in technical communication, technical editing, managerial communication, international business communication, visual rhetoric, writing for the web and scientific writing.

English 3465 (30): Special Topics in Intermediate Fiction Writing
Instructor: Memory Risinger
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3465 (20): Special Topics in Intermediate Fiction Writing
Instructor: Tyler Sones
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3466 (10): Special Topics in Intermediate Poetry Writing
Instructor: Pablo Tanguay
Advancing on what you learned in 2266, we will focus on turning thoughts into poems, turning feelings into poems, turning the world around us into poems. We will read poems and write poems and talk about poems and think about poems. We will be rigorous and thorough and exacting. We will be carefee and flippant and wild. We will be all poem, all the time.

English 3467S (10): Issues and Methods in Tutoring Writing
Instructor: Beverly Moss
This course will focus on theories and practices in tutoring writing. The aim of this course is to prepare undergraduates to work with writers from diverse backgrounds and disciplines. This class provides a unique opportunity for its members to learn about composition theory and pedagogy, tutoring strategies and writing center theories and practices in order to put these theories and practices to work in classroom and writing center settings. Students will apprentice as writing consultants in the University Writing Center. Therefore, in addition to regularly scheduled class time, students enrolled in this course will spend approximately one hour per week for six weeks in the Writing Center. Upon completing the course, students are eligible to apply for paid positions in the University Writing Center.

English 3468 (10): Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Steffan Hruby
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3662 (10): An Introduction to Literary Publishing
Instructor: Eliza Smith
An introduction to the theory and practice of editing and publishing literature. Students will engage complex aspects of the literary publishing landscape as writers, readers and editors. This class is aimed at young writers interested in the inner workings of literary magazines and publishing houses, as well as aspiring editors, publicists and agents interested in careers in the publishing industry, either in the "Big Five" houses or for small, independent presses. The course is also for anyone who has a serious interest in the public presentation of literature.


4000-level

 

English 4150 (10): Cultures of Professional Writing
Instructor: Staff
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4150 (20): Cultures of Professional Writing
Instructor: Jennifer Patton
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media.

English 4189: Professional Writing Minor: Capstone Internship
Instructor: Jennifer Patton
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.

English 4513: Introduction to Medieval Literature
Instructor: Leslie Lockett
This course introduces students to major genres of medieval European literature written over the span of a millennium and situates those works of literature within their diverse historical and intellectual contexts.  Building upon selections from classical Rome and early Christianity, we will explore the medieval literature of feud and warfare, romance, monastic and scholastic learning and popular religion and mysticism. This is a literary history class, so in addition to wrestling with the ideas conveyed by the readings, students will be accountable for learning when, where and in what languages and genres our readings were composed. We will also devote time to dismantling “presentist” misconceptions about the Middle Ages, particularly those that oversimplify pliable categories such as “hero” and “feminist.” Major assignments (research papers and in-class presentation) will emphasize research skills and the integration of multiple primary and secondary sources into literary-historical analysis.

English 4520.01: Shakespeare 
Instructor: Jennifer Higginbotham
In late sixteenth-century London, on the south bank of the Thames, amongst bear-baiting rings and brothels stood a round wooden theater that brought together people from all walks of life—aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we’ll be imagining what it was like to stand with them and watch Shakespeare’s theater in action. This particular section of Introduction to Shakespeare will be experimenting with cutting edge techniques for facilitating embodied learning through the combination of rehearsal room techniques modeled on professional theater companies with close textual analysis of Shakespeare’s language. Our in-depth exploration will include selected comedies and tragedies, not to mention a lot of fun along the way.

English 4520.02: Special Topics in Shakespeare — Hamlet: Prehistory and Afterlife
Instructor: Christopher Highley
Every great actor has aspired to play the lead; many a writer has responded to it; and Shakespearean critics continue to fathom its mysteries. Why for the last 400 years or so has Hamlet—the play and the character—proven so central to the western cultural imagination?  Why is the figure of the prince addressing a human skull so iconic, and the words, ‘to be or not to be,’ so instantly recognizable? This class will approach such questions by placing Shakespeare’s play in a broad literary and historical context—one that looks back to the Greco-Roman origins of revenge drama; examines Shakespeare’s immediate sources as well as contemporaneous revenge tragedies and religious controversies; and traces the afterlife of the play and its title character in other literature, in art, on film and in other popular media. We will discover that Hamlet is not one unchanging thing: Shakespeare’s play survives in three quite distinct early printed versions and its cultural afterlife is one of continual change, adaptation and reimagining.

English 4523: Special Topics in Renaissance Literature and Culture — Popularity and Popular Culture in Renaissance England
Instructor: Alan Farmer
In addition to being undeniably popular in the theater, Shakespeare was a best-selling author in Renaissance England. But what other authors were popular during this period, and what were other best-selling works? What does it even mean for a text or an author to be “popular,” and what kinds of texts in general were popular?  In this course, we will read “popular” works in Renaissance England as we consider such issues as popular vs. elite culture, the dangers of popularity in politics and culture, and the economics of popularity in the early modern book trade.  The course readings will range from “low” forms of popular literary culture, such as ballads, plays and satirical pamphlets by authors such as Shakespeare, Thomas Kyd and Thomas Dekker; to more elevated forms of political and scientific writing by such authors as Francis Bacon and King James; to some of the most important religious works in Renaissance England, including sermons, prayer books, treatises and various translations of the Bible and Psalms. Finally, this course will involve hands-on research in Ohio State’s Rare Books Library as we investigate the production and material history of popular books in Renaissance England. Course requirements include curiosity, creativity, several research exercises, a longer final essay, several quizzes and active participation.

English 4535: Special Topics in Restoration and Eighteenth-Century British Literature and Culture —Literature of Slavery and Freedom during the Enlightenment
Instructor: Roxann Wheeler
This course will feature the ways that slavery and colonization shaped English literature, particularly the novel. Wrestling with the new information available about the world, writers during the time period 1660-1800, known as the Enlightenment, told a variety of stories about native Americans, Africans and the hybrid populations of the Caribbean, many of whom were enslaved, and also told stories impersonating their perspectives critical of Britons. Students will read both the literature of Britons and the literature by former slaves and women of color. A cultural study of literature, we will also read recent theories about Enlightenment views of race, racism and about the institution of slavery in Britain and the Caribbean sugar colonies.

English 4551: Special Topics in 19th-Century U.S. Literature — Social Reform and American Literature
Instructor: Elizabeth Hewitt
The nineteenth century was a period in United States history that saw an explosion of social reform projects – practical experiments and theoretical investigations designed to make the world happier, healthier, safer and more equitable. However, it was also a period in which chattel slavery was legal and that saw rising social inequities as the American population grew larger and more diverse. In our course, we will focus on the literature of these social reform projects: women’s suffrage, abolitionism, temperance, worker’s rights, immigrant rights, agrarianism, sexual liberation, prison reform, and financial reform. Authors will include David Walker, Henry David Thoreau, Frederick Douglass, Rebecca Harding Davis, Margaret Fuller, Nathaniel Hawthorne, T.S. Arthur, Ida B. Wells, Charlotte Perkins Gilman, Frank Norris, Jacob Riis, Helen Hunt Jackson and Sutton Griggs. 

English 4553: Twentieth-Century U.S. Fiction
Instructor: Jessica Prinz
A study of American fiction after 1914, with emphasis on such major figures as Anderson, Fitzgerald, Hemingway and Faulkner.

English 4559: Introduction to Narrative and Narrative Theory
Instructor: Brian McHale
“Narrative” is a current buzzword and a catch-all term— everything is narrative nowadays!  However, it is also one of the principle means of organizing experience in everyday life and conversation, popular culture and literary works. This course introduces students to the basic concepts and tools of “classical” narrative theory and analysis, in four general areas: the underlying structure of story; the reordering of story-events in the plot; the production of a story-world (narrative time and space); and the representation of selves (narrators, speakers, perceivers, minds).  We will study a selection of classic essays in narrative theory, and we will read and analyze a variety of mainly literary narrative – fairy tales, short stories, novels, one graphic narrative and at least one film.  We will also survey some of the developments in “post-classical” narrative theory, including rhetorical narrative theory, feminist and queer narratology and cognitive narrative theory.

English 4560: Special Topics in Poetry — The Experience of Poems
Instructor: Hannibal Hamlin
Dylan Thomas said that poetry was what made his toenails twinkle, Carl Sandburg that a poem was an echo asking a shadow dancer to be a partner, and Marianne Moore that poems were imaginary gardens with real toads in them. What are poems really, how do they work, and how should we read them? This course will focus on short, lyric poems in English from the middle ages to the present, exploring the different things poems do, the different forms they take and sounds they make, and the experience of reading them. We'll also try talking and writing about them. We'll read many poets, including William Shakespeare, John Donne, John Keats, Emily Dickinson, Gerard Manley Hopkins, E.E. Cummings, Elizabeth Bishop and Derek Walcott.

English 4564.02: Major Author in Eighteenth- and Nineteenth-Century British Literature— Charles Dickens' Bleak House
Instructor: Jill Galvan
This course will center around one masterpiece novel, Charles Dickens’ Bleak House (serialized 1852-53). The class will have two main aims: to close-read a celebrated nineteenth-century work, and to think about literary genres as instruments of social critique—then and now. Bleak House is a work of satire; it uses humor to make biting observations about contemporary society. Additionally, as the title hints, this novel borrows from the Gothic, also for social criticism. Ominous secrets and settings help Dickens to comment on Victorian problems, including urban poverty, inadequate legal systems, and constraining gender norms. Ultimately, the course will turn to a few related texts: Hannah Crafts’ The Bondwoman’s Narrative, a nineteenth-century American slave narrative that draws on Bleak House; and three recent films, It Follows (2014), Mudbound (2017), and Get Out (2017), all of which contain some form of the Gothic, and the last of which is also a satire. Through this juxtaposition, students will ask how socially critical fictions change over time, and how they deploy genre in different ways. What new objects of cultural horror do modern Gothic stories unearth? How does satire today differ from nineteenth-century satire, reflecting new priorities, values, injustices, etc.? Tentative requirements: engaged participation; frequent reading quizzes; five or six short analytical response papers (1-2 pp. each); and one longer term paper (5-7 pp.).

English 4565: Advanced Fiction Writing
Instructor: Lee Martin
This is an advanced workshop in which students will write and critique original fiction. Each student will produce two pieces of fiction, either short stories or excerpts from novels, and will significantly revise one of them to present at the end of the semester.

English 4566: Advanced Poetry Writing
Instructor: Marcus Jackson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

English 4568: Advanced Creative Nonfiction Writing
Instructor: Elissa Washuta
Advanced workshop in the writing of creative nonfiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

English 4569—Digital Media and English Studies
Instructor: John Jones
Have you ever wondered what your voice-activated speakers are saying about you after you’ve left the room? Did you know that your Fitbit was a published author? In this course, students will explore how digital culture enables physical objects to argue, both in the production of new genres of written text and in their interactions with people and the environment. We will explore the rhetorical possibilities of emerging interfaces such as voice control, paying particular attention to the new forms of digital creativity they are enabling as well as to how the data they produce are impacting privacy and security. In order to do so, we will not only analyze these objects but become makers ourselves, using tinkering as a way of thinking about new relations between people and the physical world that are enabled by our devices and the new forms of writing these relations can support. 

English 4572: Traditional Grammar and Usage
Instructor: Staff
An examination of terminology and structures traditionally associated with the study of English grammar and usage rules, especially problematic ones, governing edited written American English. 

English 4574: History and Theories of Writing — From Clay Tablets to Trump's Tweets
Instructor: Christa Teston
This class will explore how writing has evolved since premodern times to contemporary cultural practices.

English 4575: Special Topics in Literary Forms and Themes
Instructor: Angus Fletcher
Study of the origins, definitions and development of writing, including historical, cultural, technological, theoretical and/or ideological issues. 

English 4577.02: Folklore II — Legend, Superstition and Folk Belief
Instructor: Merrill Kaplan
This course introduces students to legend, superstition and folk belief, genres that include reports of alien abductions, sightings of Slender Man, the sharing of fake news and that haunted house near where you grew up. Students will gain familiarity with traditions of several places and times while exploring the relationship between legend, belief and personal experience, and the nature of legend as contested truth. By the end of the course, students will have learned strategies for interpreting legend and rumor as meaningful expression. Written work will include a folklore collection project. Folklore Minor course. 

English 4578: Special Topics in Film — Films of the 1990s
Instructor: David Brewer
This course will investigate the film (mostly American) produced in the decade in which most Ohio State undergraduates were born, though you may not have then watched anything beyond Toy Story.  In so doing, we will consider what we gain by approaching films in relation to their chronological peers, rather than organizing them by genre or director.  The '90s saw the advent of "indie" film, the expansion of ways of watching movies outside of theaters and the increasing use of digital technology in filmmaking.  Likely assignments will include a viewing journal, a presentation and a series of short writing exercises.  Possible viewings include Pulp Fiction, The Silence of the Lambs, The Big Lebowski, Trainspotting, L.A. Confidential, American Beauty, The Incredibly True Adventures of Two Girls in Love, Chasing Amy, Crooklyn, Delicatessen, Chunking Express and Princess Mononoke.

English 4580: Special Topics in LGBTQ Literatures and Cultures — Historical Fictions, Speculative Futures
Instructor: Martin Ponce
This course examines twentieth- and twenty-first-century U.S. literary texts and films that explore “queer” pasts and futures. Which historical figures have LGBTQ writers and filmmakers invoked, reimagined and represented? Whom have they claimed as their predecessors, ancestors or antagonists? What historical moments and cultural contexts have they perceived and invoked as worthy of “queer” investigation and representation? Alternatively, what kinds of “queer” worlds, environments and inhabitants have writers and filmmakers postulated in utopian and dystopian futures? Has queer life gotten better or worse? Possible authors and filmmakers include Samuel Delany, Cheryl Dunye, Thomas Glave, Isaac Julien, Larissa Lai, Mark Merlis, Joanna Russ, Monique Truong and Craig Womack.

English 4581: Special Topics in U.S. Ethnic Literatures 
Instructor: Pranav Jani
Study of selected issues or forms in U.S. ethnic literatures and cultures. Topic varies. Examples: Native American autobiography, Asian American poetry; Latino/a novel. 

English 4582: Special Topics in African-American Literature — Black Experiments 
Instructor: Martin Ponce
This course explores the innovative formal experiments that African American writers have invented and practiced across the twentieth century and into the twenty-first. Through historically contextualized readings of poetry, fiction and literary nonfiction, we will consider such topics as the relations between the orality and literacy, music and writing, opacity and accessibility, traumatic pasts and speculative futures, radical art and radical politics, as well as the intersections among race, gender, sexuality, class and location. Possible authors include Elizabeth Alexander, James Baldwin, Amiri Baraka, Octavia Butler, Samuel Delany, W.E.B. Du Bois, Henry Dumas, Langston Hughes, Zora Neale Hurston, Douglas Kearney, Audre Lorde, Nathaniel Mackey, Toni Morrison, Harryette Mullen, Claudia Rankine, Sonia Sanchez, Evie Shockley and Jean Toomer.

English 4583: Special Topics in World Literature in English — Afropolitans and Afropolitanism
Instructor: Adeleke Adeeko
Study of literatures written in English and produced outside of the U.S. and Britain; topics include colonial/postcolonial writing, regional literature, theoretical and historical approaches, genres.

English 4587 — Studies in Asian American Literature and Culture
Instructor: Jian Chen
Focuses on problems and themes in Asian American literature and culture from the late nineteenth century to the present. Topic varies. Examples: Asian American Literature and Popular Culture; Empire and Sexuality in Asian American Literature. Cross-listed in Comparative Studies 4803
*Combined section class

English 4590.01H: The Middle Ages
Instructor: Christopher Jones
Intensive study of the middle ages. 

English 4590.06H: The Modern Period —The Art of Anthropocene; or, An Unnatural History of Modernism
Instructor: Thomas Davis
For a long time we understood modernism as the art of the bustling metropolis, furious technological change, radical social developments, and the massive political crises that defined the first half of the 20th century.  This class investigates the various ways modernist cultures think through the changing relationships between human and nonhuman nature in the first half of the twentieth century.  We will examine the ways modernism interacted with ecology and environmental science, economic theories of growth, population expansion after World War II, fossil fuels and energy and transformations in geopolitics and empire.  Our archive of materials will be global and we will draw heavily from contemporary work in the Environmental Humanities.  Authors may include: H.G. Wells, Virginia Woolf, E.M. Forster, Jean Rhys, Amos Tutuola, the Italian Futurists, Anthony Burgess, early documentary cinema, Doris Lessing, J.G. Ballard and others.

English 4592: Special Topics in Women in Literature and Culture
Instructor: Roxann Wheeler
The class will combine recent feminist essays about women in regard to class and patriarchy as well as race and empire as a way to interpret fiction and non-fiction written by eighteenth-century women. As a rule, in this era which first saw an outpouring of commercial feminist writing, women wrote satirical, didactic, utopian and realistic fiction about women’s situations. Students will examine both the conservative and radical traditions of women’s writing. Two biographies will also anchor our readings and provide a rich cultural context for the literature: biographies about a famous elite woman and an actress.

English 4597.01: The Disability Experience in the Contemporary World
Instructor: Margaret Price
This course is organized around the question, What does it mean to “see” disability? We will begin with an examination of the common metaphor for disability awareness, “visibility,” moving from there to questions of staring, blindness, visual culture, and representation. We will investigate ways that disability is represented multimodally, and will create such multimodal compositions ourselves.

English 4597.02: American Regional Cultures in Transition — Appalachia, Louisiana  and the Texas Border Country
Instructor: Dorothy Noyes
This course will introduce you to the folklore of three American regions. Each is famous for its traditional culture, but each is often thought of as deviating in a distinctive way from the  national culture: Louisiana is “creole,” Texas is “border,” and Appalachia is “folk.” While exploring these differences, we’ll also observe the commonalities: positive and negative stereotyping from outside, complex racial and class composition, heavy in- and out-migration, environmental distinctiveness and stress, extraction economies, tense and often violent relationships with both government and business. We’ll look at historical change through the prism of celebrated folklore forms such as Louisiana Mardi Gras, Appalachian fairy tales, and the Tex-Mex corrido. We’ll also explore the impact of Hurricane Katrina and the reconstruction of the Gulf Coast, mountaintop-removal mining and the energy economy in Appalachia, and the cross-border trafficking of people, drugs and capital.  A general question arises: what counts as America? Folklore Minor course.


5000-level

 

English 5191: Internship in English Studies — Promotional Media Internship
Instructor: Scott DeWitt
This internship opportunity will offer students experience in creating timely, relevant and compelling short-form promotional media (primarily video and audio) for the Department of English. Students will work closely with their supervisor as well as with key communications personnel to develop projects and set priorities and deadlines. English 5191, Promotional Media Internship, will be intensely hands-on and focus almost exclusively on digital media production and related work-management skills in professional settings. This internship site requires students to work both independently and collaboratively. This internship opportunity is especially applicable to English majors who would like to develop their digital media skills in a workplace setting and for those who have digital media skills with nowhere to apply them.  Students with digital media skills are encouraged to enroll.  However, media skills are NOT a pre-requisite; students will learn all media skills necessary for the class. (This internship does not fulfill the digital media requirement for the Writing, Rhetoric and Literacy concentration in the English Major.) ***Advanced undergraduate students are encouraged to enroll in 5000-level courses***

English 5194.01/.02: Group Studies — History of the Book in Modernity
Instructor: David Brewer
This pilot course will investigate books (and similar artifacts, such as periodicals) as physical objects and explore how they have functioned in the modern world--say, between 1830 and today.  The course will be completely embedded in Ohio State's Rare Books and Manuscripts Library and will culminate in a public exhibition of artifacts from our collections selected and curated by you.  Among the issues we'll consider are how books are made, how publication format shapes the ways in which books are read, the uses to which books can be put other than reading, and how books fare when other media (radio, film, the internet) emerge as potential rivals. So come explore objects ranging from serialized nineteenth-century novels to contemporary queer zines and learn how to judge a book by its cover in the most rigorous and far-reaching ways possible. ***Advanced undergraduate students are encouraged to enroll in 5000-level courses***

English 5710.01/02: Introduction to Old English Language and Literature
Instructor: Christopher Jones
Introduction to Old English language, followed by selected readings in Anglo-Saxon prose and verse texts. ***Advanced undergraduate students are encouraged to enroll in 5000-level courses***

1000-level

 

English 1109: Intensive Writing and Reading
Instructor: Martha Sims
Provides intensive practice in integrating academic reading and writing. 

English 1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition — Writing for a Cause
Instructor: Jessie Male
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition — Capitalism and Identity
Instructor: Carlos Kelly
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition — Representations of Singlehood
Instructor: Eliza Smith
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English 1110.01: First-Year English Composition — Disaster Narratives
Instructor: Amanda Ingram
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English-1110.01: First-Year English Composition — Book-to-Screen Adaptations
Instructor: Nicole Pizarro
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English-1110.01: First-Year English Composition — Rhetorical Monsters and Monstrous Rhetoric
Instructor: Nicholas Hoffman
In a powerful narrative moment, the Monster that inhabits the pages of Mary Shelley’s Frankenstein calls out to his creator (and to us as readers): “Who was I? What was I? Whence did I come? What was my destination?” (Chapter XXV). When we encounter images and descriptions of “monsters” we may be struck with the very same questions, and the matter of what defines a monster is consistently up for debate. Our primary goal in this course will be to explore and develop our analytical techniques in the writing of academic discourse. In achieving this goal, we will pay close attention not only to how we define monstrosity but also to how monsters are constructed and utilized in both text and image to various rhetorical ends. Depictions of monstrosity abound in historical texts and artwork as well as in contemporary film trailers, video games, and writing (both fictional and nonfictional), and participants will have the opportunity to develop their own research topics, ultimately crafting an argument for what is at stake in their chosen sources. All the while we will question where monsters reside in these texts, how they appeal to us as readers, and ultimately who creates or is made into a monster and for what purpose. 
GE: Writing and Communication—Level 1

English 1110.01H: Honors First-Year English Composition — Immigration and Ethnography
Instructor: Frank Donoghue
This course will examine in detail the process of writing a college-level paper or essay through the theme of immigration. We will read immigrants’ stories in their own words for each class and then discuss these readings in groups. We will also do some ethnographic exercises in the first weeks of class, both to give you practice writing but to also examine your experience of getting to Ohio State. After group discussion, we will regroup as a class for grammar and writing exercises. Grammar exercises are ungraded and are meant to strengthen your writing skills, not to impact your grade. Along with these exercises, we will cover how to write a paper or essay in a workshop format, working together on each step of the writing process. There will be a series of very short papers in the first month of the course, but the central writing assignment will be a research paper that students will develop over the course of the final two months of the semester. The required texts are Geraldine Woods’ English Grammar for Dummies (second edition), John Bowe’s Gig: Americans Talk About Their Jobs, David Mamet’s Glengarry Glen Ross, and excerpts from Paul Lauter, ed., Literature, Class and Culture. There will also be occasional supplements to these texts.
GE: Writing and Communication—Level 1

English 1110.01H: Honors First-Year English Composition
Instructors: James Fredal and Daniel Seward
Provides intensive practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1

English 1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition — Meanings Behind Movie Posters
Instructor: Christiane Buuck
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program. 
GE: Writing and Communication—Level 1

English 1110.03: First-Year English Composition — Belief and the Supernatural
Instructor: Martha Sims
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program. 
GE: Writing and Communication—Level 1

English 1193: Individual Studies
Instructor: Martha Sims         
Intensive practice in the fundamentals of expository writing. 


2000-level

 

English 2202: Selected Works of British Literature — 1800 to Present
Instructor: Staff
An introductory critical study of the works of major British writers of the nineteenth and twentieth centuries. 
GE: Literature
GE: Diversity (Global Studies)

English 2202 (10): Selected Works of British Literature — 1800 to Present
Instructor: Jill Galvan
This course will introduce you to some of the major British texts, authors and literary forms and trends of the last two centuries. In the process, you will be learning about diverse perspectives on important cultural developments over the past two centuries, including the French Revolution, the abolition of slavery, the Industrial Revolution, imperialism, debates over gender roles and sexuality, the rise of scientific values, the twentieth-century world wars and decolonization. We will study major literary modes such as the Romantic lyric, the Gothic novel, the dramatic monologue, World War I poetry, postcolonial narrative, and the Bildungsroman (or "coming-of-age novel"). Our fiction and drama will include Mary Shelley's Frankenstein, Charles Dickens's A Christmas Carol, Oscar Wilde's The Importance of Being Earnest and Kazuo Ishiguro's Never Let Me Go
GE: Literature
GE: Diversity (Global Studies)

English 2202H: Selected Works of British Literature — 1800 to Present
Instructor: David Riede
We will be looking at some of the greatest and most influential works of English literature from William Blake's "Songs of Innocence" (1789) to Zadie Smith's "White Teeth" (2000). We will study the works in terms of historical and cultural context and of literary craft, and will look particularly to distinguish the Romantic, Victorian, Modern and post-colonial periods. 
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare
Instructors: Christopher Highley and staff
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GE: Literature
GE: Diversity (Global Studies)

English 2220: Introduction to Shakespeare — Reading Shakes in Performance
Instructors: Manuel Jacquez
Although they are more often read as books today, Shakespeare’s dramatic works were initially viewed and interpreted as plays performed on a stage. In this class, we will read a handful of plays: Richard II, A Midsummer Night’s DreamThe Merry Wives of WindsorMacbeth, Othello and The Tempest. These plays all engage modern topics ranging from the acquisition of political power to assumptions about gender. We will consider how the medium of performance informed Shakespeare’s exploration of these topics. As you learn about Shakespeare’s London, his dramatic worlds and the performance practices that materialized them, you will hone your ability to think, read and write critically.

English 2220: Introduction to Shakespeare
Instructors: Jennifer Higginbotham
In late sixteenth-century London, on the south bank of the Thames, amongst bear--baiting rings and brothels stood a round wooden theater that brought together people from all walks of life-aristocrats and merchants, cobblers and tailors, seamstresses and fishwives. It was for this space and for these people that William Shakespeare first wrote his influential plays, and in this course, we'll be imagining what it was like to stand with them and watch Shakespeare's theater in action. This particular section of Introduction to Shakespeare will be experimenting on occasion with cutting edge techniques for facilitating embodied learning through the combination of rehearsal room techniques modeled on professional theater companies with close textual analysis of Shakespeare's language. Our in-depth exploration will include comedies, tragedies and a few of his poems,  not to mention a lot of fun along the way.
GE: Literature
GE: Diversity (Global Studies)

English 2220H: Introduction to Shakespeare
Instructor: Alan Farmer
In this course we will read several plays written by Shakespeare and consider how they both conform to and work against the genres of comedy, tragedy, history and romance. Looking at the plays as works to be both performed and read, we will pay particular attention to the politics of gender, religion and kingship in the plays, topics that Shakespeare returned to again and again and that were vitally important, and indeed controversial, in the late sixteenth and early seventeenth centuries. In addition to some critical and historical essays on the early modern theater and culture, we will read some combination of the following plays: Henry V, Two Gentlement of Verona, The Twelfth Night, Measure for Measure, Much Ado About Nothing, Othello, Macbeth, Julius Caesar, Coriolanus, The Tempest and The Winter's Tale.
GE: Literature
GE: Diversity (Global Studies)

English 2260: Introduction to Poetry
Instructor: Staff 
*This course is intended as an introduction to major poems and poets in the English language and will examine poems in historical, literary-historical and broader cultural contexts. We will be concerned especially with poetic form and craft and the many and various uses of such forms as sonnets, ballads, odes, blank and rhymed verse and so on, and we will also focus on the crafting of voice, tone, imagery, sound and rhythm. 
GE: Literature

English 2260 (30): Introduction to Poetry — Love, Eroticism and Renaissance Poetry
Instructor: Benjamin Moran
In this iteration of "Introduction to Poetry," we will explore a seemingly narrow selection of verse: the love and erotic poetry of the English Renaissance (1500-1700). These parameters will, however, lead us to encounter what is considered some of the greatest poetry ever written, including William Shakespeare's Sonnets, John Milton'sParadise Lost, the lyrics of John Donne and George Herbert, as well as poems by lesser known writers like Aemelia Lanyer and and Mary Wroth. As we read this remarkably diverse writing, we will learn about the formal qualities of these poems while also reading them for their varied expressions of love, sex, desire and emotion. Often challenging, often weird, but always sexy, the poetry of this course will prove an exciting introduction to the study of verse. 
GE: Literature

English 2260H: Introduction to Poetry
Instructor: David Riede 
This course is intended as an introduction to major poems and poets in the English language, and will examine poems in historical, literary historical and broader cultural contexts. We will be concerned especially with poetic form and craft and the many and various uses of such forms as sonnets, ballads, odes, blank and rhymed verse and so on, and we will also focus on the crafting of voice, tone, imagery, sound and rhythm.
GE: Literature

English 2261: Introduction to Fiction
Instructors: Roxann Wheeler and staff
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included. 
GE: Literature

English 2261 (20): Introduction to Fiction
Instructors: David Brewer
This course will examine the central building blocks of fiction:  plot, character, narration/point of view, and setting.  We'll also explore how style connects with and contributes to these various building blocks. Our emphasis throughout will be on how fiction works and why we should care about its workings. Likely readings include Donna Tartt's The Secret History, Gillian Flynn's Gone Girl, Truman Capote's In Cold Blood, Lewis Carroll's Alice's Adventures in Wonderland and a range of short stories by Arthur Conan Doyle, Lee K. Abbott, Donald Ray Pollock, Flannery O'Connor, Shirley Jackson, James Thurber, Viet Thanh Nguyen, H. P. Lovecraft, and Claire Vaye Watkins. Likely assignments include a weekly reading journal, four short descriptions of how our building blocks work in a passage from our readings, and your choice of a short paper on how the style of one of our authors connects to these building blocks OR a short piece of fiction with commentary on how you're approaching our building blocks
GE: Literature

English 2261 (30): Introduction to Fiction
Instructors: Zoe Thompson
This course begins with the assumption that fictions are at the heart of human existence, that stories are our way of making sense of the world. Tracing the novel from the nineteenth century to today, the course explores the stories we tell ourselves about love, identity and sexuality, covering some of the greatest books of all time from The Great Gatsby to Gone Girl.
GE: Literature

English 2263: Introduction to Film
Instructor: Staff
Introduction to methods of reading film texts by analyzing cinema as technique, as system and as cultural product. 
GE: VPA

English 2263 (10): Introduction to Film
Instructor: David Brewer
This course will explore the formal and technological means through which stories are told on film, and how those techniques interact with the film industry and the viewers on which it relies.  Among other things, we'll consider cinematography, editing, mise-en-scene, sound, genre, distribution, exhibition venues, and the star system. Throughout, our emphasis will be on bringing out and building upon the skills as a viewer that you've already developed over two decades or more of watching. Likely viewing will include Some Like It Hot, The Silence of the Lambs, The Palm Beach Story, Kick-Ass, Rope, Moonrise Kingdom, Singin' in the Rain, Dazed and Confused, Star Wars, Kiss Kiss Bang Bang, High Society, something quite recent and internationally successful, and a documentary (The Story of Film), along with a wide range of clips.
GE: VPA

English 2264: Introduction to Popular Culture Studies
Instructor: Staff
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas
*This is a combined section class

English 2265: Introductory Fiction Writing
Instructors: Rachel ToliverElizabeth BlackfordTyler Sones and Jessica Rafalko
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

English 2266: Introductory Poetry Writing
Instructors: Margaret Cipriano and Babette Cieskowski
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.

English 2267: Introduction to Creative Writing
Instructor: Allison Talbot
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 

English 2268: Introductory Creative Nonfiction Writing
Instructor: Steffan Hruby
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

English 2269: Digital Media Composing
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GE: VPA

English 2270: Introduction to Folklore
Instructor: Staff
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course.
GE: Cultures and Ideas
*This is a combined section class

English 2276: Arts of Persuasion — Cultural Rhetorics
Instructor: Gavin Johnson
Rhetoric is cultural and culture is rhetorical. In this course, we will explore and practice the arts of persuasion by learning about frameworks for both analyzing and producing arguments for different media, audiences and cultures. Through assigned readings and “real world” examples, the course will introduce students to classical and contemporary rhetoric, cultural rhetorics and digital and multimodal rhetorics. Students will produce a final critical-creative project on a topic of their choice in consultation with the instructor.
GE: Cultures and Ideas
*Professional Writing Minor Requirement or Elective

English 2277: Introduction to Disability Studies (online)
Instructor: Jessie Male
This on-line course investigates the ways that disability is composed in contemporary life. We’ll think about disabled people in terms of identity and culture, but we’ll also think about the way disability itself functions to shape our ideas about ourselves, and others. What does it mean when you taste food and say, “That’s crazy good”? What does it mean when you break your ankle and spend a few months using crutches?  Our purpose is not to say, “This way of speaking or behaving is good, and that other way of speaking or behaving is bad.” Rather, our purpose is to ask, over and over again: How does disability make meaning in contemporary life?  We will explore various models of disability, paying attention to the ways that each model intersects with race, gender, class and sexuality. We’ll theorize concepts such as normal, passing, inspiration and access, and consider how these concepts both emerge and are contested through individual authors’ and artists’ composing practices. 
GE: Cultures and Ideas

English 2280: The Bible as Literature
Instructor: Bethany Christiansen
In this class, students will approach the Bible as a literary text, rather than as a religious text, though naturally, the theological and the spiritual will be part of the discussions. This is not a course in religion, but in literature, and particularly, on the interpretation of the Bible through history. The Jewish and Christian scriptures contained in the Bible, in various forms, are perhaps the most important writings of the Western world. Students will examine how the texts included in the Bible came to be as historical artefacts, and will analyze the wild and wonderful stories it contains as fundamental to western literary and cultural heritage. The objectives of this course are for students to gain an understanding of Biblical literary forms (poetry, mythology, eyewitness testimony), and an understanding of the Bible as interpretable through the ages (spanning from Jewish biblical commentaries through biblical literalists of the present-day US). Assignments seek to engage students in analysis of Biblical interpretations, and include a film review and an essay on an aspect of Biblical translation, and culminating in a creative project. 

English 2281: Introduction to African-American Literature
Instructor: Martin Ponce
This course introduces students to the major periods and authors of the African American literary tradition from the colonial period to our contemporary moment. In this survey, we will read texts in a wide range of genres (poetry, autobiographies, novels, short stories, nonfiction essays) that engage with an equally broad array of topics and issues, including slavery and freedom, orality and literacy, music and literature, gender and sexuality, political protest and artistic innovation and the persistence of structural racism and racial violence into the present. We will examine literature from the period of chattel slavery in the Americas, through Reconstruction, Jim Crow segregation, the Harlem Renaissance, the Cold War, the Civil Rights Movement, the Black Arts Movement, postmodernism and the contemporary.
GE: Literature
GE: Diversity (Social Diversity in the U.S.)
*This is a combined lecture class

English 2282: Introduction to Queer Studies — Queer and Trans Cultures and Movements
Instructors: Jian Chen
This course explores queer and trans politics from the emergence of counter-cultural protest, critique and community building in the late 1960s to the networked and embedded practices, relationships and identities of the first decades of the twenty-first century. As a derogatory term turned back against those using it, queer has been claimed as a perversely “negative” descriptive that rejects common-sense ideas of heterosexual (and sometimes gender) normality, while also creating different ways of desiring, relating and being in the world. The course tracks the shifting social conditions that continue to energize queer dis-identification and ways of living as political strategies that work through cultural transformation. At the same time, the course resists reactionary tides of white cis-hetero-patriarchal fundamentalism and lesbian and gay liberal (homo)nationalism to focus on the racially, colonially and economically dispossessed and gender nonconforming origins of queer politics. The second half of the course will focus on the embodied struggles and cultural and political strategies of trans communities, especially trans people of color. Trans struggles and practices will be considered both emerging and foundational in relationship to the past, present and future of queer politics.
GE: Cultures and Ideas
GE: Diversity (Social Diversity in the U.S.)
*This is a combined section class

English 2367.01: Language, Identity and Culture in the U.S. Experience
Instructors: Martha Sims and staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.01 (120): Language, Identity and Culture in the U.S. Experience
Instructors: Edgar Singleton
As students at The Ohio State University, you encounter on a daily basis people who do not share your particular racial identity, national or ethnic background, language, gender, social class, or other characteristics of your identity.  As you can see in the GE expectations for this course, it will be a place for examination of this remarkable diversity in the context of the U.S. experience. To that end, we will be reading, writing and thinking about diversity as we explore how the country has (and is currently being) shaped by the wide range of people who live and work here. In addition, in light of the current national conversation about immigration, we will explore the very notion of what it means to be a citizen of any country. How does the US determine who is and who is not a citizen? Through reading, discussion and writing, you will pose questions about an aspect of citizenship that will develop into a researched essay and presentation over the course of the semester.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.01H: Language, Identity and Culture in the U.S. Experience
Instructor: Nancy Johnson and staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.01S: Language, Identity and Culture in the U.S. Experience — Literacy Narratives of Black Columbus
Instructor: Beverly Moss
Participants in this course will read about the importance of undertaking life-history and literacy narrative projects, with a particular focus on preserving the history of Columbus-area Black communities.  Collecting (and analyzing) literacy narratives-or literacy stories-is an important research strategy that can be used to document the history and current activities of any community.  It is especially important in Black communities where their/our literacy practices have often been under-reported or negatively characterized.  Collecting literacy narratives also provides an opportunity for community members to have a voice in telling their stories.  In this course-which welcomes community members and volunteers-students will learn about collecting and preserving the life-history narratives of Black Columbus, focusing specifically on stories having to do with literacy practices occurring in the Black business and activist communities. Some of the questions that we will explore this semester are what literacy practices do Black business owners and/or activists from a variety of fields engage in as part of their work?  What specialized literacy practices did the community members acquire to enter into their specific line of work or community activism?  What is the relationship between their everyday literacy practices and their work-related literacy practices?  What is the relationship between school-based literacy practices and their community-based literacy practices?  What kind of reading and writing do they do?  How do they use technology? Class members will learn about interviewing techniques, view/listen to life history/literacy narrative recordings, and reflect on such texts as a medium of social activism.  Participants will also learn how to use digital audio recorders, digital still cameras, and digital video cameras to record the stories of research participants in Black Columbus, and all participants will conduct a series of life-history/literacy narrative interviews with members of the community.   You will work in groups to identify people and sites for collecting literacy narratives.  Guest speakers who have participated in similar projects will also be invited to speak to the class.  The course will culminate in a public reception at which each group?s final project will be shown.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02: Literature in the U.S. Experience
Instructor: Jennifer PattonAdeleke Adeeko and staff
To improve students’ analytical reading, writing, thinking and research skills, this course focuses on creative nonfiction published in the Best American series—essays that reflect the experiences of and issues concerning people living in the United States. Because English 2367.02 is a writing course—and necessarily also a reading course—students can expect to build on the skills they learned in their first-year writing course to improve composition, analysis, logical construction of arguments, use of evidence, and cohesion. The class gives students the opportunity to deepen their thinking about their selected topic through in-class writing exercises, class discussions, and peer review. At the end of the term, students will verbally present their research during our in-class Colloquium.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02 (110): Literature in the U.S. Experience — Canonical Works:  The "Great" Literary Tradition
Instructors: Jessica Prinz
All sessions of English 2367 have the same subject: diversity in U.S. Literature. This class has not only a subject but also a thesis. While the up-to-date concern for  diversity would seem apt for new forms of literature and contemporary modes of art, I will argue that diversity has always been a subject for Twentieth-Century U.S. authors. Such "canonical" works (those texts deemed to be part of the "great" tradition)  have always treated the theme of diversity. Thus, such writers like Hemingway and Faulkner, Morrison and Ellison all address the diverse nature of life in the U.S. This quarter we?ll see some of the following: ethnic diversity (African-American, Native American, Asian American, and  Jewish); literature about disabilities (injured veterans; blindness, autism, depression; alcoholism); the insane and the temporarily insane; the victims of racism, prejudice and violence. Many works also consider traditionally denigrated groups, like women and homosexuals. The conclusion here is that such diversity in literature (as in life) calls for a good deal of tolerance and compassion, and  it exercises our capacity for empathy and understanding.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.02: Literature in the U.S. Experience
Instructor: Pranav Jani
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

English 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries. 
GE: Writing and Communication (Level Two)

English 2367.03: Documentary in the U.S. Experience — The Rhetoric of Documentary Filmmaking
Instructor: Roger Cherry
We will watch several film documentaries, examining the rhetorial strategies employed by the filmmakers. The class focuses on rhetorical analysis and persuasive writing and employs a discussion format for discussing course readings and documentaries. 
GE: Writing and Communication (Level Two)

English 2367.05: The U.S. Folk Experience
Instructor: Staff
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills. 
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

English 2463: Introduction to Video Games Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.
GE: VPA


3000-level

 

English 3271 (10): Structure of the English Language
Instructor: Gabriella Modan
This course is an introduction to English linguistics. We will learn about the basic characteristics of language: the sounds of English and how they're put together, word formation processes, and rules for combining words into utterances/sentences.  While studying how the basic building blocks of language work, we will also investigate linguistic variation, accents of American English, and language and education.  Finally, we'll explore how standard and non-standard varieties of English get evaluated in the US, and the implications of such evaluations in educational settings.
GE: Cultures and Ideas

English 3271 (20): Structure of the English Language
Instructor: Lauren Squires
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings.
GE: Cultures and Ideas

English 3304: Business and Professional Writing
Instructor: Christiane Buuck and Staff
The study of principles and practices of business and professional writing.

English 3304: Business and Professional Writing — Principles and Practices
Instructor: Michael Blancato
In this course you will learn principles and practices associated with writing well in business and professional contexts. I’ll provide you with a feedback on your prose and give you several opportunities to refine your style, organization and collaborative writing strategies. Most of our in-class time will involve workshopping course deliverables and writing collaboratively.

English 3304: Business and Professional Writing
Instructor: Christa Teston
In this course you will learn principles and practices associated with writing well in business and professional contexts. I’ll provide you with a lot of feedback on your prose and give you several opportunities to refine your style, organization and collaborative writing strategies. Most of our in-class time will involve workshopping course deliverables and writing collaboratively. At the end of this course, you will have writing samples that demonstrate expertise with the following genres, 

  • correspondence genres (letters, memos, social media); 
  • presentation genres (pitches, pecha kucha, slideware); 
  • collaboration genres (charter document, strategic plan); 
  • information genres (reports, documentation, public service announcements, fact sheets); 
  • proposal genres (project proposals, marketing proposals); 
  • employment search genres (resume, cover letter, interview techniques)

Research suggests that the best way to learn how to write professionally is to practice composing for meaningful, real world contexts, audiences and purposes. In this class, therefore, you will practice rhetorically sound, professional writing by partnering with a real world client. You will have an opportunity to meet this client’s marketing and communication needs while negotiating budgetary and time constraints. 

English 3305: Technical Writing
Instructor: Staff
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.

English 3331: Thinking Theoretically
Instructor: Sandra MacPherson
This course will introduce students to theoretical work on the Anthropocene—a new geologic epoch characterized by the catastrophic effects of human action on the Earth’s ecosystems. There is as yet no agreed upon origin point for the Anthropocene: scholars and scientists point to the Industrial Revolution (c. 1760), to the transoceanic movement of species during the colonization of the Americas (c. 1610), and to the “Great Acceleration” (c.1950), that is, expansions in human population, the development of novel materials (plastics!), and fallout from nuclear bomb testing following WWII. There are also a number of disciplinary approaches to the problem of climate change, and over the course of the semester we will survey the different modes of theoretical thinking that go along with them: natural history, multispecies ethnography, social history, ecological theory, popular journalism, anthropology, climate change activism, and of course, art. We will consider the cultural objects of the Anthropocene from the seventeenth century to the present, asking how art itself ‘thinks theoretically,’ and what genres and forms of human making might work to conceptualize the end of human existence.

English 3361: Narrative and Medicine
Instructor: Jared Gardner
Study of fictional and nonfictional narratives offering diverse perspectives on such medical issues as illness, aging, treatment, health and healing, and doctor-patient relationships. 
GE: Literature

English 3364: Special Topics in Popular Culture — History of the Comic Book in the U.S., 1933-2017
Instructor: Jared Gardner
This class will examine the history of periodical comics in the U.S, from the rise of the modern comic book form in the 1930s (and its immediate predecessors) to the underground comix revolution of the 1960s to the mini-comics and self-publishing movements of the 80s and 90s, to the transformations in American comics in the 21-century following the "Comics Crash" of the 1990s and the coming of the digital revolution. This class will focus as well on a wide range of genres, including superhero, crime, horror and romance - as well as autobiographical, historical, educational and political comics. 
GE: Cultures and Ideas

English 3372: Science Fiction and/or Fantasy
Instructor: Elizabeth Hewitt and Staff
Stories about the end of the world have circulated for just as long as there have been stories. But authors became increasingly likely to write post-apocalyptic fiction in the aftermath of the bombing of Hiroshima and Nagasaki in 1945, and these narratives have only become more popular in the 21st century with the urgency of climate change. This course will study some of the most influential post-apocalyptic fiction published between 1945 and 2013. Likely texts will include: Miller’s A Canticle for Leibowitz, Ballard’s The Drowned World, Disch’s The Genocides, LeGuin’s Lathe of Heaven, Butler’s Parable of the Sower, Atwood’s Oryx and Crake, McCarthy’s The Road and Lee’s On Such a Full Sea. We will consider the ways these speculative texts provide commentary on human catastrophe, natural crisis and social devolution. We will ask what difference the details make when authors construct their own versions of this archetypal plot? What can this particular subgenre of science fiction tell us about purposes of literary speculation? 
GE: Literature

English 3372 (30): Science Fiction and/or Fantasy — Tolkien's Monsters
Instructor: Merrill Kaplan
Tolkien`s bestiary of wights, wargs, balrogs and nazguls is half the fun of his books. Add the "races" of elves, dwarves, hobbits, orcs and men and there is a lot to talk about. What is a monster and what do monsters mean? What are the relationships between Tolkien`s monsters and the elves, dragons and trolls of folklore and medieval epic? How have Tolkien`s ideas about race affected subsequent fantasy literature and games? In looking at monsters, we`ll examine the boundaries of the human and explore the violent language of dehumanization. We`ll hew to the books, not the movies, and readings will include the Hobbit, the Lord of the Rings trilogy, Tolkien`s essay "The Monsters and the Critics," modern theoretical works on monstrosity and about race, and comparative texts from folklore and medieval literature.
GE: Literature

English 3378: Special Topics in Film and Literature — Shakespeare and Film
Instructor: Alan Farmer
In this course, we will study some of the most innovative and influential films ever made of Shakespeare's plays.  We will read specific plays and view films that cut across dramatic genres, time periods, countries and cinematic styles, by such directors as Max Reinhardt (Austria and Germany), Laurence Olivier (England), Akira Kurosawa (Japan), Baz Luhrmann (Australia), Michael Almereyda (U.S.), Al Pacino (U.S.), and Julie Taymor (U.S.). We will focus on how directors and actors have chosen to adapt Shakespeare for performance, but also consider how these films have shaped, and continue to shape, the cultural meaning of "Shakespeare" for modern audiences.  
GE: Cultures and Ideas

English 3379: Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Nancy Johnson
Introduction to the interrelated fields of Writing, Rhetoric and Literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, and create meaning, and how these practices are learned and taught. 

English 3398 (20): Methods for the Study of Literature
Instructor: Jessica Prinz
The purpose of this course is to read broadly in the history of American and British literature with the goal of improving reading and writing skills. All key genres of literature will be considered (fiction, drama and poetry). We will also devote a significant portion of the class to the various theories used to analyze literature ("critical theory"). 

English 3398 (30): Methods for the Study of Literature
Instructor: Leslie Lockett
English 3398 is about developing arguments that speak to an academic audience beyond the classroom. This course is designed to build the skills needed for the advanced study of literature, especially the close reading of literary texts, familiarity with various genres of literature, the use of literary-critical methods and other scholars' research in developing one's analysis of texts, and the construction of clear and insightful essays about literature. We will practice several approaches to literary criticism, from close reading and historicist criticism to ecocriticism, deconstruction and psychological criticism. We will study texts from across several literary genres, including poems, short stories, drama and the novel.

English 3398 (40): Methods for the Study of Literature
Instructor: Jennifer Higginbotham
This is a course about what we read, why we read, and how we read. As an introduction to the critical study of literature, this class aims to help students gain the skills necessary to succeed as English majors and minors, including close reading, understanding genre, working with poetry, and writing English essays.

English 3398 (60): Methods for the Study of Literature
Instructor: Elizabeth Hewitt
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. 

English 3398 (70): Methods for the Study of Literature
Instructor: Sandra MacPherson
This course's purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. 

English 3405 (10) : Special Topics in Professional Communication — Technical Editing
Instructor: Jonathan Buehl
This course will introduce students to a continuum of technical editing practices: developmental editing, comprehensive editing, focused editing (for style, structure, design, etc.), copyediting, and proofreading. Through individual and collaborative projects, you will learn editing and publication-management strategies, and you will apply these strategies in both print and electronic publishing contexts. We will also discuss the ethical and legal aspects of technical editing and the social and organizational factors that affect editorial practices. 

English 3465 (10): Special Topics in Intermediate Fiction Writing — Toward a Single and Unique Effect 
Instructor:  David Bukspan 
The primary challenge in writing fiction, much more than filling a page, is making choices. It’s about asking the right questions and exploring different answers. But how to know what questions to ask, let alone how to answer? Edgar Allan Poe wrote that every aspect of a short story should be somehow contributing to “a single and unique effect.” Every word, every image, every detail about the characters and the setting and the plot should be chosen to help create a particular result. So okay, maybe “every” is a pretty tall order, but you get the idea. Fiction is a big sea, with all kinds of weird animals below the vast surface. In your Introduction to Fiction Writing, if not earlier, you started wading into the water, hopefully beginning to recognize how the elements of plot and point of view and character and setting and style and so on work together, impacting one another. Pushing this metaphor a little further, you can think of this class as dive boat, and each week we’ll look around. We’ll use The Anchor Book of New American Short Stories, an anthology of noteworthy recent domestic short fiction, as more of a net than an anchor, having a look at samples of the state of the art. We can think of Rust Hill’s Writing in General and the Short Story in Particular then as part field guide, part instruction manual. It will teach us not only to recognize how the stories we read work, but how we, too, can learn to swim better, move through the waters with more confidence and success.

English 3465 (20): Special Topics in Intermediate Fiction Writing — Journeys Elsewhere: Travelers, Expats and Other Roamers in Fiction
Instructor:  Mallory Laurel
A close study of stories about characters in foreign places, with a focus on the experiences of American travelers. We will read for technique while asking how these narratives use travel to address issues of identity and nationality, foreignness, home, culture, history and language. Students will have the chance to explore these themes in their own writing through exercises and workshops during the semester. Readings may include: Leaving the Atocha Station by Ben Lerner, Motion Sickness by Lynne Tillman, Giovanni's Room by James Baldwin, Two Serious Ladiesby Jane Bowles, The Apartment by Greg Baxter, The Mosquito Coast by Paul Theroux and other selected writings. Additional narrative media may include Sofia Coppola's Lost in Translation.

English 3466: Special Topics in Intermediate Poetry Writing
Instructor: Jessica Lieberman
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3467S: Issues and Methods in Tutoring Writing
Instructor: Genie Giaimo
This course trains students to be effective tutors in the Ohio State Writing Center or within the Writing Associates Program, which includes learning and applying strategies for working with writers of all levels and writing at all stages of completion and comprehension. Through observation-work, students will learn about the day-to-day activities of a University Writing Center, and how tutors conduct themselves during their sessions with clients. Additionally, we will discuss different strategies that will help tutors as they work with English Language Learners. Students will also be trained in face-to-face and online tutoring methods, as well as individual and group tutoring methods.  Ultimately, this course should help students to feel more confident in their roles as writing consultants, and will shed insight into consulting strategies. This course is discussion-based and aims to engage students' areas of interest and expertise to the formal study of writing, literacy and writing centers. This course will offer training in research methods and data analysis and will use the Writing Center as a research space, with a hands-on practical learning component that includes observation, supervised tutoring and, ultimately concludes with employment opportunities at the Ohio State Writing Center or within the Writing Associates Program. 

English 3468: Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Elizabeth Rose-Cohen
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

English 3662: An Introduction to Literary Publishing
Instructor: Jacob Scheier-Schwartz
An introduction to the theory and practice of editing and publishing literature. 


4000-level

 

English 4150: Cultures of Professional Writing
Instructors: Jennifer Patton and Daniel Seward
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

English 4189: Professional Writing Minor — Capstone Internship
Instructor: Jennifer Patton and Daniel Seward
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics.

English 4400: Literary Locations — Literary Dublin
Instructor: Sebastian Knowles
A unique opportunity to study the work of James Joyce and spend ten days walking in the footsteps of the novel itself in Dublin, Ireland, bringing the book to life.  We will also read the poetry of W. B. Yeats and visit the Lake Isle of Innisfree, the beautiful West Country, and the hills of Glendalough.  There will be a free day in Dublin.  No knowledge of Joyce, Yeats or Irish literature required.  Open competitively to all majors - a maximum of eighteen students will be accepted. Study of sites of literary importance and texts connected with them in the British Isles, Ireland and elsewhere. Concludes with ten-day visit to location. Taught in conjunction with English 5797. 

English 4515: Chaucer
Instructor: Karen Winstead
We will read Chaucer’s magnum opusThe Canterbury Tales, which “records” the stories told by pilgrims en route to the shrine of Saint Thomas Becket at Canterbury Cathedral.  The storytelling pilgrims represent a cross-section of medieval society, including aristocrats, entrepreneurs, professionals and officers of the Church.  The stories they tell range from romances to raunchy fabliaux, saints’ legends to beast fables.  Indeed, The Canterbury Tales includes some of the finest examples of all the major literary genres of the late Middle Ages.  Honor, death, feminism, friendship, marriage, domestic violence, morality and true love are hotly debated by Chaucer’s motley crew, whose sparring elucidates the complex world of social strivings, aspirations and anxieties that Chaucer inhabited.   

English 4520.01: Shakespeare
Instructor: Hannibal Hamlin
"The remarkable thing about Shakespeare is that he is really very good - in spite of all the people who say he is very good." - Robert Bridges, British Poet Laureate, 1913-1930. Our goal is simply to read, discuss and try as best as we can to enjoy and understand a sampling of the works of William Shakespeare, who for various complex reasons is the most widely read and influential writer in the history of the world (really). We'll work with the premise that the enjoyment depends upon the understanding. To this end, we'll focus a good deal on language, since that's the medium in which Shakespeare worked (his plays were staged, of course, but his theater was a far more verbal than visual medium, compared, say, to modern film). It's a commonplace that Shakespeare's "difficulty" lies in the changes in English over four centuries, but this is only partly true. Shakespeare's first audiences must have found his plays just as challenging as modern ones do, given his delight in coining new words, warping standard usage to suit his immediate dramatic needs, expressing himself in dense metaphorical puzzles and never using words in one sense when two, three or more are available. (We can call the last "punning," but only if we recognize that it's often vastly more than the lame joking normally so-called; for Shakespeare, the "pun" can be a figure of deep thought.) We'll read five plays: Henry IV, Part 1, The Merry Wives of Windsor, King Lear, Macbeth and The Winter's Tale and sample some of his non-dramatic poems.

English 4520.02: Special Topics in Shakespeare — The Merry Wives of Windsor
Instructor: Sarah Neville
This upper-level Special Topics in Shakespeare course is designed to give students an opportunity to explore the relationship between literary texts, criticism and performance through the hands-on experience of working on a live Shakespeare production. Lord Denney's Players are producing Shakespeare’s The Merry Wives of Windsor in April 2018, and this section of ENGL 4520.02 will form the show’s backstage, promotions and front-of-house  team. 

English 4523: Special Topics in Renaissance Literature and Culture — Literature, Politics and Religion in the Reign of Henry VIII
Instructor: Christopher Highley
This class surveys literary and cultural production during the reign of Henry VIII, paying special attention to representations of the king himself.  Henry VIII is possibly England's most notorious and recognizable ruler, enshrined in popular lore for marrying six times and beheading two of his wives.  But the significance of Henry and his reign reaches far beyond marital politics.  When Henry ascended the throne, England was a faithful Catholic country loyal to Rome and the pope; when Henry died, England had undergone a religious and cultural revolution, emerging as an independent nation-state with its own religion and imperial ambitions. To understand this unprecedented period of historic change, we will read selections from many different kinds of texts, including Henry's own letters and religious writings; selections from competing translations of the bible; court poetry by Henry Howard, Earl of Surrey and Sir Thomas Wyatt; drama by Shakespeare's precursors John Skelton and John Bale; historical chronicles by Edward Hall; and works of prose fiction like Thomas More's Utopia.  Readings and discussions will be organized by topics such as: humanism at Henry's court; war and diplomacy; courtly spectacle and chivalry; divorce and schism; resistance to Reformation; literature and the other arts; Henry's death and reputation. Finally, we will look at how Henry has been remembered over the last five centuries, especially in recent films, TV shows and fiction.

English 4540: Nineteenth-Century British Poetry
Instructor: Jill Galvan
This course covers British poetry written between 1789 and 1901, encompassing the Romantic and Victorian periods.  I’ll begin with some brief discussions of poetic elements and critical reading strategies, for those new to in-depth poetry analysis (or needing a refresher). (**You do not need to consider yourself fantastic at analyzing poetry to take this course! Part of my goal will be to help everyone become more confident approaching the genre by the end.) Authors will include William Wordsworth, Samuel Taylor Coleridge, Charlotte Smith, John Keats, Lord Byron, Alfred, Lord Tennyson, Elizabeth Barrett Browning, Robert Browning, Christina Rossetti, A.C. Swinburne, Augusta Webster, Gerard Manley Hopkins, Mary Elizabeth Coleridge and Oscar Wilde. We will focus on these authors’ forms, styles and thematic concerns; at the same time, we will consider how their works respond to significant cultural/historical ideas and developments—for example, the French Revolution, abolitionism, ideas of the sublime, the “woman question” and debates about gender, momentous scientific discoveries, challenges to religious faith and burgeoning modern views about the value of art.  Students will also learn about important poetic forms (e.g., the ode, the sonnet, and the dramatic monologue), as well as about important literary modes and movements (e.g., the Gothic, the Pre-Raphaelite Brotherhood and Aestheticism). 

English 4552: Special Topics in American Poetry through 1915 — American Poetry in "The Gilded Age": 1873-1898
Instructor: Elizabeth Renker
The tumultuous sociopolitical world of post-Civil War America has long been called "The Gilded Age," a time when robber barons, conflict between labor and capital, wealth inequality, massive economic shifts arising from large-scale industrialization, immigration, the nation's retrenchment from Civil Rights for freedmen, and other tumultuous social changes upended social and political life. Mark Twain and Charles Dudley Warner's 1873 novel of social critique, THE GILDED AGE: A TALE OF TODAY, sarcastically gave this period its name. Poetry was a very popular genre at this time, and reading, reciting and sharing poems was a routine part of daily life - like music today.  We will study an array of poets, poems and conversations in process in the newspapers and magazines in which these poems appeared, exploring how poetry participated in larger debates about current issues.  Poets will include some who are now well known (Paul Laurence Dunbar, Frances E.W. Harper, Sarah Piatt, Herman Melville, Stephen Crane, Edwin Arlington Robinson) and others who were well known in their own time but have been forgotten. We will also briefly discuss how and why commentators call our own era a "new Gilded Age." 

English 4553: Twentieth-Century U.S. Fiction — The Great 20th Century American Novel 
Instructor: Sebastian Knowles
Starting with Ernest Hemingway, John Steinbeck, and Ralph Ellison, we will read books that aim to recover the American experience (The Nick Adams Stories, East of Eden, Invisible Man).  Turning to Tim O'Brien, Joseph Heller, and Toni Morrison, we will read books that open those first three books and turn them inside out (Going After Cacciato, Catch-22, Beloved).

English 4555: Rhetoric and Legal Argumentation
Instructor: James Fredal
We will examine legal arguments from the perspective of rhetoric. We'll read about rhetorical theories concerning things like narrative, deduction, analogy, emotion and organization, and we'll read some important legal cases: Supreme Court majority decisions, oral closing arguments and other legal texts to see how litigants persuade.

English 4563: Contemporary Literature — The Cultural Lives of Climate Change
Instructor: Thomas Davis
Scientists have long told us that climate change will reshape how we know and interact with our world.  There is no area of human life that is exempt from the effects of climate change: geopolitics, food security, biodiversity, social justice, energy production, economics and urban planning to name but a few.  And yet, despite the overwhelming evidence to the ongoing changes to the Earth system, solutions and actions seem in short supply.  This class approaches climate change and its manifold problems through the cultural sphere.   We will pursue a few broad questions: first, what is the place of culture in comprehending and acting on climate change? Second, how might climate change and its attendant problems manifest differently across space and time? Third, what forms of knowledge and what kinds of interventions are generated by artworks, science fiction (cli-fi), creative non-fiction, documentaries, cinema, installation art, video games, and other cultural practices? Students will also have opportunities to interact with bioartist Brandon Ballengee, do voluntary field excursions, and engage in various forms of humanistic research into climate change.

English 4564.04: Major Author in Eighteenth- and Nineteenth-Century British Literature — Bob Dylan
Instructor: Brian McHale
Surprisingly and controversially, the Swedish Academy bestowed the 2016 Nobel Prize for Literature on Bob Dylan.  Everybody knows that Dylan is a pivotal figure in the history of American popular music, but is he a poet?  Are his writings literature?  Our course will explore these questions by reading Dylan's lyrics closely and intensively for their literary values.  It will be organized roughly chronologically, in four units: 1) Folk Dylan, 1961-64; 2) Electric Dylan, 1965-66; 3) After the Crash, 1967-78; 4) Born Again and the Endless Tour, 1979-2016.  Alongside Dylan's own lyrics we will read some of his precursors and literary models, sampling folk ballads and blues lyrics, literary ballads, the lyrics of Woody Guthrie, and poetry by Blake, Rimbaud, Eliot, Ginsberg and his namesake, Dylan Thomas.  We will sample lyrics by some of his contemporaries, including Leonard Cohen, Lennon and McCartney, Joni Mitchell, and Paul Simon.  We will also view clips from key documentary and fictional films, including Pennebaker's Don't Look Back, Scorcese's No Direction Home, and Haynes's I'm Not There.

English 4565: Advanced Fiction Writing
Instructor: William White
Advanced workshop in the writing of fiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

English 4566: Advanced Poetry Writing
Instructor: Kathy Grandinetti
This is the advanced course in Creative Writing-Poetry designed primarily for undergraduates who have taken the series of workshops at the beginning and intermediate levels. This is a workshop course in which you create the texts we consider. We will also look at “model” poets for prompts and inspiration. Get ready to surprise yourselves!

English 4567S: Rhetoric and Community Service
Instructor: Christa Teston
In this undergraduate service learning seminar, you will experience firsthand through in-class workshops coupled with writing for a community partner how rhetoric (and writing) can affect (both positively and negatively) social change. You’ll receive one-on-one assistance from me regarding your writing for a nonprofit organization with whom I’ll pair you during the first few course meetings. Your community partnership affords you exposure to the complexity of organizational communication and nonprofit labor—exposure you may not otherwise have were you confined only to the classroom. Course deliverables include a wide range of kinds of writing for nonprofit organizations (e.g. press releases, brochures, flyers, social media content), a white paper based on your experiences with the organization you’re assigned, and a digital portfolio.

English 4569: Digital Media in English Studies — Digital Messaging and Storytelling
Instructor: Scott DeWitt
This course will take up the study of digital media and its relationship to messaging and storytelling. Students from across areas in the Department of English or in majors outside of English will work on a series of short form digital projects using rich media. The most significant part of this course focuses on the "P" word:  Production. This course is structured mostly as a studio class, where we will be working together in one of the Digital Media Project's classroom. Some of you may have experience with the technologies we will compose with. For those of you new to these technologies, I will teach you more than you need to know to be successful in this class. Please do not let your lack of experience with technology intimidate you. 

English 4572: Traditional Grammar and Usage
Instructor: Lauren Squires
You will learn to describe and analyze the structure of English sentences, developing technical terminology and practicing ways of representing sentence structure through diagrams. Rather than memorizing and applying rules for "correct" English, you will become familiar with the concepts and patterns of grammar from a linguistic—a scientific—perspective. The focus of the class is not “how to write well” or “how to have good grammar.” Instead, we will seek to understand the linguistic principles that underlie all speaking and writing in English. This will ultimately equip you with the skills to more critically understand speaking and writing style, including “good writing” and products designed to encourage it, such as usage handbooks.

English 4578 (20): Special Topics in Film — Film and Video Games
Instructors: Jesse Schotter
Special Topics in Film: Film and Video Games - In the last decade, the video game industry has eclipsed the movies in popularity. This class will examine how films from Hollywood and around the world have reacted to the rise of video games as a new and increasingly dominant medium. We'll spend the first few weeks articulating the similarities and differences between video games and cinema, and looking at the ways in which video games have become more like films. In so doing, we'll explore theories of video games and of the relationship between competing media forms. The bulk of the class will focus on an examination of recent films that seek to emulate or improve upon the unique characteristics of video games.  We'll examine issues of narrative, spectatorship, performance and gender representation. Films may include The MatrixChildren of MenScott Pilgrim vs. The WorldRun Lola RunHoly Motors, and Being John Malkovich. Assignments will include two papers, as well as two brief responses and presentations about individual video games.

English 4578 (30): Special Topics in Film
Instructors: Jian Chen
Examination of particular topics, themes, genres or movements in cinema; topics may include particular directors (Orson Welles), periods (The Sixties), genres (horror). 

English 4580: Special Topics in LGBTQ Literatures and Cultures — Baldwin, Lorde and LGBT Liberation
Instructor: Koritha Mitchell
James Baldwin (1924-1987) and Audre Lorde (1934-1992) were prolific writers who offered insights through several genres. Their artistic contributions continue to shape many people's understanding of the workings of capitalism, racism, sexism and heteronormativity. Lorde famously dubbed herself a "black, lesbian, mother, warrior, poet" while Baldwin never claimed labels, but generations of artists, scholars, activists and ordinary citizens (who find affirmation in their work) now celebrate them both as Black Queer Artists. This course will explore their contributions by sampling some of their most influential texts. Readings will likely include Baldwin's essays and novels as well as Lorde's essays, poetry and her "biomythography" ZAMI. We will end the semester with Janet Mock's Redefining Realness in order to consider how Baldwin's and Lorde's efforts in the 1940s through the 1980s helped make a path for more recent articulations of LGBT liberation.

English 4582: Special Topics in African American Literature — Homemade Citizenship
Instructor: Koritha Mitchell
Even when they embody everything the nation claims to respect, African Americans cannot count on being treated like citizens. Simply consider the Black soldiers and nurses who served in the Civil War, WWI and WWII only to be disfranchised and denigrated … or consider the Ivy League-educated constitutional lawyer who rose to the office of president only to face demands that he “show his papers,” his birth certificate and academic transcripts. This course gives students an opportunity to explore the ways in which African Americans have made home and made citizenship from scratch. Despite the nation's constant attempts to convince them that they should never feel at home and never feel like citizens, they have cultivated a sense of belonging nonetheless. So, rather than assume that Black-authored texts primarily protest injustice, we will examine how Black cultural expression affirms what community members ideally already know about themselves and each other. Readings will likely include nineteenth-century works by Henry "Box" Brown, William and Ellen Craft, and Frances Harper, and twentieth-century works by Zora Neale Hurston, Audre Lorde, and Tayari Jones.

English 4587: Studies in Asian American Literature and Culture — The South-Asian Diaspora
Instructor: Pranav Jani
This course investigates literature, film and nonfictional texts by and about South Asian Americans, paying special attention to the politics of identity formation. What notions of religion, gender, nation, class and sexuality govern these identities? Where have South Asian Americans fit in terms of the racial and ethnic dynamics of American society? How have ideas about the "exotic" or "spiritual" East and the "materialist" West shaped the image (and self-image) of this group? Throughout, our aim will be to see the historical contexts within which these questions have changed—especially since greater immigration from Asia was allowed in 1965. We will specifically discuss how cultural identities have been shaped recently by corporate globalization and the global popularity of everything "Indian," from Bollywood, bhangra and mehndi to writers and software engineers. The South Asian-British experience will also be referenced by way of comparison. By drawing on literary, cinematic, historical and ethnographic texts, this course seeks to provide students with an interdisciplinary framework for understanding the diverse and often conflicting ways through which the desi experience is portrayed and understood. Grading will be based on intensive class participation, an oral presentation, regular blog posts, two short papers and a longer research paper.

English 4592: Special Topics in Women in Literature and Culture — Medieval Women
Instructor: Karen Winstead
This course will examine literature written by, for and about women during the Middle Ages. We will read Hrotsvitha of Gandersheim, medieval Europe's first dramatist; Hildegard of Bingen, a Rhineland nun, mystic, advisor to rulers and popes, and author of poetry, music, plays and treatises on topics ranging from botany to sex; Margery Kempe, wife, mother of fourteen, entrepreneur and would-be saint; and Christine de Pizan, young widow and controversial "proto-feminist" who supported her children and mother by writing poetry, political allegories and self-help books at the court of France.  We will also read about remarkable gender-benders, including the military leader and martyr Joan of Arc and the (fictional) Silence, born a woman but raised to be a great knight.  

English 4595: Literature and Law — The Outsider in the Courtroom
Instructor: Clare Simmons
"Literature and Law" is a course in the representation of law in literature and the literary analysis of legal discourse; it is not a course in the study of law, but should be of interest to anyone who wants to engage with the role of law in culture; the legal and literary representation of human rights; and how law uses language. Literature and Law can be applied towards the English major and Human Rights minor; many students from other departments also take it to fulfill upper-level course requirements, so the course provides an excellent opportunity to meet students from a wide variety of fields who are interested in law and perhaps thinking about Law School.  We will read both some legal materials and some literature that represents law in action. The special topic of this course is "The Outsider in the Courtroom," so we will read some actual cases and also a variety of fictional representations of law in action, and consider how the rights of outsiders are protected, or sometimes forgotten, by the law.  We will also practice some courtroom procedures of our own in mock-trials.  Readings will include a 2000-year-old murder trial; some medieval animal trials; Shakespeare's The Merchant of Venice; the Amistad trial; Wilkie Collins's novel The Law and the Lady; Reginald Rose's Twelve Angry Men; and Kate Rose Guest Pryal's Short Guide to Writing About Law.  

English 4597.04H: Interdisciplinary Approaches to Narrative in the Contemporary World — Serial Storytelling Across Media
Instructor: Sean O'Sullivan
Stories told in installments have been wildly popular since the nineteenth century—and they play a huge role in our current digital moment.  In this course, we will examine serial narratives across eras, platforms and media—including television, podcasts, film, comics and novels.  We will consider central questions of how we experience time, routine, memory and character and how we connect and distinguish the part and the whole.  Our materials are likely to include, among other stories: the Serial podcast; the TV series Breaking Bad and AtlantaA Tale of Two Cities; and Groundhog Day.”

English 4999: Undergraduate Research — Thesis
Instructor: Staff
A program of reading arranged for each student, with individual conferences, reports and a paper and/or thesis.

English 4999H: Honors Research
Instructor: Staff
A program of reading arranged for each student with individual conferences, reports and an honors thesis. Open only to candidates for distinction in English. 


5000-level

 

English 5189s/CompStd 5189s: Ohio Field School
Instructor: Cassie Patterson
**Advanced undergraduate students are encouraged to enroll in 5000-level courses. The Ohio Field Schools course provides an introduction to ethnographic field methods (participant-observation, writing field notes, photographic documentation, audio-interviewing), archiving and the public exhibition of research for both undergraduates and graduate students. Students will contribute to a team-based, immersive research project designed to document the ways that diverse communities express and preserve a sense of place in the face of economic, environmental and cultural change. This semester-long, experientially-based course will consist of three parts:

  1. Introduction to fieldwork (on Ohio State campus in Columbus)
  2. A one-week field experience in Scioto County during spring break (where students will reside together on-site)
  3. Accessioning, digital gallery preparation and reflection (on Ohio State campus in Columbus.

Thus, throughout the semester, students will practice all of the skills necessary to construct a permanent record of local expressive culture that will be accessible to future researchers and community members. Participation in all parts of the course is required. 

English 5664: Studies in Graphic NarrativeGraphic Memoir
Instructor: Robyn Warhol
**Advanced undergraduate students are encouraged to enroll in 5000-level courses."Graphic Memoir" studies the styles, structures and strategies of autobiographies told in comics form. Beginning with how-to books drawn by comics artists Scott McCloud (Making Comics) and Matt Madden (99 Ways to Tell a Story: Exercises in Style), we will read graphic memoirs in book form and online, asking what it means to put the "graph" in "autobiography." We begin with graphic narratives connecting individuals with historical events such as Art Spiegelman's memoir of his father's experience of the Holocaust, Maus; Marjane Satrapi's story of her childhood and early adult years in Iran during the Islamic Revolution, Persepolis; and G. B. Tran's search for his family's role in the Vietnam War, Vietnamerica. Next we read memoirs of illness and recovery, such as Marisa Acocella Marchetto's Cancer Vixen; David B's Epileptic; and Khale McHurst's webcomic, I Do Not Have an Eating Disorder. And finally we read women's memoirs focusing on gender and sexuality such as Alison Bechdel's Fun Home, Lynda Barry's One! Hundred! Demons!, and Phoebe Gloeckner's The Diary of a Teenage Girl. Throughout the course we will read examples of academic comics theory and criticism.

English 5723.01/02: Graduate Studies in Renaissance Literature and Culture — Religion, Revolution and Retreat in Seventeenth-Century Literature
Instructor: Hannibal Hamlin
**Advanced undergraduate students are encouraged to enroll in 5000-level courses. The first European Revolution exploded in England in the seventeenth century. After years of Civil War the New Model Army of the Puritan Parliament defeated supporters of King Charles I, and the king was tried and publicly beheaded for crimes against the state. For over a decade England was a Puritan Commonwealth ruled by zealots who expected the Apocalypse in their lifetimes. The world was turned upside down, shaking up a storm of radical religious and political ideas. New sects sprang up across the country: Baptists, Presbyterians, Quakers, Levellers, Diggers, Ranters, Familists, Fifth Monarchists, Grindletonians, Philadelphians, Muggletonians and Dissenters of all sorts, along with more mainstream Puritans and traditional Anglicans. Much of the most powerful and exciting literature of the period expressed, questioned and explored religious ideas. We will read some of the great metaphysical poems of John Donne, George Herbert, Henry Vaughan, and Thomas Traherne, radical pamphlets by Gerard Winstanley, John Reeve, and Abiezer Coppe, the religious autobiography of the physician Thomas Browne, and John Bunyan’s Pilgrim’s Progress, written while he was in the Bedford Jail for illegal preaching, and one of the most popular books in English literary history. Women also saw opportunities in these revolutionary times, and we will read poems by Aemelia Lanyer, Hester Pulter, and the author of Eliza’s Babes, as well as prophecies by Lady Eleanor Davies, Anna Trapnel, and Mary Cary. We’ll talk about religious ideas (and their social and political implications) and the interpretation of the Bible, as well as literary matters like poetic form, rhetorical styles, and allegorical narrative. We may also ask what these centuries-old religious expressions mean for us in twenty-first century America. Can devotional poems be read in a secular context, or is this eavesdropping on personal prayers? What is the difference between a divinely-inspired mystic and a victim of delusion and madness? Can both produce great literature? Finally, was the English Revolution the birth of religious liberty or an efflorescence of zealous extremism shut down by the secular Enlightenment? 

1000-level

 

English-1109: Intensive Writing and Reading
Instructor: Staff
Provides intensive practice in integrating academic reading and writing. 

English-1110.01: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
*Traditional and online sections available
GE: Writing and Communication—Level 1

English-1110.01H: Honors First-Year English Composition
Instructors: Nancy Johnson and Francis Donoghue
Provides intensive practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. 
GE: Writing and Communication—Level 1

English-1110.02: First-Year English Composition
Instructor: Staff
Practice in the fundamentals of expository writing, as illustrated in the student's own writing and in the essays of professional writers. Taught with an emphasis on literary texts. 
GE: Writing and Communication—Level 1

English-1110.02H: Honors First-Year English Composition
Instructor: Christiane Staff
Provides intensive practice in the fundamentals of expository writing, as illustrated in the student’s own writing and in the essays of professional writers. Taught with an emphasis on literary texts.
GE: Writing and Communication—Level 1

English-1110.03: First-Year English Composition
Instructor: Christiane Buuck and Staff
Intensive practice in fundamentals of expository writing illustrated in the student's own writing and essays of professional writers; offered in a small class setting and linked with an individual tutoring component in its concurrent course, ENGLISH-1193. This course is available for EM credit only through the AP program. 
GE: Writing and Communication—Level 1

English-1193: Individual Studies
Instructor: Martha Sims               
Intensive practice in the fundamentals of expository writing. 


2000-level

 

ENGLISH-2201: Selected Works of British Literature—Medieval Through 1800
Instructors: Hannibal Hamlin and Staff
An introductory critical study of the works of major British writers from 800 to 1800. 
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2201H: Selected Works of British Literature—Medieval Through 1800|
Instructor: Leslie Lockett
An introductory critical study of the words of major British writers from 800 to 1800. 
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2202: Selected Works of British Literature—1800 to Present
Instructor: Staff
An introductory critical study of the works of major British writers of the nineteenth and twentieth centuries. GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2202: Selected Works of British Literature—1800 to Present
Instructor: Clare Simmons 
*This course is designed to introduce students to the major periods in British literature from 1800 to the present, namely, the Romantic, Victorian, Modern and Postmodern periods, through the study of representative works and central ideas. The course provides a historical foundation for advanced-level study of British literature. A loose theme for this course will be the tension between a rationalist understanding of the material world and the world of imagination and feeling—or as Jane Austen expressed it, Sense and Sensibility, the title of the first novel that we will read. Other readings will include influential poetry by Wordsworth, Coleridge, Tennyson, Browning, the Rossettis, Hardy, Eliot, Thomas and others; and samplings of fiction by such authors as Dickens, Woolf, Conrad and Rushdie. By the end of the course, you should be able to read and analyze poetry and prose and place them in their historical context; you should also be able to write a brief critical analysis of a literary work. Finally, you should be able to compare and contrast aspects of British culture of the nineteenth and twentieth centuries with those of the present day.  
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2202H: Selected Works of British Literature—1800 to Present
Instructor: David Riede
*This course is designed as an introduction to the great literary figures and movements from the time of the French Revolution to our own times. We will be especially interested in distinguishing the Romantic, Victorian, modernist and postcolonial periods and movements. Classes will consist of lecture and discussion, but mostly discussion, I hope. 
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2220: Introduction to Shakespeare
Instructors: Antony Shuttleworth, Hannibal Hamlin and Staff
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2220H: Introduction to Shakespeare
Instructor: Christopher Highley
Study of selected plays designed to give an understanding of drama as theatrical art and as an interpretation of fundamental human experience. 
GE: Literature
GE: Diversity (Global Studies)

ENGLISH-2260: Introduction to Poetry
Instructor: David Riede 
*This course is intended as an introduction to major poems and poets in the English language and will examine poems in historical, literary-historical and broader cultural contexts. We will be concerned especially with poetic form and craft and the many and various uses of such forms as sonnets, ballads, odes, blank and rhymed verse and so on, and we will also focus on the crafting of voice, tone, imagery, sound and rhythm. 
GE: Literature

ENGLISH-2260: Introduction to Poetry
Instructor: Matthew Cariello
Designed to help students understand and appreciate poetry through an intensive study of a representative group of poems. 
GE: Literature

ENGLISH-2261: Introduction to Fiction
Instructors: Mark Conroy, Roxann Wheeler, Sandra MacPherson, David Brewer, Jill Galvan and Matthew Cariello
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations. Comparisons with nonfictional narrative may be included. 
GE: Literature

ENGLISH-2261: Introduction to Fiction
Instructors: Elizabeth Renker
*This class will introduce students to fiction as an art form. The instructor will train you in a core group of analytical methods that will enable you to understand how fiction works. We will read an array of short stories and short novels by various authors who have experimented with fiction over the past two centuries, including Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Charlotte Perkins Gilman, Flannery O'Connor, Charles Chesnutt, John Barth and more.  You will finish this class with improved skills for understanding fiction and stronger analytical abilities. 
GE: Literature

ENGLISH-2261: Introduction to Fiction
Instructor: Jill Galvan
*This course has two goals. The first is to familiarize (or re-familiarize) you with some of the basic literary concepts (character, point of view, tone, symbolism, etc.) associated with the genre of fiction. The second is to help you feel comfortable approaching fiction critically. You will learn college-level strategies for analyzing literature, including reading a text with an eye for fine detail (a.k.a. close-reading) and how to construct logical interpretations based on textual evidence. The instructor will likely provide some lecture in each meeting, but much of the class will be conducted as a general discussion. Our readings will span literary history, as well as diverse cultural and social perspectives. They will loosely circulate around the theme of humanity/what it means to be human. Texts are still very tentative but might include Mary Shelley's Frankenstein, Octavia Butler's Kindred, Justin Torres's We the Animals and Karen Joy Fowler's We Are All Completely Beside Ourselves. 
GE: Literature

ENGLISH-2261H: Introduction to Fiction
Instructor: Zoe Thompson
Examination of the elements of fiction—plot, character, setting, narrative, perspective, theme, etc.—and their various interrelations; comparisons with nonfictional narrative may be included. 
GE: Literature

ENGLISH-2263: Introduction to Film
Instructor: Staff
Introduction to methods of reading film texts by analyzing cinema as technique, as system and as cultural product. 
GE: VPA

ENGLISH-2263: Introduction to Film
Instructor: Ryan Friedman 
*This course familiarizes students with the basic building blocks of film, the forms that movies use to tell stories, move viewers emotionally, communicate complex ideas, and dramatize social conflicts. It also introduces students to significant developments in film history and ways of approaching film interpretation. Our primary goal is to become skilled at thinking, talking and writing critically about movies and, in the process, to deepen our appreciation and understanding of the film medium.
GE: VPA

ENGLISH-2264: Introduction to Popular Culture Studies
Instructor: Frank DiPiero and Staff
Introduction to the analysis of popular culture texts. 
GE: Cultures and Ideas
This is a combined section class

ENGLISH-2265: Introductory Fiction Writing
Instructors: Mallory Laurel, David Bukszpan, Tyler Sones and Meghan Callahan
An introduction to the fundamentals of technique, craft and composition; practice in the writing of fiction; and analysis and discussion of student work as well as published stories by masters of the genre.

ENGLISH-2266: Introductory Poetry Writing
Instructors: Allison Talbot and Jessica Lieberman
An introduction to the fundamentals of technique, craft, composition and prosody; practice in the writing of poetry; and analysis and discussion of student work as well as published poems by established poets.

ENGLISH-2267: Introduction to Creative Writing
Instructor: Zoe Thompson
An introduction to the writing of fiction, poetry and creative nonfiction. Analysis and discussion of student work, with reference to the general methods and scope of all three genres. 

ENGLISH-2268: Introductory Creative Nonfiction Writing
Instructor: Elizabeth Rose-Cohen
An introduction to the fundamentals of technique, craft and composition; practice in the writing of creative nonfiction; and analysis and discussion of student work as well as published essays by masters of the many forms of creative nonfiction.

ENGLISH-2269: Digital Media Composing
Instructor: Staff
A composition course in which students analyze and compose digital media texts while studying complex forms and practices of textual production. 
GE: VPA

ENGLISH-2270: Introduction to Folklore
Instructor: Katherine Borland
Folklore theory and methods explored through engagement with primary sources: folktale, legend, jokes, folksong, festival, belief, art. Folklore Minor course.
GE: Cultures and Ideas
This is a combined section class

ENGLISH-2275: Thematic Approaches to Literature—Oil and Water in Twentieth and Twenty-First Century Native American Literatures
Instructor: Joshua Anderson
GE: Literature
*Rather than upholding the cliché that “oil and water don’t mix,” this course explores how oil and water have long been intertwined in Indian Country. With works by Native authors Winona LaDuke and Thomas King we will explore the art, activism and literature related to the recent #NoDAPL Standing Rock and Keystone XL pipeline protests, and discuss the contemporary hip-hop of Lakota rapper Frank Waln, the punk-influenced music of AlterNative bands and the artwork of Native artist Bunky Echo Hawk. With Linda Hogan’s novel Mean Spirit and materials from online FBI case files, we will trace the history of oil and water back to the 1920s Oklahoma oil boom that made the Osage Tribe the “wealthiest nation on earth” and resulted in the “Reign of Terror,” in which more than 60 Osage were murdered, most of which remain unsolved. Finally, in our unit “Representation and Resistance,” we will read works by Eric Gansworth, Sherman Alexie, and Louise Erdrich that will help us recognize the interconnections between (mis)representations of Native peoples in politics and and pop-culture and resistance to economic and environmental racism. With an emphasis on interdisciplinary learning, this GE: Literature course invites participation from a broad range of students with interests in literature and environmental studies, law, politics and pop-culture, engineering, economics, health care, and resource management.

ENGLISH-2276: Arts of Persuasion
Instructor: James Fredal
*This course will be an introduction to the arts of persuasion as taught and practiced through the discipline of rhetoric and sophistic since the fifth century B.C. We will first review the elements of a rhetorical encounter, including the speaker or producer, the viewer or audience, the topic and text, the cultural context and situation, etc. Then we'll examine a series of different genres of persuasive texts, both verbal, visual and auditory, to better understand the uses, goals, resources and limitations available to all parties to a rhetorical encounter to make themselves heard, understood and accepted.
GE: Cultures and Ideas

ENGLISH-2277: Introduction to Disability Studies
Instructor: Sean Kamperman
*This course investigates the ways that disability is constructed in contemporary life and how it shapes our ideas of ourselves and others. Together, we’ll discuss concepts like normal, passing, inspiration and access, and consider how these concepts emerge and are contested through individual authors’ and artists’ composing practices.
GE: Cultures and Ideas

ENGLISH-2280: The English Bible
Instructor: James Fredal
*You’ve heard about it, seen movies about it, wondered what's really in it, maybe you’ve even tried to read it: the Bible continues to be one of, if not the, best-selling book of all time and a book of tremendous importance not only for the religious lives of individuals and communities, but for Western and indeed, world history. Perhaps no book has had as great an impact on as many people and nations across the centuries as the Judeo-Christian Bible. It has long been revered as the authoritative source of moral and spiritual teaching and individual and world salvation. It has also, more recently been reviled for its role in supporting slavery, misogyny, homophobia, racism, colonialism and genocide. Unfortunately, it can also be notoriously difficult to follow, interpret or even understand the Bible's strange language. Compelling stories are often followed by long lists of boring “begats” Strange tales involving improbable characters with unpronounceable names are followed by long-winded speeches or a string of “shalt-nots” that often seem simplistic, impossible to apply or completely irrelevant to contemporary life. Impossibilities and contradictions abound. Who can make sense of it? Our goal in this class is not to produce the final answer on the Bible or its meaning, but simply to get used to its language and to work through some of its most important genres, themes and characters. Our goal is to get a handle on the Biblical story in all its parts and sections, as it has been built up over centuries by dozens or hundreds of mostly anonymous authors. Our goal will also be to get a sense, beyond its many parts and contradictions, of the larger unity of thought and aspiration conveyed through the Bible. We will attempt to get a handle on its message and its purpose.
GE: Literature

ENGLISH-2281: Introduction to African-American Literature
Instructor: Koritha Mitchell
*How does music (including hip hop, jazz and the blues) relate to the Nobel prize-winning literature of someone like Toni Morrison? Does the slang some African Americans speak have any relationship to the work of Black scholars who write academic books while teaching at universities? This course will answer these and similar questions while exposing students to the African American literary tradition, from 1760 to the present. It will also empower students to answer such questions long after the class is over, by equipping them with intellectual concepts: call and response, masking and signifyin(g). This course will not only introduce students to major figures in African American literature; it will also place these figures in the context of African American history and culture. We will work from the premise that this literary tradition has never existed solely to respond to so-called "dominant" culture and "mainstream" literature. In addition to well-known writers, such as Frederick Douglass, W.E.B. Du Bois, Langston Hughes and Zora Neale Hurston, this course will explore the work of equally important but less widely known authors, such as Harriet Jacobs, Ida B. Wells, Charles Chesnutt and Audre Lorde. 
GE: Literature
GE: Diversity (Social Diversity in the U.S.)
This is a combined lecture class

ENGLISH-2282: Introduction to Queer Studies—Queer and Trans Micro-Politics of the Everyday
Instructors: Joy Ellison and Jian Chen
*This seminar explores queer and trans politics from the emergence of counter-cultural protest, critique and community building in the late 1960s to the networked and embedded practices, relationships and identities of the first decades of the twenty-first century. 
GE: Cultures and Ideas
GE: Diversity (Social Diversity in the U.S.)
This is a combined section class

ENGLISH-2290: Colonial and U.S. Literature to 1865
Instructors: Jared Gardner and Staff
Introductory study of significant works of U.S. literature from its colonial origins to 1865. 
GE: Literature

ENGLISH-2367.01: Language, Identity and Culture in the U.S. Experience
Instructors: James Griffith, Scott DeWitt and Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH-2367.01H: Language, Identity and Culture in the U.S. Experience
Instructor: Staff
Extends and refines expository writing and analytical reading skills, emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America. 
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH-2367.01H: Language, Identity and Culture in the U.S. Experience
Instructor: Staff
Extends and refines expository writing and analytical reading skills emphasizing recognition of intertextuality and reflection on compositional strategies on topics pertaining to education and pop culture in America.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH-2367.01S: Language, Identity and Culture in the U.S. Experience—Literacy Narratives of Black Columbus Visual Artists 
Instructor: Sherita Roundtree
*This course will focus on the literacy narratives of Black visual artists in Columbus. We will learn from these artists’ literate lives and explore literacy’s relationship to their art. As a writer in this course, you will engage your perceptions of literacy through community-based research, expository writing and oral presentation.
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH-2367.02: Literature in the U.S. Experience
Instructor: Staff
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience.
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH-2367.02H: Literature in the U.S. Experience
Instructors: Pranav Jani and Jennifer Patton
Discussion and practice of the conventions, practices and expectations of scholarly reading of literature and expository writing on issues relating to diversity within the U.S. experience. 
GE: Literature
GE: Writing and Communication (Level Two)
GE: Diversity (Social Diversity in the U.S.)

ENGLISH 2367.03: Documentary in the U.S. Experience
Instructor: Staff
An intermediate course that extends and refines skills in critical reading and expository writing through analysis of written texts, video and documentaries. 
GE: Writing and Communication (Level Two)

ENGLISH-2367.05: The U.S. Folk Experience
Instructor: Staff
Concepts of American folklore and ethnography; folk groups, tradition and fieldwork methodology; how these contribute to the development of critical reading, writing and thinking skills. 
GE: Diversity (Social Diversity in the U.S.)
GE: Writing and Communication (Level Two)

ENGLISH-2463: Introduction to Video Games Analysis
Instructor: Staff
An introduction to humanities-based methods of analyzing and interpreting video games in terms of form, genre, style and theory. No background in video game play is necessary. All students will have regular opportunities for hands-on experience with different game types and genres in both the computer-based classroom and the Department of English Video Game Lab.
GE: VPA


3000-level

 

ENGLISH-3150: Career Preparation for English and Related Majors
Instructor: Jennifer Patton
This general elective course helps English majors and students from other humanities disciplines to explore and prepare for careers after graduation. Students will analyze texts to gain a practical and theoretical understanding of the world of work. They will learn to identify their own strengths and preferences to guide their job activity and career choices.

ENGLISH-3271: Structure of the English Language
Instructor: Lauren Squires
*Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English and the implications of language evaluation in educational settings.
GE: Cultures and Ideas

ENGLISH-3304: Business and Professional Writing
Instructor: Christa Teston
*In this course, you will learn principles and practices associated with writing well in business and professional contexts. You will be provided with a good deal of feedback on your prose and several opportunities to refine your style, organization and collaborative writing strategies. Most of in-class time will involve workshopping course deliverables and learning the nuances of successful professional communication. At the end of this course, you will have writing samples that demonstrate expertise with the following genres: correspondence genres (letters, memos, social media); presentation genres (pitches, pecha kucha, slideware); collaboration genres (charter document, strategic plan); information genres (reports, documentation, PSAs, fact sheets); proposal genres (project proposals, marketing proposals); employment search genres (resume, cover letter, interview techniques).

ENGLISH-3305: Technical Writing
Instructor: Staff
Study of principles and practices of technical writing. Emphasis on the style, organization and conventions of technical and research reports, proposals, memoranda, professional correspondence, etc.
GE: Cultures and Ideas

ENGLISH-3361: Narrative and Medicine 
Instructor: Jared Gardner
*This course is built on the principle that narrative competence improves outcomes for both caregivers and patients. We will explore this by taking up a range of questions, for instance: How does narrative give us greater insight into illness, medical treatment, doctor-patient relationships and other aspects of health and medicine?   
GE: Literature

ENGLISH-3364: Special Topics in Popular Culture—Vampires 
Instructor: Karen Winstead 
*This course will examine the representation of vampires in popular culture, from their folkloric roots and their classic literary representations in the nineteenth century—John Polidori's Vampyre, Sheridan Le Fanu's Carmilla and Bram Stoker's Dracula—to their recent incarnations in TV, film and novels. We will consider what made blood-suckers so mesmerizing and how their image has shifted over the centuries. We will also consider how these figures have been used to explore a host of social issues—generational and class conflict, changing gender roles, sexual identity—as well as to articulate "forbidden" passions and fears.  
GE: Cultures and Ideas

ENGLISH-3364: Special Topics in Popular Culture—Insurgent Youth: Punk, Riot Grrrl and Black Metal 
Instructor: Thomas Davis
*How do cultural worlds respond to moments of political distress? How can music, art and lifestyles model other ways of living and thinking? This class pursues these two questions by investigating three distinct subcultures: punk, riot grrrl and black metal. We will listen to a wide range of music, placing it in its historical context and tracing its lasting influences. Readings and viewings will range across documentary films, memoirs, cultural theory, zines and other literary and visual texts. Our class will also host visits from music journalists, scholars and participants in these three subcultures.
GE: Cultures and Ideas

ENGLISH-3372: Science Fiction and/or Fantasy: Science Fiction, or, How to Build Worlds
Instructor: Brian McHale
* If you regularly read science fiction and watch sf films and consider yourself a knowledgeable fan, or if you only occasionally read or watch SF, or if you never read SF and seldom watch SF films—whichever of these categories you belong to, this course is for you! Its purpose is to give you tools for thinking, speaking and writing about SF. Our main concern won't be SF’s history, its marketing and readership or even its ideas—though all of these things will come into the picture. Our focus will be on how SF is made—its form. We'll explore questions such as, What distinguishes science fiction from other types of fiction? How are science fiction novels (and films) constructed? How do we get from sentences on a page (or shots in a film) to worlds in the imagination? Specific topics will include the future, the alien and world-building. What does it mean to imagine the future? When we try to do so, are we really just imagining versions of the present? What about aliens— are they really just versions of ourselves, after all, ourselves in a funhouse mirror, or can we imagine something that is genuinely, radically not-us? What is involved in building a world? Why go to the trouble of building one, when there is a well-made and perfectly usable one all around us? 
GE: Literature

ENGLISH-3378: Special Topics in Film and Literature—Film and Comics: Race, Class, Sexuality and Disability
Instructor: Frederick Aldama 
*This course will study the conceptual and theoretical debates that have shaped film studies. It will also offer methods and approaches for understanding the devices used (mise-en-scene, lensing, sound, casting, for instance) by film directors to give shape to their various distillations and reconstructions of the building blocks of reality. It will also explore the perception, thought and feeling systems involved in audience consumption of film. It will explore how a film director creates a visual and auditory narrative that audiences know is not real, yet it triggers real emotions and thoughts about the world. However, in the contemporary period of our focus we will see how they become increasingly reciprocal, forming what we might call a world storytelling system built out of idiomatic and shared world storytelling mechanisms. We will acquire theoretical concepts and tools to understand better how our set of films and comics are built and how they may or may not make new our perception, thought and feeling concerning issues of racism, ableism, misogyny, homophobia and the like.
GE: Cultures and Ideas

ENGLISH-3379: Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Roger Cherry
*This is an introduction to three fields that make up of one of the department's concentrations in the English major: writing, rhetoric and literacy. The course is a discussion-based and your participation and attendance are not merely encouraged but expected.  The instructor will provide relevant context; some rhetorical, historical and social background; and occasionally pose questions for discussion. The class will be a forum for the discussion of a variety of issues and will be most rewarding for both students and instructor if you are actively engaged and committed to lively classroom interaction.

ENGLISH-3379: Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Evonne Halasek
Introduction to the interrelated fields of writing, rhetoric and literacy, familiarizing students with key concepts that underlie work in these interrelated fields and to the scholarly methods of WRL. Together, this discipline studies the ways people use language and other symbols to convey messages, persuade audiences, create meaning and how these practices are learned and taught. 

ENGLISH-3398: Methods for the Study of Literature
Instructor: Sarah Neville, Christopher Jones, Amanpal Garcha, Sebastian Knowles, Christopher Highley and Ethan Knapp
This course serves as the methods course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of creative writing. 

ENGLISH-3465: Special Topics in Intermediate Fiction Writing
Instructor: Stuart Lishan, Memory Risinger and Jessica Rafalko
For students who have experience with the basic elements of writing fiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

ENGLISH-3466: Special Topics in Intermediate Poetry Writing
Instructor: Babette Cieskowski
For students who have experience with the basic elements of writing poetry. Special topics focus on particular aspects of the genre; advanced techniques are explored.

ENGLISH-3467.S: Issues and Methods in Tutoring Writing
Instructor: Beverly Moss
Theories and practices in tutoring and writing; explores writing-learning connections and prepares students to work as writing consultants/tutors for individuals and small writing groups.

ENGLISH-3468: Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Rachel Toliver
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.

ENGLISH-3662: An Introduction to Literary Publishing
Instructor: Margaret Cipriano
An introduction to the theory and practice of editing and publishing literature. 


4000-level

 

ENGLISH-4150: Cultures of Professional Writing
Instructors: Christiane Buuck, Daniel Seward and Christa Teston
Examine writing in various workplaces. Analyze writing discourse that shapes professional organizations. Explore ongoing technological and cultural shifts required of workplace writers and the role of digital media. 

ENGLISH-4189: Professional Writing Minor—Capstone Internship
Instructor: Jennifer Patton
Students work on-site in an organization doing writing-related work and meet weekly to discuss related topics. 

ENGLISH-4513: Introduction to Medieval Literature
Instructor: Christopher Jones
The study of masterpieces from the Middle Ages, chosen for their values in interpreting medieval culture as well as for their independent literary worth. 

ENGLISH-4520.01: Shakespeare
Instructor: Alan Farmer
*This course will explore the formal, social and political engagements of Shakespeare's plays. It will pay particular attention to how his plays conform to and work against the genres of comedy, tragedy, history and romance, and to how they represent such issues as gender, sexuality, religion, race and political power. In addition to some critical and historical essays on the early modern theater and culture, we will likely read some combination of the following plays: Richard III, Henry V, The Merchant of Venice, Much Ado About Nothing, The Merry Wives of Windsor, Measure for Measure, Othello, King Lear, Antony and Cleopatra, Macbeth, The Winter’s Tale and The Tempest. 

ENGLISH-4522: Renaissance Poetry—Milton’s Paradise Lost and the Fall in Renaissance Literature
Instructor: Alan Farmer
In this course, we will read what is arguably one of the best, most exciting, most contentious and most challenging poems in English literature: John Milton's Paradise Lost. First published in 1667 (and revised in 1674), Milton's epic largely centers on the fall of Adam and Eve, but it also covers events from the beginning of creation to the end of time. The poem looks back to the fall from Heaven of Satan and his rebel angels, ahead to the crucifixion and resurrection of Jesus, and ultimately to the final judgment. In doing so, the poem addresses issues ranging from divine justice and the authority of God, to the origin of evil and the nature of sin, to the values of love and heroism, to the topical concerns of political theory and nationalism. We will read the entirety of Paradise Lost, but we will also study Milton's poem in relationship to his earlier, radical political writings from the 1640s, in which he called for the freedom of the press, the right to divorce and the execution of King Charles I. Finally, we will read other narratives of the Fall found in sermons, treatises and poems, including works by Aemilia Lanyer, Rachel Speght, Mary Roper and other women writers, as we consider the complicated religious, gender and literary politics of Milton's poem.

ENGLISH-4535: Special Topics in Restoration and Eighteenth Century British Literature and Culture
Instructor: Sandra MacPherson
Focused study of a major theme and/or critical problem arising from literature Restoration and/or eighteenth-century Britain: race and enlightenment, crime and criminals, sex and the city, the culture of sensibility and transatlantic literary culture. 

ENGLISH-4543: Twentieth-Century British Fiction—Political Fictions
Instructor: Thomas Davis
This course examines a wide range of fiction produced from locations that made up the British world system. We will be concerned primarily with the way literary texts register historical and political tensions and, sometimes, get marshaled directly for political ends. Our readings will take us through the various ways literature engages questions of empire, racism, fascism and migration in the twentieth century. We will close with two contemporary novels: Ali Smith's Autumn (first post-Brexit novel) and Kazuo Ishiguro's Never Let Me Go, astirring meditation on the human. To address the relationship of aesthetics and politics, we will consider the formal dimensions of texts-figural language, emplotment, characterization, perspective, generic fidelity and infidelity-as encryptions of the multiple historical antagonisms that plagued Britain's slow descent from atop the world-system over the course of the twentieth century. Authors may include: Joseph Conrad, Virginia Woolf, Christopher Isherwood, George Orwell, Ali Smith, Kazuo Ishiguro, Sam Selvon and others.

ENGLISH-4547: Twentieth-Century Poetry
Instructor: Sebastian Knowles
A study of twentieth-century British and American poetry, with emphasis on such major figures as Frost, Yeats, Stevens, Eliot, Williams, Auden, Bishop and Langston Hughes. 

ENGLISH-4553: Twentieth-Century U.S. Fiction
Instructor: Jesse Schotter
A study of American fiction after 1914, with emphasis on such major figures as Anderson, Fitzgerald, Hemingway and Faulkner.

ENGLISH-4559: Introduction to Narrative and Narrative Theory
Instructor: Sean O’Sullivan
Study of narrative in its different manifestations, e.g., novel, autobiography, film, legal testimony and theories of its form and significance. 

ENGLISH-4563: Contemporary Literature
Instructor: Jessica Prinz
A study of poetry and prose written since approximately 1960.

ENGLISH-4564.02: Major Author in Eighteenth- and Nineteenth-Century British Literature—Oscar Wilde
Instructor: Jill Galvan 
*Oscar Wilde is many things to many people. Some know him for his wit: his famously brief, paradoxical sayings and his comically masterful play The Importance of Being Earnest. Others associate him with modern ideas of art, especially the theory of art for art's sake, laid out most strikingly in his preface to The Picture of Dorian Gray. For still others, Wilde is an iconic gay man, remarkable for his sexual expression in his life and his art and ultimately tragically condemned for it. His biography gives us a stark portrait of a culture in which homosexuality is a literal crime. This class will examine these various faces of Wilde—his comedy, his sexuality, his celebrity, his individualism, his avant-gardism. We will read his major writings, in all their stunning range of genre (farce, melodrama, fairy tale, Gothic novel, Socratic dialogue, prison letter and more), putting them in the context of late-Victorian literature and history. Additionally, we will reflect on our own contemporary perception and mythology of Oscar Wilde. What have his writings on art, identity and culture come to represent for us, and why? 

ENGLISH-4565: Advanced Fiction Writing
Instructor: Lee Martin
*This is an advanced writing workshop that asks you to think about how literary fiction is made. Therefore, we won't be considering genre fiction (romance, sci-fi, fantasy, etc.). By literary fiction, I mean stories that are more character-driven than plot-driven. These stories show us something about the complexity of human existence by concentrating on characters and their conflicting wants, needs, fears, hopes, etc. I don't mean to suggest that these types of stories are without plots. Plenty happens, but what happens externally is less important than what happens internally to the characters involved and what it means for the rest of their lives. In other words, events occur because of the types of people characters are, and the plots that unfold always reveal something new about the inner lives of those characters. We might put it this way: characters create plots, and plots reveal characters. The main texts for this workshop will be the two stories that each student writes and presents for discussion. At the end of the semester, each student will present a portfolio that will include the drafts of the two stories with one of them significantly revised. We may have outside reading assignments of craft articles and stories. Each student will mark manuscripts and prepare summary letters for the other writers in the workshop.

ENGLISH-4566: Advanced Poetry Writing
Instructor: Marcus Jackson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. 

ENGLISH-4568: Advanced Creative Nonfiction Writing
Instructor: Staff
Advanced workshop in the writing of creative nonfiction. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor.

ENGLISH-4571: Studies in the English Language—Language and Media
Instructor: Lauren Squires
The uses of language in media reveal the complicated interplay of language and social identity. This course will explore language in various popular media, bringing critical analysis to bear on media texts. We will use sociolinguistic concepts from the fields of language variation, discourse analysis and studies of genre, register and style. These will help us explore both mass media (like movies, TV, newspapers, music and sports broadcasting) and digital media (like instant messaging, Facebook, Twitter and texting). In our investigations, we will pay careful attention to media forms, linguistic forms and social factors. You will leave the class equipped with new ways of viewing media and popular culture, and with new tools for critically considering the role of language in everyday life.

ENGLISH-4572: Traditional Grammar and Usage
Instructor: Roger Cherry
*This course will first explore various meanings of the term "grammar."  We will examine our personal experience with "grammar" in order to establish a foundation for the academic study of the subject. Then we will turn our attention to the grammatical structures identified in the study of English syntax. Finally, we will take up a number of usage issues. Although the study of English grammar and usage might enhance speaking or writing abilities, the main focus of the course is not on improving these skills; for that you should enroll in a speech or writing course.

ENGLISH-4575: Special Topics in Literary Forms and Themes—Tainted Love: Queer Narratives, 1963 to Present Day
Instructor: William White
*From John Rechy's hustler travelogue City of Night to Audre Lorde's biomythography Zami to Alison Bechdel's graphic novel Fun Home, this seminar will explore how queerness has been portrayed, explored, challenged and broadened over the past sixty or so years. Topics will include coming-out stories, the literature of AIDS, performances of gender (with a keen eye toward drag), queer anti-urbanism and queer retellings. There will also be optional movie nights, with viewings of the classic documentaries Paris Is Burning and Small Town Gay Bar (popcorn provided). Readings: Alison Bechdel, Fun Home; Rita Mae Brown, Rubyfruit Jungle; Bernardine Evaristo, Mr. Loverman; Garth Greenwell, What Belongs to You; Randall Kenan, A Visitation of Spirits; Audre Lorde, Zami: A New Spelling of My Name; Mark Merlis, An Arrow's Flight; John Rechy, City of Night; Justin Torres, We the Animals and Achy Obejas, Memory Mambo.

ENGLISH-4576.01: History of Critical Theory I: Plato to Aestheticism
Instructor: Ethan Knapp
Study of the history of literary criticism and of special topics in critical theory; study of the developments and basic texts in literary criticism and critical theory from Plato to Oscar Wilde. 

ENGLISH-4577.02: Folklore II—Genres, Form, Meaning and Use
Instructor: Merrill Kaplan
Study of folk groups/communities, folklore genres and issues/methods in folklore studies. Study of the relationship between cultural forms, community interpretations and social uses. Folklore minor course. 

ENGLISH-4578: Special Topics in Film
Instructors: Sean O’Sullivan and Mark Conroy
Examination of particular topics, themes, genres or movements in cinema; topics may include particular directors (Orson Welles), periods (The Sixties) or genres (horror). 

ENGLISH-4580: Special Topics in LGBTQ Literatures and Cultures
Instructor: Martin Ponce
Focuses on themes and issues in LGBTQ literature and culture. 

ENGLISH-4583: Special Topics in World Literature in English
Instructor: Adeleke Adeeko
Study of literatures written in English and produced outside of the U.S. and Britain; topics include colonial/postcolonial writing, regional literature, theoretical and historical approaches and genres. 

ENGLISH-4587: Studies in Asian American Literature and Culture
Instructor: Martin Ponce
*This is a combined lecture course
Focuses on problems and themes in Asian American literature and culture from the late nineteenth century to the present. Topic varies. Examples: Asian American Literature and Popular Culture and Empire and Sexuality in Asian American Literature. 

ENGLISH-4590.07H: Literature in English after 1945
Instructor: Jessica Prinz
*This is a seminar in literature 1945 to the present. Students will be asked to do a hefty amount of reading in preparation for a discussion-based class. We will read novels by Delillo, Egan, Eggers, Morrison, Ishiguro and Danielewski. We will also consider a set of wonderful short stories by the following authors: S. Rushdie, K. Vonnegut, R. Carver, N. Hornby, R. Ellison, J. Cheever, D. Sedaris and D.F. Wallace. 

ENGLISH-4591.01H: Special Topics in the Study of Creative Writing—Creative Writing and Music
Instructor: Michelle Herman
*In this creative writing seminar, we'll look at all aspects of music-writing—from writing that describes what a piece of music or band or musician sounds like through written portraits and profiles of musicians and composers, fictional and non-, and from science writing about how and why we listen to music to writing for music (song lyrics and writing for musical theater). We'll read Nick Hornby, Stephen Sondheim, Rosanne Cash, Vikram Seth, Ellen Willis, Lavinia Greenlaw, Lin Manuel-Miranda and more. We'll listen to everything from Jimi Hendrix to Rufus Wainright. And you will be doing your own music writing in response to each segment of the course—and tackling a major final project that links music and creative writing. 

ENGLISH-4591.02H: Special Topics in the Study of Rhetoric
Instructor: Margaret Price 
Study of rhetorical theories and practices through examination of social communities, texts, movements and periods both past and present.

ENGLISH-4592: Special Topics in Women in Literature and Culture
Instructor: Jennifer Higginbotham
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary.

ENGLISH-4597.01: The Disability Experience in the Contemporary World
Instructor: Margaret Price
Global, national and local issues of disability in the contemporary world; interdisciplinary approach combines historical, literary, philosophical, scientific and service-oriented analysis of experience of disability.

ENGLISH-4999: Undergraduate Research—Thesis
Instructor: Staff
A program of reading arranged for each student, with individual conferences, reports and a paper and/or thesis.

ENGLISH-4999H: Honors Research
Instructor: Staff
A program of reading arranged for each student with individual conferences, reports and an honors thesis. Open only to candidates for distinction in English. 


5000-level

2000-level

 

English 2277—Introduction to Disability Studies
Instructor: Andrew Sydlik
English 2277 is meant to help you become more critically informed about disability as a matter of history, biology, politics, art, power, identity and more. This course fulfills the Arts and Humanities GEC Culture and Ideas requirement, and is a required core course for the interdisciplinary minor in Disability Studies. Our broad goal is to develop an understanding of disability as a complex and crucial part of the world's cultures and of human experience. More specifically, we will work together to:

  • Understand core concepts of Disability Studies and its emergence as a field of study
  • Explore disability as identity and way of being and knowing rather than as defect
  • Assess different "models" of understanding disability - social, medical, cultural, etc.
  • Contextualize attitudes and representations of disability according to historical time, place and mediums (film, literature, law, etc.)
  • Apply Disability Studies concepts to your own fields of interest and study

At 20% of the population, people with disabilities constitute the largest minority in the United States (U.S. Census Bureau 2005), and total one billion (about 17%) globally (World Health Organization 2011). It is likely that most of us will have a disability, or be close to someone with a disability, at some point in our lives. Yet we rarely question the assumption that disability marks someone as lesser. We may not be aware of the barriers and discrimination that disabled people face. In this course we will interrogate and resist standards of beauty, able-bodiedness, and able-mindedness. This goes beyond representations and conscious prejudice. For example, why do we use words like blind, deaf, crippled, crazy and retarded to describe moral failing, or to devalue someone? What unexamined beliefs do you hold about disability?

We will engage in critical conversations with each other and other scholars to discover the unexamined assumptions about disability (and bodies generally) embedded in society. Our aim is to say what texts leave unsaid, to state the non-obvious, to make their implicit ideas about disability explicit. Last but not least, we will learn to "talk back" to stereotypes and oppressive attitudes.

English 3271—Structure of the English Language
Instructor: Gabriella Modan
Students learn basic characteristics of English linguistics focusing on the basic building blocks of language; the sounds of English and how they are put together, word formation processes, and rules for combining words into utterances/sentences. Students investigate and explore linguistic variation, accents of American English, and the implications of language evaluation in educational settings.
Prereq: 1110.01 (110.01). Not open to students with credit for 4570 (570), 6760 (760), 271, 669, 671, 2271, or Linguist 601. GE cultures and ideas course.


3000-level

 

English 3304—Business and Professional Writing
Instructor: Christa Teston
In this course you will learn principles and practices associated with writing well in business and professional contexts. I'll provide you with a good deal of feedback on and several opportunities to refine your style, organization and collaborative writing strategies. Most of our in-class time will involve workshopping course deliverables and learning the nuances of successful professional communication.

At the end of this course, you will have writing samples that demonstrate expertise with the following genres,

  • Correspondence genres (letters, memos, social media);
  • Presentation genres (pitches, pecha kucha, slideware);
  • Collaboration genres (charter document, strategic plan);
  • Information genres (reports, documentation, PSAs);
  • Proposal genres (project proposals, marketing proposals);
  • Employment search genres (resume, cover letter, interview techniques).

Research suggests that the best way to learn how to write professionally is to practice composing for meaningful, real world contexts, audiences and purposes. In this class, therefore, you will practice rhetorically sound professional writing by partnering with Multiple Myeloma Opportunities for Research and Education (MMORE). You and your peers will have the unique opportunity to meet MMORE's marketing and communication needs while negotiating budgetary and time constraints. You'll also have a chance to work with cutting edge collaborative writing tools in a supportive digital media environment.


English 3305—Technical Writing
Instructor: TBA
English 3305 (Technical Writing) is designed to improve the communication skills and career prospects of three groups: (1) science and engineering majors preparing for technology-focused careers, (2) humanities majors interested in exploring career options in technical communication, and (3) students of any major who want to enhance their marketability by learning about workplace writing. You do not need extensive background in science, technology or writing to do well in this course.

English 3364: Special Topics in Popular Culture — Alternative Rock Lyrics as Poems
Instructor: Elizabeth Renker
Before the twentieth century, poetry was as popular as music is today.  Many people today think of "poetry" as an elite or highbrow sphere of art that does not include the songs whose lyrics they love, sing out loud, ponder and discuss with friends, but song lyrics are a vital and thriving form of poetry today--just as they have been for centuries.   Our class will train you in the skills of interpreting poetry and song lyrics, with special focus on the alternative/indie genre.  Our method will be to pair poems written over the past four centuries with recent songs that explore similar themes or forms.  For example, we might pair Arcade Fire with T.S. Eliot; St. Vincent with Robert Frost; John Donne with The Smiths; Emily Dickinson with Talking Heads; Neutral Milk Hotel with Edwin Arlington Robinson; The Antlers with Stars; Jackson Mac Low with Animal Collective; or Sharon Olds with Radiohead.

Over the course of the semester, class sessions will also include several videoconference sessions with working musicians from the local and national scenes who will talk to us about writing lyrics and about our interpretations of their songs. You will complete this class with a new ability to interpret the lyrics of the songs you love as well as a new appreciation for poetry. Monday and Wednesday sessions will be conducted as large lectures; Friday sessions will take a variety of formats, including smaller group meetings and online discussions and assignments in which you apply the learning from the week's lectures.

English 3364: Special Topics in Popular Culture — Janeites: Austen Fiction, Films and Fans
Instructor: Robyn Warhol
Janeites: They have outfits. They re-enact Regency balls at annual conventions.  They are Jane Austen fanatics.  
There are at least 62 film and TV adaptations of works by Austen, 28 of them made in the last decade.  There are *Pride and Prejudice and Zombies*, movies about "Jane" herself, and movies where modern people go into Austen's world and vice-versa.  There's fan fiction.  There are Jane Austen action figures and "Mrs. Darcy" t-shirts.  And now there's even an online role-play game,  "Ever, Jane." There are children's versions of Austen novels.  Jane Austen cookbooks.  Advice books, card games, and board games about "WWJD?" ("What would Jane do?").  And of course, lots of literary criticism. In this class we will be reading some criticism as well as four Austen novels, and watching film adaptations including *Clueless* and the Bollywood-style *Bride and Prejudice*.  We will look at the proliferation of all these contemporary avatars of Jane and more, to ask what it means, especially for women now.

English 3372: Science Fiction and/or Fantasy — American Science Fiction of the 60s and 70s
Instructor: Jared Gardner
This class will study the "New Wave" revolution in Science Fiction during the 1960s and 70s which challenged the aesthetics and ideals of the so-called "Golden Age" SF of the previous generation. Employing literary experimentation, and privileging of political and social issues over scientific realism this generation of writers and editors left a lasting impact on the genre that is still very much felt today. We will read from a wide range of writers, including Thomas Disch, Ursula Le Guin, Philip K. Dick, Octavia Butler,  Samuel Delany, Joanna Russ, James Tiptree, Jr. (Alice Bradley Sheldon), and Isaac Asimov. 
GE: Literature

English 3372: Science Fiction and/or Fantasy
Instructor: Karen Bruce, Katherine McCain, Sara Cleto
Introduction to the tradition and practice of speculative writing. Provides students the opportunity to examine and compare works of science fiction and/or fantasy. Prereq: 1110.01 (110.01) or equiv. Not open to students with credit for 372.
GE: Literature

English 3372: Science Fiction and/or Fantasy — The Fairy Tale and Reality
Instructor: Dorothy Noyes
Most of us associate the fairy tale with magic and fantasy. This course considers the many ways in which fairy tales call us back to the "real" world; in fact, the modern Western world. We'll look first at the fairy tales of oral tradition as a kind of peasant survival guide, with examples from Italy, India, Ireland and beyond. Then we'll see how the genre was domesticated and standardized in print and film, creating prominent models of selfhood and success along the way- a trajectory taking us from Perrault to the Grimms, to Hans Christian Andersen and Horatio Alger, and finally to Soviet children's writers and Walt Disney. There was always subversion on the sidelines, however, and we'll look at other writers and filmmakers who bend or break the dominant fairy tale script. In all these transformations, fairy tales explore the tension between three ways individuals can respond to the promise of modern society: playing the game to win, escaping the game, and changing the rules. But what happens when we lose faith in the game? In a group project we'll survey what has been happening lately to the fairy tale plot in popular culture. There will also be two exams.

English 3378—Special Topics in Film and Literature — Monsters Without and Within
Instructor: Karen Winstead
Storytellers have long used monsters not only to frighten us but also to jolt us into thinking more deeply about ourselves, others and the world we live in.  No film can be totally faithful to a written source; filmmakers perforce use different methods than do writers to tell their stories, to thrill and provoke.  However, this course focuses on films that aggressively transform their literary sources - reinterpreting characters and retooling plots to create monsters that offer different visions of what we have to fear and of how we can (or cannot) overcome the monsters without and within.We will move from dragons and humanoids to vampires, zombies, ghosts, androids and psychopaths.  Our sampling of classics old and new will include Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, I Am Legend, and The Shining. Requirements will include weekly online quizzes, short papers, and a final exam.

English 3379—Methods for the Study of Writing, Rhetoric and Literacy
Instructor: Jonathan Buehl
English 3379 is an introduction to three fields that make up of one of the Department's concentrations in the English major: Writing Studies, Rhetoric and Literacy Studies. We will discuss the history of these fields, the types of research problems that scholars in these fields investigate, and the theories and methods scholars use to study those problems. This course is also an introduction to being a student-scholar in the WRL concentration.  We will discuss and practice approaches to reading, research and research-based writing that will help you succeed in this course as well as your other courses in the WRL concentration.

 

English 3398: Methods for the Study of Literature
Instructor: Adeleke Adeeko
This is a course on what we do, often implicitly, when we read and write about literature and culture. We will concentrate on methods of reading literary texts for the purpose of writing about how they convene readers to appreciate their form as literature. We will also study approaches that reading audiences bring to their making worldly sense of the texts.

English 3398: Methods for the Study of Literature
Instructor: Jacob Risinger
In this gateway course, we'll take our cue from one of George Orwell's famous lines: "If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them." Over the course of the semester, our weekly readings, discussions and informal exercises will work to annihilate old patterns of complacent reading-leaving in their place the analytical skills and rhetorical strategies you need to establish your own critical/original perspective on literary texts.   We'll attend to the practical work of conducting literary research and writing solid, well-argued essays - but we'll also practice using literary theory and various methods of criticism to identify new levels of meaning, even in familiar or (seemingly) straightforward texts. The hard work of writing and analysis will be supplemented by an array of engaging texts.  Well start with The Winter's Tale - one of Shakespeare's "problem plays" - and end with Tom Stoppard's recent play The Hard Problem.  Along the way, we'll read (among other things) lyric poetry by W.B. Yeats, Elizabeth Bishop, and Seamus Heaney; short stories by James Baldwin and Raymond Carver; and Jesmyn Ward's novel Salvage the Bones (recipient of the 2011 National Book Award). Requirements will include attendance, active participation, informal writing exercises, short essays, and a longer final essay.

English 3398: Methods for the Study of Literature
Instructor: James Fredal
Serves as the "Methods" course for the Literature and Creative Writing concentrations within the English major. Its purpose is to familiarize students with literary studies in such a way as to prepare them for advanced courses in all literary fields and the genres of Creative Writing. Required of English majors. Open to English majors only or others by dept permission.
Prereq: 1110.01 (110.01) and declared major in English. Sr students must have the permission of the Director of Undergraduate Studies. Not open to students with credit for 2298, 3398H (398H), 302, 398, or 398H.

English 3398: Methods for the Study of Literature
Instructor: Jessica Prinz
The purpose of this course is to read broadly in the history of American and British literature with the goal of improving reading and writing skills. All key genres of literature will be considered (fiction, drama and poetry). We will also devote a significant portion of the class to the various theories used to analyze literature ("critical theory"). Our primary text will be the anthology, A Little Literature (eds. Barnet, Berman and Cain) as well as other texts to be assigned later. Requirements include several writing assignments, two exams,  and participation in class discussions.

English 3405: Special Topics in Professional Communication — Proposal Writing
Instructor: TBA
Proposals are documents that solve problems and help people and organizations make decisions. Good proposal writers are essential for many organizations, such as nonprofit groups that rely on grants to fund their operations and companies that compete for government contracts. In this class, you will learn about proposal-writing processes and practice writing proposals for real organizations. Our overarching goal will be to help our partner organizations secure new resources through grant proposals. In pursuing that goal, you will learn about the entire proposal development process-from analyzing the needs of clients and funders and identifying good funding opportunities to analyzing RFPs and creating feasible, affordable and funding-worthy proposals. You'll also write a series of smaller proposals to help organize our collaborative work. Proposals are often large documents, and proposal writing is typically a collaborative endeavor. Therefore, part of this class will be dedicated to developing and practicing collaborative writing skills and strategies. We will examine and work with project-management and document-management systems used in contemporary workplaces to manage the complex workflows of proposal writing. Note: Grant proposals for scientific research grants will not be a primary focus of this class, though some of the skills we practice may translate to scientific grant writing.

English 3465: Special topics in Intermediate Fiction Writing
Instructor: Alexander Odendahl
Our goal in this class is to better understand the craft of writing fiction, partly by studying the work of the masters, and partly by making our own foray into the grueling and yet oddly fulfilling (I hope) world of the fiction writer. We will read several short stories, focusing not only on our experiences as readers, but also approaching these works as fellow writers, studying how the authors have taken seemingly mechanical elements - plot, point of view, theme, symbol, style, structure and other words that probably start with s - and created pieces greater than the sum of their parts: works of art that still surprise us decades after they were written. Then, from what we learn, we'll write our own stories.

English 3465: Special topics in Intermediate Fiction Writing — Revising Your Short Story
Instructor: Cady Vishniac
What sort of story gets its author admitted to a top MFA program, or published in the New Yorker, or even nominated for a Booker or Nobel? Whose sentences will ring in our ears years after we turn the last page? The popular notion is that these writers are geniuses, people whose words always come out perfect on the first try. But the popular notion is wrong. Writing a good short story is a process that can and should take months, and many drafts. So that's what we'll be doing in this course: writing one story, then revising, revising, revising, making precisely one story as close to perfect as we can get it. On our last day of class, we will discuss submitting fiction to magazines and applying to funded degree programs in writing.

English 3465: Special topics in Intermediate Fiction Writing — Retellings
Instructor: Noelle O'Reilly
In this intermediate fiction writing course, we will read and analyze contemporary stories that were inspired by fairytales, myths and other classic tales. We will study both the original text and the modern retelling, seeking to understand how stories can borrow from the past but still stand on their own. For example, we will read the Brothers Grimm fairy tale "Hansel and Gretel" alongside Michael Cunningham?s short story "Crazy Old Lady." Cunningham borrows elements of the Grimm?s plot, but sets the story in modern times and tells it from the perspective of the witch. When we read Lauren Groff's 2006 short story "L. Debard and Aliette," we will also examine the 12th century letters upon which the story is based. In the second half of the semester, students will use a classic tale to inspire a short story of their own. This story will be workshopped by the class and then revised. The workshop will require students to analyze the work of their peers and provide constructive feedback.


English 3466: Special Topics in Intermediate Poetry Writing — Ekphrastic Poetry and Art Making
Instructor: Jacob Bauer
This will be an art-making course. A poetry course. A course that explores the relationship between art and poetry and blurs the boundaries between the two. "No ideas but in things" concrete poet Ian Hamilton Finlay once quipped. We will workshop student poems, created each week in response to various prompts. We will be investigating poetry that engages with and bisects other art forms. Beginning with ekphrasis -poems that respond to other art works in a variety of ways - by the end of the semester we will have tried our hands at poems that actually take the shape of other art forms. To do this, we will engage with text art and visual poetry, as well as other art forms. Although writing-focused and craft-driven, this will be a multi-modal course in which students think critically about how a poem is made. This includes standard concerns such as the line, diction, syntax and form, but will also consider how poems work on and off the page. We will look at ekphrastic poems from across the 20th and 21st centuries, but also across disciplines for models, including pieces by artists working with poetry in other mediums, including William Blake, Jenny Holzer, Kendrick Lamar, and Babi Badalov.

English 3468: Special Topics in Intermediate Creative Nonfiction Writing
Instructor: Sonya Bilocerkowycz
For students who have experience with the basic elements of writing creative nonfiction. Special topics focus on particular aspects of the genre; advanced techniques are explored.
Prereq: Grade of C or above in 2268. Repeatable to a maximum of 6 cr hrs.

English 3662: An Introduction to Literary Publishing
Instructor: David Bukszpan
An introduction to the theory and practice of editing and publishing literature.
Prereq: 2265, 2266, 2267, or 2268. Not open to students with credit for 5662.01 or 662.

English 3662: An Introduction to Literary Publishing
Instructor: Suzannah Showler
This class is a seminar and practicum in literary editing and publishing. Through scholarly and literary readings, we will examine issues of ethics and aesthetics surrounding how books and magazines get made. Students will also work on acquiring some of the basic skills demanded by the publishing industry: substantive editing, copy-editing, fact-checking, design, innovation, aesthetic vision, etc. The course is designed around each student executing a major project of their choosing-something that will contribute to their job portfolios and/or development as a human. This class is aimed at self-starting, motivated students keen to develop skills and think seriously about literature and the industry surrounding its production.


4000-level

 

English 4150: Cultures of Professional Writing
Instructor: TBA
Working both individually and collaboratively, you will conduct research, strategize and produce work-world-ready text in a number of genres and media. Learn how to:

  1. Analyze the ways writing discourse shapes workplaces
  2. Enhance your professional writing skills and accuracy
  3. Craft texts for social media and other workplace platforms.

You will also explore the role of working writers in their organizations and present your findings as part of a panel on contemporary workplace writing. English 4150 is a required course for the Minor in Professional Writing and a prerequisite for the professional writing internship.

English 4189: Professional Writing Minor — Capstone Internship 
Instructor: Patricia Houston
Students work onsite in an organization doing writing-related work and meet weekly to discuss related topics.
Prereq: 4150 or CSTW 4150, and 2 courses in Professional Writing minor. Not open to students with more than 6 cr hrs of CSTW 4191. Repeatable to a maximum of 9 cr hrs. This course is graded S/U.

English 4400: Literary Locations — Athens and Greece
Instructor: Jennifer Higginbotham
For centuries, Greek culture, philosophy and literature has fascinated writers in the English tradition. Athens as a place shows up in the plays of Shakespeare and the poetry of Byron, and the genres developed by Greek writers have been integrated as tragedy and comedy, the modes of epic and lyric, and the forms of elegy, epigram and Sapphic. In this class, we'll be reading Greek literature such as The Odyssey and Cavafy's poems alongside English works inspired by Greece and modeled after Greek writers. At the end of the semester, we'll compare our imaginations with the experience of a lifetime, exploring the landscape and ruins of Athens, the oracle at Delphi, the ancient theater at Epidavros, the quaint city of Nafplion, and the island of Corfu, places that shaped and have been shaped by English literary history. Students admitted to the Spring 2017 Literary Locations program will enroll in English 4400 (3 credit hours) during the Spring 2016 semester and English 5193 (1 credit hours) during the 1st summer session for the trip abroad. Navigate go to https://oia.osu.edu/ via the browser of your choice.  Select "Education Abroad," and "Getting Started," then search programs by country - Greece.  Select Literary Locations Greece and follow instructions for submitting your application.

English 4515:Chaucer
Instructor: Ethan Knapp
Why take a course on Chaucer?  Chaucer's stories are some of the funniest, smartest, most beautiful and radically experimental works ever written.  You'll be surprised that medieval literature looks like this, and surprised to find how modern it feels.  The aim of this course will be to introduce students to these stories, starting with his early works and leading up to a reading of large sections of his most famous project, The Canterbury Tales.  Chaucer's poetry offers a window onto an usually exciting moment of political, cultural and philosophical transformations, and we will read these works with close attention to the society and culture in which they were produced.  Students will also acquire a familiarity with Chaucer's Middle English.  Requirements will include a short paper, midterm and final exam.

English 4520.01: Shakespeare
Instructor: Luke Wilson
Critical examination of the works, life, theater and contexts of Shakespeare. 
Prereq: 6 cr hrs in English at 2000-3000 level, or permission of instructor. 5 qtr cr hrs of 367 or 6 sem cr hrs of 2367 in any subject are acceptable towards the 6 cr hrs. Not open to students with credit for 520 or 520.01.

English 4520.02: Special Topics in Shakespeare — The Tempest and its Afterlives
Instructor: Hannibal Hamlin
Shakespeare is the most widely known and most influential author ever to have written in English, or perhaps any language. Many of his plays have been performed continually over the last four centuries, and they have been adapted into every artistic medium imaginable, in languages and cultures across the world: novels, plays, poems, films, ballets, operas and comics.

This course will begin with an intensive study of Shakespeare's magical desert island Romance "The Tempest" in its own time (being performed this spring by the English Department's Lord Denney's Players), as well as its background in tales of New World encounters (including Montaigne's essay "On Cannibals"), utopian fantasies, and stories of sorcerers and magic. We'll then sample some of its fascinating afterlives: Thomas Shadwell's Restoration opera, "The Enchanted Island;" Aime Cesaire's postcolonial Caribbean play, "Une tempete" (and Roberto Fernandez Retamar's influential essay, "Caliban: Notes Toward a Discussion of Culture in Our America"); W.H. Auden's long poem "The Sea and the Mirror," and shorter poems by Robert Browning, Kamau Brathwaite, and Safiya Sinclair; "The Diviners" by Canadian novelist Margaret Laurence; and two very different films, the sci-fi classic "The Forbidden Planet" and Peter Greenaway's postmodern fantasy, "Prospero's Books."

 

English 4522: Renaissance Poetry — The Faerie Queene
Instructor: Sarah Neville
Dragons. Knights. Swordfights. Magicians. Princesses. Satyrs. Tournaments of Champions. King Arthur. Giants. Enchantresses. Secret meanings. Symbolism. Righteous English patriotism. A desperate plea for patronage. And that's just the first book. Edmund Spenser's The Faerie Queene is a rollicking adventure story, a powerful national epic, a searching philosophical meditation and guide for moral conduct, a profound exploration of renaissance theology, a pointed critique of traditional attitudes toward gender and class, a wildly imaginative work of fantasy, and a deeply beautiful poem unto itself.  This is unquestionably one of the most fascinating and complex works in all of English literature. In this course we will read the whole poem - all six books and change - paying special attention to historical questions about gender, class, politics, science and religion. Reading all of The Faerie Queene is a major accomplishment that few people ever attempt. Publishers' Weekly named it one of the Top Ten Most Difficult Books, making it the Everest climb on an English major's bucket list and lifelong bragging rights. Are you brave enough to take the challenge? Students will be evaluated by reading quizzes, short essays, and a final creative project.

English 4523: Special Topics in Renaissance Literature and Culture — The Intersectional Renaissance
Instructor: Jennifer Higginbotham
This course will focus on the intersection of race, class, gender, sexuality, religion, nationality and other identity categories in Renaissance literature. Using theories of intersectionality, we will examine texts such as the first original play published by an Englishwoman, early works of science fiction such as Margaret Cavendish's The Blazing World, Shakespeare's poems, and travel narratives.

English 4535: Special Topics in Restoration and Eighteenth Century British Literature and Culture — The Invention of Celebrity
Instructor: David Brewer
This course will investigate the invention of celebrity (and celebrities) over the course of the eighteenth century, generously defined.  Fame has been around since antiquity; celebrity began sometime between 1660 and 1820.  In so doing, we'll try to get a new vantage point from which to assess our own culture of celebrity.  Some of what we'll be considering will seem quite familiar, despite all the wigs.  Some of it will seem deeply weird, perhaps even alien or off-putting.  Either way, though, you should come away from this course with not only a fresh sense of both the eighteenth century and our present moment, but also the often twisted and counter-intuitive connections between the two.  For better or worse, we are the heirs of the eighteenth century in far more ways than just our political system.

We will range widely in our readings and viewings.  Among the issues and areas we'll consider are plays and their performers (including the ways in which actors bring the ghosts of their former parts to their new roles), politics (royalty are in many ways the first celebrities), portraiture (from high-end paintings by the likes of Reynolds and Gainsborough on down to cheap woodcuts), and prostitution (a surprising number of early celebrities were at least at the fringes of the sex trade).  We'll also consider what light this can all shed on the emergence of novelistic characters (some of whom became every bit as well known as flesh-and-blood celebrities) and on the advent of authorial celebrity:  mostly notably that of Shakespeare (200 years after his birth) and Byron.

English 4540: Nineteenth-Century British Poetry 
Instructor: David Riede
We will focus on the major British poets of the nineteenth century, embracing both the Romantic and Victorian periods. In addition to reading the works carefully in their historical contexts, we will study distinctive characteristics of each period and particularly the continuation and modification of Romanticism in the Victorian period. Poets considered will include Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Tennyson, Elizabeth Barrett Browning, Robert Browning and others. Requirements: brief presentation, active participation in class discussion, several short in-class essays, one short research paper (4-6 pages).  The textbook for the class is The Longman Anthology of British Literature, volume B (Second Compact Edition).

English 4542—The Nineteenth-Century British Novel
Instructor: Clare Simmons
Victorian Britons  loved novels. In the Victorian period, the novel became the dominant literary form in Britain, providing a means both to express cultural anxieties and to escape them.  A loose theme for this course is the representation of social class in the novel, raising such questions as how novels delineate class distinctions; the respective roles of men and women in society; and the representation of outsiders.  We will consider not only what story is told, but also how the story is told, and how the novel form responds to both material and cultural changes over the course of the nineteenth century. 

English 4549—Modern Drama
Instructor: Francis Donoghue
This course will survey some of the most important plays of the twentieth-century.  We'll begin with two works by the Irish playwright, George Bernard Shaw, Pygmalion and Major Barbara.  Then we'll move to the U.S. and read Lillian Hellman's The Children's Hour, Lorraine Hansberry's A Raisin in the Sun, Arthur Miller's Death of a Salesman, Edward Albee's Who's Afraid of Virginia Woolf?  We'll then read David Mamet's Glengarry Glen Ross and Oleanna, and conclude with Margaret Edson's Wit.

Throughout the course, we will conduct a variety of interactive exercises designed to underscore the unique features of drama as a genre.  Most important among these is that plays performed on stage entail layers of interpretation.  The author "merely" writes the play, sometimes, but not always offering detailed stage directions.  Then the producer and director make an assortment of decisions about how the sets should look, how the play should be cast, and even whether the text of the play should be kept intact or amended.  Finally, each actor must make a host of interpretive decisions about the character that he or she plays.  We will examine these layers in class, look at adaptations, and work through these issues in class.

 

English 4551: Special Topics in 19th-Century U.S. Literature — Work and Class Inequality
Instructor: Andrea Williams
The U.S. often has been considered a "classless" society, in which individuals earn rather than inherit their status. But does this characterization fully explain disparities in Americans' wealth, health and employment? This course examines how nineteenth-century American writers wrestled with questions of class inequality and social mobility in their fiction. What defines "honorable" work and a "good living," especially amid conditions of slave labor, child labor, women's work, and industrialization? How do race and gender impact people's chances for upward mobility? Can literature about class difference actually motivate social reform?

We will read works by Edith Wharton, Charles Chesnutt, William Dean Howells, Paul Laurence Dunbar, Maria Amparo Ruiz de Burton, Jack London and others. Written assignments may include two short response papers (5 pages), discussion posts to CARMEN, quizzes and a final essay (8-10 pages).

English 4553: 20th-Century U.S. Fiction
Instructor: Mark Conroy
Course will examine the shifts in American literary fiction between the close of World War One and the 'sixties.  Hemingway (probably "In Our Time"), Fitzgerald ("Tender Is the Night"), Willa Cather ("The Professor's House"), Zora Neale Hurston ("Their Eyes Were Watching God"), and Nathanael West ("Miss Lonelyhearts") would account for the interwar years; John Cheever's stories, Vladimir Nabokov ("Lolita"), probably Walker Percy ("The Moviegoer") and perhaps Richard Yates ("Revolutionary Road") for the postwar 'fifties.  Brief papers, possibly three, with an oral report and a final, are the likely assignments.

English 4553: 20th-Century U.S. Fiction
Instructor: Francis Donoghue
This will be a very unconventional approach to this very popular course in the English department's curriculum.  We will first read each of the main texts - Theodore Dreiser's Sister Carrie, F. Scott Fitzgerald's The Great Gatsby, Walter Tevis' The Hustler, and Patricia Highsmith's The Talented Mr. Ripley - conventionally:  analyzing the novels' plots, characters, central themes - just as you would expect from any upper level English course.  However, once we've covered each novel we will then consider it as if it were a case study in a graduate level business course.  That is, we will ask:  "Did major characters make optimal decisions, and if they didn't, what else might they have done?"  We will, in other words, first talk about the novels in a way typical of English studies, and then talk about them in a way that engages the analytical tools and rhetoric of a very different academic discipline.  English and business may inhabit independent schools at Ohio State, but we need to remind ourselves that we are also part of the same university. 

English 4554: English Studies and Global Human Rights — Human Rights and Environmental Justice
Instructor: Thomas Davis
Do we have a right to more fossil fuels if their use will make the planet less inhabitable for future generations?  Should we be having children in the era of climate change?  Should the nation-states historically responsible for the majority of carbon emissions pay reparations to the poorer states suffering from a warming planet?  How do we address environmental racism? What do the wars, revolutions and refugee crises across the globe have to do with the environment? 

The most contested human rights issues of our young century overlap with our ongoing environmental crisis and, in the process, force us to rethink the "human" and the concept of "rights."  To approach these questions, we will focus on a global archive of fiction, creative non-fiction, activist events, philosophy and artistic production. 

English 4559: Introduction to Narrative and Narrative Theory
Instructor: Amy Shuman
Stories give shape to our everyday life experiences.  We tell stories about ourselves, about others, about trivial interactions that fade from memory, and about life changing events.  In this course we explore who tells stories to whom and in what contexts.  We'll examine narrative form, genre, performance, repertoire and interaction. 

English 4560: Special Topics in Poetry — Alternative Rock Lyrics as Poems
Instructor: Elizabeth Renker
Before the twentieth century, poetry was as popular as music is today. Close links between these forms of art date back to the ancient world. The term "lyric," which now describes a kind of first-person "subjective" poem, originally comes from a stringed musical instrument, the lyre.  One of poetry's oldest terms for itself is "song."  Our class explores the intersections between these sibling art forms.  We will study song lyrics as themselves a vital part of the history of poetry.  Our method will be to pair poems written over the past four centuries with recent songs that explore similar themes or forms.  For example, we might pair Arcade Fire with T.S. Eliot; St. Vincent with Robert Frost; John Donne with The Smiths; Emily Dickinson with Talking Heads; Neutral Milk Hotel with Edwin Arlington Robinson; The Antlers with Stars; Jackson Mac Low with Animal Collective; or Sharon Olds with Radiohead.

Over the course of the semester, class sessions will also include several videoconference sessions with working musicians from the local and national scenes who will talk to us about writing lyrics and about our interpretations of their songs. We will also review various schools of interpretation and literary theory in English studies and consider their implications for our analyses.  I will send a poll to all enrolled students prior to the start of term so that I can integrate some student suggestions about bands and songs into our syllabus.  Students have suggested that it would be helpful for me to include an introduction to the basics of poetic form, such as how to detect and identify meter, so we will learn and review those concepts and continue to practice with examples as our class progresses.

English 4563: Contemporary Literature — Literature of the 20th and 21st Centuries
Instructor: Jessica Prinz
We will read broadly in the area of 20th and 21st Century fiction, focusing on the theme of science. Although "science fiction" is a genre devoted to science and its  fusion with literature, we will be looking at other genres as well, as we explore some of the central concerns and  themes of the period. Among works that may be considered are: Pynchon, "The Crying of Lot 49"; Zadie Smith,"White Teeth"; Egan, "A Visit from the Good Squad"; Delillo, "White Noise"  Calvino, "If on a Winter's Night a Traveler" -- and stories by many other excellent writers, including Kurt Vonnegut,Don Delillo, and William Gibson. Some writing and exams (and especially participation) will be required.

English 4565: Advances Fiction Writing
Instructor: Memory Risinger
To quote John Gardner, "Fiction does not spring into the world fully grown, like Athena.  It is the process of writing and rewriting that makes a fiction original, if not profound."  This advanced course will seek out that originality by focusing on the writing and rewriting process.  Students who enroll in 4565 will write two new, original short stories and revise one.  They will also participate in a weekly workshop and complete weekly writing exercises. Admission to English 4565 is by permission of instructor only. To be considered, please submit a sample of your best work (20 pages max) to risinger.15@osu.edu by December 1st. I will contact you regarding your enrollment status as soon as possible after the deadline.

English 4566—Advanced Poetry Writing
Instructor: Zoe Thompson
Advanced workshop in the writing of poetry. This is a class for serious students of creative writing. Admission is by portfolio submission to the instructor. Prereq: 2266 and permission of instructor. Not open to students with 9 sem cr hrs of 4566 and/or 4566E. Repeatable to a maximum of 9 cr hrs.

English 4568—Advanced Creative Nonfiction Writing
Instructor: Lee Martin
The focus of this course will be the study and practice of the craft of literary nonfiction in a workshop setting. We'll consider matters of narrative structure, scene construction, dialogue, pacing, reflection, persona, voice, reportage, fragmentation and other issues relevant to our consideration of craft. Always, we'll ask the question, "What makes this essay memorable?" I'll ask each student to present two essays for workshop discussion. Students should be ready to participate in the workshop discussions by preparing written comments on the essays under consideration. Not only will I expect students to write comments on the workshop copies, I'll also ask that they prepare a written summary letter to be given to each writer at the end of the workshop discussion.  At the end of the semester, I'll ask each student to turn in a significantly revised version of one of the two essays that he or she presented to the workshop. To be considered for this course, please submit a writing sample-a complete essay of no more than 20 pages-to Professor Lee Martin at martin.1199@osu.edu by November 23, 2016.


English 4569: Digital Media and English Studies — Digital Messaging and Storytelling
Instructor: Scott DeWitt
This course will take up the study of digital media and its relationship to messaging and storytelling. Students from across areas in the Department of English or in majors outside of English will work on a series of short form digital projects using rich media.  The most significant part of this course focuses on the "P" word:  Production.  This course is structured mostly as a studio class, where we will be working together in one of the Digital Media Project's classrooms.  Some of you may have experience with the technologies we will compose with.  For those of you new to these technologies, I will teach you more than you need to know to be successful in this class.  Please do not let your lack of experience with technology intimidate you. 

You will not be asked to purchase a textbook for this class.  Also, you will have access to cameras, audio recorders, and computers from The Digital Media Project.  You may need to spend a small amount of money on materials (things like batteries, for example).  I will strongly (perhaps I should say "very strongly") recommend that you purchase an external hard drive for which you will find a great deal of use after this class ends.  I will advise you on this purchase once class begins. This class can be used to fulfill the Digital Media requirement in the Writing, Rhetoric and Literacy concentration for the English Major.


English 4571: Studies in the English Language — The Sociolinguistics of Talk
Instructor: Gabriella Modan
The dinnertable conversations, class discussions, chats while exercising, arguments and joking that we engage in every day are rich with pattern and meaning. This course is an introduction to the analysis of spoken language, with a focus on ordinary conversation. The course will not help you to become a better public speaker. Instead, you will learn about the mechanics of conversation: how do we start and end conversations, decide when it's our turn to talk, show politeness or interest, create identities for ourselves and others through our talk?

With a focus on face-to-face interaction, we'll examine how speakers utilize social context in talk and exploit language in order to achieve their goals, as well as how their goals sometimes get thwarted, in everyday settings. Topics covered include turn-taking and interruption, politeness, discourse markers such as "like" and 'y'know', cross-cultural communication, and language and power.

English 4572: Traditional Grammar and Usage 
Instructor: Lauren Squires
You will learn to describe and analyze the structure of English sentences, acquiring technical terminology and the skills needed to represent sentence structure through diagrams. Rather than memorizing and applying rules for "correct" English, you will become familiar with the concepts and patterns of grammar from a linguistic -- a scientific -- perspective. The focus of the class is not "how to write well" or "how to have good grammar." Instead, we will seek to understand the linguistic principles that underlie all speaking and writing in English. This will ultimately equip students with the skills to more critically understand speaking and writing style, including "good writing" and products designed to encourage it, such as usage handbooks.

English 4573.02: Rhetoric and Social Action 
Instructor: Nancy Johnson
In this course, we will examine how rhetoric ( persuasion) is used  to  motivate social action and change.  Our central questions will be: How does social and cultural change happen? Why do people change their minds about beliefs and values? We will examine a range of rhetorical strategies used in social movements  including non-fiction, popular culture,  forms of rhetorical protest and performance,  film, fiction, poetry, oratory, pamphlets, posters, advertisements, periodicals, web communication systems, legal action, and music. Crucial concerns such as context, age, race, gender, region, historical period, ethnicity and life style will also be stressed as major considerations in rhetorical analysis, a method that reveals how arguments work and why.

English 4578: Special Topics in Film 
Instructor: Mark Conroy
Course plans to explore the various ways in which Hollywood film has depicted the relationship between criminal acts and punishment.  Sections to include the classic age of crime, the 'forties ("Double Indemnity," "Mildred Pierce," "Out of the Past"); neo-gangster film ("Bonnie and Clyde," "GoodFellas," "Godfather II"); celebrity culture and criminality ("Taxi Driver," "To Die For," "Sunset Blvd," "The Player"); and a separate Hitchcock section ("Shadow of a Doubt," "Strangers on a Train," 'The Wrong Man").  Texts will include Naremore's "More than Night."  Assignments: two short papers, a longer paper, and a final.

English 4578: Special Topics in Film — Television, Narrative, Seriality
Instructor: Sean O'Sullivan
This course will consider central questions of televisual art and narrative, focusing on the first seasons of three recent series: The Wire, Mad Men, and Orange Is the New Black.  What are the basic narrative practices and structures of television - and serial television in particular?  How are storyworlds created?  What are the strategies and effects of devices such as the episode and the season?  How does character operate within television narrative?  How does televisual storytelling organize space and time?  What are the consequences of genre conventions and audience responses?  A recurring subject for the class will be the tension between the episodic and the serial - between individual aesthetic experiences and sprawling fictional universes. 

English 4580: Special Topics in LGBTQ Literatures and Cultures — Reading Race and Sexuality
Instructor: Martin Ponce
This course considers the difference that race makes when thinking about the possibilities and limitations of "queer" as an analytical framework, category of identification, and basis for political activism. Through readings of 20th and 21st literary and scholarly texts, we will explore the following questions: How have racial difference and sexual deviance been mutually connected in colonial, sexological and state discourses? How have ethnic and indigenous writers challenged these histories of European and U.S. colonialism, racialization, and gender and sexual violence? To what extent has the mainstreaming of gay and lesbian politics since the 1980s been predicated on a separation of sexuality from racial difference and devaluation? In what ways have these homonormative aspirations impacted not only racial others in the U.S. but also queer formations and politics in other parts of the world? Possible authors include: Kazim Ali, James Baldwin, Alison Bechdel, Alexander Chee, Thomas Glave, Nella Larsen, Audre Lorde, Deborah Miranda, Janet Mock, Shani Mootoo, Richard Bruce Nugent, Monique Truong, Jose Garcia Villa, Edmund White, Craig Womack. Requirements: attendance, participation, two short presentations, one close-reading paper, one research project.

English 4583: Special Topics in World Literature in English — Young, Brash, Wordly and African: the Afropolitan Writers
Instructor: Adeleke Adeeko
This class will focus on fiction and poetry (written and spoken) by Anglophone writers of African descent who came of age in the last decade and termed themselves Afropolitans because their lives range over continents -mainly North America and Europe - and their cultural and artistic preoccupations refuse to leave Africa alone. We will read stories and poems by Chimamanda Adichie, Helen Oyewumi, Taye Sellasie, Doreen Baingana, Chris Abani, and Dinaw Mengestu. We will also analyze one or two "Nollywood" movies and a few Hip-Life recordings. Students will be expected to attend classes regularly and punctually, participate in class discussions, and write three papers.

English 4591.01H: Special Topics in the Study of Creative Writing — The Devil is in the Lit: from Dante's Inferno to Hellboy
Instructor: Lina Ferreira
This course is a seminar on the devil in literature with a creative writing component. A semester long exploration of the literary nature of evil, horror, rebellion and subversion through the recurring satanic metaphor in texts ranging from Bulgakov's The Master and Margarita, to Milton's Paradise Lost and Mignola's Hellboy.

English 4592: Special Topics in Women in Literature and Culture
Roxann Wheeler
Using feminist perspectives, students will learn to analyze literature and other cultural works (film, television, digital media) written by or about women. Time period and topic vary.
Prereq: 10 qtr cr hrs or 6 cr hrs of English at 2000-3000 level, or permission of instructor. 5 qtr cr hrs in 367 or 3 cr hrs in 2367 in any subject is acceptable towards the 6 cr hrs. Not open to students with 10 qtr cr hrs for 592. Repeatable to a maximum of 6 cr hrs.

English 4597.02: American Regional Cultures in Transition — Appalachia, Louisiana and the Texas Border Country
Instructor: Dorothy Noyes
This course will introduce you to the folklore of three American regions. Each is famous for its traditional culture, but each is often thought of as deviating in a distinctive way from the national culture: Louisiana is "creole," Texas is "border," and Appalachia is "folk." While exploring these differences, we'll also observe the commonalities: positive and negative stereotyping from outside, complex racial and class composition, heavy in- and out-migration, environmental distinctiveness and stress, extraction economies, tense and often violent relationships with both government and business. We'll look at historical change through the prism of celebrated folklore forms such as Louisiana Mardi Gras, Appalachian fairy tales, and the Tex-Mex corrido. We'll also explore the impact of Hurricane Katrina and the reconstruction of the Gulf Coast, mountaintop-removal mining and the energy economy in Appalachia, and the cross-border trafficking of people, drugs and capital.  A general question arises: what counts as America?


5000-level

 

English 5664: Studies in Graphic Narrative — Graphic Medicine
Instructor: Jared Gardner
Stories about illness-physical and mental-have emerged as a major focus in contemporary graphic narrative. Meanwhile, we have seen the rise of the relatively new field of narrative medicine, which brings together medical practitioners, patients, storytellers and narratologists to revitalize the increasingly lost art in medicine of engaging with and being moved by patients' stories as a central aspect of what it means to be a physician. The result of these related forces as been the emergence of what is called "graphic medicine," which explores the relationship between the unique affordances of graphic storytelling and the experiences and discourses of healthcare as both patient and caregiver. We'll be reading graphic memoir and fiction about illness, recovery and the landscapes in between, from Justin Green's BINKY BROWN (1972) to John Porcellino's HOSPITAL SUITE (2014) - as well as readings in comics theory, narrative medicine, and criticism.

 

English 5892—Workshop — Alt-Ac Workshop Series (Part II)
Instructor: Cecily Hill
Session Four: Looking for Alt-Ac Jobs. Where do you even start looking for alt-ac jobs? This session will cover the basics of searching for jobs in a number of different industries. Using a computer lab, we'll start by looking at databases and move on to individual searching. To close, we'll discuss some of our more interesting finds and deconstruct the job requirements. This session will cover:

  1. Job search websites and resources.
  2. LinkedIn
  3. Informational Interviews (Part Two)

Session Five: Resumes and Cover Letters. Resumes look nothing like CVs, and transitioning to them can be daunting. In this session, we'll discuss how to translate common academic skills into bullet points. We will also go over the rhetorical moves common to non-academic cover letters.

Session Eight: Seriously, You Aren't Alone. Leaving the academy can be tough - even when you are prepared for it. This session deals with how to cope with inevitable change: how to maintain and rebuild a community, how to find writing and research groups.